Andrew Woolley (8119-76F3-780C)

Curriculum Vitae

Andrew Woolley

Andrew Woolley completed his doctorate at the University of Leeds, School of Music, in 2008, from where he also graduated with a BA (2003) and MMus. (2004). At present he is Principal Researcher and integrated member of the Centro de Estudos de Sociologia e Estética Musical, Universidade Nova de Lisboa, as co-investigator for the project "Music paper and handwriting studies in Portugal (18th and 19th centuries): the case study of the collection of the Count of Redondo" (EXPL/ART-PER/0749/2021). He was an FCT Investigador at CESEM 2016-21 and before that was at Bangor University (Lecturer in Music, 2013-14) and the University of Edinburgh (Leverhulme Early Career Fellow, 2011-13). He is the author of 18 journal articles (2 as co-author) and 6 book chapters and has edited 7 books (multi-author collections of essays and editions of music). He has organised four international conferences as a leading or co-organiser. His research has been supported by awards from the Music & Letters Trust (2012, 2015), the American Handel Society (J. Merrill Knapp Research Fellowship Award, 2011), the University of California, Los Angeles, Center for Seventeenth and Eighteenth-Century Studies (2011), and the American Society for Eighteenth-Century Studies (2009).

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Identificação

Identificação pessoal

Nome completo: Andrew Woolley

Nomes de citação

Woolley, Andrew

Identificadores de autor

Ciência ID: 8119-76F3-780C
ORCID iD: 0000-0003-0086-3247

Moradas

Centro de Estudos de Sociologia e Estética Musical (CESEM), Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, Avenida de Berna, 26 C, 1069-061, Lisbon, Lisbon, Portugal (Profissional)

Websites

https://fcsh-unl.academia.edu/AndrewWoolley (Académico)
https://cesem.fcsh.unl.pt/pt/pessoa/andrew-woolley/ (Profissional)

Domínios de atuação

Humanidades - Artes - Estudo das Artes da Representação (música, teatro e dramaturgia)

Idiomas

Idioma	Conversação	Leitura	Escrita	Compreensão	Peer-review
Inglês (Idioma materno)
Português	Utilizador proficiente (C1)	Utilizador proficiente (C1)	Utilizador proficiente (C1)	Utilizador proficiente (C1)	Utilizador proficiente (C1)
Espanhol; Castelhano	Utilizador elementar (A1)	Utilizador independente (B1)	Utilizador elementar (A1)	Utilizador elementar (A2)	Utilizador elementar (A2)

Formação

	Grau	Classificação
2012 - 2015 Concluído	Postgraduate Certificate in Academic Practice (Postgraduate Certificate) The University of Edinburgh Moray House School of Education, Reino Unido
2012 Concluído	Licentiate diploma in pianoforte performance (Outros) University of West London London College of Music, Reino Unido
2004/09/01 - 2008/10/13 Concluído	PhD (Doutoramento) University of Leeds School of Music, Reino Unido "English Keyboard Sources and their Contexts, c.1660-1720" (TESE/DISSERTAÇÃO)
2003 - 2004 Concluído	MMus. (Mestrado) University of Leeds School of Music, Reino Unido	Pass with Merit
2000 - 2003 Concluído	BA. (Licenciatura) University of Leeds School of Music, Reino Unido

Percurso profissional

Ciência

	Categoria Profissional Instituição de acolhimento	Empregador
2016/12/02 - Atual	Investigador (Investigação)	Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
	Universidade Nova de Lisboa, Portugal
2011/09/01 - 2013/08/31	Pós-doutorado (Investigação)	The University of Edinburgh Reid School of Music, Reino Unido

Docência no Ensino Superior

	Categoria Profissional Instituição de acolhimento	Empregador
2013/09/01 - 2014/08/31	Leitor (Docente Universitário)	Bangor University, Reino Unido

Cargos e Funções

	Categoria Profissional Instituição de acolhimento	Empregador
2019/06 - Atual	Member of the Scientific Council	Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
	Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Outros

	Categoria Profissional Instituição de acolhimento	Empregador
2022 - Atual	Editor of Portuguese Early Music Database (Polyphony)	Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
	Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2019/06 - 2022	Co-coordinator of the Early Music Studies Research Group	Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
	Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2009 - 2022	Editor of Early Music Performer: Journal of the National Early Music Association (UK)	National Early Music Association UK, Reino Unido

Projetos

Bolsa

	Designação	Financiadores
2021/03 - Atual	Texts and voices lost and found. Recovering, reconstituting and re-creating musical fragments (c.1100-c.1600) PTDC/ART-PER/0902/2020 Investigador Universidade Nova de Lisboa, Portugal	Fundação para a Ciência e a Tecnologia Em curso
2019/02 - Atual	PASEV: Patrimonialization of Évora's Soundscape -- 1540-1910 PTDC/ART-PER/28584/2017 Investigador Universidade de Évora, Portugal	Fundação para a Ciência e a Tecnologia Em curso
2015 - 2015	The Music Collection of Charles Henry Mueller (fl. 1819) Music & Letters award Investigador University of Huddersfield School of Music Humanities and Media, Reino Unido	Music & Letters Trust Concluído
2012 - 2012	English keyboard music c.1650-c.1700: a series of facsimiles of manuscript sources Music & Letters award Investigador	Music & Letters Trust Concluído
2011/07 - 2011/08	Documenting Musical Life in Late Seventeenth-Century England: Manuscript Collections of Keyboard and Consort Music at the Clark Library Clark Short-Term Research Fellow Bolseiro de Investigação University of California Los Angeles Center for Seventeenth and Eighteenth-Century Studies, Estados Unidos	University of California Los Angeles Center for Seventeenth and Eighteenth-Century Studies Concluído
2011 - 2011	The William Walond Manuscript of Keyboard Music and Related Sources J. Merrill Knapp Research Fellowship Award Investigador American Handel Society, Estados Unidos	American Handel Society Concluído
2009/07 - 2009/08	English Keyboard Collections in the Newberry Library: Music Teaching and Amateur Music-Making in Restoration England American Society for Eighteenth-Century Studies Fellowship Bolseiro de Investigação American Society for Eighteenth Century Studies, Estados Unidos	Newberry Library Concluído

