Denise Costa Lopes (BC18-1D4F-405D)

Curriculum Vitae

Denise Costa Lopes

Doctor of Visual Arts by the PostGraduate Program in Visual Arts (Concept CAPES 6) at the School of Fine Arts of the Federal University of Rio de Janeiro (EBA-UFRJ), with Scholarship by Coordination for the Improvement of Higher Education Personnel (CAPES-Brazil). Doctoral Internship with Sandwich Scholarship by CAPES in France, at the UFR de Lettres, Sciences du Langage et Arts of Université Lumière Lyon 2, and listener of the seminaries of Antonio Somaini, Barbara Lemaître and Teresa Castro at Sorbonne Nouvelle, Paris 3, and with Georges Didi-Huberman at EHESS/INHA. Her current research focuses on the interdisciplinarities of cinema, especially in his dialogue with painting and contemporary art, a theme present in her doctoral thesis and in her recent works published and presented at academic meetings. Master of Communication, Image and Information by the Post-Graduate Program in Communication (Concept CAPES 6) of Department of Cinema and Video of the Institute of Art and Social Communication of Fluminense Federal University (IACS-UFF), with Scholarship by Research Support Foundation of Rio de Janeiro (FAPERJ). Bachelor's degree in Social Communication, majoring in Journalism, by the School of Communication of Federal University of Rio de Janeiro (ECO-UFRJ). Currently, a Professor at the Communication Department at the Pontifical Catholic University of Rio de Janeiro (PUC-Rio) since 2010. Teacher of the subjects Cinema Theory and Criticism, Introduction to Cinema and Semiology and Communication in the courses of Cinema and Art & Design, as well as of the extension courses of Cinema and Painting and Transcinema, Cinema, Painting and Contemporary Art. At PUC-Rio, she was Supervisor of Bachelor's Dissertation in Specialization in Technologies in Higher Education and responsible for the organization, coordination, and curatorship of the seminar "Art and Russian Revolution: 100 Years Later", besides other works. Previously, she was a teacher of the Cinema Courses at UFF, Estácio de Sá University (UNESA) and the Darcy Ribeiro Film School subjects Brazilian History Films, Cinematographic Language, Cinema Production, Production, Politics and Cinema Market. Member of the Portuguese Association of Moving Image Researchers (AIM), Brazilian Society for Cinema and Audiovisual Studies (SOCINE), and Brazilian Society for Interdisciplinary Communication Studies (Intercom), and affiliated with Brazilian Association of Film Critics (ABRACCINE) and International Federation of Film Critics (FIPRESCI). Author of chapters in books and articles published in academic journals. One of the books, in which she wrotes an article and some of the 250 entries, was a finalist at the essay category of the most important literary prize in Brazil. As film criticism and journalist, she have worked for the cultural sections of Jornal do Brasil, Bravo!, and many others press vehicles. She worked as a communication advisor in institutions related to cinema and culture. She also worked at the Film Distribution Company (RioFilme) and as Manager of Cultural Diversity at the Municipal Secretariat of Culture of the Rio de Janeiro City Hall; at the State Secretariat of Science and Technology, where she coordinated the communication of several research institutions and followed the work of two major universities, and at many other organs of the municipal and state administration in science, culture, and education.

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Identification

Personal identification

Full name: Denise Costa Lopes

Citation names

Lopes, Denise
Lopes, Denise Costa

Author identifiers

Ciência ID: BC18-1D4F-405D

Email addresses

lopes.denise@gmail.com (Personal)

Telephones

Mobile phone

(5521) 988704001 (Personal)

Addresses

Rua Marquês de São Vicente, 225 / Ala Kennedy, Sala 601 - Gávea, 22451-900, Rio de Janeiro, Rio de Janeiro, Brazil (Professional)

Websites

https://pucrj.academia.edu/DeniseCostaLopes (Scholar)

Knowledge fields

Humanities - Arts

Languages

Language	Speaking	Reading	Writing	Listening	Peer-review
Portuguese (Mother tongue)
English	Intermediate (B1)	Advanced (C1)	Intermediate (B1)	Intermediate (B1)	Intermediate (B1)
French	Intermediate (B1)	Advanced (C1)	Intermediate (B1)	Intermediate (B1)	Intermediate (B1)
Spanish; Castilian	Advanced (C1)	Proficiency (C2)	Upper intermediate (B2)	Proficiency (C2)	Upper intermediate (B2)

Education

	Degree	Classification
2011/03/14 - 2016/02/29 Concluded	PostGraduate Program in Visual Arts (Doctor) School of Fine Arts of Federal University of Rio de Janeiro (EBA/UFRJ), Brazil "The panorama-form and the desire of memory and origin: The live cinema with Paolo Veronese's "The Wedding at Cana", by Peter Greenaway, and Pieter Bruegel's "The Procession to Calvary" turned into the movie "The Mill and the Cross" by Lech Majewski" (THESIS/DISSERTATION)	Doctor in Visual Arts
1998/03/01 - 2001/08/21 Concluded	PostGraduate Program in Communication - Cinema and Audiovisual (Master) Department of Cinema and Video of the Institute of Art and Social Communication of Fluminense Federal University (GCV/IACS/UFF), Brazil "Post-Collor Brazilian Cinema" (THESIS/DISSERTATION)	Master in Communication, Image and Information
1984/03/01 - 1988/02/26 Concluded	Social Communication (Bachelor) Major in Journalism School of Communication of Federal University of Rio de Janeiro (ECO/UFRJ), Brazil "The politics of Nacional Radio in the 50's " (THESIS/DISSERTATION)	Bachelor in Social Communication - Journalism
1980/03/01 - 1982/11/30 Concluded	License to teach elementary school students (Magister (2nd cycle)) Major in Qualification in Elementary Education Teacher Institute of Higher Education of Rio de Janeiro (ISERJ), Brazil	High

Affiliation

Teaching in Higher Education

	Category Host institution	Employer
2010/08/01 - Current	Associate Professor (University Teacher)	Department of Communication of the Pontifical Catholic University of Rio de Janeiro (COM/PUC-Rio), Brazil
	Department of Communication of the Pontifical Catholic University of Rio de Janeiro (COM/PUC-Rio), Brazil
2009/03/01 - 2010/12/31	Associate Professor (University Teacher)	Darcy Ribeiro Film School - Brazilian Audiovisual Institute (IBAV), Brazil
	Darcy Ribeiro Film School - Brazilian Audiovisual Institute (IBAV), Brazil
2007/03/01 - 2009/12/31	Assistant Professor (University Teacher)	Department of Cinema and Video of the Institute of Art and Social Communication of Fluminense Federal University (GCV/IACS/UFF), Brazil
	Department of Cinema and Video of the Institute of Art and Social Communication of Fluminense Federal University (GCV/IACS/UFF), Brazil
2005/03/01 - 2008/12/31	Associate Professor (University Teacher)	Estácio de Sá Universities (UNESA), Brazil
	Estácio de Sá Universities (UNESA), Brazil

