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Ana Matilde Sousa is an artist, academic, and teacher in the Arts & Humanities, specializing in Japanese pop culture and the phenomenon of Japanization within global circulations, appropriation, and remediation of images. Her artworks have been showcased in artistic publications and venues across Portugal and worldwide, including Europe (from Spain to France and Finland), Canada, Australia, and Hong Kong. Notably, her collaborative piece "YWY: Searching for a Character In-Between East and West" has been displayed at prestigious institutions, such as Palais de Tokyo and Art Basel. She has authored several articles and book chapters published by high-quality academic publishers, e.g., Routledge, University of Minnesota Press, and Taylor & Francis.; she has participated in international conferences across Europe, the US, and East Asia (South Korea, Japan). Holding a Master’s and a Doctoral degree in Fine Arts–Painting, her work is characterized by interdisciplinarity, covering a wide range of media from painting and drawing to comics, photography, video, and digital art, as well as the merging of traditional fine arts with Internet aesthetics, manga, anime, and video games. Her interests have expanded to the Anthropocene and the concept of practiced-based research methodologies in the arts, leading to her participation in various organizational, curatorial, scientific, and educational activities in these fields. In 2022, Sousa became a FCT Junior Researcher at CIEBA-FBAUL after her application “PLOT AGAINST. A painting-based research project into the pen plotter and other peripheral devices in the cyborgian imagination” secured funding through the highly competitive contest Individual Call to Scientific Employment Stimulus (CEEC) of FCT-MCTES, ranking in the top three of her category. Previously, she had received a scholarship for her PhD research by the same institution. She regularly holds lectures at several Portuguese higher education and artistic institutions and served as an Invited Assistant Professor for the Bachelor’s degree in Painting at FBAUL, where, in her role as Researcher, she continues to teach and tutor students on their artistic projects in the Bachelor's Degree in Painting in the courses Visual Arts II and Painting I, and is responsible for the Painting sessions in the Research Methodologies Seminar of the Doctorate in Fine Arts. Her CV served as a core CV for FCT's evaluation of the CIEBA research center in 2024. She has also served as a member of the Social Sciences and Humanities panel in the FCT 2024 PhD Scholarship Contest – Specific Application Line in Non-Academic Environment, in addition to being a member of several artistic contest juries. She was a member of the COST Action iCon-MICS – Investigation on Comics and Graphic Novels in the Iberian Cultural Area, where she served as Grant Awarding Coordinator for the project's extension (4 years). Under her artistic name, Hetamoé, she co-founded the fanzine label Clube do Inferno in 2012 and the artist collective MASSACRE in 2020. She regularly participated in exhibitions in galleries and museums.
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Identificação

Identificação pessoal

Nome completo
Ana Matilde Diogo de Sousa

Nomes de citação

  • Ana Matilde Sousa
  • Hetamoé

Identificadores de autor

Ciência ID
6E19-B297-80A1
ORCID iD
0000-0003-3747-3541

Endereços de correio eletrónico

  • am.sousa@belasartes.ulisboas.pt (Profissional)
  • asousa@campus.ul.pt (Profissional)

Websites

Domínios de atuação

  • Humanidades - Artes
  • Humanidades - Artes - Artes
  • Humanidades - Outras Humanidades

Idiomas

Idioma Conversação Leitura Escrita Compreensão Peer-review
Inglês Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1)
Francês Utilizador elementar (A1) Utilizador independente (B1) Utilizador elementar (A1) Utilizador independente (B1)
Espanhol; Castelhano Utilizador elementar (A1) Utilizador independente (B1) Utilizador elementar (A1) Utilizador elementar (A1)
Japonês Utilizador independente (B1) Utilizador elementar (A1) Utilizador elementar (A1) Utilizador independente (B1)
Português (Idioma materno)
Formação
Grau Classificação
2012 - 2020/11/06
Concluído
 Belas-Artes (Doutoramento)
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
"CUTENCYCLOPEDIA: A theoretical-practical investigation on the kawaii as an aesthetic category in art and pop culture " (TESE/DISSERTAÇÃO)
 summa cum laude | aprovada por unanimidade com distinção e louvor
2012
Concluído
 Pintura (Mestrado integrado)
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
"Bukimi-tan. Sobre o conceito de kawaii na produção artística contemporânea japonesa (um roteiro)." (TESE/DISSERTAÇÃO)
 20/20, Excellent | 20 valores, Excelente
2008
Concluído
 Bachelor's degree in Painting (pre-Bologna Process) (Licenciatura)
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
"n/a" (TESE/DISSERTAÇÃO)
 17 valores, Bom com Distinção
1999 - 2001
Concluído
 Curso Geral [General Course] (Ensino secundário)
Escola Artística António Arroio, Portugal
 19
Percurso profissional

Docência no Ensino Superior

Categoria Profissional
Instituição de acolhimento 		Empregador
2021/02/17 - 2022/04/30 Professor Auxiliar Convidado (Docente Universitário) Universidade de Lisboa Faculdade de Belas-Artes, Portugal
Universidade de Lisboa Faculdade de Belas-Artes, Portugal

Outros

Categoria Profissional
Instituição de acolhimento 		Empregador
2022/05/01 - Atual FCT Junior Research via CEEC - 4th Edition Universidade de Lisboa Faculdade de Belas-Artes, Portugal
Universidade de Lisboa Centro de Investigação e de Estudos em Belas-Artes, Portugal
Projetos

Bolsa

Designação Financiadores
2020/07/21 - 2021/01/21 InsSciDE - Inventing a shared Science Diplomacy for Europe
InSciDE - H2020-SC6-ENG- GLOBALLY- Reference 770523
Bolseiro de Investigação
Associação para a Inovação e Desenvolvimento da FCT, Portugal
 Horizon 2020 - EU Framework Programme for Research and Innovation
Concluído
2013/01 - 2017/12 Sobre o conceito japonês de "kawaii" como categoria estética na produção artística contemporânea: investigação teórico-prática [On the Japanese concept of "kawaii" as an aesthetic category in contemporary artistic production: a theoretical and practical investigation]]
SFRH / BD / 89695 / 2012
 Fundo Regional para a Ciência e Tecnologia
Concluído

Projeto

Designação Financiadores
2022/05/02 - 2028/05/01 PLOT AGAINST. A painting-based research project into the pen plotter and other peripheral devices in the cyborgian imagination.
2021.00832.CEECIND/CP1706/CT0001
10.54499/2021.00832.CEECIND/CP1706/CT0001
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
 Fundação para a Ciência e a Tecnologia
Em curso

Outro

Designação Financiadores
2022/01/01 - 2025/07/31 Einstein, Eddington e o Eclipse. Uma história global do eclipse solar total de 1919 [Einstein, Eddington and the Eclipse. A global history of the 1919 total solar eclipse]
PTDC/FER-HFC/3491/2021
Project member as researcher, presenter, and artist
FCiênciasID Associação para a Investigação e Desenvolvimento de Ciências, Portugal

Universidade de Lisboa Faculdade de Ciências, Portugal

Centro Interuniversitário de História das Ciências e da Tecnologia, Portugal
Fundação para a Ciência e a Tecnologia
Em curso
2020/06/01 - 2024/10/31 iCon-MICS - Investigation on comics and graphic novels in the iberian cultural area
COST Action CA19119
Member of COST Action and Grant Awarding Coordinator
Université Clermont Auvergne, França
 European Cooperation in Science and Technology (COST Association)
Em curso
2017 - 2019 ANTHROPOLANDS - Construir o Antropoceno
PTDC/IVC-HFC/6789/2014
Project member as researcher, presenter, and artist
Centro Interuniversitário de História das Ciências e da Tecnologia, Portugal
 Fundação para a Ciência e a Tecnologia
Concluído
Produções