Projeto

	Designação	Financiadores
2021/01/01 - 2025/12/31	Laboratório Associado para a Investigação e Inovação em Património, Artes, Sustentabilidade e Território LA/P/0132/2020 10.54499/LA/P/0132/2020 Universidade do Porto Centro Interdisciplinar de Investigação Marinha e Ambiental, Portugal Universidade do Minho, Portugal Universidade Nova de Lisboa, Portugal Universidade Nova de Lisboa Instituto de Historia da Arte, Portugal Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal Universidade do Minho Laboratório de Paisagens Património e Território, Portugal ISCTE-Instituto Universitário de Lisboa, Portugal Universidade de Évora, Portugal Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal Universidade de Coimbra, Portugal Instituto de História Contemporânea, Portugal	Fundação para a Ciência e a Tecnologia Em curso
2022/01/01 - 2023/09/30	Music paper and handwriting studies in Portugal (18th and 19th centuries): the case study of the collection of the Count of Redondo EXPL/ART-PER/0749/2021 Bolseiro de Integração na Investigação Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal	Fundação para a Ciência e a Tecnologia Em curso
2016/12/02 - 2021/12/01	A reevaluation of Portuguese music sources c.1640-c.1720: codicology, provenance, musical style and performance practices IF/01469/2015 Investigador Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal	Fundação para a Ciência e a Tecnologia Em curso
2019/01/01 - 2019/12/31	Research Centre for the Sociology and Aesthetics of Music UID/EAT/00693/2019 Universidade Nova de Lisboa, Portugal	Fundação para a Ciência e a Tecnologia Concluído
2011/09 - 2013/08	Beyond London: 18th-century musical archives in Edinburgh ECF-2011-039 Bolseiro de Pós-Doutoramento The University of Edinburgh Reid School of Music, Reino Unido	Leverhulme Trust Concluído

Outro

	Designação	Financiadores
2019/01/01 - 2019/12/31	CESEM - Strategic project - UID/EAT/00693/2019 UID/EAT/00693/2019 Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal	Fundação para a Ciência e a Tecnologia Concluído
2019/01/01 - 2019/12/31	CESEM - Research Centre for the Sociology and Aesthetics of Music - Strategic project - UID/EAT/00693/2019 UID/EAT/00693/2019 Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal	Fundação para a Ciência e a Tecnologia Concluído
2004/09 - 2007/08	English keyboard sources and their contexts c.1660-1720 Stanley Burton Research Scholarship 2004 Bolseiro de Doutoramento University of Leeds, Reino Unido	University of Leeds Concluído