Positions / Appointments

	Category Host institution	Employer
2017 - 2017	Cultural Diversity Manager commissioned by the Municipal Government of Rio de Janeiro	Municipal Secretariat of Culture (SMC), Brazil
	Municipal Secretariat of Culture (SMC), Brazil
2009 - 2017	Member of the drafting committee for the development plan for the audiovisual sector	Film Distribution Company of Rio de Janeiro (RioFilme), Brazil
	Film Distribution Company of Rio de Janeiro (RioFilme), Brazil
2007 - 2008	Collaborator with articles and texts about cinema	Revista Cartaz, Brazil
	Revista Cartaz, Brazil
2006 - 2007	Collaborator responsible for the Audiovisual section	Revista Gávea, Brazil
	Revista Gávea, Brazil
2004 - 2007	Film critic and referee for "Revista Programa"	Jornal do Brasil, Brazil
	Jornal do Brasil, Brazil
2003 - 2005	Communication Advisor commissioned by the Municipal Government of Rio de Janeiro	Municipal Secretariat of Education (SME), Brazil
	Municipal Secretariat of Education (SME), Brazil
2001 - 2005	Press Officer of RioSeminars	Rio de Janeiro International Film Festival, Brazil
	Rio de Janeiro International Film Festival, Brazil
2003 - 2004	Collaborator of the "Eu &" section about Cinema and Audiovisual Economy	Jornal Valor, Brazil
	Jornal Valor, Brazil
2002 - 2003	Chief Communication Advisor commissioned by the Municipal Government of Rio de Janeiro	Planetary Foundation of Rio de Janeiro (PlanetaRio), Brazil
	Planetary Foundation of Rio de Janeiro (PlanetaRio), Brazil
2001 - 2001	Chief Communication Advisor	Cine BR, Brazil

2000 - 2001	Journalist of the "Rio Cultura" section	Gazeta Mercantil, Brazil
	Gazeta Mercantil, Brazil
1998 - 2000	Reporter and film critic for cultural section "Caderno B"	Jornal do Brasil, Brazil
	Jornal do Brasil, Brazil
1998 - 2000	Collaborator with articles and texts on cinema.	Revista Bravo!, Brazil
	Revista Bravo!, Brazil
1997 - 1998	Eventual contributor	Revista Veredas, Brazil
	Revista Veredas, Brazil
1995 - 1998	Chief Communication Advisor commissioned by the State Government of Rio de Janeiro	State Secretariat of Science and Technology (SECTEC), Brazil
	State Secretariat of Science and Technology (SECTEC), Brazil
1993 - 1995	Chief Communication Advisor commissioned by the Municipal Government of Rio de Janeiro	Film Distribution Company of Rio de Janeiro (RioFilme), Brazil
	Film Distribution Company of Rio de Janeiro (RioFilme), Brazil
1992 - 1993	Chief Communication Advisor commissioned by the Municipal Government of Rio de Janeiro	João Goulart Foundation, Brazil
	João Goulart Foundation, Brazil
1992 - 1993	Collaborator for Cultural Subjects	Revista Veja, Brazil
	Revista Veja, Brazil
1991 - 1992	Communication Advisor	Coordinating Committee for Rio92, Brazil
	Coordinating Committee for Rio92, Brazil
1991 - 1992	Chief Communication Advisor	Institute of Architects of Brazil (IAB/RJ), Brazil
	Institute of Architects of Brazil (IAB/RJ), Brazil
1989 - 1990	Social Communication Coordinator of the Mayor's Office	Rio de Janeiro City Hall, Brazil
	Rio de Janeiro City Hall, Brazil
1989 - 1990	Communication Advisor commissioned by the Municipal Government of Rio de Janeiro	Municipal Secretariat for Social Development (SMDS), Brazil
	Municipal Secretariat for Social Development (SMDS), Brazil
1989 - 1990	Collaborator for the cultural section "Tribuna BIS"	Jornal Tribuna da Imprensa, Brazil
	Jornal Tribuna da Imprensa, Brazil
1989 - 1989	Reporter for the Leopoldina and Barra neighborhoods newspapers	Jornal O Globo, Brazil
	Jornal O Globo, Brazil

Projects

Grant

	Designation	Funders
2012/02/01 - 2016/02/29	CAPES PhD Scholarship: The panorama-form and the desire of memory and origin: The live cinema with Paolo Veronese's "The Wedding at Cana", by Peter Greenaway, and Pieter Bruegel's "The Procession to Calvary" turned into the movie "The Mill and the Cross" by Lech Majewski 111041133 PhD Student Fellow School of Fine Arts of Federal University of Rio de Janeiro (EBA/UFRJ), Brazil	Coordination for the Improvement of Higher Education Personnel (CAPES) Concluded
2013/12/01 - 2014/04/30	Doctoral Internship with CAPES Sandwich Scholarship in France 8253/13-7 PhD Student Fellow Lumière Lyon 2 University - Department of Performing, Image and Screen Arts - Training and Research Unit (UFR) of Humanities, Language Sciences and Arts, France	Coordination for the Improvement of Higher Education Personnel (CAPES) Concluded
1999/03/01 - 2001	Master FAPERJ Scholarship: Post-Collor Brazilian Cinema M028198003 Master Student Fellow Department of Cinema and Video of the Institute of Art and Social Communication of Fluminense Federal University (GCV/IACS/UFF), Brazil	Carlos Chagas Filho Foundation for Research Support of the State of Rio de Janeiro (FAPERJ) Concluded

Contract

	Designation	Funders
2011 - 2016	Member of the Research Project "Reception of Classical Tradition" Coordinated by My Doctorate Co-supervisor, Maria Berbara (ART/UERJ), With the Contribution of My Thesis Project That Involved the Reception of Two Classic Works of the Renaissance Recreated in Moving Image Through Digital Resources 111041133 Researcher School of Fine Arts of Federal University of Rio de Janeiro (EBA/UFRJ), Brazil	Concluded
2005 - 2008	Supervisor of Scientific Initiation Project "Brazilian Cinema Abroad: Identity, Market and Trajectory of the Representation of National Cinema Abroad, From the 'Retomada' to Today" 200602187713 2006021009976 200602109402 200501225547 200501136072 200602146227 200602192041 Supervisor Estácio de Sá Universities (UNESA), Brazil	Concluded

