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Andrew Woolley completed his doctorate at the University of Leeds, School of Music, in 2008, from where he also graduated with a BA (2003) and MMus. (2004). At present he is an invited researcher and integrated member of the Centro de Estudos de Sociologia e Estética Musical, Universidade Nova de Lisboa, as co-investigator for the project "Music paper and handwriting studies in Portugal (18th and 19th centuries): the case study of the collection of the Count of Redondo" (EXPL/ART-PER/0749/2021). He was an FCT Investigador at CESEM 2016-21 and before that was at Bangor University (Lecturer in Music, 2013-14) and the University of Edinburgh (Leverhulme Early Career Fellow, 2011-13). He is the author of 13 journal articles (12 as sole author, 1 as co-author) and 6 book chapters and has edited 7 books (multi-author collections of essays and editions of music). He has organised four international conferences as a leading or co-organiser. His research has been supported by awards from the Music & Letters Trust (2012, 2015), the American Handel Society (J. Merrill Knapp Research Fellowship Award, 2011), the University of California, Los Angeles, Center for Seventeenth and Eighteenth-Century Studies (2011), and the American Society for Eighteenth-Century Studies (2009).
Identification

Personal identification

Full name
Andrew Woolley

Citation names

  • Woolley, Andrew

Author identifiers

Ciência ID
8119-76F3-780C
ORCID iD
0000-0003-0086-3247

Addresses

  • Centro de Estudos de Sociologia e Estética Musical (CESEM), Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, Avenida de Berna, 26 C, 1069-061, Lisbon, Lisbon, Portugal (Professional)

Websites

Knowledge fields

  • Humanities - Arts - Performing Arts Studies (Musicology, Theater Science, Dramaturgy)

Languages

Language Speaking Reading Writing Listening Peer-review
English (Mother tongue)
Portuguese Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
Spanish; Castilian Beginner (A1) Intermediate (B1) Beginner (A1) Elementary (A2) Elementary (A2)
Education
Degree Classification
2012 - 2015
Concluded
Postgraduate Certificate in Academic Practice (Postgraduate Certificate)
The University of Edinburgh Moray House School of Education, United Kingdom
2012
Concluded
Licentiate diploma in pianoforte performance (Outros)
University of West London London College of Music, United Kingdom
2004/09/01 - 2008/10/13
Concluded
PhD (Doutoramento)
University of Leeds School of Music, United Kingdom
"English Keyboard Sources and their Contexts, c.1660-1720" (THESIS/DISSERTATION)
2003 - 2004
Concluded
MMus. (Mestrado)
University of Leeds School of Music, United Kingdom
Pass with Merit
2000 - 2003
Concluded
BA. (Licenciatura)
University of Leeds School of Music, United Kingdom
Affiliation

Science

Category
Host institution
Employer
2016/12/02 - Current Researcher (Research) Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Universidade Nova de Lisboa, Portugal
2011/09/01 - 2013/08/31 Postdoc (Research) The University of Edinburgh Reid School of Music, United Kingdom

Teaching in Higher Education

Category
Host institution
Employer
2013/09/01 - 2014/08/31 Lecturer (University Teacher) Bangor University, United Kingdom

Positions / Appointments

Category
Host institution
Employer
2019/06 - Current Member of the Scientific Council Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Others

Category
Host institution
Employer
2022 - Current Editor of Portuguese Early Music Database (Polyphony) Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2019/06 - 2022 Co-coordinator of the Early Music Studies Research Group Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2009 - 2022 Editor of *Early Music Performer: Journal of the National Early Music Association* (UK) National Early Music Association UK, United Kingdom
Projects