Publicações

Artigo em conferência
  1. Ana Matilde Sousa. "A virus called Ika-tako and other (digital) cute aggressions". Trabalho apresentado em xCoAx 2022 – 10th Conference on Computation, Communication, Aesthetics & X, Coimbra, 2022.
    Publicado
  2. Ana Matilde Sousa. "Of Sparkle-vomit and Base Materialism: Field Notes on Blingee GIFs". Trabalho apresentado em xCoAx 2021: 9th Conference on Computation, Communication, Aesthetics & X, Online, 2021.
    Publicado
Artigo em jornal
  1. Ana Matilde Sousa. "Uchigeba", Le Monde Diplomatique - Portuguese Edition [One-page comic for newspaper by invitation], 2020, Outras Palavras, https://pt.mondediplo.com/spip.php?article1327 [comic for Le Monde Diplomatique - Edição Portuguesa].
Artigo em revista
  1. Daniel Paiva; Liliana Carvalho; Ana Matilde Sousa; Ana Luísa Soares; Sónia Talhé Azambuja. "Gamifying urban nature experiences". ERDKUNDE (2025): https://doi.org/10.3112/erdkunde.2024.04.03.
    10.3112/erdkunde.2024.04.03
  2. Sousa, Ana Matilde. "Schrödinger's Grrrl". Girlhood Studies 17 3 (2024): 127-133. https://doi.org/10.3167/ghs.2024.170310.
    Publicado • 10.3167/ghs.2024.170310
  3. Ana Matilde Sousa. "The World Awakens and Changes with Your Love; or, Queering the Badiouian Scene of Two in Kunihiko Ikuhara’s Yurikuma Arashi". Cinema: Journal of Philosophy and Moving Image 16 (2024): https://cinema.fcsh.unl.pt/index.php/revista.
    Acesso aberto • No prelo
  4. Simões, Ana; Sousa, Ana Matilde. "Enhancing Science Education Through Visual Art and Complex Storytelling Using the Book "Einstein, Eddington, and the Eclipse: Travel Impressions”". Science & Education (2024): http://dx.doi.org/10.1007/s11191-024-00499-y.
    Acesso aberto • Publicado • 10.1007/s11191-024-00499-y
  5. Paiva, Daniel; Carvalho, Liliana; Brito-Henriques, Eduardo; Ana Matilde Sousa; Ana Luisa Soares; Azambuja, Sónia Talhé. "Digital storytelling and hopeful last chance tourism experiences". Tourism Geographies (2023): https://doi.org/10.1080/14616688.2023.2224043.
    Publicado
  6. Ana Matilde Sousa. "Just a Cute Vibe. Producing a weeb-wave in 2010s music videos". Mechademia: Second Arc New Formulations of the Otaku [University of Minnesota Press ; level A academic publisher] 14 2 (2022): 183-210. https://muse.jhu.edu/article/845498#info_wrap.
    Publicado
  7. Ana Matilde Sousa. "She's Not Your Waifu; She's an Eldritch Abomination: Saya no uta and Queer Antisociality in Japanese Visual Novels". Mechademia: Second Arc - Queer(ing), guest ed. James Welker [University of Minnesota Press ; level A academic publisher] 13 1 (2020): 72-100. http://dx.doi.org/10.5749/mech.13.1.0072.
    Publicado • 10.5749/mech.13.1.0072
  8. Ana Matilde Sousa. "Gaijin Mangaka: The boundary-violating impulse of Japanized "art comics"". Mutual Images Journal 7 (2019): 3-26. http://www.mutualimages-journal.org/index.php/mi/article/view/Vol7-2.
    Acesso aberto • Publicado • doi.org/10.32926/2019.7.sou.gaiji10.32926/2019.7.sou.gaiji
  9. Ana Matilde Sousa. "Against Teleology: Nostalgia and the vicissitudes of connectedness in Pharrell Williams's It Girl music video". Mechademia: Second Arc - Childhood [University of Minnesota Press ; level A academic publisher] 11 1 (2019): 147-165. https://www.jstor.org/stable/10.5749/mech.11.1.0147.
    Publicado • 10.5749/mech.11.1.0147
  10. Ana Matilde Sousa. "Somos Todos Poppy: O homo interneticus segundo Poppy e Titanic Sinclair [We're All Poppy: Homo interneticus according to Poppy and Titanic Sinclair]". CROMA 11 Jan-Jun (2018): 28-39. https://web.archive.org/web/20190801202426/http://croma.fba.ul.pt/C_v6_iss11.pdf.
    Acesso aberto • Publicado
  11. Ana Matilde Sousa. "Porque Sou Imperfeita: THE END, a ópera VOCALOID "sem" humanos [Because I Am Imperfect: THE END, the "humanless" VOCALOID opera]". Croma 9 Jan-Jul (2017): 100-111. http://hdl.handle.net/10451/29437.
    Acesso aberto • Publicado
  12. Ana Matilde Sousa. "It Girl: O problema lolicon no videoclipe de Mr. para Pharrell Williams [It Girl: The lolicon problem in Mr.'s music video for Pharrell Williams]". Estúdio 7 15 (2016): 100-111. http://hdl.handle.net/10451/23701.
    Acesso aberto • Publicado
  13. Ana Matilde Sousa. "Imagens do Mosh Pit Flutuante: Intervenções de Yoshitomo Nara sobre gravuras japonesas oitocentistas ["Images from the Floating Mosh Pit: Yoshitomo Nara's interventions on 19th century Japanese prints"]". Arte Teoria 16-17 (2015): 63-74. http://hdl.handle.net/10451/18355 [[Pictures from the Floating Mosh Pit: Yoshitomo Nara's interventions on eighteenth-century woodcuts]].
    Acesso aberto • Publicado
  14. Ana Matilde Sousa. "Revolução das Flores: Uma introdução ao Grupo do Ano 24 na vanguarda do shojo manga ["Flowers' Revolution: An introduction to the Year 24 Group in the vanguard of shojo manga"]". Estúdio 6 11 (2015): 135-148. http://hdl.handle.net/10451/20023.
    Acesso aberto • Publicado
  15. Ana Matilde Sousa. "A Colaboração Massiva de Hatsune Miku: Software Vocaloid como catalisador de criações colectivas, grassroots e multidisciplinares na subcultura otaku [The Massive Colaboration of Hatsune Miku: Vocaloid software as a catalyst for collective, grassroots and multidisciplinary creation in otaku subculture]". Croma 2 3 (2013): 121-137. http://hdl.handle.net/10451/12237.
    Acesso aberto • Publicado
  16. Ana Matilde Sousa. "Miúdas do Pixiv: jovens criadoras japonesas nas comunidades artísticas online [Pixiv Kids: Young female Japanese creators in online artistic communities]". Estúdio 4 7 (2013): 77-91. http://hdl.handle.net/10451/8414.
    Acesso aberto • Publicado
Artigo em revista (magazine)
  1. Ana Matilde Sousa. "Fatality [In Press]", Numéro Berlin Homme & Femme (Vol A), 2025
  2. Ana Matilde Sousa. "Comic in the "Ecos Gráficos - 'Mulheres, poder e lideranças'" section", Mundo Crítico: Revista de cooperação e desenvolvimento , 2024, https://mundocritico.org/.
  3. Ana Matilde Sousa. "Girl meets AI", Revista Decadente [Series of artistic chapters for comics anthology], 2022
  4. Ana Matilde Sousa; Ana Isabel Simões. "Selection and translation of pages from the graphic novel Einstein, Eddington, e o/and the Eclipse - Impressões de Viagem/ Travel Impressions [Artistic chapter for comics anthology]", Zupelnie Inny Swiat, 2021
  5. Ana Matilde Sousa. "COOL JAPAN: Aquecimentos e arrefecimentos da cultura pop japonesa num clima global ["COOL JAPAN: Japanese pop culture heats up and cools down in a global climate"]", Leonorana [Essay for literary magazine by invitation], 2019, http://www.leonorana.com/index2.html.
  6. Ana Matilde Sousa. "Transformation Sequence", Trip [Artistic chapter in international comics anthology by invitation], 2019, https://anamatilde-sousa.squarespace.com/magical-transformation [comic chapter in anthology].
  7. Ana Matilde Sousa. "Asbestos in Ambler", Anthropocene Curriculum [Comic/poster], 2018, https://www.anthropocene-curriculum.org/contribution/asbestos-in-ambler/.
  8. Ana Matilde Sousa. "Compewwter Love", Bestiário [Artistic chapter in Portuguese literary/art anthology by invitation], 2018, https://anamatilde-sousa.squarespace.com/compewwter-luv.
  9. Ana Matilde Sousa. "Computadores Nojentos: Algumas considerações sobre a "digitalidade negra" ["Disgusting Computers: Some thoughts on 'dark digitality'"]", Bestiário [Essay for literary magazine by invitation], 2018, https://bestiario.pt/catalogo/.
  10. Ana Matilde Sousa. "Moé: Filhas, irmãzinhas, e a família além dos princípios 'maternal' e 'paternal' na BD e animação japonesas ["Moé: Daughters, little sisters, and the family beyond 'maternal' and 'paternal' principles in Japanese comics and animation"]", Leonorana [Essay for literary magazine by invitation], 2018, http://www.leonorana.com/index2.html.
  11. Ana Matilde Sousa; Zeynep Oguz; Daniel F. Lorenz. "The Anthropocene Train", Anthropocene Curriculum [Text and visuals for academic article], 2018, https://archive.anthropocene-curriculum.org/pages/root/related-projects/anthropocene-campus-philadelphia/voice-and-representation/the-anthropocene-train/.
  12. Ana Matilde Sousa. "Various titles", TENDER: a quarterly journal made by women [Drawings for art/literary digital magazine with high-profile artists like Bunny Rogers], 2017, http://docs.tenderjournal.co.uk/tender-seven.pdf.
  13. Ana Matilde Sousa. "Café e carne humana: Sobre as dietas "hérbivora" e "carnívora" em Tokyo Ghoul / Coffee and human flesh: on the "herbivore" and "carnivore" diets in Tokyo Ghoul", Leonorana [Essay for literary magazine by invitation], 2017, http://www.leonorana.com/index2.html.
  14. Ana Matilde Sousa; Joana Almeida; Joana Tomé; Marta Sicurella; Sofia Silva. "Mesa-redonda sobre pornografia, estética, ética e feminismos ["Round table about pornography, aesthetics, ethics and feminisms"]", Propeller #0 - Keep It Cummin', 2017
  15. Ana Matilde Sousa. "Erro 404", Quadrado [Artistic chapter in Portuguese comics anthology], 2017, https://anamatilde-sousa.squarespace.com/erro-404.
  16. Ana Matilde Sousa. "Behind the Comics (21) - Hetamoé", Kushkomikss [Blog post by invitation about artistic practice], 2016, http://kushkomikss.blogspot.pt/2016/08/behind-comics-21-hetamoe.html.
  17. Ana Matilde Sousa. "Trance Dream Techno", Baltic Comics Magazine s! #25 Gaijin Mangaka [Artistic chapter in international comics anthology by invitation], 2016, https://anamatilde-sousa.squarespace.com/trance-dream-techno.
  18. Ana Matilde Sousa. "Não Deixarei Uma Mulher Ter-te! Um breve tour pelo manga boys' love e doujinshi, a partir de Jinrui Wa Suitaishimashita ["I Won't Let a Woman Have You! A brief tour through boys' love and doujinshi, d'après Jinrui Wa Suitaishimashita"]", Bandas Desenhadas [Guest article for literary/art blog by invitation]], 2015, ttp://bandasdesenhadas.com/2015/08/13/nao-deixarei-uma-mulher-ter-te-2/#comments.
  19. Ana Matilde Sousa. "Yurikuma Arashi, ou a revolução segundo as ursas lésbicas (Partes 1 & 2) ["Yurikuma Arashi, or the revolution according to the lesbian bears (Parts 1 & 2)"]", L'Obiéssance Est Morte [Guest article for political blog by invitation], 2015, https://obeissancemorte.wordpress.com/2015/07/14/yurikuma-arashi-ou-a-revolucao-das-ursas-lesbicas-parte-1/.
  20. Ana Matilde Sousa. "6 livros académicos sobre mangá e animé, por Ana Matilde Sousa ["6 academic books on manga and anime, by Ana Matilde Sousa"]", LerBD [Guest article for literary/art blog by invitation], 2015, http://lerbd.blogspot.pt/2015/01/6-livros-academicos-sobre-manga-e-anime.html.
  21. Ana Matilde Sousa. "Girls gone wild, west and black (Parts I, 2 & 3)", L'Obiéssance Est Morte [Guest article in political blog], 2014, https://obeissancemorte.wordpress.com/2014/12/02/girls-gone-wild-west-and-black-parte-i/.
  22. Ana Matilde Sousa. "g", Baltic Comics Magazine s! #22 'Fashion' [Artistic chapter in comics anthology], 2014, https://anamatilde-sousa.squarespace.com/g-kus-fashion.
  23. Ana Matilde Sousa. "Japanoise I & II", Zilêncio: Ruído [Illustrations for art anthology], 2014, https://www.heta.moe/zine-participations/#japanoise.
  24. Ana Matilde Sousa. "Spread Pussy / Pussy Juices", Livro de Vulvas Para Colorir ["Vulva coloring book"] by Your Mouth Is a Guillotine [Illustration for art anthology], 2014, https://www.heta.moe/zine-participations/#spread-pussy.
  25. Ana Matilde Sousa. "Revolutionary Girl Hatsune Miku", Your Mouth Is a Guillotine [Comic for art/literary magazine], 2014, https://www.heta.moe/zine-participations/#revolutionary-girl.
  26. Ana Matilde Sousa. "Sem título (Weird Mood)", Preto No Branco by Façam Fanzines e Cuspam Martelos [Artistic chapter for comics anthology], 2014, https://www.heta.moe/zine-participations/#weird-mood.
  27. Ana Matilde Sousa. "Boys Will Be Boys Will Be Girls: Free! Iwatobi Swim Club, ou o (improvável) fanservice feminista. ["Boys Will Be Boys Will Be Girls: Free! Iwatobi Swim Club, or the (unlikely) feminist fanservice"]", Mashnotes [Guest article for pop culture blog], 2013, https://web.archive.org/web/20131010064530/http://www.mashnotes.pt/2013/10/boys-will-be-boys-will-be-chicks-free-iwatobi-swim-club-ou-o-improvavel-fan-service-feminista/.
  28. Ana Matilde Sousa. "Glitch", Lodaçal [Artistic chapter in comics magazine], 2013
  29. Ana Matilde Sousa; Marta Lourenço. "Illustration for "Excerto do Nome Dela" de Marta Lourenço ["Illustration for " Excerpt from Her Name" by Marta Lourenço"]", Fazedores de Letras [Illustration for fiction in literary magazine], 2006