Outputs

Publications

Book	Lopes, Denise Costa; Lusvarghi, Luíza; Alvim, Luíza Beatriz. Film Studies: Retrospective and Perspectives. São Paulo, Brazil: Polytheama. 2021. Published
Book chapter	Lopes, Denise. "Ambience, Production of Presence and Epiphany in the Use of Virtual Reality in the Library at Night, by Robert Lepage, Based on Alberto Manguel". In StoryBits I: Narrativa e Media Digitais, 243-252. Covilhã, Portugal, 2022. Published Lopes, Denise. "Pain and Guilt in 'Autumn Sonata': Musical Form Translated into Film: Two Combined Themes That Produce Contrast". In Bergman's Faces: Life and Death in a Frame, 108-113. Rio de Janeiro, Brazil: Editora PUC-Rio, 2020. Published Lopes, Denise. "Lúcia Murat: Filming as a Way to Resist". In Women Behind the Cameras: Brazilian Women Filmmakers from 1930 to 2018, 209-218. São Paulo, Brazil: Estação Liberdade, 2019. Published Lopes, Denise. "Lúcia Murat's Transcinema: Memories of the 70s Through Immersion and Co-authorship with the Viewer". In Avanca \| Cinema 2019, 468-473. Avanca, Portugal: Avanca Cinema Club, 2019. Published Lopes, Denise. "The Ideal of the Panorama Form in the Face of the Growing Special and Temporal Compression of Digital Media: The Panorama of Pre-cinema and Its Current Uses". In Avanca \| Cinema 2018, 188-198. Avanca, Portugal: Avanca Cinema Club, 2018. Published Lopes, Denise. "The Panorama-Form and the Desire for Memory and for Redimensioning the Notion of Origin in the Recreation of the Veronese's 'The Wedding Feast at Cana', promoted by Greenaway, at the 2009 Venice Biennale". In Avanca \| Cinema 2016, 27-36. Avanca, Portugal: Avanca Cinema Club, 2016. Published Lopes, Denise. "For a Cinema That Doesn't Show: Life and Art: Original or Copy, Real or Representation in Abbas Kiarostami's 'Certified Copy'". In Avanca \| Cinema 2012, 691-697. Avanca, Portugal: Avanca Cinema Club, 2012. Published Lopes, Denise. "The Glue in Heaven in 'The Purple Rose of Cairo'". In Woody Allen's Elegance, 219-221. Rio de Janeiro, Brazil: CCBB, 2009. Published
Conference abstract	Lopes, Denise Costa. "The Surviving Images of Paula Gaitán". Paper presented in XI Annual AIM (Association of Moving Image Investigators) Meeting, Évora, 2022. Accepted Lopes, Denise Costa. "The Huts of Varda: Production of Presence, Meaning and Arch-similarities in an Archaeological Perspective of the Media". Paper presented in X Annual Meeting of the Association of Moving Image Researchers (AIM), Évora, 2022. Accepted Lopes, Denise. "The Huts of Varda: Political and Aesthetic Act That Problematizes the Exhibition". Paper presented in XXIII Meeting of the Brazilian Society of Cinema and Audiovisual Studies (SOCINE), Porto Alegre, 2019. Published Lopes, Denise. "Life and Art: Original or Copy, Real or Representation in Abbas Kiarostami's 'Certified Copy'". Paper presented in XV Meeting of SOCINE - Brazilian Society of Cinema and Audiovisual Studies, Rio de Janeiro, 2011. Published Lopes, Denise. "Digital Eden: The Evocation of Bosch, Munch, Millais and Tarkovsky in 'Antichrist'". Paper presented in XIV Meeting of the Brazilian Society of Cinema and Audiovisual Studies (SOCINE), Recife, 2010. Published Lopes, Denise. "Rohmer, the Pictorial and the Real, in the Digital Return to Méliès and Griffith, in 'L'Anglaise et le Duc'". Paper presented in XIII Meeting of the Brazilian Society of Cinema and Audiovisual Studies (SOCINE), Brasília, 2009. Published
Conference paper	Lopes, Denise. "Yoruba Art in "Exu and the Universe" Repairing Historical Errors". Paper presented in VII Cinema and the Other Arts International Meeting, Covilhã, 2023. Accepted Lopes, Denise. "Joaquim: Camera in Hand, Painting, Performance and Installation in the Chronicle of the Living Past of the Babel of the 18th Century's Brazils". Paper presented in XIV Jornadas Cinema em Português - Abril/2021, Covilhã, 2021. Under revision Lopes, Denise. "Ambience, Production of Presence and Epiphany in the Use of Virtual Reality in the Library at Night, by Robert Lepage, Based on Alberto Manguel". Paper presented in Story Bits - Conferência Internacional dos Media Digitais, Covilhã, 2021. Under revision Lopes, Denise. "André Parente's Cinema in Transit as Media Archeology". Paper presented in International Meeting of The Cinema and the Other Arts, at the LabCom-UBI, Covilhã, 2020. Submitted Lopes, Denise. "Immersion of the Viewer in the Language of Bruegel and Majewski in Communications, Arts and image Technology". Paper presented in XXVIII Annual Meeting of the National Association of Postgraduate Programs in Communication (Compós), Porto Alegre, 2019. Published Lopes, Denise. "The Classic and the Panorama Form Against the Compression of Space-time". Paper presented in XXIII Meeting of the Brazilian Society of Cinema and Audiovisual Studies (SOCINE), Goiânia, 2018. Published Lopes, Denise. "For a Cinema That Doesn't Show. Life and Art: Original or Copy, Real or Representation in Abbas Kiarostami's 'Certified Copy'". Paper presented in Avanca Cinema 2012 - International Cinema Conference - Art, Technology, Communication, Avanca, 2012. Submitted Lopes, Denise. "Paranoid Park: Digital Art and Installations Deconstruct Time and Space, in Delirium, on the Screen". Paper presented in XII Meeting SOCINE - Brazilian Society of Cinema and Audiovisual Studies, Brasília, 2008. Published Lopes, Denise. "The Grain of Writing, According to Roland Barthes, and the Notion of Fidelity in the Adaptation of 'Os Irmãos Dagobé' (The Dagobé Brothers) in 'A Terceira Margem do Rio' (The Third Bank of the River) and 'Outras Histórias' (Other Stories)". Paper presented in XI International Congress of the Brazilian Association of Comparative Literature (Abralic), São Paulo, 2008. Published Lopes, Denise. "History and Memory in 'Zweig, a Morte em Cena' (Zweig, Death on the Scene) by Sylvio Back and 'Nós que aqui estamos por vós esperamos' (Here We Are Waiting for You) by Marcelo Masagão". Paper presented in XXIV Brazilian Congress of Communication Sciences of the Brazilian Society for Interdisciplinary Communication Studies (Intercom), Campo Grande, 2001. Published Lopes, Denise. "The Pillow Book: Cinema, Medicine and Literature; the Film-body, the Film-Book". Paper presented in IX Annual Meeting of the National Association of Postgraduate Programs in Communication (Compós), Porto Alegre, 2000. Published
Journal article	Lopes, Denise. "'Panorama Form': Memory Yearnings and Desire of Reconfiguration of the Artwork's Originality in the Artistic Happening With Paolo Veronese's 'The Wedding Feast at Cana' (1562-63), by Peter Greenaway (2009), and in Lech Majewski's 'The Mill and the Cross' (2011)". Alceu: Pontifical Catholic University of Rio de Janeiro Magazine 26 (2013): 104-115. Published Lopes, Denise. "Lúcia Murat's Transcinema". Arte & Ensaio: Magazine of the Visual Arts Graduate Program 24 (2012): 224-225. Published Lopes, Denise. "Woody Allen: Reinventing the Same". Teorema: Film Criticism Magazine 16 (2010): 47-50. Published Lopes, Denise. "History and Memory in 'Zweig, a Morte em Cena' (Zweig, Death on the Scene) by Sylvio Back and 'Nós que aqui estamos por vós esperamos' (Here We Are Waiting for You) by Marcelo Masagão". Cinemais: Magazine on Cinema and Other Audiovisual Issues 31 (2002): 173-188. Published Lopes, Denise. "The human snout in my ear. 'The Dagobé brothers', by Guimarães Rosa, in 'The third bank of the river', by Nelson Pereira dos Santos, and 'Other stories', by Pedro Bial". Revista Trama: Academic Magazine of Social Communication of Estácio de Sá University 3 (2002): 68-83. Published Lopes, Denise. "The Woman in the Cinema According to Ann Kaplan". Contracampo: Magazine of the Master’s Degree in Communication, Image and Information of the Institute of Art and Social Communication of Fluminense Federal University 7 (2002): 209-216. Published Lopes, Denise. "The Pillow Book: Cinema, Medicine and Literature; the Film-body, the Film-book". Cinemais: Magazine on Cinema and Other Audiovisual Issues 29 (2001): 181-203. Published Lopes, Denise. "Foreign Land, the Colors of Exile From the Collor Era". Contracampo: Magazine of the Master’s Degree in Communication, Image and Information of the Institute of Art and Social Communication of Fluminense Federal University 4 (2000): 59-74. Published
