Identification
Personal identification
- Full name
- Andrew Woolley
Citation names
- Woolley, Andrew
Author identifiers
- Ciência ID
- 8119-76F3-780C
- ORCID iD
- 0000-0003-0086-3247
Addresses
- Centro de Estudos em Música (CESEM), Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, Avenida de Berna, 26 C, 1069-061, Lisbon, Lisbon, Portugal (Professional)
Websites
- https://fcsh-unl.academia.edu/AndrewWoolley (Scholar)
- https://cesem.fcsh.unl.pt/pt/pessoa/andrew-woolley/ (Professional)
- https://novaresearch.unl.pt/en/persons/andrew-lawrence-woolley/ (Professional)
Knowledge fields
- Humanities - Arts - Performing Arts Studies (Musicology, Theater Science, Dramaturgy)
Languages
| Language | Speaking | Reading | Writing | Listening | Peer-review |
|---|---|---|---|---|---|
| English (Mother tongue) | |||||
| Portuguese | Advanced (C1) | Advanced (C1) | Advanced (C1) | Advanced (C1) | Advanced (C1) |
| Spanish; Castilian | Beginner (A1) | Intermediate (B1) | Beginner (A1) | Elementary (A2) | Elementary (A2) |
Education
| Degree | Classification | |
|---|---|---|
|
2012 - 2015
Concluded
|
Postgraduate Certificate in Academic Practice (Postgraduate Certificate)
The University of Edinburgh Moray House School of Education, United Kingdom
|
|
|
2012
Concluded
|
Licentiate diploma in pianoforte performance (Outros)
University of West London London College of Music, United Kingdom
|
|
|
2004/09/01 - 2008/10/13
Concluded
|
PhD (Doutoramento)
University of Leeds School of Music, United Kingdom
"English Keyboard Sources and their Contexts, c.1660-1720" (THESIS/DISSERTATION)
|
|
|
2003 - 2004
Concluded
|
MMus. (Mestrado)
University of Leeds School of Music, United Kingdom
|
Pass with Merit |
|
2000 - 2003
Concluded
|
BA. (Licenciatura)
University of Leeds School of Music, United Kingdom
|
Affiliation
Science
| Category Host institution |
Employer | |
|---|---|---|
| 2024/10 - Current | Principal Investigator (Research) | Universidade Nova de Lisboa Centro de Estudos em Música, Portugal |
| Universidade Nova de Lisboa Centro de Estudos em Música, Portugal | ||
| 2022/08 - 2023/07 | Invited Auxiliary Researcher (Research) | Universidade Nova de Lisboa Centro de Estudos em Música, Portugal |
| Universidade Nova de Lisboa Centro de Estudos em Música, Portugal | ||
| 2016/12/02 - 2021/11 | Auxiliary Researcher (Research) | Universidade Nova de Lisboa Centro de Estudos em Música, Portugal |
| Universidade Nova de Lisboa Centro de Estudos em Música, Portugal | ||
| 2011/09/01 - 2013/08/31 | Postdoc (Research) | The University of Edinburgh Reid School of Music, United Kingdom |
Teaching in Higher Education
| Category Host institution |
Employer | |
|---|---|---|
| 2013/09/01 - 2014/08/31 | Lecturer (University Teacher) | Bangor University, United Kingdom |
Positions / Appointments
| Category Host institution |
Employer | |
|---|---|---|
| 2023 - Current | Coordinator of the thematic line “Paleography and Musical Edition” | Universidade Nova de Lisboa Centro de Estudos em Música, Portugal |
| Universidade Nova de Lisboa Centro de Estudos em Música, Portugal | ||
| 2022 - Current | Editor of Portuguese Early Music Database (Polyphony) | Universidade Nova de Lisboa Centro de Estudos em Música, Portugal |
| Universidade Nova de Lisboa Centro de Estudos em Música, Portugal | ||
| 2019/06 - Current | Member of the Scientific Council | Universidade Nova de Lisboa Centro de Estudos em Música, Portugal |
| Universidade Nova de Lisboa Centro de Estudos em Música, Portugal | ||
| 2024 - 2025 | Co-coordinator of the Early Music Studies Research Group | Universidade Nova de Lisboa Centro de Estudos em Música, Portugal |
| Universidade Nova de Lisboa Centro de Estudos em Música, Portugal | ||
| 2019/06 - 2022 | Co-coordinator of the Early Music Studies Research Group | Universidade Nova de Lisboa Centro de Estudos em Música, Portugal |
| Universidade Nova de Lisboa Centro de Estudos em Música, Portugal |
Others
| Category Host institution |
Employer | |
|---|---|---|