  30. Ana Matilde Sousa. "Lorelei", Blast: Revista Internacional de Banda Desenhada [Artistic chapter in comics magazine], 2005
Capítulo de livro
  1. Ana Matilde Sousa. "Subtextual Nihilism [Portuguese Version]". In Massa Crítica, 75-82. Lisboa, Portugal: Chili Com Carne, 2024.
    Publicado
  2. Ana Matilde Sousa. "Whitewashing the Smudge: The politics of erasure and unreadability in Ilan Manouach's Cascao". In Ilan Manouach in Review: Critical Approaches to his Conceptual Comics, editado por Pedro Vieira Moura, 19. London, Reino Unido: Routledge [Academic publisher ; level A+], 2023.
    Publicado
  3. Ana Matilde Sousa. "Welcome to the Anthrobscene". In Kuti #65 ‘Contemporary Portuguese Comics’, editado por Tommi Musturi; Pedro Vieira Moura; Marcos Farrajota. Helsinki: Kutikuti [Artistic chapter in comics anthology], 2022.
    Publicado
  4. Ana Matilde Sousa; Maria Paula Diogo. "Será que a Hatsune Miku sonha com ovelhas eléctricas? Vocaloides, agentes inteligentes e pós-humanidade ["Does Hatsune Miku dream of electric sheep? Vocaloids, intelligent agents and post-humanity"]". In Antropoceno, Biopolítica e Pós-humano, editado por Atílio Butturi Junior; José Luís Câmara Leme; Davide Scarso, 231-278. Campinas, Brasil: Pontes Editores [Academic publisher; Level C], 2021.
    Publicado
  5. Ana Matilde Sousa. "Subtextual Nihilism". In Opposights: Alternative Comic Art Scenes from Australia and Portugal, editado por Michael Fikaris; Marcos Farrajota. Melbourne, Austrália: Silent Army [Artistic chapter in international comics anthology by invitation], 2021.
    Publicado
  6. Ana Matilde Sousa. "Biliões de Outros Mundos... ["Billions of Other Worlds..."]". In Leituras Desenhadas: uma celebração dos 25 anos da Bedeteca de Lisboa, 7. Lisboa, Portugal: Olivais Town Council | Junta de Freguesia dos Olivais [Artistic chapter for comics anthology by invitation], 2021.
    Publicado
  7. Ana Matilde Sousa. "Imagens do mosh pit flutuante. Intervenções de Yoshitomo Nara sobre gravuras japonesas oitocentistas ["Images from the floating mosh pit. Interventions by Yoshitomo Nara on 19th century Japanese prints"]". In Japão em movimento: cultura, espaço e outras territorialidades [Japan on the move: culture, space and other territorialities], editado por Marco Souza; Cecilia Noriko Saito. São Paulo, Brasil: Intermeios, 2020.
    Publicado
  8. Ana Matilde Sousa. "En Plein Air (After Zelda) and lootbox_compilation.mp4". In Loot Box by MASSACRE. Lisboa, Portugal: MASSACRE [Texts for exhibition catalogue], 2020.
    Submetido
  9. Ana Matilde Sousa; Ivo Louro. "Troubled Gardens: Nature-technoculture binary and the search for a Safe Operating Space in Hayao Miyazaki's Mononoke Hime". In Gardens and Human Agency in the Anthropocene, editado por Maria Paula Diogo; Ana Isabel Simões, 216-234. London, Estados Unidos: Routledge [Academic publisher ; level A+], 2019.
    Publicado
  10. Ana Matilde Sousa. "Ita-Bag". In Nódoa Negra ["Bruise"], editado por Dileydi Florez; Marcos Farrajota, 42-51. Lis, Portugal: Chili Com Carne [Artistic chapter for Portuguese comics anthology], 2018.
    Publicado
  11. Ana Matilde Sousa. "Ouvir / Ambiente / Gravar ["Listen / Environment / Record"]". In Soundscape Campus #01, editado por Ivo Miguel Louro, 34-35. Lisboa, Portugal: CIUHCT - Centro Interuniversitário de História das Ciências e Tecnologia [Artistic chapter for multidisciplinary zine], 2018.
    Publicado
  12. Ana Matilde Sousa. "Beauty Is In the Eye of the 'Produser': Virtual idol Hatsune Miku from software, to network, to stage". In Post-Screen : intermittence + interference, editado por Ana Moutinho; Ana Teresa Vicente; Helena Ferreira; José Gomes Pinto. Lisboa, Portugal: Edições Universitárias Lusófonas : Faculdade de Belas-Artes da Univiversidade de Lisboa, 2016.
  13. Ana Matilde Sousa; Rui Eduardo Paes. "O que é "queer" no queercore? ["What's 'queer' about queercore?"]". In Anarco-Queer? Queercore!, editado por Marcos Farrajota. Lisboa, Portugal: Chili Com Carne ; Thisco [Illustration and page design for book chapter], 2016.
    Publicado
  14. Ana Matilde Sousa. "Republishing of several guest articles previously published on literary/art/political blogs". In Maga: Colecção de Ensaios Sobre Banda Desenhada e Afins ["Maga: Collection of Essays on Comics and Related Subjects"], editado por João Miguel Machado; Marcos Farrajota, 87-109. Lisboa, Portugal: Chili Com Carne/Thisco; Clube do Inferno, 2015.
    Publicado
  15. Ana Matilde Sousa. "Hetamoé's Malmö". In Malmö Kebab Party, editado por Marcos Farrajota, 5-8. Aveiro, Portugal: Chili Com Carne ; Ruru Comix [Artistic chapter in Portuguese comics anthology], 2015.
    Publicado
  16. Ana Matilde Sousa. "Obscure Alternatives". editado por Marcos Farrajota, 5-8. Lisboa, Portugal: Chili Com Carne [Artistic chapter in comics anthology], 2015.
    Publicado
  17. Ana Matilde Sousa. "The Screen Turns You On: Lust for hyperflatness in Japanese girl games". In Post-screen: device, medium and concept, editado por Ana Teresa Vicente; Helena Ferreira, 238-248. Lisboa, Portugal: Faculdade de Belas-Artes da Universidade de Lisboa : Centro de Investigação e de Estudos em Belas-Artes, 2014.
    Publicado
  18. Ana Matilde Sousa. "Painting Superflat: Post-painterly figuration, commodity-life and spectral return in Japanese contemporary painting". In And Painting? A pintura contemporânea em questão, editado por Isabel Sabino, 238-246. Lisboa, Portugal: Faculdade de Belas-Artes, Universidade de Lisboa, 2014.
    Publicado
  19. Ana Matilde Sousa. "They Say That Clovers Blossom from Promises". editado por Marcos Farrajota, 14-17. Lisboa, Portugal: Chili Com Carne [Artistic chapter in comics anthology], 2014.
    Publicado
  20. Ana Matilde Sousa. "Attack of the Man-Eating Ghouls". In Pero Pero, editado por Paula Almeida; Pedro Cobiaco, 35-41. São Paulo, Brasil: Loki [Artistic chapter in Brazilian comics anthology], 2014.
    Publicado
  21. Ana Matilde Sousa. "Moe-Kei: Notas sobre o conceito de moe como sistema compositivo na cultura cute japonesa ["Moe-Kei: Notes on the concept of moé as a compositional system in Japanese cute culture"]". In And Painting? A pintura contemporânea em questão ["And Painting? Contemporary painting in question"], editado por Isabel Sabino, 299-329. Lisboa, Portugal: Faculdade de Belas Artes. CIEBA, 2013.
    Publicado
  22. Ana Matilde Sousa; Various authors. "Tentacle Grape". In Parasitas: Antologia de Banda-Desenhada. Lisboa, Portugal: Imvencible [Artistic chapter in comics anthology], 2013.
Catálogo de exposição
  1. Ana Matilde Sousa; Hugo Noronha de Almeida; Luís André Pereira; Francisco Sousa Lobo. Utopias de um Futuro Próximo: Lisboa e Almada no Ano 2100 ["Utopias of a Near Future: Lisbon and Almada in the Year 2100"]. CIUHCT - Interuniversity Center for the History of Science and Technology ; FCT/NOVA - NOVA School of Science and Technology, 2023.
  2. Ana Matilde Sousa; Hugo Almeida; André Pereira. Loot Box by MASSACRE. MASSACRE, 2020.
  3. Pereira, André; Almeida, Hugo; Hetamoé. Loot Box — Catálogo de Exposição. MASSACRE, 2020.
  4. Ana Matilde Sousa; Isabel Sabino [coordenação]; Various authors. Teses Mestrado Pintura 09-11 ["Master's Thesis in Painting 2009-2011"]. Faculdade de Belas-Artes da Universidade de Lisboa, 2012.
  5. Ana Matilde Sousa; Sofia Marçal [coordenation]; Various authors. ESPAÇO_ARTE@ULIS2011 / Curadoria Sofia Marçal [ESPAÇO_ARTE@ULIS2011 / Curated by Sofia Marçal]. Reitoria da Universidade de Lisboa : ULis2011 Centenário da Universidade de Lisboa, 2011.
  6. Ana Matilde Sousa; Sofia Marçal [coordenation]; Various authors. Sala do Veado Vinte Anos : 1990-2010 ["Deer Room Twenty Years: 1990-2010"]. Museu Nacional de História Natural e da Ciência [National Museum of Natural History and Science], 2010.
  7. Ana Matilde Sousa; Various authors. 15ª Exposição Internacional de Artes Plásticas de Vendas Novas [15th International Fine Arts Exhibition of Vendas Novas]. Centro Sócio-Cultural de Vendas Novas, 2009.
  8. Ana Matilde Sousa; Various authors. Finalistas Pintura FBAUL 07’08 [Painting Finalists FBAUL 07’08]. Faculdade de Belas-Artes da Universidade de Lisboa, 2009.
  9. Ana Matilde Sousa; Various authors. Amadora BD 2004 - XV Festival Internacional de Banda Desenhada da Amadora ["Amadora BD 2004 - XV Amadora International Comic Festival"]. Câmara Municipal da Amadora - Departamento de Educação e Cultura [Amadora City Council - Department of Education and Culture], 2004.
Livro
  1. Ana Simões; Ana Matilde Sousa. Einstein, Eddington e o Eclipse. Impressões de viagem/Einstein, Eddington and the Eclipse. Travel Impressions. Lisboa, Portugal: Chili Com Carne [Extended edition of the original book]. 2024.
    No prelo
  2. Ana Matilde Sousa. Petit Bourgeois. Lisboa, Portugal: MASSACRE [Self-published artist's book]. 2023.
    Publicado
  3. Ana Matilde Sousa. GNAW. Lisboa, Portugal: MASSACRE [Self-published artist's book]. 2022.
    Publicado
  4. Ana Matilde Sousa. Violent Delights. Riga, Letónia: kus! ; Biedrïba Grafiskie Stästi [Solo comic in mini-kus!, a collection featuring invited international alternative and experimental comic artists]. 2020.
    Publicado
  5. Ana Matilde Sousa; Ana Isabel Simões. Einstein, Eddington, e o/ and the Eclipse: Impressões de Viagem / Travel Impressions. Lisboa, Portugal: Chili Com Carne [Bilingual book composed of a graphic novel and a scientific essay]. 2019.
    Publicado
  6. Ana Matilde Sousa; Joana Escoval. Autumn. The Wind in the Tree, the Wind in the Water. Lisboa, Portugal: Kunsthalle Lissabon, with the support of Gallery Vera Cortês [Comic/manga book and artist's book]. 2019.
    Publicado
  7. Ana Matilde Sousa. Spookytongue. Valencia, Espanha: Ediciones Valientes [Solo comic by invitation in the Antisol series]. 2017.
    Publicado
  8. Ana Matilde Sousa. I've finally got something to show for all of this "work" I've been doing. Preparatory comics & illustrations. Lisboa, Portugal: Clube do Inferno [Self-published artist's book]. 2016.
    Publicado
  9. Ana Matilde Sousa. Muji Life + Yangire/Yandere. Lisboa, Portugal: Clube do Inferno [Self-published artist's book composed of comic and theoretical essay]. 2015.
  10. Ana Matilde Sousa. Yonkoma Collection Vol. 1. Lisboa, Portugal: Clube do Inferno [Self-published artist's book]. 2014.
    Publicado
  11. Ana Matilde Sousa; Fontes da Costa, Palmira; Maria Paula Diogo. As Aventuras de Garcia de Orta ["The Adventures of Garcia de Orta"]. Lisboa, Portugal: Edições Colibri [Picture book in collaboration with FCT-NOVA and Garcia de Orta hospital for the hospital's children's ward]. 2014.
  12. Ana Matilde Sousa. Mori. Lisboa, Portugal: Clube do Inferno [Self-published artist's book]. 2014.
    Publicado
  13. Ana Matilde Sousa. Onahole. Lisboa, Portugal: Clube do Inferno [Self-published artist's book]. 2013.
    Publicado
  14. Ana Matilde Sousa; João Miguel Machado. Idle Odalisque. Lisboa, Portugal: Clube do Inferno [Self-published artist's book]. 2012.
    Publicado
Prefácio / Posfácio
  1. Ana Matilde Sousa. "Pósfácio: Viva o Triunfo dos PORCOS!!! ["Postscript: Hail to the Triumph of the PIGS!!!"]". Posfácio para Tóquio Zombie by Yusaku Hanakuma, editado por Marcos Farrajota; Cassiano Branco, I-III. Lisboa, Portugal: Chili Com Carne e Editora Sendai. 2023.
    Publicado
Recurso online
  1. Ana Matilde Sousa; Paiva, Daniel; Carvalho, Liliana. Origenes Botanica [Comics and mixed reality game developed in partnership between the Center for Geographical Studies and the Ajuda Botanical Garden]. 2021. https://www.heta.moe/#/origenes-botanica/.
Tese / Dissertação
  1. Ana Matilde Sousa. "CUTENCYCLOPEDIA: A theoretical-practical investigation on the Kawaii as an aesthetic category in art and pop culture". Doutoramento, Universidade de Lisboa Faculdade de Belas-Artes, 2020. https://repositorio.ul.pt/handle/10451/45935.
  2. Sousa, Ana Matilde, 1984-. "Bukimi-Tan: Sobre o conceito de Kawaii na produção artística contemporânea japonesa (um roteiro) [Bukimi-tan. On the concept of kawaii in contemporary japanese art production (an itinerary)]". Mestrado, Universidade de Lisboa Faculdade de Belas-Artes, 2012. http://hdl.handle.net/10451/20628.
Tradução
  1. Ana Matilde Sousa. God and Caravaggio: The Negation of Chiaroscuro and the Invention of Compact Bodies [Book by Carlos Vidal, translated to English from the Spanish original]. Madrid, Espanha: Brumaria. 2020.
    No prelo