Magazine article	Lopes, Denise. "Cinema Where There Isn't Any", Revista Marco Social, 2008, http://www.institutosouzacruz.org.br/groupms/sites/ins_8bfk5y.nsf/vwPagesWebLive/DO8G4LJX/$FILE/medMD8G4LMT.pdf. Lopes, Denise. "The Robert Altman You've Never Seen", Revista Bravo!, 2008 Lopes, Denise. "The Burst of Senses Proposed by Gus Van Sant", Revista Cartaz, 2008 Lopes, Denise. "Children's Imagination in Cinema", Revista Cartaz, 2008 Lopes, Denise. "A Life on the Screen", Revista Cartaz, 2008 Lopes, Denise. "Budapest in Two Languages", Revista Gávea, 2007 Lopes, Denise. "New Technologies", Revista Gávea, 2007 Lopes, Denise. "The Foreign Gaze Distorts Brazil", Revista Gávea, 2007 Lopes, Denise; ZAIDAN, Patrícia; Abou-Jaoude, Paoula. "The Master of the New National Cinema", Revista Claudia, 2002 Lopes, Denise. "Barretão, 40 Years of Activism in the PCB (Brazilian Cinema Party)", Filme B, 2001 Lopes, Denise. "Without Losing Tenderness: Ken Loach, One of the Rare Contemporary Committed Filmmakers", Revista Bravo!, 2000 Lopes, Denise. "Macunaíma Visits Freyre: Unpublished Script of 'Casa-Grande e Senzala'", Revista Bravo!, 1999 Lopes, Denise. "The Over-Explanation of Art", Revista Veredas, 1997 Lopes, Denise. "Anthem a la Gaucha mode", Revista Veja Rio Grande do Sul, 1991 Lopes, Denise. "How the Bahian Sees Himself on Television", Revista Veja Bahia, 1991 Lopes, Denise; Monteiro, Cássia. "Communist Party of Brazil Was Upset, but Rui Cesar Kept Going", Revista Veja Bahia, 1991
Newspaper article	Lopes, Denise. "Soy Cuba: Detailed History", Jornal do Brasil, 2006, Caderno Opinião Lopes, Denise. "2046: The Secrets of Love", Jornal do Brasil, 2006, Caderno Opinião Lopes, Denise. "The Secret Life: Linear, but Obscure", Jornal do Brasil, 2005, Caderno Opinião Lopes, Denise. "The Front Window: Simple and Sensitive", Jornal do Brasil, 2005, Caderno Opinião Lopes, Denise. "The Other Side: An Impeccable Actress", Jornal do Brasil, 2004, Caderno Opinião Lopes, Denise. "Ararat: Reckoning with the Past", Jornal do Brasil, 2004, Caderno Opinião Lopes, Denise. "Rio de Jano on the Screen", Jornal Valor, 2004, Caderno Eu & Lopes, Denise. "Nobody Is Perfect: Review of Billy Wilder's Biography", Jornal do Brasil, 2003, Caderno Idéias Lopes, Denise. "An Imperfect Genius", Jornal do Brasil, 2003, Caderno Idéias Lopes, Denise. "Windows of the National Cinema", Jornal do Brasil, 2003, Caderno B Lopes, Denise. "Changes in the Audiovisual Sector", Jornal do Brasil, 2003, Caderno B Lopes, Denise. "Japan Poured into a Naturalistic Fable", Jornal do Brasil, 2003, Caderno B Lopes, Denise. "The Transformation of Ancine into Ancinav", Jornal do Brasil, 2003, Caderno B Lopes, Denise. "Imamura's Fantasy: Warm Water Under a Red Bridge", Jornal do Brasil, 2001, Caderno Idéias Lopes, Denise. "Animatron at Cobal de Botafogo", Gazeta do Rio, 2000, Caderno Rio Cultura Lopes, Denise. "Hair in Cloths, Sayings and Images", Gazeta do Rio, 2000, Caderno Rio Cultura Lopes, Denise. "Digital Focus", Gazeta do Rio, 2000, Rio Cultura Lopes, Denise. "Decine Enables Production of Beginners", Gazeta do Rio, 2000, Rio Cultura Lopes, Denise. "The sensory world of Lygia Clark", Gazeta do Rio, 2000, Caderno Rio Cultura Lopes, Denise. "Old Music in Book", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "Nelson, Frame to Frame", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "A Portuguese Woman From the World", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "A Clan of Cinema", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "Lapa Is the Festival's Free Tribune", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "The Overwhelming Power of the Image", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "A Taste of Brazil", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "Theater and Real Life on the Cinema Screen", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "100 Years of Hitchcock", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "A Cinema Looking for Finishing", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "Anselmo, Heartthrob and Filmmaker", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "A Brazil Prior to Its Discovery", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "A Ballet of Faces and Moments", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "The Century of the Common Man: Documentary by Marcelo Masagão Shows Anonymous Characters in Times of Trivialization of Life", Jornal do Brasil, 1999, Caderno B, http://www2.uol.com.br/filmememoria/txt-denise.htm. Lopes, Denise. "Poetry, Dance and History in Goiás Velho", Jornal do Brasil, 1999, Caderno Viagem Lopes, Denise. "A Pioneer of Animation", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "Our Daily Script", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "Goiás Velho gives prize to Recife", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "Lady of the Pantanal", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "Scenes and Spirit of the Hinterland: the Mythical Universe of Guimarães Rosa Returns with Bial's 'Other Stories'", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "An Ode to the Paulista Way of Life", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "Sophie Tatischeff, Daughter of Jacques Tati", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "Brazilian Cinema Has Whitened: Interview With Robert Stam", Jornal do Brasil, 1999, Caderno Idéias Lopes, Denise. "A Long Search for the Cinema", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "The Last Humberto Mauro", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "Cruz e Souza's Poetry Invades the Screen", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "The Discreet Arrival of Cultural Studies", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "Rio Against Visual Chaos", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "A Reform That Changes Rio Downtown", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "The Blitz of a Restless Cultural Agitator", Jornal do Brasil, 1999, Caderno B Lopes, Denise. "Ten Years Without Chico Mendes", Jornal do Brasil, 1998, Caderno B Lopes, Denise. "Rio Is Losing Its Cultural Memory", Jornal do Brasil, 1998, Caderno B Lopes, Denise. "Art With Open Doors In Santa Teresa", Jornal do Brasil, 1998, Caderno B Lopes, Denise. "Treatise on the Femininely Correct", Jornal do Brasil, 1998, Caderno B Lopes, Denise. "Villa-Lobos Festival", Jornal do Brasil, 1998, Caderno B Lopes, Denise. "Under the Motto of Something More", Jornal do Brasil, 1998, Caderno B Lopes, Denise. "The City and Its Preserved Works", Jornal do Brasil, 1998, Caderno B Lopes, Denise. "The Common Place That Feeds Luck", Jornal do Brasil, 1998, Caderno B Lopes, Denise. "Our Daily Sound", Jornal do Brasil, 1998, Caderno B Lopes, Denise. "Zélia Duncan Interviews Ben Harper", Jornal do Brasil, 1998, Caderno B Lopes, Denise. "Who Bets on the Culture?", Jornal do Brasil, 1998, Seu Bolso Lopes, Denise. "The Theater Stages Tchaikovsky", Tribuna da Imprensa, 1989, BIS Lopes, Denise. "Reflections on the Press", Tribuna da Imprensa, 1989, BIS Lopes, Denise. "In the Footsteps of Isadora Duncan", Tribuna da Imprensa, 1989, BIS Lopes, Denise. "A Not-So-Cinematographic Marathon", Tribuna da Imprensa, 1989, BIS Lopes, Denise. "Comics, a Journey Through Time", O Globo, 1989, Leopoldina
Online resource	Lopes, Denise. The Grain of Writing, According to Roland Barthes, and the Notion of Fidelity in the adaptation of 'Os Irmãos Dagobé' (The Dagobé Brothers) in 'A Terceira Margem do Rio' (The Third Bank of the River) and 'Outras Histórias' (Other Stories). 2008. http://www.imagemtempo.com/guimaraesrosa/artigo_denise.htm.
Translation	Lopes, Denise. "Architecture or the Simplest Cinema Device" In Arte & Ensaio: Revista do Programa de Pós-Graduação em Artes Visuais (Arte & Ensaio: Magazine of the Visual Arts Graduate Program), original text in French by Luc Vancheri. Rio de Janeiro, Brazil: UFRJ. 2013. Published