| 2009 - 2022 | Editor of *Early Music Performer: Journal of the National Early Music Association* (UK) | National Early Music Association UK, United Kingdom |
Projects
Grant
| Designation | Funders | |
|---|---|---|
| 2024/10 - 2030/10 | Traces of performance in the act of (re)writing: improvisation as an art of (re)composition in instrumental music of the Iberian
Peninsula 1535–1700
13176EEC
Principal investigator
|
Fundação para a Ciência e a Tecnologia |
| 2016/12/02 - 2021/12/01 | A reevaluation of Portuguese music sources c.1640-c.1720: codicology, provenance, musical style and performance practices
IF/01469/2015
Researcher
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
|
Fundação para a Ciência e a Tecnologia
Ongoing
|
| 2015 - 2015 | The Music Collection of Charles Henry Mueller (fl. 1819)
Researcher
University of Huddersfield School of Music Humanities and Media, United Kingdom
|
Music & Letters Trust
Concluded
|
| 2011/09 - 2013/08 | Beyond London: 18th-century musical archives in Edinburgh
ECF-2011-039
Post-doc Fellow
The University of Edinburgh Reid School of Music, United Kingdom
|
Leverhulme Trust
Concluded
|
| 2012 - 2012 | English keyboard music c.1650-c.1700: a series of facsimiles of manuscript sources
Researcher
|
Music & Letters Trust
Concluded
|
| 2011/07 - 2011/08 | Documenting Musical Life in Late Seventeenth-Century England: Manuscript Collections of Keyboard and Consort Music at the
Clark Library
Research Fellow
University of California Los Angeles Center for Seventeenth and Eighteenth-Century Studies, United States
|
University of California Los Angeles Center for Seventeenth and Eighteenth-Century Studies
Concluded
|
| 2011 - 2011 | The William Walond Manuscript of Keyboard Music and Related Sources
Researcher
American Handel Society, United States
|
American Handel Society
Concluded
|
| 2009/07 - 2009/08 | English Keyboard Collections in the Newberry Library: Music Teaching and Amateur Music-Making in Restoration England
Research Fellow
American Society for Eighteenth Century Studies, United States
|
Newberry Library
Concluded
|
| 2004/09 - 2007/08 | English keyboard sources and their contexts c.1660-1720
Stanley Burton Research Scholarship 2004
PhD Student Fellow
University of Leeds, United Kingdom
|
University of Leeds
Concluded
|
Contract
| Designation | Funders | |
|---|---|---|
| 2021/01/01 - 2025/12/31 | Laboratório Associado para a Investigação e Inovação em Património, Artes, Sustentabilidade e Território
LA/P/0132/2020
Researcher
Universidade do Porto Centro Interdisciplinar de Investigação Marinha e Ambiental, Portugal
Universidade do Minho, Portugal Universidade Nova de Lisboa, Portugal Universidade Nova de Lisboa Instituto de Historia da Arte, Portugal Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal Universidade do Minho Laboratório de Paisagens Património e Território, Portugal ISCTE-Instituto Universitário de Lisboa, Portugal Universidade de Évora, Portugal Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal Universidade de Coimbra, Portugal Instituto de História Contemporânea, Portugal |
Fundação para a Ciência e a Tecnologia
Ongoing
|
| 2021/03 - 2023/12 | Texts and voices lost and found. Recovering, reconstituting and re-creating musical fragments (c.1100-c.1600)
PTDC/ART-PER/0902/2020
Researcher
Universidade Nova de Lisboa, Portugal
|
Fundação para a Ciência e a Tecnologia
Ongoing
|
| 2022/01/01 - 2023/09/30 | Music paper and handwriting studies in Portugal (18th and 19th centuries): the case study of the collection of the Count of
Redondo
EXPL/ART-PER/0749/2021
Integration into Research Grant Fellow
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
|
Fundação para a Ciência e a Tecnologia
Ongoing
|
| 2019/02 - 2023/05 | PASEV: Patrimonialization of Évora's Soundscape -- 1540-1910
PTDC/ART-PER/28584/2017
Researcher
Universidade de Évora, Portugal
|
Fundação para a Ciência e a Tecnologia
Ongoing
|
Other
| Designation | Funders | |
|---|---|---|
| 2019/01/01 - 2019/12/31 | CESEM - Research Centre for the Sociology and Aesthetics of Music - Strategic project - UID/EAT/00693/2019