Artística / Interpretação

Arte visual
  1. Ana Matilde Sousa. Cover and multiple illustrations for the literary and art magazine "Bestiário #2," PT (2020).
  2. Ana Matilde Sousa. I AM YOU IN THE FUTUR [Poster and cover illustration for music cassette by Kibotte, published by Fungo, PT, 2019].
  3. Ana Matilde Sousa. Poster for the 6th Comics Competition of Associação Chili Com Carne "Toma lá 500 paus e faz uma BD!" (2019).
  4. Ana Matilde Sousa. MGCL GRL [Limited edition screenprint published by Oficina do Cego, PT, 2018].
  5. Ana Matilde Sousa. I DETACH MYSELF FROM EVERYTHING [Limited edition screenprint published by *print club málaga, SP, 2017].
  6. Ana Matilde Sousa. Versus V [Concert poster published by Zaratan - Arte Contemporânea and Stolen Prints, 2017].
  7. Ana Matilde Sousa. Wallpaper for the website of Associação Chili Com Carne (2014).
  8. Ana Matilde Sousa. E-flyer for the independent book fair Necromancia Editorial II (Chili Com Carne/ Milhões de Festa, 2014).
  9. Ana Matilde Sousa. Regularly contributed with graphic design for the music review website "A Puta da Subjectividade" (2003-6).
  10. Ana Matilde Sousa. The Game Is Never Over [Online comic for Desert Island's Rescue Party on Instagram, 2020].
  11. Ana Matilde Sousa. Official logo for the COST Action iCOn-MICS - Investigation on comics and graphic novels in the Iberian cultural area.
  12. Ana Matilde Sousa. Blind Foresight - paria/FARZANEH x Hetmaoé [Digital animation with sound, 3'04'', 2023 ; collaboration by London-based fashion designer Paria Farzaneh].
  13. Ana Matilde Sousa. Centro Anarquista Internacional de Artes Modestas - Por Hetamoé - Comiket 102 Youkoso! [Double comic strips in newspaper A Batalha].
  14. Ana Matilde Sousa. Illustrations for "YWY. Searching for a Character Between Future Words," edited by Isadora Neves Marques [Literary and art book, pp. 137-146, 155-164, 177-177].
  15. Ana Matilde Sousa. Pela planície deserta ["Across the desert plain"].
  16. Ana Matilde Sousa. Chaotic Era [Artwork presented in the group exhibition Deep Time].
Exposição artística
  1. Ana Matilde Sousa; Hugo Noronha de Almeida; Luís André Pereira; Amanda Baeza; Ana Maçã; Begoña García-Alén; Bruno Borges; et al. Deep Time [group exhibition ; 13 September - 17 November]. 2024.
  2. Ensaio para 30: Coletiva Chili com Carne ["Essay for 30: Chili with Carne collective exhibition" at Festival Viñetas Desde o Atlántico, Corunha, Spain]. 2024.
  3. Ana Matilde Sousa; Hugo Noronha de Almeida; Ivo Miguel Louro. Um canteiro de cravos vermelhos; aos cravos, seguiram-se outras flores ["A bed of red carnations; after the carnations, there were other flowers ; three-person public art exhibition; 15 April - 16 May]. 2024.
  4. Abril em Risco ["April at Risk" ; collective exhibition at WC/BD, Lisboa, PT ; 4 - 27 April]. 2024.
  5. Ana Matilde Sousa; Hugo Noronha de Almeida; André Pereira; Francisco Sousa Lobo. Utopias de um Futuro Próximo: Lisboa e Almada no Ano 2100 ["Utopias of a Near Future: Lisbon and Almada in the Year 2100" ; group exhibition at Biblioteca FCT-NOVA (Faculdade de Ciência e Tecnologia da Universidade NOVA de Lisboa), Monte de Caparica, PT ; 15 November - 15 December]. 2023.
  6. Is the pen mightier than the sword? for StoryTellers - "Uchigeba" [Participation in cycle of public art group exhibitions at Parque Silva Porto, Lisboa, Portugal, June - August]. 2023.
  7. Ana Matilde Sousa. Welcome to the Anthrobscene [Public artistic outdoor at Nicolaus Copernicus University - Faculty of Fine Arts, Torún, Polónia]. 2023.
  8. Magda Górska (curator); Aleksandra Stokowiec (curator); Ana Matilde Sousa; Diogo Marques; Madalena Simões; Piotr Kopik. Por-Pol Net [Group exhibition Saco Azul, Porto, PT ; 1 - 30 June]. 2023.
  9. Ana Matilde Sousa; Magda Górska (curator); Aleksandra Stokowiec (curator); Piotr Kopik (gallery owner). POR-POL NET @ PKliki i Obroty Gallery [Group show at virtual gallery ; 1-30 June]. 2023.
  10. Isadora Neves Marques; Ana Matilde Sousa. "YWY, Searching for a Character Between East and West" [Artwork exhibited in "Android Loop" at the art fair Art Basel HK, Hong Kong, China ; 23 - 25 May]. 2023.
  11. Joana Escoval (curator); Ana Matilde Sousa; Ana Manso; Geum Beollae; Bernat Daviu; Ana Santos; Gonçalo Sena; et al. Good evening. Do not attempt to adjust your radio. There is nothing wrong [Group exhibition ; Francisco Fino Gallery, Lisboa, PT ; 24 March - 21 June]. 2023.
  12. Isadora Neves Marques; Ana Matilde Sousa. "YWY, Searching for a Character Between East and West" [Artwork exhibited in "Shéhérazade la nuit" at museum Palais de Tokyo, Paris, France ; 19 October 2022 to 08 January 2023]. 2022.
  13. Ana Matilde Sousa; Alexandra Saldanha; Amanda Baeza; Ana Biscaia; Ana Maçã; André Ruivo; Cátia Serrão; et al. Passiflora - Passionflower: 16 Portuguese contemporary comic book artists / 16 Portugalilaista Nykysarjakuvataiteilijaa [Group exhibition ; Stoa - Cultural Centre, Helsinki, Finland, 9 September - 2 October]. 2022.
  14. Xavier Almeida (curator); Alice Geirinhas (curator). Estrela Decadente for MACE 15 Anos - Aqui Somos Rede ["MACE 15 Years - Here We Are Network" ; collective exhibition at Escola de Alcáçova, Elvas, PT ; 15 July – 15 August]. 2022.
  15. Ana Matilde Sousa; Hugo Noronha de Almeida. Le Monde Contemporain à travers la BD Portugaise [Three-person exhibitions at Media Library of Jaude, Centre Europe Direct, and Media Library of Blanzat]. 2022.
  16. Pedro Moura (curator). Flexágono. Faces da banda desenhada contemporânea portuguesa ["Flexágono. Faces of contemporary Portuguese comics," with André Pereira, Filipe Andrade, Francisco Sousa Lobo, Joana Mosi, Ricardo Baptista, Ricardo Paião Oliveira and Sofia Neto at Livraria Temporária – Escola de Hotelaria e Turismo do Oeste ; 14 - 31 October]. 2021.
  17. Isadora Neves Marques; Ana Matilde Sousa. "YWY, Searching for a Character Between East and West" [Artwork exhibited in "YWY, Visions" at museum CA2M - Centro de Arte Dos de Mayo , Madrid, Spain ; 13 May 2021 - 11 July]. 2021.
  18. Isadora Neves Marques; Ana Matilde Sousa. "YWY, Searching for a Character Between East and West" [Artwork exhibited in "YWY, Visions" at museum CaixaForum, Barcelona, Spain ; 13 May 2021 - 26 September]. 2021.
  19. Isadora Neves Marques; Ana Matilde Sousa. "YWY, Searching for a Character Between East and West" [Artwork exhibited in "YWY, Visions" at gallery 1646 - Experimental Art Space, The Hague, Netherlands ; 28 November - 17 January]. 2020.
  20. Ana Matilde Sousa - Doctoral Exhibition [Solo exhibition]. 2020.
  21. Joana Escoval; Ana Matilde Sousa. Four Flags Lisboa [Group exhibition at Zé dos Bois Gallery (building facade), Lisboa, PT, 7 July – 7 September]. 2020.
  22. Ana Matilde Sousa; Hugo Almeida; André Pereira; Pedro Moura (comissário). Loot Box by MASSACRE [Three-person exhibition at Biblioteca FCT/UNL [FCT-NOVA Library], Campus de Caparica, PT ; 28 January - 28 February]. 2020.
  23. Ana Matilde Sousa; Various authors. Pequeno É BOM! Exposição É Só Vaidade - Fanzines da Colecção Futura Fundação Farrajota ["Small IS GOOD! It's All Vanity Exhibition - Fanzines from the Future Collection of the Farrajota Foundation " ; collective exhibition at Residência José Joaquim dos Santos, Óbidos, PT ; 10-20 October]. 2019.
  24. Ana Matilde Sousa; Various authors. Nódoa Negra ["Bruise" ; group exhibition at Galeria Zé dos Bois, Lisboa, PT, and International Comics Festival of Beja]. 2019.
  25. Ana Matilde Sousa; Hugo Almeida; André Pereira. Impossible Bottle [Public artistic outdoor at Biblioteca FCT/UNL [FCT-NOVA Library], Campus de Caparica, PT ; 7 - 31 November]. 2018.
  26. Ana Matilde Sousa; Various authors. Alice's Mail [Collective exhibition at Galeria Monumental, Lisboa, PT ; 16 September - 28 October]. 2017.
  27. Ana Matilde Sousa; Various authors. Last Match [Travelling collective illustration exhibition curated by kuš! ; various locations and dates ]. 2017.
  28. Ana Matilde Sousa; Various authors. Arquivo Morto ["Dead Archive" ; Galeria Zé dos Bois, Lisboa, PT ; 30 April - 1 May]. 2016.
  29. Ana Matilde Sousa. Dog Story [Solo exhibition at Espaço Cultural das Mercês ; 31 May - 4 June]. 2016.
  30. Ana Matilde Sousa; Catarina Fragoso. Apreço ["Appraisal" ; three-person exhibition at Zaratan – Arte Contemporânea; Lisboa, PT ; 10 December 2015 - 16 January 2016 ]. 2015.
  31. Ana Matilde Sousa; Various authors. Trabalhos Soltos ["Assorted works" ; collective exhibition at COSSOUL, Lisboa, PT ; 14 - 16 May]. 2015.
  32. Ana Matilde Sousa; Hugo Almeida; André Pereira; João Machado. LIGHTNING RIDING WAVES OF FIRE by Clube do Inferno [Group exhibition at El Pepe Store & Gallery/Imaviz Underground, Lisboa, PT ; 12 - 26 September]. 2014.
  33. Ana Matilde Sousa; Various artists; Patrícia Pires de Lima (curator). Mostra'14 [Collective exhibition at Central Station, Lisboa, PT ; 9 - 17 July]. 2014.
  34. Ana Matilde Sousa; Various authors. 18ª Exposição Internacional de Artes Plásticas de Vendas Novas ["18th International Fine Arts Exhibition in Vendas Novas" ; collective exhibition at Centro Sócio-Cultural de Vendas Novas, Vendas Novas, PT ; 26 May - 23 June]. 2014.
  35. Ana Matilde Sousa; André Pereira; Rudolfo da Silva (Diogo Jesus); Afonso Ferreira; Amanda Baeza; Sofia Neto; Sílvia Rodrigues. QCDA@AltCom2014 [Group exhibition at Mitt Mollän, Malmö, Sweden ; 4 - 9 November]. 2014.
  36. Ana Matilde Sousa; Afonso Ferreira; Amanda Baeza; André Pereira; Daniel Viçoso; Paula Almeida; Rudolfo da Silva (Diogo Jesus); Zé Burnay. Lixo Futuro ["Future Garbage" ; group exhibition at Mundo Fantasma/Shopping Center Brasília, Porto, PT ; 27 July - 9 September]. 2013.
  37. Ana Matilde Sousa; Various authors. Teses Mestrado Pintura 2009-2011 ["Master's Theses in Painting 2009-2011" ; collective exhibition at Galeria da FBAUL e largo do Auditório da FBAUL, Lisboa, PT]. 2012.
  38. Ana Matilde Sousa; Various authors. ESPAÇO_ARTE@ULIS2011 [Collective exhibition at Atrium of the Rectory of the University of Lisbon, Lisboa, PT ; 10-27 February]. 2011.
  39. Ana Matilde Sousa; Various authors. Vive-Arte 2010, la II Exposición Internacional de Arte Contemporáneo ["Vive-Arte 2010, 2nd International Exhibition of Contemporary Art" ; collective exhibition at Galería de Arte Sala-Taller María Nieves Martín, Casa de Cultura, Villafranca de los Barros, Spain ; 27 February - 14 March]. 2010.
  40. Ana Matilde Sousa; Various authors. Cabinet d' Amateur, 1990 / 2010, Sala do Veado ["Cabinet d' Amateur, 1990 / 2010, Deer Room" ; collective exhibition at Sala do Veado do Museu Nacional de História Natural e da Ciência, Lisboa, PT ; 2 July - 3 October]]. 2010.
  41. Ana Matilde Sousa; Various authors. 15ª Exposição Internacional de Artes Plásticas de Vendas Novas ["15th International Fine Arts Exhibition of Vendas Novas" ; collective exhibition at Centro Sócio-Cultural de Vendas Novas, Vendas Novas, PT ; 24 October - 22 November]. 2009.
  42. Ana Matilde Sousa; Ângela Ferreira; Catarina Fragoso; Elsa Marques; João Francisco; Miguel Pacheco. Diorama [Group exhibition at Sala do Veado [Deer Room]/ MUHNAC - Museu Nacional de História Natural e da Ciência (National Museum of Natural History), Lisboa, PT ; 8 - 31 October. 2009.
  43. Ana Matilde Sousa; Various artists. Finalistas de Pintura da FBAUL 07-08 ["FBAUL Painting finalists 07-08" ; collective exhibition at Galeria do Palácio das Galveias, Lisboa, PT ; 19 July – 3 September]. 2009.
  44. Ana Matilde Sousa; Ângela Pereira; Catarina Fragoso; João Francisco; Miguel Pacheco. In The House - Instalação [Group exhibition and collaborative instalation at Antecâmara da Sala Multiusos da Biblioteca da FCT/NOVA - Faculdade de Ciências e Tecnologia da Universidade Nova de Lisboa (FCT/UNL), Campus de Caparica, PT ; 1 March - 30 April]. 2009.
  45. Ana Matilde Sousa; Various artists. Acto Único- Desenho ["Single Act - Drawing" ; collective exhibition at Bairro Alto, Lisboa, PT]. 2008.
  46. Ana Matilde Sousa; Various authors. Wunderkammer 04_mostra de alunos da FBAUL ["Wunderkammer 04_exhibition by FBAUL students" ; collective exhibition at FBAUL - Faculdade de Belas Artes da Universidade de Lisboa, PT]. 2004.
  47. Ana Matilde Sousa; André Romão; Bruno Cidra; Gonçalo Sena; Joana Escoval; Pedro Neves Marques. T8 [Group exhibition at R. Ivens, nº 56, Lisboa, PT]. 2003.
Exposição de curadoria/museu
  1. Ana Matilde Sousa; Hugo Noronha de Almeida; Luís André Pereira; Amanda Baeza; Ana Maçã; Begoña García-Alén; Bruno Borges; et al. 2024. "Deep Time".
  2. Aidan Koch. 2020. "Aidan Koch / Institute for Interspecies Art and Relations [Co-curator with Hugo Almeida of art exhibition within the Anthropocene Campus Lisboa: Parallax, Culturgest]".
Atividades