Other

Other output

Return of Eztétyko. Creation of the Return of Eztétyko Cinema Club. 2008. Lopes, Denise.
Pressbook of 'Maré, Nossa História de Amor'. Research and Writing for the Pressbook of the Feature Film 'Maré, Nossa História de Amor' (Maré, Our Love Story), by Lúcia Murat. 2007. Lopes, Denise.
Pressbook of 'Moacir Arte Bruta'. Research and Writing for the Pressbook of the Feature Film 'Moacir Arte Bruta' (Moacir Crude Art), by Walter Carvalho. 2006. Lopes, Denise.
Pressbook of 'O Amigo Invisível'. Research and Writing for the Pressbook of the Feature Film 'O Amigo Invisível' (The Invisible Friend), by Maria Letícia. 2006. Lopes, Denise.
Pressbook of 'Outra memória'. Research and Writing for the Pressbook of the Feature Film 'Outra memória' (Other Memory), by Chico Faganello. 2006. Lopes, Denise.
Pressbook of 'Olhar Estrangeiro'. Research and Writing for the Pressbook of the Feature Film 'Olhar Estrangeiro' (Foreign Look), by Lúcia Murat. 2006. Lopes, Denise.
Pressbook of 'Extremo Sul'. Research and Writing for the Pressbook of the Feature Film 'Extremo Sul' (Far South), by Mônica Schmiedt and Sylvestre Campe. 2005. Lopes, Denise.
Pressbook of 'Quase Dois Irmãos'. Research and Writing for the Pressbook of the Feature Film 'Quase Dois Irmãos' (Almost Brothers), by Lúcia Murat. 2005. Lopes, Denise.
Field Research. Field research for the feature film 'Os Meninos de São Caetano' (The Boys of São Caetano), by Paulo Thiago, released in 2008. 2001. Lopes, Denise.
Pressbook of 'Duas Vezes com Helena'. Research and Writing for the Pressbook of the Feature Film 'Duas Vezes com Helena' (Two Times with Helena), by Mauro Farias. 2001. Lopes, Denise.