Produções

Publicações

Artigo em conferência	Woolley, Andrew. "Musical scores acquired by the Portuguese court from Italy in the eighteenth century and the Fundo do Conde de Redondo at the National Library of Portugal". Trabalho apresentado em MARCMUS - Watermarks and handwriting in the music manuscripts of the Fundo do Conde de Redondo, Biblioteca Nacional, Lisbon, 2023. Woolley, Andrew. "The collection of responsories and lamentations for voice and basso continuo from the beginning of the eighteenth century in P-BRad, MS 964". Trabalho apresentado em 20th Biennial International Conference on Baroque Music, Geneva, 2023. Woolley, Andrew. "Towards completing the revised Volume 6 of the Purcell Society Edition (‘Harpsichord and Organ Music’): editorial approaches for an ‘inclusive’ collected-works volume". Trabalho apresentado em The Future of Digital Editions of Music (Northumbria University, 28–30 March 2023), Newcastle, 2023. Woolley, Andrew. "Identifying concordances and musical inter-relationships using digital tools: Where to from here?". Trabalho apresentado em COST: A new ecosystem of early music studies (EarlyMuse): Working Group 2 (Sources), Lisbon, 2023. Woolley, Andrew. "When Musical Fragments Are Not Fragments: On the Extracting and Recombining of Sections from Existing Instrumental Compositions in P-Cug MM 242 and Luis Venegas de Henestrosa’s Libro de Cifra Nueva (1557)". Trabalho apresentado em Lost & Found: Traces of Early Music. An International Colloquium on Fragmentology, 2023. Woolley, Andrew. "Partituras de ópera italiana no Fundo do Conde do Redondo". Trabalho apresentado em ENIM 2022: XI Encontro de Investigação em Música, 2022. Woolley, Andrew. "Aural transmission and the role of notation in the dissemination of miscellaneous airs in the seventeenth century: insights from the collection in P-BRad MS 964". Trabalho apresentado em 21st Quinquennial IMS Congress (IMS2022), Athens, 2022. "Luis Venegas de Henestrosa and composing keyboard music in sixteenth-century Spain". Trabalho apresentado em 50th aMedieval and Renaissance Music Conference, Uppsala, 2022. Woolley, Andrew. "Watermarks in seventeenth-century music manuscripts from Portugal". Trabalho apresentado em Workshop MarcMus, 2022. Woolley, Andrew. "The Italian Concerto Style in Handel's Early Keyboard Pieces". Trabalho apresentado em Handel: Interactions and Influences, London, 2021. Woolley, Andrew. "A coleção de responsórios e lamentações para voz e baixo contínuo (harpa, órgão ou cravo) do início do século XVIII do manuscrito P-BRad, MS 964". Trabalho apresentado em ENIM 2020/1 – X Encontro de Investigação em Música, Coimbra, 2021. Woolley, Andrew. "The manuscript collection of an anonymous mid-seventeenth-century composer: the cartapácios in the University of Coimbra General Library". Trabalho apresentado em Birmingham Baroque 2021, 2021. Woolley, Andrew. "A biografia de Pedro de Araújo (c.1640-c.1710/15) revisitada: os factos conhecidos e novas informações". Trabalho apresentado em Simpósio Permanente de Investigação do CESEM, 2021. Woolley, Andrew. "Charles Babel's 'Concerts a deux' (c.1702): sources, compilation and performance practice". Trabalho apresentado em Webinaire AteCop: Les premiers ateliers français de copistes en musique, 2021. Woolley, Andrew. "A ornamentação floreada na interpretação de cantochão com acompanhamento de baixo contínuo no início do século XVIII em Portugal: o testemunho de uma coleção de responsórios e lamentações para voz e baixo contínuo em P-BRad, MS 964". Trabalho apresentado em Sonoridades Eborenses, Universidade de Évora, 2020. Woolley, Andrew. "Scribal creativity and performance practice in the instrumentally conceived four-part music in P-Cug, MM 242 and MM 48". Trabalho apresentado em 48th Medieval and Renaissance Music Conference, University of Edinburgh, 2020. Woolley, Andrew. "'Italianos ou estrangeiros’: the collection of miscellaneous keyboard airs in P-BRad, MS 964 and its Iberian context". Trabalho apresentado em Ignacio Jerusalem 250: Galant Musics in Italy, the Iberian Peninsula, and the New World, Universidad Internacional de Andalucía, Baeza, 2019. Woolley, Andrew. "'Empréstimos’ de Flores da Música (1620) de Manuel Rodrigues Coelho na música portuguesa para tecla em partitura italiana do final do século XVII". Trabalho apresentado em IX Encontro Nacional de Investigação em Música ENIM 2019, Universidade Nova de Lisboa, Lisbon, 2019. Woolley, Andrew. "Evocations of Performance: 17th-Century Portuguese Keyboard Music in Contrapuntal Genres". Trabalho apresentado em The Current State of Performance Practice Studies, Fitzwilliam College, Cambridge, 2019. Woolley, Andrew. "Seventeenth-Century French Dance Music in Portuguese and Spanish Keyboard Sources". Trabalho apresentado em Syntagma Musicum 1619–2019, Slovenian Academy of Sciences and Arts, Institute of Musicology, Ljubljana, 2019. Woolley, Andrew. "Os cartapácios na Biblioteca Geral da Universidade de Coimbra: codicologia e copistas". Trabalho apresentado em VIII Encontro Nacional de Investigação em Música ENIM 2018, Instituto Politénico do Porto, 2018. Woolley, Andrew. "The seventeenth-century keyboard player’s workshop: a case study from northern Portugal". Trabalho apresentado em 18th Biennial International Conference on Baroque Music, Pavia University, Cremona, 2018. Woolley, Andrew. "Authorship and Creative Copying in Braga, Arquivo Distrital, MS 964". Trabalho apresentado em 3rd International Conference on Historical Keyboard Music: Authorship in Keyboard Music, Universidade Nova de Lisboa, Lisbon, 2018. Woolley, Andrew. "Paper Types and Copyists in Braga, Arquivo Distrital, MS 964". Trabalho apresentado em VII Encontro