Apresentação oral de trabalho

Título da apresentação Nome do evento
Anfitrião (Local do evento)
2025/07/15 Potenciar o Ensino das Ciências Através de Arte Visual e Narrativas Complexas: Einstein, Eddington e o Eclipse ProfMat
Associação de Professores de Matemática (Évora, Portugal)
2025/07/10 Cute Against The Machine: Moé, Labor Politics, and Resisting Power Harassment in Atarashii Joshi wa Do Tennen Comics Studies Society Conference 2025
CSS - Comics Studies Society ( East Lansing (MI), Estados Unidos)
2025/06/07 Portumanga?! Reflections on the ‘Japanization’ of Portuguese Comics in the Context of European Periphery Mechademia Kyoto 2025
Kyoto International Manga Museum and Kyoto Seika University (Kyoto, Japão)
2025/04/04 Potenciar o Ensino das Ciências Através de Arte Visual e Narrativas Complexas: Einstein, Eddington e o Eclipse Fórum Nacional dos Clubes Ciência Viva na Escola
Ciência Viva (Porto, Portugal)
2025/02/28 The World Awakens and Changes With Your Love; or, Queering the Badiouian Scene of Two in Kunihiko Ikuhara’s Yurikuma Arashi The Anime Philosophy Lab
IFILNOVA - Instituto de Filosofia da NOVA (Lisboa, Portugal)
2024/12/29 Roundtable "O outro lado da cultura popular: Entre a academia e a edição independente" [The other side of popular culture: between academia and independent publishing"] with Ana Matilde, Hugo Almeida and Stephany Lins Festival PopTop - Palco Piaget
Instituto Piaget (Lisboa, Portugal)
2024/12/29 Roundtable "Cultura pop e ecologia" ["Pop culture and ecology"] with Ana Matilde Sousa and Hugo Almeida Festival PopTop - Palco Piaget
Instituto Piaget (Lisboa, Portugal)
2024/11/28 Roundtable and Q&A session following the screening of "Princess Mononoke", with Ana Matilde Sousa and Ivo Louro by invitation of CineClube Ciências at the Faculty of Sciences, University of Lisbon (FCUL), CineClube Ciências: Princesa Mononoke
Faculty of Sciences, University of Lisbon (FCUL) (Lisboa, Portugal)
2024/11/19 Keynote Lecture: "Einstein, Eddington and the eclipse: Travel impressions" A Global History of Eclipse Reckoning (A Mathematics for Humanity Workshop)
International Centre for Mathematical Sciences (ICMS), Bayes Centre (Edinburgh, Reino Unido)
2024/11/09 Comics and arts-based research [Roundtable] Training School: COMICSNeT – Climate, Outreach, Migration, Intersectionality, New Technologies in/through Comics Studies
CECS – Centro de Estudos de Comunicação e Sociedade, Universidade do Minho (Braga, Portugal)
2024/09/27 NEI Armamar 2024: "Einstein, Eddington e o Eclipse: Impressões de Viagem" Noite Europeia dos Investigadores em Ambientes Rurais-Armamar 2024
(Armamar, Portugal)
2024/07/20 Roundtable "Einstein, Eddington, and the Eclipse: Travel Impressions" with Ana Matilde Sousa, Pedro Moura, Miguel Santos, & Federico Herrera, moderated by Hugo Soares Book Launch of Einstein, Eddington, and the Eclipse: Travel Impressions
MUHNAC – National Museum of Natural History and Science (Lisboa, Portugal)
2024/07/10 Roundtable "Einstein, Eddington, and the Eclipse: Travel Impressions" with Ana Matilde Sousa and Ana Simões Book Launch of Einstein, Eddington, and the Eclipse: Travel Impressions
Feira do Livro de Lisboa/Lisbon Book Fair (Lisboa, Portugal)
2024/06/24 Comics Out of Joint: The Use of Glitch Aesthetics in Hetamoé's "Violent Delights" CSS 2024 "Glitching Comics"
The Comics Studies Society (Online)
2024/06/07 Cute poison: Bioecological détournement and the “kawaification” of toxicity Cute Ecologies: Critical-Creative Symposium
Royal Holloway, University of London (London, Reino Unido)
2024/05/14 Roundtable at the pre-premiere of the film Daaaaaalí! by Quentin Dupieux, with Ana Matilde Sousa, Margarida Prieto e Fernando Rosa Dias Film Preview - Daaaaaalí!
Universidade Lusófona (Lisboa, Portugal)
2023/11/16 Colonialismo e Invisibilidades em Einstein, Eddington e o Eclipse: Impressões de Viagem ["Colonialism and Invisibilities in Einstein, Eddington and the Eclipse - Travel Impressions] ENHCT 2023 - 7º Encontro Nacional de História das Ciências e da Tecnologia
(Évora, Portugal)
2023/06/30 The Floating Dakimakura: Notes on a found photograph The Seventh Biennial Conference of East Asian Environmental History (EAEH 2023): Multiple Crises and the Asian Anthropocene: Climatic, Ecological, and (Post)Colonial Perspectives
(Daejeon, Coreia do Sul)
2023/06/28 Turning Conversations into Panels: The Collaborative Journey of Reimagining COVIDCalls as Comics Disaster Haggyo – Disaster in the Korean Anthropocene
(Seoul, Coreia do Sul)
2023/06/23 Beyond the Brush: Exploring the Intersection of Art and Technology in Hetamoé’s Pen-Plotted Paintings POR-POL NET - Contemporary Net Art Colloquium
(Lisboa, Portugal)
2023 Depicting Empire, Globalization and Technologies of Use: the 1919 Total Solar Eclipse and the British expeditions to Sobral and Príncipe SHOT Annual Meeting 2022: Empire, Globalization, and Technological Change
Society for the History of Science and Technology (New Orleans, Estados Unidos)
2022/07/11 A virus called Ika-tako and other (digital) cute aggressions xCoAx 2022 – 10th Conference on Computation, Communication, Aesthetics & X
(Coimbra, Portugal)
2022/06/28 Rise of the Weeaboo: Differentiating Japanese otaku from global anime and manga fans Mechademia US Conference 2022 – Migration and Transition
(Los Angeles, Estados Unidos)
2021/12/08 Travel Impressions: Einstein, Eddington and the Eclipse as graphic non-fiction Non-fiction Comics Webinar #1
(Online)
2021/11/20 Prometheus in the Garden of Eden: Gardens as Anthropogenic Object: Roundtable SHOT Annual Meeting 2021
Society for the History of Technology (Online)
2021/10/28 Portumangá?! Notas sobre a "japonização" na banda desenhada portuguesa ["Portumangá?! Notes on Japanization in Portuguese comics"] Jornada: Banda Desenhada em Português/ Bande Dessinée en Portugais
(Clermont-Ferrand, França)
2021/10/11 Telling stories about endangered plants in a garden: creating last chance visitation experiences using maps and storytelling 1st International Congress of Historic Botanical Gardens
(Lisboa, Portugal)
2021/07/16 Of Sparkle-vomit and Base Materialism: Field Notes on Blingee GIFs xCoAx 2021 – 9th Conference on Computation, Communication, Aesthetics & X
(Online)
2021/06/05 The Floating Dakimakura: Notes on a found photography Mechademia Asia Conference
Kyoto International Manga Museum (Quioto, Japão)
2021/06/05 The Inverted Forest: Chthonic ecopolitics in Miyazaki Hayao's Nausicaä of the Valley of the Wind Mechademia Asia Conference
Kyoto International Manga Museum (Quioto, Japão)
2021/06/02 Cheating at Manga: The abject aesthetics of Manga Maker Comipo! and its fan community Comics On the Outside / Bandes Dessinées Hors-champs
Comics-UGent / Université Libre de Bruxelles (Bruxelas, Bélgica)
2020/11/07 Violent Delights: Roundtable discussion and book signing Book launch of Violent Delights by Hetamoé (Ana Matilde Sousa) and Eglé and the Snake by Joana Estrela
Tinta Nos Nervos - Bookstore and Gallery (Lisboa, Portugal)
2020/02/28 Game Over: Arte, "gamificação" e o Antropocénico [Game Over: Art, gamification and the Anthropocene] Loot Box (exhibition finissage)
Biblioteca da Faculdade de Ciências e Tecnologia da Universidade NOVA de Lisboa (Monte de Caparica, Portugal)
2019/11/20 Round table discussion with Joana Escoval, Hetamoé, and Francesca Bonazzoli (moderator) included in the cycle "Spazio con-senso." “Spazio con–senso” [Space Con-sensus]
Fondazione Giangiacomo Feltrinelli (Milão, Itália)
2019/10/20 "Tradição já não é... metamorfoses do fanzine" [Tradition isn't what it... Metamorphosis of the fanzine] F(o)LIO: Festival Literário Internacional de Óbidos
(Óbidos, Portugal)
2019/09/29 She's Not Your Waifu, She's an Eldritch Abomination: Saya no Uta and queer antisociality in Japanese visual novels Mechademia Conference for Asian Popular Culture 2020: ‘Queering’
Minneapolis College of Art and Design (Minneapolis, Estados Unidos)
2018/03/28 Somos Poppy: O homo interneticus segundo Poppy e Titanic Sinclair [We're Poppy: The homo interneticus according to Poppy and Titanic Sinclair] CSO’2018–Criadores Sobre Outras Obras [IX International Conference CSO'2087 - Creators On Others' Works]
FBAUL - Faculdade de Belas-Artes da Universidade de Lisboa; CIEBA - Centro de Investigação e de Estudos em Belas-Artes (Lisboa, Portugal)
2018/03/16 Troubled Idylls: A comparative reading of pastoral tropes in Princess Mononoke and Avatar ECOCRITICISM 2018 - International Conference on Literature, Arts and Ecological Environment
Green Lines Institute for Sustainable Development (Porto, Portugal)
2017/11/25 Gaijin Mangaka: The outsider insiderness of Japanized art comics creators. Japanese Pop Goes Global: Japanese Pop Culture on Aesthetics and Creativity
Mutual Images Research ; Aoyama Gakuin University (Tóquio, Japão)
2017/10/02 "Conversa com Clube do Inferno" [A Conversation with Clube do Inferno] Conversas com… [Conversations with...]
Department of Illustration/Comics of Ar.Co - Center of Art and Visual Communication (Lisboa, Portugal)
2017/09/24 Living and Dying in the Anthrobscene: The Sexual and Environmental Perversions of Shin Sekai Yori Mechademia Conference on Asian Popular Cultures 2017: “Science Fictions”
Minneapolis College of Art and Design (Minneapolis , Estados Unidos)
2017/09/24 Eboshi's garden versus the Shishigami's Forest: Nature-culture dichotomy and the search for a Safe Operating Space in Miyazaki Hayao¿s Mononoke Hime Mechademia Conference on Asian Popular Cultures 2017: "Science Fictions"
Minneapolis College of Art and Design (Minneapolis, Estados Unidos)
2017/07/16 Idílio Interrompido: Uma Leitura Comparada dos Filmes Princesa Mononoke e Avatar [Interrupted Idyl: A Comparative Reading of Princess Mononoke and Avatar] Sci-Fi Lx 2017
(Lisboa, Portugal)
2017/04/12 Porque sou imperfeita: THE END, a ópera VOCALOID "sem" humanos [Because I am imperfect: THE END, the "humanless" VOCALOID opera] VIII Congresso Internacional CSO’2017–Criadores Sobre Outras Obras [VIII International Conference CSO'2017 - Creators On Others' Works]
FBAUL - Faculdade de Belas-Artes da Universidade de Lisboa ; CIEBA - Centro de Investigação e de Estudos em Belas-Artes (Lisboa)
2017/03/11 Zines e Resistência ["Zines and Resistance"] Festival Feminista do Porto [Feminist Festival of Porto]
(Porto, Portugal)
2016/11/27 "Corpo e Género" [Body and Gender], talk and roundtable presented at the Seminar of Comics and Political Thought Seminário Banda Desenhada e Pensamento Político [Seminar of Comics and Political Thought]
Organized by António Baião, Helder Mendes, Pedro Moura and Jorge Martins Rosa (Lisboa, Portugal)
2016/11/18 Beauty is in the eye of the "producer": Virtual idol Hatsune Miku from software, to network, to stage Post Screen Festival: International Festival of Art, New Media and Cybercultures
Universidade Lusófona de Lisboa ; Faculdade de Belas-Artes de Lisboa (Lisboa, Portugal)
2016/07/30 Eboshi's garden Vs the Shishigami's forest: Nature-culture dichotomy and the search for a "safe operating space" in Hayao Miyazaki's Mononoke Hime 43rd Meeting of the ICOHTEC - The International Committee for the History of Technology
FLUP - Faculdade de Letras da Universidade do Porto; FCT/NOVA - Faculdade de Ciências e Tecnologia da Universidade NOVA de Lisboa; FCUL - Faculdade de Ciências da Universidade de Lisboa (Porto, Portugal)
2016/03/23 It Girl: O problema lolicon no videoclipe de Mr. para Pharrell Williams [The lolicon problem in Mr.'s music video for Pharrell Williams] VII Congresso Internacional CSO’2016–Criadores Sobre Outras Obras [VII International Conference CSO'2016 - Creators On Others' Works]
FBAUL - Faculdade de Belas-Artes da Universidade de Lisboa; CIEBA - Centro de Investigação e de Estudos em Belas-Artes (Lisboa, Portugal)
2016/01/15 Eboshi's garden Vs the Shishigami's forest: Nature-culture dichotomy and the search for a "safe operating space" in Hayao Miyazaki's Mononoke Hime International Workshop Ars vs Natura — Gardens as topic and stage for discussion on the Anthropocene
CIUCHT - Centro Interuniversitário de História das Ciências e da Tecnologia ; FCUL - Faculdade de Ciências da Universidade de Lisboa (Lisboa, Portugal)
2015/11/29 The Screen Turns You On: Lust for hyperflatness in Japanese "girl games" Post Screen Festival: International Festival of Art, New Media and Cybercultures
FBAUL - Faculdade de Belas-Artes da Universidade de Lisboa ; CIEBA - Centro de Investigação e de Estudos em Belas-Artes. (Lisboa, Portugal)
2015/03/30 Revolução das Flores: Uma introdução ao Grupo do Ano 24 na vanguarda do shojo manga ["Flowers' Revolution: an introduction to the Year 24 Group in the vanguard of shojo manga"] VI Congresso Internacional CSO’2015–Criadores Sobre Outras Obras [VI International Conference CSO'2015 - Creators On Others' Works]
FBAUL - Faculdade de Belas-Artes da Universidade de Lisboa ; CIEBA - Centro de Investigação e de Estudos em Belas-Artes. (Lisboa, Portugal)
2014/11/06 "QCDA - Chili Com Carne," book series presentation and roundtable
AltCom Comics Festival (Malmö, Suécia)
2014/05/13 Painting Superflat: post-painterly figuration, commodity-life and spectral return in Japanese contemporary painting And Painting? | Questioning Contemporary Painting
FBAUL - Faculdade de Belas-Artes da Universidade de Lisboa ; CIEBA - Centro de Investigação e de Estudos em Belas-Artes (Lisboa, Portugal)
2014/04/16 A Colaboração Massiva de Hatsune Miku: software VOCALOID como catalisador de criações colectivas, grassroots e multidisciplinares na subcultura otaku ["The Massive Colaboration of Hatsune Miku: Vocaloid software as a catalyst for collective, grassroots and multidisciplinary creation in otaku subculture"] V Congresso Internacional CSO’2014 - Criadores Sobre Outras Obras [V International Conference CSO'2014 - Creators on Others' Works]
FBAUL - Faculdade de Belas-Artes da Universidade de Lisboa ; CIEBA - Centro de Investigação e de Estudos em Belas-Artes (Lisboa, Portugal)
2014/03/14 The Japanese concept of kyara and the "total work of art" in the otaku subculture: multimedia franchise, merchandise, fan labor The Gesamtkunstwerk. A Concept for all Times and Places
FBAUL - Faculdade de Belas-Artes da Universidade de Lisboa ; CIEBA - Centro de Investigação e de Estudos em Belas-Artes (Lisboa, Portugal)
2013/09/18 Provas de Contacto: Dispositivos Hápticos em Heart of Thomas, de Moto Hagio ["Contact Proof: Haptic strategies in Moto Hagio's Heart of Thomas"] 3CBDPT - 3ª Conferência de Banda Desenhada em Portugal
FLUL - Faculdade de Letras da Universidade de Lisboa ; CEC - Centro de Estudos Comparatistas (Lisboa, Portugal)
2013/03/28 Miúdas do Pixiv. Jovens criadoras japonesas das comunidades artísticas online ["Pixiv Kids: young female Japanese creators in online artistic communities"] IV Congresso Internacional CSO’ 2013 Criadores Sobre outras Obras [IV International Conference CSO'2013 - Creators on Others' Works]
FBAUL - Faculdade de Belas-Artes da Universidade de Lisboa ; CIEBA - Centro de Investigação e de Estudos em Belas-Artes (Lisboa, Portugal)
2013/01/11 Moe-kei: Notas sobre o conceito de moe como sistema compositivo na cultura cute japonesa ["Moe-kei: Notes on moe as a composition system in Japanese cute culture"] Com Ou Sem Tintas: Composição, Ainda? [With Or Without Paint: Composition, Still?]
Faculdade de Belas-Artes da Universidade de Lisboa (organized by Full Professor Isabel Sabino) (Lisboa, Portugal)
2012/09/29 Moe e manga yonkoma: cuteness "estuplime" na banda desenhada de 4 vinhetas japonesa ["Moe and Yonkoma Manga: The "stuplime" cuteness of Japanese 4-panel comics"] 2CBDPT - 2ª Conferências de Banda Desenhada em Portugal
FLUL - Faculdade de Letras da Universidade de Lisboa ; CEC - Centro de Estudos Comparatistas (Lisboa, Portugal)