Activities

Oral presentation

	Presentation title	Event name Host (Event location)
2022/11/15	A Bay: Amerindian Perspectivism and Immersive Sensory Experimentation	XXV Meeting of the Brazilian Society of Cinema and Audiovisual Studies (SOCINE) University of Sao Paulo (USP) (São Paulo, Brazil)
2022/07/30	Between black bodies at night and fabulation: Cavalo (2021) and Libório (2021) - (Abstract accepted for presentation at CINEMA 2022. International Conference Cinema - Art, Technology, Communication in July 2022)	CINEMA 2022. International Conference Cinema - Art, Technology, Communication Avanca Cinema Club (Avanca, Portugal)
2022/06/27	The surviving images of Paula Gaitán (Abstract accepted for presentation at XI Annual AIM (Association of Moving Image Investigators) Meeting in May 2022)	XI Annual AIM (Association of Moving Image Investigators) Meeting AIM and CHAIA (Center for the History of Art and Artistic Research) at the University of Évora (Évora, Portugal)
2022/05/05	A bay, an experimental and sensorial documentary (Abstract accepted for presentation at XV Jornadas Cinema em Português in May 2022)	XV Jornadas Cinema em Português LabCOM UBI (Covilhã, Portugal)
2021/12/15	Walter Carvalho's Transcinema	Encontro Internacional O Cinema e as outras Artes Faculdade de Artes e Letras da Universidade da Beira Interior (Covilhã, Portugal)
2021/07	Afroflix: Instauration of Transmodal Porte-Existences as Media Activism (Abstract accepted for presentation at Avanca Cinema International Conference in July 2021)	Avanca Cinema International Conference Avanca Cinema International Conference (Avanca, Portugal)
2021/05	The Huts of Varda: Production of Presence, Meaning and Arch-similarities in an Archaeological Perspective of Media	X Annual Meeting of the Association of Moving Image Researchers (AIM) AIM (Lisbon, Portugal)
2021/04	Joaquim: Camera in Hand, Painting, Performance and Installation in the Chronicle of the Living Past of the Babel of Brazils of XVIII Century	XIV Journey: Cinema in Portuguese LabCom - University of Beira Interior (Covilhã, Portugal)
2020/12/15	Afroflix: Instauration of Transmodal Porte-Existences as Media Activism. In Agonies and Ecstasies of Digital: From the Neoconservative Imagery to Counterhegemonic Images with PhDs Ivana Bentes and Erick Felinto	XIII Symposium of the Brazilian Association of Researchers of Cyberculture - Virtualization of Life: Immediate, Technopolitical Futures and Reconstruction of the Common in the Post-Pandemic Scenario School of Communication of the Federal University of Rio de Janeiro (ECO/UFRJ) and Brazilian Association of Researchers of Cyberculture (ABCiber) (Rio de Janeiro, Brazil)
2020/12/09	André Parente's Cinema in Transit as Media Archeology	International Meeting: Cinema and other Arts LabCom - University of Beira Interior (Covilhã, Portugal)
2020/12/09	Post-modernity, Expanded Cinema and Internet (Table Coordination)	XLIII Brazilian Congress of Communication Sciences of the Brazilian Society for Interdisciplinary Communication Studies (Intercom) Federal University of Bahia (UFBA) (Salvador, Brazil)
2020/09/16	Classical References Reframed by the Contemporary Art of Lech Majewski. In Intercessions and Dialogues: Art Cinema and Pop Cinema with PhDs Erick Felinto and Ivana Bentes	Virtual Meeting of the Brazilian Society of Cinema and Audiovisual Studies (SOCINE at Home) (Brazil)
2019/09/06	Greenaway, Veronese and the Notion of Origin Today	XLII Brazilian Congress of Communication Sciences of the Brazilian Society for Interdisciplinary Communication Studies (Intercom) Federal University of Pará (UFPA) (Belém, Brazil)
2019/09/02	Cinema and Politics in Brazil: Narratives in Conflict	XLII Brazilian Congress of Communication Sciences of the Brazilian Society for Interdisciplinary Communication Studies (Intercom) Federal University of Pará (UFPA) (Belém)
2019	Lúcia Murat's Transcinema: Memories of the 70s Through Immersion and Co-authorship with the Viewer	Avanca Cinema International Conference Avanca Cinema Club (Avanca, Portugal)
2019	Immersion of the Viewer in the Language of Bruegel and Majewski in Communications, Arts and Image Technology	XXVIII Annual Meeting of the National Association of Postgraduate Programs in Communication (Compós) Pontifical Catholic University of Rio Grande do Sul (PUCRS) (Porto Alegre, Brazil)
2019	The Huts of Varda: Political and Aesthetic Act That Problematizes the Exhibition	XXIII Meeting of the Brazilian Society of Cinema and Audiovisual Studies (SOCINE) University of Vale do Rio dos Sinos (Unisinos) (Porto Alegre, Brazil)
2018	The Ideal of the Panorama Form in the Face of the Growing Special and Temporal Compression of Digital Media: The Panorama of Pre-Cinema and Its Current Uses	Avanca Cinema International Conference Avanca Cinema Club (Avanca, Portugal)
2018	The Classic and the Panorama Form Against the Compression of Space-Time.	XXII Meeting of the Brazilian Society of Cinema and Audiovisual Studies (SOCINE) Federal University of Goiás (UFG) (Goiânia, Brazil)
2016	The Panorama-Form and the Desire for Memory and for Redimensioning the Notion of Origin in the Recreation of the Veronese's 'The Wedding Feast at Cana', promoted by Greenaway, at the 2009 Venice Biennale	Avanca Cinema International Conference Avanca Cinema Club (Avanca, Portugal)
2012	For a Cinema That Doesn't Show: Life and Art: Original or Copy, Real or Representation in Abbas Kiarostami's 'Certified Copy'	Avanca Cinema International Conference Avanca Cinema Club (Avanca, Portugal)
2011	Life and Art: Original or Copy, Real or Representation in Abbas Kiarostami's 'Certified Copy'	XV Meeting of the Brazilian Society of Cinema and Audiovisual Studies (SOCINE) Federal University of Rio de Janeiro (UFRJ) (Rio de Janeiro, Brazil)
2010	Digital Eden: The Evocation of Bosch, Munch, Millais and Tarkovsky in 'Antichrist'	XIV Meeting of the Brazilian Society of Cinema and Audiovisual Studies (SOCINE) Federal University of Pernambuco (UFPE) (Recife, Brazil)
2009	Rohmer, the Pictorial and the Real, in the Digital Return to Méliès and Griffith, in 'L'Anglaise et le Duc' (The Lady and the Duke)	XIII Meeting of the Brazilian Societyof Cinema and Audiovisual Studies (SOCINE) University of Brasília (UnB) (Brasília, Brazil)
2008	'Paranoid Park', Digital Art and Installations Deconstruct Time and Space, in Delirium, on the Screen	XII Meeting of the Brazilian Society of Cinema and Audiovisual Studies (SOCINE) University of Brasília (UnB) (Brasília, Brazil)
2008	The Grain of Writing, According to Roland Barthes, and theNotion of Fidelity in the Adaptation of 'Os Irmãos Dagobé' (The DagobéBrothers) in 'A Terceira Margem do Rio' (The Third Bank of the River) and'Outras Histórias' (Other Stories)	XI International Congress of the Brazilian Association of Comparative Literature (Abralic) University of São Paulo (USP) (São Paulo, Brazil)
2001/09/06	History and Memory in 'Zweig, a Morte em Cena' (Zweig, Deathon the Scene) by Sylvio Back and 'Nós que aqui estamos por vós esperamos' (Here We Are Waiting for You) by Marcelo Masagão	XXIV Brazilian Congress of Communication Sciences of the Brazilian Society for Interdisciplinary Communication Studies (Intercom) University for the Development of the State and the Pantanal Region (Uniderp) (Campo Grande, Brazil)
2000	The Pillow Book: Cinema, Medicine and Literature; the Film-Body, the Film-Book	IX Annual Meeting of the National Association of Postgraduate Programs in Communication (Compós) Pontifical Catholic University of Rio Grande do Sul (PUCRS) (Porto Alegre, Brazil)

Supervision

	Thesis Title Role	Degree Subject (Type) Institution / Organization
2021/03/01 - Current	Art and Modern Subject: The (Re)production of Subjectivity in XIX Century Painting Supervisor of Désirée Spessote	History of Art and Architecture (Master) Pontifical Catholic University of Rio de Janeiro (PUC-Rio), Brazil
2014 - 2014	The Knife in the Drawer: Abandoned scripts are still useful. Specialization Monograph on Technology in Higher Education - Pontifical Catholic University of Rio de Janeiro (PUC-Rio). Melanie Dimantas is screenwriter and Professor at PUC-Rio Graduate in Cinema Supervisor	Cinema (Specialization course) Department of Communication of the Pontifical Catholic University of Rio de Janeiro (COM/PUC-Rio), Brazil
2008 - 2008	Foreign Land, a Film by Walter Salles Supervisor of Giselly Lyra	Cinema (Degree) Estácio de Sá Universities (UNESA), Brazil
2008 - 2008	Digital screening in cinemas Supervisor	Cinema (Degree) Estácio de Sá Universities (UNESA), Brazil
2008 - 2008	Cinema as a political tool Supervisor	Cinema (Degree) Estácio de Sá Universities (UNESA), Brazil
2008 - 2008	The facilities of digital in film production. Supervisor	Cinema (Degree) Estácio de Sá Universities (UNESA), Brazil
2008 - 2008	The Fátima Toledo method. Supervisor	Cinema (Degree) Estácio de Sá Universities (UNESA), Brazil
2008 - 2008	Storyboard, a facilitator in film production. Supervisor	Cinema (Degree) Estácio de Sá Universities (UNESA), Brazil
2008 - 2008	Language and aesthetics in the works of Terrence Malick. Supervisor	Cinema (Degree) Estácio de Sá Universities (UNESA), Brazil
2008 - 2008	Digital screening in cinemas Supervisor	Cinema (Degree) Estácio de Sá Universities (UNESA), Brazil
2008 - 2008	Beyond words: a study of translation Supervisor	Cinema (Degree) Estácio de Sá Universities (UNESA), Brazil
2008 - 2008	The rural cinema of Mazzaropi. Supervisor	Cinema (Degree) Estácio de Sá Universities (UNESA), Brazil