Nacional de Investigação em Música ENIM 2017, Universidade do Minho, Braga, 2017. Woolley, Andrew. "Paper Types in 17th-and 18th-Century Portuguese Music Manuscripts: Braga, Arquivo Distrital, MS 964". Trabalho apresentado em Interdisciplinary Conference on Iberian Manuscripts, Universidade Nova de Lisboa, Lisbon, 2017. Woolley, Andrew. "From Venice to Chichester via London and Bath: the Travels of an Italian Giga". Trabalho apresentado em Early Keyboard Instruments: Repertoire, Use and Design, Murray Edwards College, Cambridge, 2017. Woolley, Andrew. "Tracing Concordances Using Encoded Numerical Incipits". Trabalho apresentado em VI Encontro Nacional de Investigação em Música ENIM 2016, Universidade de Aveiro, 2016. Woolley, Andrew. "William Babell, Jean-François Dandrieu and HWV 441". Trabalho apresentado em 17th Biennial International Conference on Baroque Music, Canterbury Christ Church University, 2016. Woolley, Andrew; Cowgill, Rachel. "Adaptation in English Opera of the late Eighteenth and Early Nineteenth Centuries: New Light on London Repertoire from the Norwich Theatre Royal Music Collection, Norfolk Heritage Centre". Trabalho apresentado em The London Stage and the Nineteenth-Century World, New College, Oxford, 2016. Woolley, Andrew. "'the new Airy Tunes of these Times': 'French Dances' in late seventeenth-century England". Trabalho apresentado em Music in Transition: Changing Styles and Approaches in the Mid-Baroque (1650-1710), Royal Birmingham Conservatoire, Birmingham, 2015. Woolley, Andrew. "William Walond (1750– 1836), a follower of Handel in late eighteenth-century Chichester". Trabalho apresentado em Music in Eighteenth-Century Britain, London, 2014. Woolley, Andrew. "The Eleven ‘Sonate’ a4 by Francesco Scarlatti in Charles Avison’s Workbook I and the influence of the Neapolitan sonata/concerto a quattro in Britain". Trabalho apresentado em Pietro Marchitelli, Michele Mascitti, and Neapolitan Instrumental Music / Marchitelli, Michele Mascitti e la Scuola strumentale Napoletana, Villa Santa Maria, 2014. Woolley, Andrew. "London musicians and the provinces in the late seventeenth century: the case of Francis Forcer (1649-1705)". Trabalho apresentado em Musical Life Outside of London, 1500–1800: Networks, Circulation, Sources, Newcastle, 2014. Woolley, Andrew. "The Latin correspondence of John Clerk of Penicuik: further light on Clerk’s relationship with Italian music and musicians". Trabalho apresentado em 16th International Biennial Conference on Baroque Music, Mozarteum University, Salzburg, 2014. Woolley, Andrew. "London musicians and the provinces in the late seventeenth century: the case of Francis Forcer (1649-1705)". Trabalho apresentado em Amateur Music-Making in The British Provinces, University of Leeds, 2014. Woolley, Andrew. "‘Without basses': tune books, dancing-master violinists and memory culture in late seventeenth-century England". Trabalho apresentado em 79th American Musicological Society Conference, Pittsburgh, 2013. Woolley, Andrew. ""Without basses": tune books, dancing-master violinists and memory culture in late seventeenth-century England". Trabalho apresentado em Seminars in Musicology, Bangor University, 2013. Woolley, Andrew. "Music from the Brussels Opera in Two Eighteenth-Century British Collections: Musical Patronage and Manuscript Culture in Brussels c.1775–80". Trabalho apresentado em Royal Musical Association 49th Annual Conference, Institute of Musical Research, Senate House, London, 2013. Woolley, Andrew. ""French"-style music in England in the late seventeenth century: exploring the keyboard sources from a broader geographical orbit". Trabalho apresentado em Research Seminars in Music, University of Aberdeen, 2012. Woolley, Andrew. "Neapolitan sacred music in eighteenth-century Britain: new light on the sources of Pergolesi’s 'Messa di S. Emidio'". Trabalho apresentado em 15th International Biennial Conference on Baroque Music, University of Southampton, Southampton, 2012. Woolley, Andrew; Chapman, Jane. "‘Wild but pleasing when understood': William Hamilton Bird and the 'Hindoostanni air'". Trabalho apresentado em Grove Forum, Royal College of Music, London, 2012. Woolley, Andrew. "The Red Priest in Scotland: Vivaldi's Flute Concerto "Il Gran Mogol"". Trabalho apresentado em Research Seminars in Music, University of Edinburgh, 2010. Woolley, Andrew. ""Scocca pur" revisited". Trabalho apresentado em 14th International Biennial Conference on Baroque Music, Belfast, 2010. Woolley, Andrew. "Who was the "Bryne scribe"? Questions of scribal identity and function in the sources of Albertus Bryne’s keyboard music". Trabalho apresentado em Music, Literature, Illustration: Collaboration and networks in English manuscript culture, 1500-1700, University of Southampton, Chawton, 2010.
Artigo em revista	Woolley, Andrew. "The Portuguese Court’s Acquisition of Musical Scores from Italy in the Late Eighteenth and Early Nineteenth Centuries and the Fundo do Conde de Redondo". Music & Letters 105 3 (2024): 291-312. https://academic.oup.com/ml/article-abstract/105/3/291/7658689?redirectedFrom=fulltext. Publicado • 10.1093/ml/gcae028 Woolley, Andrew. "Snapshots of a Genre in the Making: Francesco Geminiani's Sonate a violino, Op. 1, and Francesco Scarlatti's 11 Sonatas a4 as Precursors of English Corellian Concertos". Recercare 34 (2022): 113-133. Publicado Woolley, Andrew. "A Catalogue of the 'French Dances' in The Dancing Master and Apollo's Banquet (c. 1662-1687)". Revista Portuguesa de Musicologia 7 1 (2021): 7-59. Acesso aberto • Publicado Woolley, Andrew. "William Babell as a Performer-Composer and Music Copyist". Eighteenth-Century Music 17 1 (2020): 87-99. 