Orientação

Título / Tema
Papel desempenhado 		Curso (Tipo)
Instituição / Organização
2025/09/01 - Atual To be decided
Orientador de Margarida De Sousa Esteves Martins
Pintura (Mestrado)
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2025/01/09 - Atual To be decided
Orientador de Patrícia Pereira de Sousa
 Pintura (Mestrado)
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2024/10/01 - Atual Cut-Out Mask and the Fantastic in Contemporary Painting
Orientador de Maria João Aleixo de Barcelos
 Belas-Artes (Doutoramento)
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2024/09/01 - Atual O Cozido Beberá o Novo Caldo: uma Investigação em Torno do Cadáver Esquisito ["The Stew Will Drink the New Broth: An Investigation into the Strange Corpse"]
Orientador de Maria João da Mota Costa
 Pintura (Mestrado)
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2024/09/01 - Atual The Society of the Spectacle’s Picture and Painting
Orientador de Xueting Hu
 Belas-Artes - Specialization in Painting (Doutoramento)
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2024 - Atual Female consciousness awakening: Methodologies of contemporary feminist art exhibition
Orientador de Yuxing Chen
 Belas-Artes (Doutoramento)
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2023 - Atual Traumacore como Estética Contemporânea: Uma Abordagem Teórica e Prática ["Traumacore as a Contemporary Aesthetic: A Theoretical and Practical Approach"]
Orientador de Melissa Ariana Mesquita de Carvalho Correia
 Pintura (Mestrado)
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2023 - 2025/03/11 Purgatório, Catarse e Memória Pessoal: Projeto de Autoficção em Banda Desenhada ["Purgatory, Catharsis and Personal Memory: An Autofiction Project in Comics"]
Orientador de Catarina Alves Meulema
 Desenho (Mestrado)
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2023 - 2025/03/11 Liminal Blue: Escapismo Através de Universos Paralelos num Futuro Distópico ["Liminal Blue: Escapism Through Parallel Universes in a Dystopian Future"]
Orientador de Mariana Caldeira Copeto Castro Maçarico
 Desenho (Mestrado)
Universidade de Lisboa Faculdade de Belas-Artes, Portugal

Organização de evento

Nome do evento
Tipo de evento (Tipo de participação) 		Instituição / Organização
2024/12/20 - 2024/12/20 Organization of the lecture and roundtable "Conversation with Ana Ribeiro, Conservator at Tate" at the Lagoa Henriques Auditorium, FBAUL, featuring Ana Ribeiro, Conservator of Time-Based Media at Tate Modern and researcher on projects such as Documentation and Conservation of Performance, Reshaping the Collectible, and Precarious Movements (2024/12/20 - 2024/12/20)
Mesa-redonda (Coorganizador)
 Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2021/12/08 - 2024/10/31 Coorganization of the Non-fiction Comics Webinar series, as part of the activities of the Working Group "The Metamorphoses of Contemporary Iberian Comics" of the COST Action iCOn MICs - Investigation on Comics and Graphic Novels from the Iberian Cultural Area, online, 2021 and 2022. (2021/12/08)
Seminário (Coorganizador)
 European Cooperation in Science and Technology, Bélgica
2024/10/25 - 2024/10/25 Colóquio DEEP TIME: Temporalidades, ecologia e o antropocénico na banda desenhada e outros media. ["Colloquium DEEP TIME: Temporalities, Ecology, and the Anthropocene in Comics and Other Media"] (2024/10/25 - 2024/10/25)
Simpósio (Coorganizador)
 Universidade de Lisboa Museu Nacional de História Natural, Portugal
2023/07/10 - 2024/07/10 Organizer and trainer of the Painting Department'a activities at Verão na ULisboa [Summer at ULisboa], which gives high school students the chance to get to know and experience the rhythm and spirit of academic life through a series of activities. As the representative of the Painting Department for this activity at the Faculty of Fine Arts of the University of Lisbon, I led a workshop aimed at broadening the horizons of painting practice by exploring various techniques and concepts with the students. (2023/07/10)
Oficina (workshop) (Coorganizador)
 Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2024/07/08 - 2024/07/09 Organization of the final meeting of the COST Action CA19119 - Investigation on Comics and Graphic Novels in the Iberian Cultural Area (iCOn-MICS). (2024/07/08 - 2024/07/09)
Encontro (Coorganizador)
 Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2022/10/23 - 2022/10/30 Mangá Global ["Global Manga"] and Halloween e o Mangá ["Halloween and Manga"]. Two workshop held within the scope of AmadoraBD - 33rd International Comics Festival (2022/10/23 - 2022/10/30)
Oficina (workshop) (Outra)
 Amadora BD , Portugal
2021 - 2021 Task force and organization of the academic, scientific and artistic event Anthropocene Forum, as part of the Portuguese Presidency of the Council of the European Union, Museu de Foz Côa (2021/06/15 - 2021/06/17)
Simpósio (Membro da Comissão Organizadora)
 Observatório do Antropocénico - Anthropocene Observatory, Portugal

Centro Interuniversitário de História das Ciências e da Tecnologia, Portugal
2020/01/09 - 2020/01/11 Co-organization of the Funny Animals seminar w/ Hugo Almeida, featuring Aidan Koch, Pedro Moura, and Daniela Pinto, within the Anthropocene Campus Lisboa: Parallax, at Culturgest, Lisboa (2020/01/09 - 2020/01/11)
Seminário (Coorganizador)
 Centro Interuniversitário de História das Ciências e da Tecnologia, Portugal

Culturgest, Portugal
2020/01/06 - 2020/01/11 Co-organization of the Anthropocene Campus Lisboa: Parallax with keynote speakers Dipesh Chakrabarty and Scott Knowles at Culturgest, Lisboa (2020/01/06 - 2020/01/11) Centro Interuniversitário de História das Ciências e da Tecnologia, Portugal

Culturgest, Portugal
2019/04/22 - 2019/04/22 Co-organization and moderation of the artist talk "PEQUENO é BOM!" with comics author Aidan Koch (US) at Anjos 70, Lisboa (2019/04/22 - 2019/04/22)
Encontro (Coorganizador)
 Associação Chili Com Carne, Portugal
2018/10/11 - 2018/10/11 Co-organization and moderation of the artist talk "PEQUENO é BOM! Segunda Temporada!" with comics author Berliac (AR/PL) at Valsa, Lisboa (2018/10/11 - 2018/10/11)
Encontro (Coorganizador)
 Associação Chili Com Carne, Portugal
2017 - 2017 Co-organization of the colloquium "20th Anniversary of Princess Mononoke: The urgency of thinking about the entanglements of Techno-Science, Nature, Gender and Society," with the guest presence of scholars Susan Napier (US) and Kotani Mari (JP) (2017/11/07 - 2017/11/07)
Simpósio (Coorganizador)
 Centro Interuniversitário de História das Ciências e da Tecnologia, Portugal