Event organisation

	Event name Type of event (Role)	Institution / Organization
2019 - 2019	Organization, coordination, and curation of the exhibition "Silvio Tendler: Tribute to His 51 Years of Documentary", with the exhibition of the films of director: 'Alma Imoral' (Immoral Soul), 'Fio da meada' (Train of Thought), 'Os militares que disseram não' (The Military Who Said No) e 'Arqueologia do Poeta' (The Poet's Archeology). (2019 - 2019) Exhibition (President of the Organising Committee)	Department of Communication of the Pontifical Catholic University of Rio de Janeiro (COM/PUC-Rio), Brazil
2017 - 2017	Organization, coordination and curatorship of the seminar "Art and Russian Revolution, 100 Years Later", with debates, tables, film screenings and staging of the play 'Marx baixou em mim' (Marx Possessed My Body). Opening ceremony at Cinema Odeon with the exhibition of Dziga Vertov's 'Man with a Movie Camera'. Mediator of the tables "Militant Cinema: Revolution in Form and Beyond" and "Plastic Arts and The Russian Revolution: The Revolution of Form in a World in Permanent Trans-formation". (2017 - 2017) Seminar (President of the Organising Committee)	Department of Communication of the Pontifical Catholic University of Rio de Janeiro (COM/PUC-Rio), Brazil
2016 - 2016	Organization and coordination of the seminar 'The Importance and the Role of Criticism of José Carlos Avellar' in honor of the film critic José Carlos Avellar. (2016 - 2016) Seminar (President of the Organising Committee)	Department of Communication of the Pontifical Catholic University of Rio de Janeiro (COM/PUC-Rio), Brazil
2014 - 2014	Organization and coordination of the exhibition and seminar 'Cortázar and Cinema', in celebration of the centenary of writer Julio Cortázar, with exhibition of the following films adapted from his works: Antonioni's 'Blow up'; Godard's 'Weekend'; Antín's 'Odd Number'; Gervitz's 'Underground Game'; Bauer's 'Cortázar' and short 'Omnibus' by Sérgio Bianchi. Lecturer of the table on 'Blow up' with Doctors Erick Felinto and Lenivaldo Gomes. (2016 - 2016) Exhibition (President of the Organising Committee)	Department of Communication of the Pontifical Catholic University of Rio de Janeiro (COM/PUC-Rio), Brazil
2011 - 2011	Organization, coordination and mediation of the meeting The role of film criticism, with the exhibition of 'Crítico' (Critic), by Kleber Mendonça Filho. With the FIPRESCI president, Klaus Eder, and film critics Kleber Mendonça, José Carlos Avellar and Miguel Pereira. (2011 - 2011) Meeting (President of the Organising Committee)	Department of Communication of the Pontifical Catholic University of Rio de Janeiro (COM/PUC-Rio), Brazil

Event participation

	Activity description Type of event	Event name Institution / Organization
2022/05/03 - 2022/05/05	Film Materialities In Portuguese Cinemas: Experiencing In Portuguese: The Brazilian Sensorial Cinema Through Arthur Omar, Murilo Salles And Ricardo Miranda Round table	XV Jornadas Cinema em Português Universidade da Beira Interior LabComIFP Comunicação Filosofia e Humanidades, Portugal
2021/10/06 - 2021/10/16	Mediator of the debates of the feature films of the Première Brasil of the Festival do Rio Festival	Festival do Rio Festival do Rio, Brazil
2021/09/29 - 2021/10/02	Listener of Forcine Congress 2021 - Audiovisual Connections and Resistances: Actions and Perspectives for Emerging Worlds Congress	Audiovisual Connections and Resistances: Actions and Perspectives for Emerging Worlds Brazilian Forum for Film and Audiovisual Teaching (Forcine), Brazil
2021/09/29 - 2021/10/02	Listener of Audiovisual Connections and Resistances: Actions and Perspectives for Emerging Worlds Congress	Fórum Brasileiro de Ensino de Cinema e Audiovisual (FORCINE) 2021 Federal University of Pará (UFPA), Brazil
2021/07/12 - 2021/09/27	Mediator of the debate about the documentary "Helio Oiticica".	Ocupa Estação Net Rio e Botafogo Estação NET Rio, Brazil
2020 - 2020	Mediator of the table about the history of the Brasilia Festival of Brazilian Cinema with film directors Julio Bressane, Walter Carvalho, Neville d'Almeida, André Luis Oliveira, Rosemberg Cariry, Helena Ignez and Silvio Tendler, and the editor Jordana Berg. Festival	LIII Brasilia Festival of Brazilian Cinema (FBCB)
2020 - 2020	Presentation and debate on the book 'Mulheres Atrás das Câmeras: As Cineastas Brasileiras de 1930 a 2018' (Women behind the cameras: Brazilian Women Filmmakers from 1930 to 2018). Meeting	Cultural Meetings of the Brazilian Press Association – ABI
2019/09/02 - 2019/09/07	Lecturer at XLII Brazilian Congress of Communication Sciences of the Brazilian Society for Interdisciplinary Communication Studies (Intercom) Congress	XLII Brazilian Congress of Communication Sciences of the Brazilian Society for Interdisciplinary Communication Studies (Intercom) Federal University of Pará (UFPA), Brazil
2019 - 2019	Debate on the film 'Nise: O Coração da Loucura' (Nise: The Heart of Madness), by Roberto Berliner. Seminar	II International Seminar on Interculturality, Heritage, Education and Mediation: Policies, Contexts and Inclusive Practices in Brazil and Portugal
2014 - 2014	Lecture of 'The grain of writing, according to Roland Barthes, and the notion of fidelity in the adaptation of 'Os Irmãos Dagobé' (The Dagobé Brothers) in 'A Terceira Margem do Rio' (The Third Bank of the River) and 'Outras Histórias' (Other Stories)'. Festival	XIII Archive Film Festival, RECINE
2008 - 2008	Debate with filmmaker Paulo Thiago and researchers Maria Luiza de Castro e Silva and Enio Luiz de Carvalho Biaggi about the adaptations of Guimarães Rosa for the cinema. Online publication of "The Grain of Writing, According to Roland Barthes, and the Notion of Fidelity in the Adaptation of 'Os Irmãos Dagobé' (The Dagobé Brothers) in 'A Terceira Margem do Rio' (The Third Bank of the River) and 'Outras Histórias' (Other Stories)". Exhibition	Cinema Veredas: Films Inspired by Guimarães Rosa Caixa Cultural, Brazil