10.1017/S1478570619000484 Woolley, Andrew. "From Arrangements to New Compositions: Seventeenth-century French Dance Music in Portuguese and Spanish Keyboard Sources to 1720". De musica disserenda 16 1 (2020): 9-35. Acesso aberto • Publicado • 10.3986/dmd16.1.01 Woolley, Andrew. "New light on William Babell's development as a keyboard composer". Early Music 46 2 (2018): 251-270. http://dx.doi.org/10.1093/em/cay022. Publicado • 10.1093/em/cay022 Woolley, Andrew. "Neapolitan sacred music in eighteenth-century Britain: the case of Pergolesi’s Messa di S. Emidio". Pergolesi Studies 10 (2015): 185-207. Andrew Woolley. "Purcell and the Reception of Lully's ‘Scocca pur’ (LWV 76/3) in England". Journal of the Royal Musical Association 138 2 (2013): 229-273. http://dx.doi.org/10.1080/02690403.2013.771960. 10.1080/02690403.2013.771960 Woolley, Andrew. "Newly discovered seventeenth-century trumpet music in a Los Angeles manuscript". ITG Journal 38 1 (2013): 73-79. Woolley, Andrew; Woolley, Andrew. "An Unknown Flute Concerto by Vivaldi in Scotland". Studi vivaldiani 10 (2010): 3-38. A. Woolley. "An Unknown Autograph of Harpsichord Music by William Croft". Music and Letters 91 2 (2010): 149-170. http://dx.doi.org/10.1093/ml/gcq015. 10.1093/ml/gcq015 Woolley, Andrew; Woolley, Andrew. "Manuscript Additions to a copy of John Playford's Select Musicall Ayres and Dialogues in the Dolmetsch Library: a little-known source of 17th-century English music". The Consort: The Journal of the Dolmetsch Foundation 66 (2010): 35-53. Cunningham, John; Woolley, Andrew. "A Little-Known Source of Restoration Lyra-Viol and Keyboard Music: Surrey History Centre, Woking, LM/1083/91/35". Royal Musical Association Research Chronicle 43 (2010): 1-22. http://dx.doi.org/10.1080/14723808.2010.10541029. 10.1080/14723808.2010.10541029 Woolley, Andrew. "The Harpsichord Music of Richard Ayleward (?1626–1669), “an Excellent Organist” of the Commonwealth and Early Restoration". Journal of Seventeenth-Century Music 15 1 (2009): https://sscm-jscm.org/v15/no1/woolley.html.
Artigo em revista (magazine)	"William Babell's recently discovered toccatas", Harpsichord and Fortepiano Magazine, 2022
Capítulo de livro	Woolley, Andrew. "French Dances and the Consort Dances of Matthew Locke and his English Contemporaries". In Transitions in Mid-Baroque Music: Style, Genre and Performance, editado por Churnside, Carrie. Boydell and Brewer, 2024. No prelo Woolley, Andrew. "The Mary and Elizabeth Roper Manuscript Revisited". In The Worlds of Harpsichord and Organ: In Memoriam David Fuller, editado por Gustafson, Bruce; Bellefeuille, Albert. University of Rochester Press, 2024. Submetido Woolley, Andrew. "Charles Babel's 'Concerts a deux' (1702)". In Les premiers ateliers français de copistes en musique, editado por Laurent Guillo; Pascal Denecheau. França: Brepols, 2024. Submetido Woolley, Andrew. "Authorship and Improvisation in Sixteenth- and Seventeenth-Century Keyboard Music". In Studies on Authorship in Historical Keyboard Music. Ashgate Historical Keyboard Series (Routledge), 2023. Publicado Woolley, Andrew. "Tunes for Violin or Recorder Collected in North-East England and London in the Late Seventeenth Century: The Provenance and Contents of the Blakiston Manuscript (GB-Lbl, Add. MS 17853)". In Music in North-East England, 1500-1800, editado por Stephanie Carter; Kirsten Gibson; Rosemary Southey, 125-148. Boydell and Brewer, 2020. Woolley, Andrew. "'The Tunes of the usual French Dances at COURT and DANCING SCHOOLS': the Repertoire and Musical Practice of Dancing Masters in Restoration England". In Musical Exchange between Britain and Europe, 1500-1800, editado por JOHN CUNNINGHAM; Bryan White, 32-48. Boydell and Brewer, 2020. Woolley, Andrew. "England". In The Cambridge Companion to the Harpsichord, editado por Kroll, Mark, 47-70. Cambridge University Press, 2019. Publicado • 10.1017/9781316659359.005
Edição de livro	Woolley, Andrew; Smith, David J.; Hogwood, Christopher, ed. Keyboard Music (The Complete Works of Henry Purcell). Reino Unido: The Complete Works of Henry Purcell (Stainer & Bell). 2025. Woolley, Andrew; Peter Holman, ed. Theatre airs, 1660-1710. Musica Britannica (Stainer & Bell). 2024. Aceite para publicação Woolley, Andrew, ed. Studies on Authorship in Historical Keyboard Music. Ashgate Historical Keyboard Series (Routledge). 2023. Publicado • Editor Woolley, Andrew, ed. William Babell: Toccatas, Suites and Preludes for Harpsichord. Lyrebird Music. 2021. Publicado Woolley, Andrew; Heather Windram; Terence Charlston, ed. London, Lambeth Palace Library, MS 1040 (1650s-1660s). English Keyboard Music c.1650-c.1700 (Norsk Musikforlag). 2021. Publicado Woolley, Andrew, ed. English Keyboard Music 1650-1695: Perspectives on Purcell. Purcell Society Companion Series (Stainer & Bell). 2018. Woolley, Andrew; Talbot, Michael, ed. Henricus Albicastro: ‘London’ Sonata No. 1 in C minor; ‘London’ Sonata No. 2 in B flat major; ‘London’ Sonata No. 3 in F minor; ‘London’ Sonata No. 4 in F major; ‘Leuven’ Sonata in D minor; ‘Kilravock’ Sonata in A minor. Edition HH. 2016. Woolley, A.; Kitchen, J., ed. Interpreting historical keyboard music: Sources, contexts and performance. Ashgate Historical Keyboard Series (Routledge). 2013. Woolley, Andrew, ed. Richard Ayleward: Harpsichord Music. Web Library of Seventeenth-Century Music. 2013. Publicado Woolley, Andrew, ed. Antonio Vivaldi: Concerto in D minor, (Il Gran Mogol), RV 431a Concerto in E minor, RV431. Edition HH. 2010. Woolley, Andrew, ed. Charles Dieupart: Three Harpsichord Suites from Manuscript Sources. Edition HH. 2009.