UID/EAT/00693/2019
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
|
Fundação para a Ciência e a Tecnologia
Concluded
|
Outputs
Publications
| Book chapter |
|
| Book review |
|
| Conference paper |
|
| Edited book |
|
| Encyclopedia entry |
|
| Journal article |
|
| Magazine article |
|
| Online resource |
|
| Report |
|
| Translation |
|
Artistic / Performance
| Audio recording |
|
| Musical performance |
|
Other
| Other output |
|
Activities
Supervision
| Thesis Title Role |
Degree Subject (Type) Institution / Organization |
|
|---|---|---|
| 2023 - Current | Livro de Obras de Órgão de Fr. Roque da Conceição: repertório organístico português do século XVII
Co-supervisor of Célia Sousa Tavares
|
Ciências Musicais (PhD)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
|
Event organisation
| Event name Type of event (Role) |
Institution / Organization | |
|---|---|---|
| 2021/07/05 - 2021/07/11 | 49th Medieval and Renaissance International Music Conference (MedRen 2021 Lisbon) (2021/07/05 - 2021/07/11)
Conference (Member of the Organising Committee)
|
Universidade Nova de Lisboa, Portugal |
| 2018/06/07 - 2018/06/09 | 3rd International Conference on Historical Keyboard Music: Authorship in Keyboard Music (2018/06/07 - 2018/06/09)
Conference (President of the Organising Committee)
|
Universidade Nova de Lisboa, Portugal |
| 2013/07/19 - 2013/07/21 | 2nd International Conference on Historical Keyboard Music: the keyboard and its role in the internationalisation of music
1600-1800 (2013/07/19 - 2013/07/21)
Conference (Co-organisor)
|
The University of Edinburgh Reid School of Music, United Kingdom |
| 2011/07/01 - 2011/07/03 | 1st International Conference on Historical Keyboard Music (2011/07/01 - 2011/07/03)
Conference (Co-organisor)
|
The University of Edinburgh Reid School of Music, United Kingdom |
Event participation
| Activity description Type of event |
Event name Institution / Organization |
|
|---|---|---|
| 2025/11 - 2025/11 | Chair of the session "Teoria e pensamento musical histórico"
Conference
|
ENIM 2025 - XIV Encontro de Investigação em Música
Universidade de Évora, Portugal
|
| 2024/11/30 - 2024/11/30 | Invited speaker at "Portingaloise, marche (2ª edição): Arte de dançar á franceza, 1760 de Joseph Thomas Cabreira"
Conference
|
Portingaloise, marche (2ª edição)
Biblioteca Nacional de Portugal, Portugal
|
| 2024/11/07 - 2024/11/07 | Chair of the session "Ressignificação Contemporânea dos Legados Medieval e Renascentista"
Conference
|
ENIM 2024 - XIII Encontro de Investigação em Música
Conservatório Regional do Algarve - Maria Campina, Portugal
|
| 2023/07/21 - 2023/07/21 | Chair of "Session 4"
Conference
|
Lost & Found: Traces of Early Music. An International Colloquium on Fragmentology
Universidade Nova de Lisboa Centro de Estudos em Música, Portugal
|
| 2022/01/18 - 2022/01/18 | Panel member (by invitation) for the first symposium of the “Digital directions for collected editions” AHRC-funded network
project
Symposium
|
Digital Editing Online Symposium
Northumbria University, United Kingdom
|
| 2021/11/11 - 2021/11/11 | Chair and organizer of the session "Olhar as fontes de cantochão: metodologias, diálogos, práticas performativas"
Conference
|
ENIM 2020/1 ¿ X Encontro de Investigação em Música
Universidade de Coimbra Faculdade de Letras, Portugal
|
| 2021/02/04 - 2021/02/04 | Speaker and panel member (by invitation) for the seminar series "Webinaire AteCop: Les premiers ateliers français de copistes
en musique"
Seminar
|
Webinaire AteCop: Les premiers ateliers français de copistes en musique
Centre de musique baroque de Versailles, France
|
| 2020/07/21 - 2020/07/21 | Panel member (by invitation) at an online workshop for research students at Royal Holloway who would have presented at the
19th Biennial International Conference on Baroque Music (cancelled due to the pandemic)
Workshop
|
"Biennial Baroque" virtual session for research students
Royal Holloway University of London, United Kingdom
|