Museu do Oriente, Portugal

Participação em evento

Descrição da atividade
Tipo de evento 		Nome do evento
Instituição / Organização
2025/03/12 - 2025/03/12 Round table titled "Vozes da Arte: Ser Mulher no Mundo Artístico" ["Voices of Art: Being a Woman in the Art World"], with Ana Matilde Sousa, Ana Malta, Ânia Pais e Nuna
Mesa-redonda
 "Vozes da Arte" ["Voices of Art"]
AEFBAUL - Associação de Estudamtes da Faculdade de Belas-Artes da Universidade de Lisboa, Portugal
2024/03/09 - 2024/03/09 Attendance as participant of the workshop "The Film-Phil Lisbon Seminars: Thomas Lamarre" The Film-Phil Lisbon Seminars
IFILNOVA - Instituto de Filosofia da Nova, Portugal
2024/02/19 - 2024/03/04 Attendance as participant of the workshop "Reading group on The Anime Machine, by Lamarre"
Oficina (workshop)
 Reading group on The Anime Machine, by Lamarre
IFILNOVA - Instituto de Filosofia da Nova, Portugal
2022/11/26 - 2022/11/26 Round table titled "Estado da Arte: Edição de Banda Desenhada em Portugal ["State of the Art: Comics Publishing in Portugal]. With the editors of Chili Com Carne, Quarto de Jade and MASSACRE.
Mesa-redonda
 MAL - Mercado Aberto do Livro
Tinta Nos Nervos - Livraria e Galeria, Portugal
2022/09/10 - 2022/09/10 Roundtable titled "Contemporary Portuguese Comics - Hetamoé and Rudolfo," with Hetamoé (Ana Matilde Sousa) and Rudolfo da Silva (Diogo Jesus)
Mesa-redonda
 Helsinki Comics Festival
Helsinki Comics Festival, Finlândia

Tinta Nos Nervos - Livraria e Galeria, Portugal
2022/09/10 - 2022/09/10 Roundtable titled "Manga In Europe" with Hetamoé (Ana Matilde Sousa), Natalia Batista, Sara Valta and Anni K.
Mesa-redonda
 Helsinki Comics Festival
Helsinki Comics Festival, Finlândia

Tinta Nos Nervos - Livraria e Galeria, Portugal
2021/11/23 - 2021/11/23 Round table titled about the film "Nausicaä of the Valley of the Wind" with Nuno Marques, moderated by Hugo Soares, as part of the Royal Cine's Cinema in the Garden initiative at the National Museum of Natural History and Science.
Mesa-redonda
 Cinema no Jardim
Universidade de Lisboa Museu Nacional de História Natural, Portugal
2021/11/23 - 2021/11/23 Round table titled "Nausica of the Valley of the Wind," with Ana Matilde Sousa and Nuno Marques, moderated by Hugo Soares, as part of the Cinema in the Garden initiative of the Royal Cine, at the National Museum of Natural History and Science
Mesa-redonda
 Royal Cine
Tinta Nos Nervos - Livraria e Galeria, Portugal
2021/11/23 - 2021/11/23 Moderation of a round table with the participation of Xavier Almeida and Alice Geirinhas, as part of the launch of Revista Decadente #76 at the Tigre de Papel bookstore in Lisboa
Mesa-redonda
 Estrela Decadente
Estrela Decadente (Magazine), Portugal

Tinta Nos Nervos - Livraria e Galeria, Portugal
2020/11/07 - 2020/11/07 Round table on the occasion of the launch of the books Violent Delights by Hetamoé (Ana Matilde Sousa) and Eglé and the Snake by Joana Estrela, moderated by Pedro Moura at Tinta Nos Nervos - Livraria e Galeria, Lisboa.
Mesa-redonda
 Launch of Violent Delights by Hetamoé and Eglé and the Snake by Joana Estrela
Tinta Nos Nervos - Livraria e Galeria, Portugal
2020/10/26 - 2020/10/31 Participation in the "Archiving" seminar of the event The Shape of a Practice, held by HKW - Haus der Kulturen der Welt, and co-presentation, in this context, of the case studies of the group of artists and researchers Paralaxe.
Seminário
 The Shape of a Practice
Haus der Kulturen der Welt, Alemanha
2019/03/27 - 2019/04/12 Attendance of Soundscape Campus 2019, a colloquium and workshop (e.g. sound walks, field recordings) about the role of sound as an epistemological tool in science, technology, and the arts
Oficina (workshop)
 Soundscape Campus 2019: Sound, Body and Science"
Centro Interuniversitário de História das Ciências e da Tecnologia, Portugal

Universidade Nova de Lisboa Faculdade de Ciências e Tecnologia, Portugal
2017/10/16 - 2017/10/22 Selected participant in the Anthropocene Campus Philadelphia. Attended seminars: 1) Slow Disaster: exploring time scale, creation and destruction, and the maintenance of systems over time; and 2) Voice and Representation in the Anthropocene: exploring power, looking for the winners and the losers, theorizing the Anthropocene as a social phenomenon
Seminário
 Anthropocene Campus Philadelphia
Drexel University, Estados Unidos

Society for the History of Technology, Estados Unidos

Chemical Heritage Foundation Donald F and Mildred Topp Othmer Library of Chemical History, Estados Unidos

Technische Universiteit Eindhoven, Países Baixos

Kungliga Tekniska Högskolan Institutionen för filosofi och teknikhistoria, Suécia

Centro Interuniversitário de História das Ciências e da Tecnologia, Portugal

Max-Planck-Gesellschaft zur Förderung der Wissenschaften, Alemanha

Haus der Kulturen der Welt, Alemanha
2017/10/04 - 2017/10/07 Attendance of colloquium and workshop (e.g. sound walks, field recordings) about the role of sound as an epistemological tool in science, technology, and the arts
Oficina (workshop)
 Soundscape Campus 2017 – Field Recordings and Ecology / Science and Art
Centro Interuniversitário de História das Ciências e da Tecnologia, Portugal

Universidade Nova de Lisboa Faculdade de Ciências e Tecnologia, Portugal

Júri de grau académico

Tema
Tipo de participação 		Nome do candidato (Tipo de grau)
Instituição / Organização
2022/04/28 Ilustração e Música: Uma prática sinestésica para a criação de banda desenhada sonora (projecto teórico-prático) ["Illustration and Music: A synesthetic practice for the creation of sound comics" ; theoretical-practical project]
Arguente principal
 Miguel António Lucas Fernandes (Mestrado)
Instituto Politécnico do Cávado e do Ave, Portugal
2022/03 ARE YOU SERIOUS? O Humor Num Processo Artístico (projecto teórico-prático) ["ARE YOU SERIOUS? Humor in an Artistic Process" ; theoretical-practical project]
Arguente principal
 Diogo Henrique Ribeiro Mendonça Morais Martins (Mestrado)
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2022 Criação de um Universo Original para a Produção de uma Banda Desenhada: a influência da intertextualidade narrativa e da realidade histórica no processo de worldbuilding ["Creating an Original Universe for the Production of a Comic Book: the influence of narrative intertextuality and historical reality on the worldbuilding process"]
Arguente principal
 Anna Flávia Chagas Cernawsky (Mestrado)
Instituto Politécnico do Cávado e do Ave, Portugal
2021/12/02 Exposições de Manga: Estudo sobre a musealização do manga ["Manga Exhibitions: A study on the musealization of manga"]
Arguente principal
 Maria Leonor Pinto Barroso (Mestrado)
Universidade do Porto Faculdade de Belas Artes, Portugal

Arbitragem científica em conferência

Nome da conferência Local da conferência
2020/01/06 - 2020/01/11 Anthropocene Campus Lisboa: Parallax Culturgest
2013 - 2013 3CBDPT - 3as Conferências de Banda Desenhada em Portugal [3rd Comics Conferences in Portugal] Lisboa

Comissão de avaliação

Descrição da atividade
Tipo de assessoria 		Instituição / Organização Entidade financiadora
2024 - Atual Member of the panel Social Sciences and Humanities in the 2024 PhD Scholarship Contest – Specific Application Line in Non-Academic Environment
Avaliador
 Fundação para a Ciência e a Tecnologia, Portugal Fundação para a Ciência e a Tecnologia
2020/10/31 - 2024/10/31 Grant Awarding Coordinator for COST Action CA19119, iCOn-MICS - Investigation on comics and graphic novels in the Iberian cultural area, since 2020. The role of Grant Awarding Coordinator involves the development of evaluation criteria and the assessment of scientific applications by the participants of the Action, from Europe and Latin America, entailing a high degree of responsibility.
Coordenador
 European Cooperation in Science and Technology, Bélgica European Cooperation in Science and Technology

Consultoria / Parecer

Descrição da atividade Instituição / Organização
2021 - 2021 Writing of three curricular unit forms for the proposed Master's Degree in Visual Arts at ESIA - Escola Superior de Comunicação, Inovação e Artes of IPLUSO - Instituto Politécnico da Lusofonia, 2021: ART RESEARCH METHODOLOGIES and ARTS RESEARCH SEMINAR III: CONCEPTS Instituto Politécnico da Lusofonia, Portugal
2021 - 2021 Writing six curricular unit forms for the Degree in Illustration and Drawing of Universidade Lusófona: COVERS AND BOOK TRAILERS, COMPOSITING OF LETTERS, MANGA AND ANIME HISTORY, ILLUSTRATION TECHNIQUES, MANGA GRAPHIC TECHNIQUES and ZINES Universidade Lusófona de Humanidades e Tecnologias, Portugal

Curso / Disciplina lecionado

Disciplina Curso (Tipo) Instituição / Organização
2023 - 2025/07/25 Professor in the Artes Plásticas II (Visual Arts II) curricular unit of the Painting Degree at FBAUL Licenciatura em Pintura (Licenciatura) Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2022/05/27 - 2025/05/22 Hatsune Miku do software, à rede, ao palco ["Hatsune Miku from software, to network, to stage"]. Stand-alone lecture (2h - 4h) given as part of the Digital Entertainment curricular unit of the Master's Degree in Digital Society at FCT NOVA - Faculty of Science and Technology of the New University of Lisbon, at the invitation of Professor Hugo Almeida. Mestrado em Sociedade Digital (Master's in Digital Society) (Mestrado) Universidade Nova de Lisboa Faculdade de Ciências e Tecnologia, Portugal
2024/11/07 - 2025/02/06 No Ghost Just a Shell: Theoretical-practical Seminar. Cycle of theoretical and practical training sessions (13, 2h30) as part of the Illustration and Comics course at Ar.Co - Centro de Arte e Comunicação Visual, at the invitation of Professor Daniel Lima Comics and Illustration (Outros) ArCo - Centro de Arte e Comunicação Visual, Portugal
2016/12/16 - 2024/12/10 "Princesa Mononoke e o Antropocénico: Pensando os enredamentos entre tecno-ciência, natureza, género e sociedade no século XXI" ["Princess Mononoke and the Anthropocene: Thinking about the entanglements of techno-science, nature, gender and society in the twenty-first century"]. Two annual stand-alone classes (6h) taught at the Science and Culture course of the Faculty of Science of the University of Lisboa, at the invitation of Full Professor Ana Isabel Simões Ciência e Cultura (Licenciatura) Universidade de Lisboa Faculdade de Ciências, Portugal
2023/05/01 - 2023/11/29 Lecturer responsible for the Painting sessions (4h) as part of the Research Methodologies Seminar course for the Doctorate in Fine Arts of the Faculty of Fine Arts of the University of Lisbon Doutoramento em Belas-Artes (Doutoramento) Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2022/05/09 - 2023/05/08 Hatsune Miku do software, à rede, ao palco ["Hatsune Miku from software, to network, to stage"). Stand-alone lecture (2h) given as part of the Cyberart curricular unit of the Bachelor in Painting at the Faculty of Fine Arts of the University of Lisbon, at the invitation of Professor Diana Costa Licenciatura em Pintura (Licenciatura) Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2023/05/05 - 2023/05/05 Hetamoé: uma década de BD através de zines, coletivos e colaborações [Hetamoé: a decade of comics through zines, collectives and collaborations"]. Standalone lecture (2h30) given as part of the Editorial Design curricular unit of the Master's Degree in Drawing at the Faculty of Fine Arts of the University of Lisbon, at the invitation of Professor Alice Geirinhas Mestrado em Desenho (Mestrado) Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2023/02/28 - 2023/04/03 Mangá Global ["Global Manga"]. Cycle of theoretical and practical training sessions (6, 2h30) as part of the Illustration and Comics course at Ar.Co - Centro de Arte e Comunicação Visual, at the invitation of Professor Daniel Lima Illustration and Comics (Outros) Ar.Co Centro de Arte e Comunicação Visual, Portugal
2022 - 2022 Invited Assistant Professor in the Painting II curricular unit of the Painting Degree of FBAUL Licenciatura em Pintura (Licenciatura) Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2021 - 2022 Invited Assistant Professor in the Painting I curricular unit of the Painting Degree of FBAUL Licenciatura em Pintura (Licenciatura) Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2021 - 2022 Teacher and regent of the curricular unit of Artistic Workshop for application to Children and Young People of the course of Accompaniment of Children and Young People (CTeSP) of the IPLUSO Instituto Politécnico da Lusofonia (Polytechnic Institute of Lusophony ) - ESEL Escola Superior de Educação da Lusofonia (Lusophony School of Education) CTESP em Acompanhamento de Crianças e Jovens (Curso Técnico Superior Profissional) Instituto Politécnico da Lusofonia, Portugal
2020/05/19 - 2021/04/22 Banda Desenhada e Divulgação Científica [Comics and Science Communication]. Stand-alone class taught at the Art and Science course of the Faculty of Science of the University of Lisboa, at the invitation of Assistant Professor Ana Duarte Rodrigues. Arte e Ciência (Licenciatura) Universidade de Lisboa Faculdade de Ciências, Portugal
2021 - 2021 Invited Assistant Professor in the Artes Plásticas II (Visual Arts II) curricular unit of the Painting Degree at FBAUL Licenciatura em Pintura (Licenciatura) Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2020/12/04 - 2020/12/11 Mangá: História e Cultura da BD japonesa: aula teórico-prática ["Manga: History and Culture of Japanese Comics: theoretical-practical class"] Illustration and Comics (Outros) ArCo - Centro de Arte e Comunicação Visual, Portugal
2019/10/28 - 2019/10/28 "O Jardim de Eboshi Versus a Floresta do Shishigami. Dicotomia Natureza-Cultura e a procura por um 'safe operating space' em Mononoke Hime de Hayao Miyazaki" [Eboshi's Garden Versus the Shishigami's forest. Nature-culture dichotomy and the search for a 'safe operating space' in Hayao Miyazaki's Mononoke Hime]. Stand-alone class (3h) taught at the History of Technology and Engineering course at the Faculty of Science of Technology of NOVA University of Lisboa (FCT/NOVA), at the invitation of Full Professor Maria Paula Diogo História da Tecnologia e da Engenharia (Licenciatura) Universidade Nova de Lisboa Faculdade de Ciências e Tecnologia, Portugal