Entrada de enciclopédia	Woolley, Andrew. "Henry Purcell". In Oxford Bibliographies: Music. Oxford University Press, 2016. 10.1093/obo/9780199757824-0034 Woolley, Andrew. "Cobb, Richard". In Oxford Music Online. Oxford University Press, 2016. http://dx.doi.org/10.1093/gmo/9781561592630.article.2293451. 10.1093/gmo/9781561592630.article.2293451 Holman, Peter; Woolley, Andrew. "King, Robert(i)". In Grove Music Online. Oxford University Press, 2016. 10.1093/gmo/9781561592630.article.15021 Le Huray, Peter; Ashbee, Andrew; Woolley, Andrew. "Cobb, John". In Grove Music Online. Oxford University Press, 2016. Publicado • 10.1093/gmo/9781561592630.article.06004 B. A. R. Cooper; Woolley, Andrew. "Roberts, John (i)". In Grove Music Online. Oxford University Press, 2016. 10.1093/gmo/9781561592630.article.23577 Holman, Peter; Woolley, Andrew. "Forcer, Francis". In Grove Music Online. Oxford University Press, 2016. 10.1093/gmo/9781561592630.article.09967 Granger, P. R.; Aston, Peter; Roast, Tom; Woolley, Andrew. "Ayleward, Richard". In Grove Music Online. Oxford University Press, 2016. 10.1093/gmo/9781561592630.article.01615 Cooper, B. A. R.; Woolley, Andrew. "Bryne [Bryan, Brian], Albertus [Albert]". In Grove Music Online. Oxford University Press, 2016. 10.1093/gmo/9781561592630.article.04217
Prefácio / Posfácio	Woolley, Andrew. "A context for Royal College of Music MS 2093". Prefácio para London, Royal College of Music Library, MS 2093 (1660s–1670s), xiii-xvi. Noruega: English Keyboard Music c.1650–c.1700 (Norsk Musikforlag). 2015.
Relatório	Woolley, Andrew. 2022. Handel: Interactions and Influences. R. Ahrendt; A. Howard; D. R. M. Irving; B. White; A. Woolley. 2014. Baroque in Salzburg. http://dx.doi.org/10.1093/em/cau126. 10.1093/em/cau126
Revisão de livro	Woolley, Andrew. "Sonia Gonzalo Delgado, Santiago Kastner and the Programming of Early Iberian Keyboard Music (Kassel, Reichenberger, 2021)". 9, 1 (2024): 221-224. http://rpm-ns.pt/index.php/rpm/article/view/447. Publicado Woolley, Andrew. "A Case for Charpentier: Treatise on Accompaniment and Composition, translated and edited by Carla E. Williams (Historical Performance)". Revisão de A Case for Charpentier: Treatise on Accompaniment and Composition 79, 3 (2023): 420-422. Publicado • 10.1353/not.2023.0017 Woolley, Andrew. "Sonia Gonzalo Delgado, Santiago Kastner and the Programming of Early Iberian Keyboard Music (Kassel, Reichenberger, 2021)". Revisão de Santiago Kastner and the Programming of Early Iberian Keyboard Music (2023): Submetido Woolley, Andrew. "William McGibbon, Complete Sonatas, ed. Elizabeth C. Ford, Recent Researches in the Music of the Baroque Era, vol. 204 (A-R Editions, 2018)". Revisão de William McGibbon, Complete Sonatas, ed. Elizabeth C. Ford, Recent Researches in the Music of the Baroque Era, vol. 204 (A-R Editions, 2018) 34, (2020): 35-36. Woolley, Andrew. "The Sonatas of Henry Purcell: Rhetoric and Reversal. By Alon Schab". Revisão de The Sonatas of Henry Purcell: Rhetoric and Reversal 100, 1 (2019): 136-138. http://dx.doi.org/10.1093/ml/gcz009. 10.1093/ml/gcz009 Woolley, Andrew. "Early English keyboard music revitalized". Revisão de Keyboard music from Fitzwilliam manuscripts 47, 3 (2019): 418-419. 10.1093/em/caz052 Woolley, Andrew. "Sandra Mangsen, Songs Without Words: Keyboard Arrangements of Vocal Music in England, 1560–1760". Revisão de Songs Without Words: Keyboard Arrangements of Vocal Music in England, 1560–1760 44, (2019): 18-19. Woolley, Andrew. "Ercole Pasquini, Toccate, Canzoni, Ricercari ed. by Paul Kenyon (review)". Revisão de Ercole Pasquini, Toccate, Canzoni, Ricercari 64, 2 (2017): 196-197. https://muse.jhu.edu/article/663118. Publicado Woolley, Andrew. "Ancient music and its advocates". Revisão de The Advancement of Music in Enlightenment England: Benjamin Cooke and the Academy of Ancient Music 43, 2 (2015): 327-328. http://dx.doi.org/10.1093/em/cav017. 10.1093/em/cav017 Woolley, Andrew. "Rebecca Herissone, Musical Creativity in Restoration England". Revisão de Musical Creativity in Restoration England 37, (2015): 27-29. Woolley, Andrew. "Thomas Arne (1710–1778), Thomas Chilcot (C1707–1766), Benjamin Cooke (1734–1793), William Crotch (1775–1847), William Felton (1715–1769), Philip Hayes (C1738–1797), William Hayes (C1708–1777), James Hook (1746–1827), George Rush (Fl. 1760–1780), John Stanley (1712–1786), Charles Wesley (1757–1834), Samuel Wesley (1766–1837), William Russell (1777–1813)". Revisão de English Keyboard Concertos 1740-1815 11, 02 (2014): 306-307. http://dx.doi.org/10.1017/s1478570614000153. 10.1017/s1478570614000153 A. Woolley. "German music of three centuries on organs". 41, 1 (2013): 171-173. http://dx.doi.org/10.1093/em/cat009. 10.1093/em/cat009 Andrew Woolley. "William Croft, Canticles and Anthems with Orchestra". Revisão de Croft, William: Canticles and Anthems with Orchestra 34, 1 (2012): 134-137. http://dx.doi.org/10.1080/08145857.2012.681757. 10.1080/08145857.2012.681757 A. Woolley. "Thomas Mulliner revived". Revisão de The Mulliner Book 40, 1 (2012): 127-128. http://dx.doi.org/10.1093/em/car123. 10.1093/em/car123 A. Woolley. "Italian concertos, unknown and known". 39, 3 (2011): 457-460. http://dx.doi.org/10.1093/em/car068. 10.1093/em/car068 Woolley, Andrew. "Gerald Gifford, Ed. Fitzwilliam Handeliana, Volume 1". 8, 01 (2011): 135-137. http://dx.doi.org/10.1017/s1478570610000539. 10.1017/s1478570610000539 A. Woolley. "Vivaldi highs and lows". 39, 1 (2011): 131-134. http://dx.doi.org/10.1093/em/caq134. 10.1093/em/caq134 A. Woolley. "Keyboard music of the Americas". 37, 2 (2009): 322-324. http://dx.doi.org/10.1093/em/cap013. 10.1093/em/cap013
Tradução	Woolley, Andrew. O grande Te Deum setecentista português / The eighteenth-century Portuguese Grand Te Deum. Biblioteca Nacional de Portugal. 2019. Publicado