| 2019/10/19 - 2019/10/19 | Speaker (by invitation) at the workshop "The Current State of Performance Practice Studies"
Workshop
|
The Current State of Performance Practice Studies
University of Cambridge Fitzwilliam College, United Kingdom
|
| 2019/10/16 - 2019/10/16 | Speaker (by invitation) at the symposium "Richard Ayleward: Lost and Found"
Symposium
|
Norwich Cathedral, United Kingdom
|
| 2018/11 - 2018/11 | Chair and organizer of the session "Performance Practices and Source Studies" | ENIM 2018 - 8th Conference on Musical Research
Instituto Politécnico do Porto, Portugal
|
| 2018/07 - 2018/07 | Chair of the session "The Art of Teaching Music"
Conference
|
18th Biennial International Conference on Baroque Music
Università di Pavia, Italy
|
| 2016/07/31 - 2016/08/07 | Pre-concert lecturer (by invitation) at the Cambridge Early Music Summer School
Concert
|
The Spanish Baroque World: Spain, Naples and the Netherlands
Jesus College, University of Cambridge, United Kingdom
|
| 2016/07 - 2016/07 | Chair of the session "Froberger"
Conference
|
17th Biennial International Conference on Baroque Music
Canterbury Christ Church University Faculty of Arts and Humanities, United Kingdom
|
Jury of academic degree
| Topic Role |
Candidate name (Type of degree) Institution / Organization |
|
|---|---|---|
| 2022 | "This day the Organs did begin to play at White-hall before the King": The work and influence of Christopher Gibbons (1615-76)
(Thesis) Main arguer
|
Paul Michael Stubbings (PhD)
Canterbury Christ Church University Department of Music and Performing Arts, United Kingdom
|
| 2019 | Violinists and Violin Music in Scotland, 1550-1750
(Thesis) Main arguer
|
Aaron McGregor (PhD)
University of Glasgow, United Kingdom
|
| 2014 | The voice of instruments: Vocal idioms in the works for solo strings and orchestra by Max Bruch | Nicholas Hardisty (PhD)
Bangor University, United Kingdom
|
Ad Hoc journal article review
| Journal title (ISSN) | Publisher | |
|---|---|---|
| 2018 - 2026 | Revista Portuguesa de Musicologia / Portuguese Journal of Musicology, new series (2183-8410) | SPIM, Sociedade Portuguesa de Investigação em Música; INET- md; CESEM |
| 2025 - 2025 | The Lute: the Journal of the Lute Society (0952-0759) | The Lute Society |
| 2025 - 2025 | Music Theory Online (1067-3040) | Society for Music Theory |
| 2025 - 2025 | Journal of New Music Research (0929-8215) | Routledge |
| 2015 - 2022 | Early Music (0306-1078) | Oxford University Press |
| 2014 - 2016 | Royal Musical Association Research Chronicle (1472-3808) | Cambridge University Press |
| 2014 - 2014 | Performance Practice Review (2166-8205) | Scholarship@Claremont |
| 2014 - 2014 | The Galpin Society Journal (0072-0127) | The Galpin Society |
| 2013 - 2013 | Journal of the American Musicological Society (0003-0139) | University of California Press |
Association member
| Society Organization name | Role | |
|---|---|---|
| 2021 - Current | Society for Seventeenth-Century Music | |
| 2016 - Current | Sociedade Portuguesa de Investigação em Música |
Conference scientific committee
| Conference name | Conference host | |
|---|---|---|
| 2021/07/05 - 2021/07/11 | 49th Medieval and Renaissance International Music Conference (MedRen 2021 Lisbon) | Universidade Nova de Lisboa |
| 2018 - 2018 | 3rd International Conference on Historical Keyboard Music: Authorship in Keyboard Music | Universidade Nova de Lisboa |
| 2017 - 2017 | VII Encontro Nacional de Investigação em Música ENIM 2017 | Universidade do Minho |
| 2013 - 2013 | 2nd International Conference on Historical Keyboard Music: the keyboard and its role in the internationalisation of music 1600-1800 | University of Edinburgh |
| 2011 - 2011 | 1st International Conference on Historical Keyboard Music | University of Edinburgh |
Consulting
| Activity description | Institution / Organization | |
|---|---|---|
| 2013 - Current | General Editor (with Heather Windram and Terence Charlston) of *English keyboard music c.1650-c.1700: a series of facsimiles of manuscript sources* (http://www.ekm.org.uk/) | Norsk musikkforlage, Norway |