Culturgest, Portugal
2018/05/23 - 2018/05/23 "História e Culturas do Mangá" [History and Cultures of Manga]. Stand-alone lecture (3h) taught at the Psychology of Education course of the Master's in Education of the Faculty of Science of Technology of NOVA University of Lisboa (FCT/NOVA), at the invitation of Assistant Professor José Luís Câmara Leme Mestrado em Educação (Mestrado) Universidade Nova de Lisboa Faculdade de Ciências e Tecnologia, Portugal
2016/12/10 - 2016/12/10 "O Jardim de Eboshi Versus a Floresta do Shishigami. Dicotomia Natureza-Cultura e a procura por um safe operating space em Mononoke Hime de Hayao Miyazaki" [Eboshi's Garden Versus the Shishigami's forest. Nature-culture dichotomy and the search for a 'safe operating space' in Hayao Miyazaki's Mononoke Hime]. Standalone lecture (2h) taught at the History of Technology and Engineering course at the Faculty of Science of Technology of NOVA University of Lisboa (FCT/NOVA), at the invitation of Full Professor Maria Paula Diogo História e Ciência da Engenharia (Licenciatura) Universidade Nova de Lisboa Faculdade de Ciências e Tecnologia, Portugal

Entrevista (jornal / revista)

Descrição da atividade Jornal / Forum
2022 Interview as case study for the Bachelor's thesis "Narrative Inquiry about the Understanding of Panels in Conceptual Comic Art" by Emese Veszely of the School of Arts, Design and Architecture of Aalto University
2021/10/04 Violent Delights by Hetamoe (Mini Kus! #87) [Review of my book "Violent Delights"] Thirteen Minutes (blog)
2021/03/09 Best Comics of 2020: An International Perspective Part 2: Year in Review – Portugal [Review of my book "Einstein, Eddington and the Eclipse: Travel Impressions] Paul Gravett (blog)
2020/08/24 Hetamoe - Violent Delights [Review of my comic book "Violent Delights"] Optical Sloth
2020/08/24 Hetamoe - Violent Delights [Review of my book "Violent Delights"] Optical Sloth
2020/06/25 Mini Kus! Catch-up: "Violent Delights" by Hetamoé (mini kus #87) [Review of my book "Violent Delights"] Four Color Apocalypse
2020/06/25 Eurocomics Spotlight : Einstein, Eddington And The Eclipse [Review of my book "Einstein, Eddington And The Eclipse: Travel Impressions"] Four Color Apocalypse (blog)
2020/05/31 Interview for the article "Um espaço que se abriu na BD portuguesa" [A space that has opened up in Portuguese comics], about women in the Portuguese comics scene Público
2020/05/23 "Einstein, Eddington e o Eclipse", uma BD muito original ["Einstein, Eddington and the Eclipse, a very original comic book" ; review of my book "Einstein, Eddington And The Eclipse: Travel Impressions"] De Rerum Natura
2020/05/02 Livro Einstein, Eddington e o Eclipse recebe prémio de BD ["Einstein, Eddington and the Eclipse wins comic book award"] Público
2020/04/24 Prémios Bandas Desenhadas 2019: Os Vencedores, Bandas Desenhadas [Review and award announcement of the book "Einstein, Eddington, and the Eclipse: Travel Impressions] Bandas Desenhadas
2020/04/09 Einstein, Eddington e o Eclipse. Impressões de Viagem. Ana Simões e Ana Matilde Sousa. (Chili Com Carne) [Review of my the book "Einstein, Eddington, and the Eclipse: Travel Impressions"] LerBD
2019 Portuguese comics: An introduction [Article on contemporary Portuguese comics where my work is mentioned] Trip #10: Portuguese Special, pp. 9-14.
2018/09/17 Nódoa Negra, um livro-barómetro no feminino sobre a dor [Article about the comics anthology "Nódoa Negra" where my work is mentioned] Público
2017/05/22 Review: Spookytongue by Hetamoé [Review of my comic book "Spookytongue"] Sequential State
2016/09/08 s! #25 Gaijin Mangaka [Review where my work is discussed] The AV Club
2016/09/01 s! #25[Review of the comics anthology s! #25 'Gaijin Mangaka' where my work is discussed] Calm Undertones Now Transmitting
2016/08/09 s! #22 'Fashion' [Review of the comics anthology s! #22 'Fashion' where my work is discussed] The AV Club
2016/07 A Constant Light [Interview with Paul Gravett for the Introduction of the comics anthology Š! #25 ‘Gaijin Mangaka'] Š! #25 ‘Gaijin Mangaka'
2016/02 Interview for the article "Notícias do Submundo: Uma Conversa com o Clube do Inferno." ["News from the Underworld: A Conversation with Clube do Inferno"] Blimunda nº 45 (Fundação José Saramago), 24-43.
2016/01/21 Bagatelas: treze pequenos livros e fanzines [Comics review where my work is discussed] LerBD
2015/12 Escolhas Sara Figueiredo Costa ["Best of the year" list where the comics anthology QCDI #3000 is mentioned] Expresso
2015/08 QCDI #3000 [Review of QCDI#3000 where my work is discussed] Revista E (Expresso)
2015/07/17 QCDI 3000. Autores do Clube do Inferno (Chili Com Carne) [Review of the comics anthology QCDI #3000 where my work is discussed] LerBD
2015/03/16 QCDA #2000. AAVV (Chili Com Carne) [Review of the comics anthology QCDA#2000 where my work is discussed] LerBD
2015/01/22 Três títulos do Clube do Inferno [Comics review where my works are discussed] LerBD
2014/12/05 Granda Morta! [Comics review where my work is discussed] Blogzine da Chili Com Carne
2014/05/06 Zines com alma (monokini rmx) [Comics and zine review where my work is discussed] Blogzine da Chili Com Carne

Entrevista / Programa (rádio / tv)

Programa Tema
2024/11/20 - Atual Pranchas e Balões: As impressões de Viagem de Ana Simões e Ana Matilde Sousa Banda Desenhada
2023/10/02 - Atual Play Books Italian television program dedicated to literature, comics and poetry ; episode dedicated to Lisbon's literary scene
2020/04/09 - Atual LerBD/Tinta nos Nervos: Conversa com... V/Lerbd with Ana Simões and Ana Matilde Sousa on the book "Einstein, Eddington and the Eclipse"
2020/04/07 - 2020/04/07 Os Dias Do Futuro O projeto vacaloura.pt e novela gráfica "Einstein, Eddington e o Eclipse:Impressões de Viagem" [The vacaloura.pt project and graphic novel "Einstein, Eddington and the Eclipse: Travel Impressions"]

Membro de comissão

Descrição da atividade
Tipo de participação 		Instituição / Organização
2020/10/31 - 2024/10/31 Substitute MC (Management Committee) member of Portugal within the COST Action CA19119, iCOn-MICS - Investigation on comics and graphic novels in the Iberian cultural area
Membro
 European Cooperation in Science and Technology, Bélgica

Outro júri / avaliação

Descrição da atividade Instituição / Organização
2024 - 2024 Member of the jury for the artistic competition Bandas Desenhadas Prize. Bandas Desenhadas, Portugal
2024 - 2024 Member of the jury for the artistic competition Concurso ARTE-NOVA FCT Universidade Nova de Lisboa Faculdade de Ciências e Tecnologia, Portugal
2022 - 2023 Scientific assessment of student reports within the Research Methodologies Seminar course (2nd year) of the PhD in Fine Arts Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2021 - 2022 Scientific assessment of student reports within the Orientation Seminar II course (2nd year) of the PhD in Fine Arts Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2021 - 2022 Scientific assessment of student reports within the Project Seminar I course (1st year) of the PhD in Fine Arts
2017 - 2017 Jury member of 4º Concurso Interno de Banda Desenhada da Chili Com Carne [4th Comics Contest of Chili Com Carne] Associação Chili Com Carne, Portugal

Revisão ad hoc de artigos em revista

Nome da revista (ISSN) Editora
2025/01 - 2025/01 Cogent Arts & Humanities (2331-1983) Taylor & Francis
2024/04 - 2024/04 Cinema: Journal of Philosophy and the Moving Image (1647-8991) Instituto de Filosofia da Nova
2024 - 2024 New Trends in Iberian Comics [Edited volume to be publsihed] COST Action CA19119 – Investigation on Comics and Graphic Novels in the Iberian Cultural Area (iCOn-MICS)
2023/08/18 - 2023/09/06 Asian Journal of Communication (1742-0911) Taylor & Francis
2023/04/11 - 2023/06/04 The Comics Grid: Journal of Comics Scholarship (2048-0792 ) Open Library of Humanities
2023/04/05 - 2023/04/30 Revista Lusófona de Estudos Culturais [Lusophone Journal of Cultural Studies] ( 2183-0886) University of Aveiro and University of Minho
Distinções

Prémio

2020 Melhor Publicação Nacional com Distribuição Comercial [Best National Publication with Commercial Distribution] in Concurso Bandas Desenhadas
Bandas Desenhadas, Portugal
2018 Winning Anthology of Toma lá 500 paus e faz uma BD!
Associação Chili Com Carne, Portugal
2016 Melhor Publicação Relacionada [Best Related Publication] of XIV Troféus Central Comics [Participated as author of several articles]
Central Comics, Portugal
2009 1st Prize of Springer Publishing's international contest Evolve Your Library [on the Centenary of Darwin's "Origin of Species"]
Springer Publishing Company LLC, Estados Unidos
2005 Bolsa de Estudo por Mérito [Student Merit Scholarship]
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2005 3rd Prize of the 16th Comics Contest of AMADORA BD
Câmara Municipal da Amadora, Portugal

AMADORA BD – Amadora International Comic Festival, Portugal
2004 Bolsa de Louvor [Commendation Scholarship]
Banco Santander Totta, Portugal

Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2004 1st Prize of the 15th Comics Contest of AMADORA BD
Câmara Municipal da Amadora, Portugal

AMADORA BD – Amadora International Comic Festival, Portugal
2002 Bolsa de Estudo por Mérito [Student Merit Scholarship]
Universidade de Lisboa Faculdade de Belas-Artes, Portugal

Outra distinção

2020 Nomination for Melhor Publicação Nacional c/ Distribuição Comercial [Best National Publication], Melhor Argumento Nacional [Best National Script] & Melhor Ilustração Nacional [Best National Illustration] in Concurso Bandas Desenhadas
Bandas Desenhadas, Portugal
2019 Nomination for Fauve d'Angoulême: Prix de la BD Alternative
Festival Internacional de Banda Desenhada de Angoulême, França
2016 Nomination for Melhor Publicação Relacionada [Best Related Publication] of XIV Troféus Central Comics, with "Yangire/Yandere"
Central Comics, Portugal
2015 Nomination for Fauve d'Angoulême: Prix de la BD Alternative
Angoulême International Comics Festival, França
2015 Nominated for Prémio Nacional de Banda Desenhada - Fanzine [National Comics Prize - Fanzine]
AMADORA BD – Amadora International Comic Festival, Portugal
2015 Nomination for Prémio Nacional de Banda Desenhada - Fanzine [National Comics Prize - Fanzine]
AMADORA BD – Amadora International Comic Festival, Portugal
2008 Honorable mention of the 19th Comics Contest of AMADORA BD
AMADORA BD – Amadora International Comic Festival, Portugal
2007 Honorable mention of the 18th Comics Contest of AMADORA BD
AMADORA BD – Amadora International Comic Festival, Portugal