Artística / Interpretação

Interpretação musical

Rachmaninov - Prelude, Op. 23/6: Performance on Knauss Piano (c.1895) [https://www.youtube.com/watch?v=LXkfwekIdzU]. 2016.
Instrumentista
Scriabin - Poème (Op. 32 no. 1): Performance on Knauss piano (c.1895) [https://www.youtube.com/watch?v=w0p7w6Dakgk]. 2016.
Instrumentista
Richard Ayleward (1626?-1669): Suite in F major ('Passionate Air') [https://www.youtube.com/watch?v=NYMAIyL7kYg]. 2014.
Instrumentista
Concert (on piano) with Shawn Mativetsky, Indian tabla player (Bangor University, International Concert Series). 2014.
Instrumentista
Concert (on harpsichord) with baroque violinist Emma Lloyd at St Cecilia's Hall (Edinburgh Festival Fringe). 2013.
Instrumentista
Concert (on harpsichord) with baroque violinist Julia Lungu (St Andrews University, International Concert Series). 2013.
Instrumentista
Concert (on harpsichord) with baroque violinist Emma Lloyd (Dunfermline Literature Festival). 2012.
Instrumentista

Outros

Outra produção

Booklet essay for the CD *Cabezón: Obras de Música* by Harmonices Mundi, La Moranda, Quartetto Italiano di Viole da Gamba, and Claudio Astronio (Brilliant Classics, 2012). 2012. Woolley, Andrew. https://www.brilliantclassics.com/articles/c/cabez%C3%B3n-obras-de-m%C3%BAsica/.
Booklet essay for the CD *Geminiani: Pieces de Clavecin* by Francesca Lanfranco (Newton Classics/Naxos, 2012). 2012. Woolley, Andrew.
Booklet essay for the CD *Galuppi: Trio Sonatas* by Accademia Vivaldiana di Venezia (Newton Classics/Naxos, 2012). 2012. Woolley, Andrew.
Booklet essay for the CD *Galuppi: Harpsichord Sonatas* by Ilario Gregoletto (Newton Classics/Naxos, 2012). 2012. Woolley, Andrew.
Booklet essay for the CD *Scarlatti: Sonatas for Two Harpsichords* by Ilario Gregoletto and Elena Modena Newton Classics/Naxos (2012). 2012. Woolley, Andrew.

Atividades

Organização de evento

	Nome do evento Tipo de evento (Tipo de participação)	Instituição / Organização
2021/07/05 - 2021/07/11	49th Medieval and Renaissance International Music Conference (MedRen 2021 Lisbon) (2021/07/05 - 2021/07/11) Conferência (Membro da Comissão Organizadora)	Universidade Nova de Lisboa, Portugal
2018/06/07 - 2018/06/09	3rd International Conference on Historical Keyboard Music: Authorship in Keyboard Music (2018/06/07 - 2018/06/09) Conferência (Presidente da Comissão Organizadora)	Universidade Nova de Lisboa, Portugal
2013/07/19 - 2013/07/21	2nd International Conference on Historical Keyboard Music: the keyboard and its role in the internationalisation of music 1600-1800 (2013/07/19 - 2013/07/21) Conferência (Coorganizador)	The University of Edinburgh Reid School of Music, Reino Unido
2011/07/01 - 2011/07/03	1st International Conference on Historical Keyboard Music (2011/07/01 - 2011/07/03) Conferência (Coorganizador)	The University of Edinburgh Reid School of Music, Reino Unido

Participação em evento

	Descrição da atividade Tipo de evento	Nome do evento Instituição / Organização
2021/01/18 - Atual	Panel member (by invitation) for the first symposium of the “Digital directions for collected editions” project Simpósio	Digital Editing Online Symposium Northumbria University, Reino Unido
2021/11/11 - 2021/11/11	Chair and organizer of the session "Olhar as fontes de cantochão: metodologias, diálogos, práticas performativas" Conferência	ENIM 2020/1 ¿ X Encontro de Investigação em Música Universidade de Coimbra Faculdade de Letras, Portugal
2021/02/04 - 2021/02/04	Speaker and panel member (by invitation) for the seminar series "Webinaire AteCop: Les premiers ateliers français de copistes en musique" Seminário	Webinaire AteCop: Les premiers ateliers français de copistes en musique Centre de musique baroque de Versailles, França
2020/07/21 - 2020/07/21	Panel member (by invitation) at an online workshop for research students at Royal Holloway who would have presented at the 19th Biennial International Conference on Baroque Music Oficina (workshop)	"Biennial Baroque" virtual session for research students Royal Holloway University of London, Reino Unido
2019/10/19 - 2019/10/19	Speaker (by invitation) at the workshop "The Current State of Performance Practice Studies" Oficina (workshop)	The Current State of Performance Practice Studies University of Cambridge Fitzwilliam College, Reino Unido
2019/10/16 - 2019/10/16	Speaker (by invitation) at the symposium "Richard Ayleward: Lost and Found" Simpósio	Norwich Cathedral, Reino Unido
2018/11 - 2018/11	Chair and organizer of the session "Performance Practices and Source Studies"	ENIM 2018 - 8th Conference on Musical Research Instituto Politécnico do Porto, Portugal
2016/07/31 - 2016/08/07	Pre-concert lecturer (by invitation) at the Cambridge Early Music Summer School Concerto	The Spanish Baroque World: Spain, Naples and the Netherlands Jesus College, University of Cambridge, Reino Unido

Júri de grau académico

	Tema Tipo de participação	Nome do candidato (Tipo de grau) Instituição / Organização
2022	"This day the Organs did begin to play at White-hall before the King": The work and influence of Christopher Gibbons (1615-76) Arguente principal	Paul Michael Stubbings (Doutoramento) Canterbury Christ Church University Department of Music and Performing Arts, Reino Unido
2019	Violinists and Violin Music in Scotland, 1550-1750 Arguente principal	Aaron McGregor (Doutoramento) University of Glasgow, Reino Unido
2014	The voice of instruments: Vocal idioms in the works for solo strings and orchestra by Max Bruch	Nicholas Hardisty (Doutoramento) Bangor University, Reino Unido