| 2011 - Current | General Editor (with David J. Smith) of the Ashgate Historical Keyboard Series (Routledge) (https://www.routledge.com/Ashgate-Historical-Keyboard-Series/book-series/AHKS) | Routledge, United Kingdom |
| 2016 - 2026 | Peer-review reports on 6 books submitted to Routledge | |
| 2025 - 2025 | Consultant for the AHRC (UK) project "Music, Heritage, Place: Unlocking the Musical Collections of England’s County Record Offices” in connection with a keyboard manuscript in Norwich Record Office. I identified two scribal hands in the manuscript (including that of Henry Purcell) and am co-authoring a journal article with the project researchers. | Royal Holloway University of London, United Kingdom |
| 2009 - 2022 | Editor of *Early Music Performer: the Journal of the National Early Music Association* (two issues per year) | National Early Music Association UK, United Kingdom |
| 2020 - 2020 | Peer-review of edition submitted to the Web Library of Seventeenth-Century Music (Society for Seventeenth-Century Music) | Society for Seventeenth-Century Music, United States |
| 2013 - 2013 | Committee member of a group tasked with identifying articles on seventeenth-century British topics requiring updating/revision in *Grove Music Online* | Oxford University Press, United Kingdom |
Course / Discipline taught
| Academic session | Degree Subject (Type) | Institution / Organization | |
|---|---|---|---|
| 2025 - 2025 | Two classes for the course "Análise e teoria musical: 1600-1750" | Musical Sciences | Universidade Nova de Lisboa, Portugal |
| 2013 - 2014 | Undergraduate modules at Bangor University with responsibility for module coordination: WXM 2004/3004 (Vivaldi and the Baroque Concerto); WXP 1016/2241/3297/3298 (Solo Performance); WXP 2243/3243 (Ensemble Performance); WXK 2231 (Orchestration). Other undergraduate modules taught with colleagues: WXM 1001 (The Study of Music); WXM 1004 (Harmony and Counterpoint); WXM 2178 (Words and Music); WXM 2203 (Writing about Music); WXM 2267/3267 (Teaching Techniques); WXM 3276/3282 (Dissertation/Edition); WXP 2247/3247 (Historical Performance Studies) | Music (Bachelor) | Bangor University, United Kingdom |
| 2013 - 2014 | Postgraduate modules at Bangor University (all with responsibility for module coordination): WMM 4044 (Principal Subject: Performance); WMP 4047 (Performance Practice); WMP 4048 (Performance and Pedagogy in the Digital Age); WMP 4052 (Preparation for Part II Project) | Music (Master) | Bangor University, United Kingdom |
| 2011 - 2013 | Undergraduate module at Edinburgh University with responsibility for module coordination: MUSI10079 (Genre and Form in 17th- and 18th-Century Music). Undergraduate modules co-taught with colleagues at Edinburgh University: MUSI08012 (Music and Technologies); MUSI08031 (Music and Ideas). | Music (Bachelor) | The University of Edinburgh Reid School of Music, United Kingdom |
| 2011 - 2013 | Postgraduate seminar leading and research-project supervision at the University of Edinburgh for: Research Methods A | Musicology (Master) | The University of Edinburgh Reid School of Music, United Kingdom |
Interview (tv / radio show)
| Program | Topic | |
|---|---|---|
| 2012 - 2012 | Tales from the Stave (BBC Radio 4) | Vivaldi's Flute Concerto |
| 2010 - 2010 | Interviews for BBC Radio 4, BBC Television, BBC World Service, the Canadian Broadcasting Corporation and the Norwegian Broadcasting Company concerning my discovery of a ‘lost’ flute concerto by Antonio Vivaldi in 2010 | A newly discovered flute concerto by Antonio Vivaldi (RV 431a) |
Journal scientific committee
| Journal title (ISSN) | Publisher | |
|---|---|---|
| 2009 - Current | Early Music Performer (1477-478X) | National Early Music Association (UK) |
| 2011 - 2013 | British Postgraduate Musicology | British Postgraduate Musicology |
Mentoring / Tutoring
| Topic | Student name | |
|---|---|---|
| 2022 - 2022 | Guitar Repertoire Inspired by the Operas of Vincenzo Bellini | Davide Sciacca |