Jury of academic degree

	Topic Role	Candidate name (Type of degree) Institution / Organization
2022/03/25	The Poem's Moviola: Dialogues Between Cinema and Contemporary Poetry in the Portuguese Language Thesis Member	Frederico Klumb (Master) UFF - FLUMINENSE FEDERAL UNIVERSITY INSTITUTE OF LETTERS, Brazil
2022/03/16	Women and the Portrait's Gender: A Study on the Construction of the (Self)Image in Painting , final course work, bachelor's degree in cinema Thesis Member	Fernanda Fidelis (Other) FEDERAL UNIVERSITY OF MATO GROSSO SCHOOL OF COMMUNICATION AND ARTS DEPARTMENT OF SOCIAL COMMUNICATION, Brazil
2022/03/09	Art and the modern subject: The (re)production of subjectivity in 19th century painting Thesis Member	Desirée Valente Spessote (Master) Department of History at Pontifical Catholic University of Rio de Janeiro, Brazil
2022/01/07	Monte Alto: Phantom Swamp Thesis Member	Giuliano Gerbasi (Master) Federal University of Rio de Janeiro (UFRJ), Brazil
2020	Selminha's World: in the Daily Life of the Powerful Woman, the Post-feminism That Liberates Also Imprisons Thesis Member	André Luis Vieira Gomes (Master) School of Communication of Federal University of Rio de Janeiro (ECO/UFRJ), Brazil
2019	Storytelling in Advertising: The Language of Classic Narrative Cinema at the Service of Commercial Advertisements Thesis Member	Rodrigo de Castro Faria (Master) School of Communication of Federal University of Rio de Janeiro (ECO/UFRJ), Brazil
2014	The Knife in the Drawer: Abandoned Scripts Are Still Useful Thesis Member	Melanie Dimantas (Aggregation) Department of Communication of the Pontifical Catholic University of Rio de Janeiro (COM/PUC-Rio), Brazil
2014	Video Editing: Theoretical and Audiovisual Content to Support Students in the Basic Cycle of the Social Communication Course at PUC-Rio. Thesis Member	Rafael de Castro Rusak (Aggregation) Department of Communication of the Pontifical Catholic University of Rio de Janeiro (COM/PUC-Rio), Brazil
2008	Bollywood Embodied: The People Want Cinema. Thesis Member	Raquel Valadares (Other) Institute of Art and Social Communication of Fluminense Federal University (IACS-UFF), Brazil

Association member

	Society Organization name	Role
2012 - Current	Portuguese Association of Moving Image Researchers (AIM)	Member
2008 - Current	Brazilian Association of Film Critics (ABRACCINE)	Member
2002 - Current	International Federation of Film Critics (FIPRESCI)	Member
2001 - Current	Brazilian Society for Interdisciplinary Communication Studies (Intercom)	Member
2000 - Current	Brazilian Society for Cinema and Audiovisual Studies (SOCINE)	Member
2002 - 2008	Association of Film Critics of Rio de Janeiro (ACCRJ)	Member

Course / Discipline taught

	Academic session	Degree Subject (Type)	Institution / Organization
2021/08/01 - Current	Cinema and Painting I, II, III - Free course on-line in modules about the relationship between cinema and painting. The first is dedicated to the beginnings of this relationship, the second is more focused on the masters of cinema who illuminated and framed their canvases like painting and the third is directed to the effects of cinema in contemporary art. Since Aug/2021, 4 courses of 34 hours each have been taught, always with 2-hour classes twice a week. They are offered by the Transcinema platform: Film Studies and Other Arts, coordinated by me.	Cinema e Pintura (Outros)	Teaching platform: Film Studies and Other Arts, Brazil
2021/03/01 - Current	Image, Sound, Practice, Theory and Aesthetics	Social Communication - Cinema (Bachelor)	Department of Communication of the Pontifical Catholic University of Rio de Janeiro (COM/PUC-Rio), Brazil
2020/03/01 - Current	Transcinema: Cinema, Painting and Contemporary Art	Transcinema: Cinema, Painting and Contemporary Art (Extension Course)	Central Extension Coordination of the Pontifical Catholic University of Rio de Janeiro (CCE/PUC-Rio), Brazil
2012/03/01 - Current	Semiology and Communication	Art & Design (Bachelor)	Department of Communication of the Pontifical Catholic University of Rio de Janeiro (COM/PUC-Rio), Brazil
2010/08/01 - Current	Cinema Theory and Film Criticism	Social Communication - Cinema (Bachelor)	Department of Communication of the Pontifical Catholic University of Rio de Janeiro (COM/PUC-Rio), Brazil
2019/03/01 - 2021/07/30	Cinema and Painting - Extension course, offered by the Center for Extension Studies of the Pontifical Catholic University of Rio de Janeiro - PUC-Rio	Cinema and Painting (Extension Course) (Outros)	Central Extension Coordination of the Pontifical Catholic University of Rio de Janeiro (CCE/PUC-Rio), Brazil
2019/08/01 - 2020/12/31	Introduction to Cinema	Social Communication - Cinema (Bachelor)	Department of Communication of the Pontifical Catholic University of Rio de Janeiro (COM/PUC-Rio), Brazil
2014/08/01 - 2016/12/01	Cinema and Literature	Social Communication - Cinema (Bachelor)	Department of Communication of the Pontifical Catholic University of Rio de Janeiro (COM/PUC-Rio), Brazil
2009/03/01 - 2010/12/31	History of Brazilian Cinema	Cinema (Bachelor)	Darcy Ribeiro Film School - Brazilian Audiovisual Institute (IBAV), Brazil
2009/03/01 - 2010/12/31	Cinematographic Language	Cinema (Bachelor)	Darcy Ribeiro Film School - Brazilian Audiovisual Institute (IBAV), Brazil
2007/03/01 - 2009/12/31	Cinematographic Production	Cinema (Bachelor)	Department of Cinema and Video of the Institute of Art and Social Communication of Fluminense Federal University (GCV/IACS/UFF), Brazil
2007/03/01 - 2009/12/31	New Audiovisual Technologies	Cinema (Bachelor)	Department of Cinema and Video of the Institute of Art and Social Communication of Fluminense Federal University (GCV/IACS/UFF), Brazil
2007/03/01 - 2009/12/31	Film Policy and Market	Cinema (Bachelor)	Department of Cinema and Video of the Institute of Art and Social Communication of Fluminense Federal University (GCV/IACS/UFF), Brazil
2005/03/01 - 2008/12/31	Production, Politics and Market	Cinema (Bachelor)	Estácio de Sá Universities (UNESA), Brazil
2005/03/01 - 2008/12/31	History of Modern and Contemporary Brazilian Cinema	Cinema (Bachelor)	Estácio de Sá Universities (UNESA), Brazil
2005/03/01 - 2008/12/31	New Audiovisual Technologies	Cinema (Bachelor)	Estácio de Sá Universities (UNESA), Brazil
2005/03/01 - 2008/12/31	Narrative Theory	Cinema (Bachelor)	Estácio de Sá Universities (UNESA), Brazil

Evaluation committee

	Activity description Role	Institution / Organization	Funding entity
2012 - 2013	PUC-Rio Fiction Film Pitching.	Department of Communication of the Pontifical Catholic University of Rio de Janeiro (COM/PUC-Rio), Brazil
2012 - 2013	PUC-Rio Documentary Film Pitching.	Department of Communication of the Pontifical Catholic University of Rio de Janeiro (COM/PUC-Rio), Brazil

Interview (tv / radio show)

	Program	Topic
2005 - Current	Interview for Comentário Geral (General Commentary).	Dream and Cinema

Other jury / evaluation

	Activity description	Institution / Organization
2013 - 2013	Member of the Critics Jury of the XLVI Brasília Film Festival.
2013 - 2013	Member of the Jury of "Roteiro PUC", screenplay contest designed as a way to encourage and motivate students in the practice of script-writing.
2012 - 2012	Member of the Critics Jury of the XIV Rio de Janeiro International Film Festival.
2005 - 2005	Member of the Critics Jury of Cinesul: Latin American Film and Video Festival.
2005 - 2005	Member of the Critics Jury of Curta Cinema: Rio de Janeiro International Short Film Festival.

Distinctions

Award

2020	Finalist of the LXII Jabuti Award Brazilian Book Chamber, Brazil