Arbitragem científica em conferência

	Nome da conferência	Local da conferência
2021/07/05 - 2021/07/11	49th Medieval and Renaissance International Music Conference (MedRen 2021 Lisbon)	Universidade Nova de Lisboa
2018 - 2018	3rd International Conference on Historical Keyboard Music: Authorship in Keyboard Music	Universidade Nova de Lisboa
2017 - 2017	VII Encontro Nacional de Investigação em Música ENIM 2017	Universidade do Minho
2013 - 2013	2nd International Conference on Historical Keyboard Music: the keyboard and its role in the internationalisation of music 1600-1800	University of Edinburgh
2011 - 2011	1st International Conference on Historical Keyboard Music	University of Edinburgh

Arbitragem científica em revista

	Nome da revista (ISSN)	Editora
2009 - Atual	Early Music Performer (1477-478X)	National Early Music Association (UK)
2011 - 2013	British Postgraduate Musicology	British Postgraduate Musicology

Consultoria / Parecer

	Descrição da atividade	Instituição / Organização
2013 - Atual	General Editor (with Heather Windram and Terence Charlston) of English keyboard music c.1650-c.1700: a series of facsimiles of manuscript sources (http://www.ekm.org.uk/)	Norsk musikkforlage, Noruega
2011 - Atual	General Editor (with David J. Smith) of the Ashgate Historical Keyboard Series (Routledge) (https://www.routledge.com/Ashgate-Historical-Keyboard-Series/book-series/AHKS)	Routledge, Reino Unido
2022 - 2024	Peer-review of 2 monographs submitted to Routledge
2015 - 2022	Peer-review reports on seven articles submitted to Early Music	Oxford University Press, Reino Unido
2009 - 2022	Editor of Early Music Performer: the Journal of the National Early Music Association (two issues per year)	National Early Music Association UK, Reino Unido
2020 - 2020	Peer-review of edition submitted to the Web Library of Seventeenth-Century Music (Society for Seventeenth-Century Music)	Society for Seventeenth-Century Music, Estados Unidos
2018 - 2018	Peer-review of Studies in English Organ Music, ed. Iain Quinn (Routledge)	Routledge, Reino Unido
2018 - 2018	Peer-review of Aspects of English Keyboard Music Before c.1630, ed. David J. Smith (Routledge)	Routledge, Reino Unido
2018 - 2018	Peer-review of article submitted to Revista Portuguesa de Musicologia	Portuguese Society for Music Research / Sociedade Portuguesa de Investigação em Música, Portugal
2017 - 2017	Peer-review of Muzio Clementi and British Musical Culture, ed. Luca Lévi Sala and Rohan H. Stewart-MacDonald (Routledge)	Routledge, Reino Unido
2017 - 2017	Peer-review of Perspectives on Early Keyboard Music and Revival in the Twentieth Century, ed. Rachelle Taylor and Hank Knox (Routledge)	Routledge, Reino Unido
2017 - 2017	Peer-review of Barry Cooper, The Creation of Beethoven's 35 Piano Sonatas (Routledge)	Routledge, Reino Unido
2014 - 2016	Peer-review reports on two articles submitted to Royal Musical Association Research Chronicle	Routledge, Reino Unido
2014 - 2014	Peer-review report on article submitted to Performance Practice Review	Claremont Colleges Library, Estados Unidos
2013 - 2013	Committee member of a group tasked with identifying articles on seventeenth-century British topics requiring updating/revision in Grove Music Online	Oxford University Press, Reino Unido

Curso / Disciplina lecionado

	Disciplina	Curso (Tipo)	Instituição / Organização
2013 - 2014	Undergraduate modules at Bangor University with responsibility for module coordination: WXM 2004/3004 (Vivaldi and the Baroque Concerto); WXP 1016/2241/3297/3298 (Solo Performance); WXP 2243/3243 (Ensemble Performance); WXK 2231 (Orchestration). Other undergraduate modules taught with colleagues: WXM 1001 (The Study of Music); WXM 1004 (Harmony and Counterpoint); WXM 2178 (Words and Music); WXM 2203 (Writing about Music); WXM 2267/3267 (Teaching Techniques); WXM 3276/3282 (Dissertation/Edition); WXP 2247/3247 (Historical Performance Studies)	Music (Bachelor)	Bangor University, Reino Unido
2013 - 2014	Postgraduate modules at Bangor University (all with responsibility for module coordination): WMM 4044 (Principal Subject: Performance); WMP 4047 (Performance Practice); WMP 4048 (Performance and Pedagogy in the Digital Age); WMP 4052 (Preparation for Part II Project)	Music (Master)	Bangor University, Reino Unido
2011 - 2013	Undergraduate module at Edinburgh University with responsibility for module coordination: MUSI10079 (Genre and Form in 17th- and 18th-Century Music). Undergraduate modules co-taught with colleagues at Edinburgh University: MUSI08012 (Music and Technologies); MUSI08031 (Music and Ideas).	Music (Bachelor)	The University of Edinburgh Reid School of Music, Reino Unido
2011 - 2013	Postgraduate seminar leading and research-project supervision at the University of Edinburgh for: Research Methods A	Musicology (Master)	The University of Edinburgh Reid School of Music, Reino Unido

Entrevista / Programa (rádio / tv)

	Programa	Tema
2012 - 2012	Tales from the Stave (BBC Radio 4)	Vivaldi's Flute Concerto
2010 - 2010	Interviews for BBC Radio 4, BBC Television, BBC World Service, the Canadian Broadcasting Corporation and the Norwegian Broadcasting Company concerning my discovery of a ‘lost’ flute concerto by Antonio Vivaldi in 2010	A newly discovered flute concerto by Antonio Vivaldi (RV 431a)

Revisão ad hoc de artigos em revista

	Nome da revista (ISSN)	Editora
2015 - 2022	Early Music	Oxford University Press

Tutoria

	Tópico	Nome do aluno
2022 - 2022	Guitar Repertoire Inspired by the Operas of Vincenzo Bellini	Davide Sciacca