Grant

Designation Funders
2021/03 - Current Texts and voices lost and found. Recovering, reconstituting and re-creating musical fragments (c.1100-c.1600)
PTDC/ART-PER/0902/2020
Researcher
Universidade Nova de Lisboa, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2019/02 - Current PASEV: Patrimonialization of Évora's Soundscape -- 1540-1910
PTDC/ART-PER/28584/2017
Researcher
Universidade de Évora, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2015 - 2015 The Music Collection of Charles Henry Mueller (fl. 1819)
Researcher
University of Huddersfield School of Music Humanities and Media, United Kingdom
Music & Letters Trust
Concluded
2012 - 2012 English keyboard music c.1650-c.1700: a series of facsimiles of manuscript sources
Researcher
Music & Letters Trust
Concluded
2011/07 - 2011/08 Documenting Musical Life in Late Seventeenth-Century England: Manuscript Collections of Keyboard and Consort Music at the Clark Library
Research Fellow
University of California Los Angeles Center for Seventeenth and Eighteenth-Century Studies, United States
University of California Los Angeles Center for Seventeenth and Eighteenth-Century Studies
Concluded
2011 - 2011 The William Walond Manuscript of Keyboard Music and Related Sources
Researcher
American Handel Society, United States
American Handel Society
Concluded
2009/07 - 2009/08 English Keyboard Collections in the Newberry Library: Music Teaching and Amateur Music-Making in Restoration England
Research Fellow
American Society for Eighteenth Century Studies, United States
Newberry Library
Concluded

Contract

Designation Funders
2022/01/01 - 2023/09/30 Music paper and handwriting studies in Portugal (18th and 19th centuries): the case study of the collection of the Count of Redondo
EXPL/ART-PER/0749/2021
Integration into Research Grant Fellow
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2016/12/02 - 2021/12/01 A reevaluation of Portuguese music sources c.1640-c.1720: codicology, provenance, musical style and performance practices
IF/01469/2015
Researcher
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2011/09 - 2013/08 Beyond London: 18th-century musical archives in Edinburgh
ECF-2011-039
Post-doc Fellow
The University of Edinburgh Reid School of Music, United Kingdom
Leverhulme Trust
Concluded

Other

Designation Funders
2004/09 - 2007/08 English keyboard sources and their contexts c.1660-1720
Stanley Burton Research Scholarship 2004
PhD Student Fellow
University of Leeds, United Kingdom
University of Leeds
Concluded
Outputs

Publications

Book chapter
  1. Woolley, Andrew. "The Mary and Elizabeth Roper Manuscript Revisited". In The Worlds of Harpsichord and Organ: In Memoriam David Fuller, edited by Gustafson, Bruce; Bellefeuille, Albert. University of Rochester Press, 2024.
    Submitted
  2. Woolley, Andrew. "Charles Babel's 'Concerts a deux' (1702)". In Les premiers ateliers français de copistes en musique, edited by Laurent Guillo; Pascal Denecheau. France: Brepols, 2024.
    Submitted
  3. Woolley, Andrew. "French Dances and the Consort Dances of Matthew Locke and his English Contemporaries". In Transitions in Mid-Baroque Music: Style, Genre and Performance, edited by Churnside, Carrie. Boydell and Brewer, 2023.
    In press
  4. Woolley, Andrew. "Authorship and Improvisation in Sixteenth- and Seventeenth-Century Keyboard Music". In Studies on Authorship in Historical Keyboard Music. Ashgate Historical Keyboard Series (Routledge), 2023.
    Published
  5. Woolley, Andrew. "Tunes for Violin or Recorder Collected in North-East England and London in the Late Seventeenth Century: The Provenance and Contents of the Blakiston Manuscript (GB-Lbl, Add. MS 17853)". In Music in North-East England, 1500-1800, edited by Stephanie Carter; Kirsten Gibson; Rosemary Southey, 125-148. Boydell and Brewer, 2020.
  6. Woolley, Andrew. "'The Tunes of the usual French Dances at COURT and DANCING SCHOOLS': the Repertoire and Musical Practice of Dancing Masters in Restoration England". In Musical Exchange between Britain and Europe, 1500-1800, edited by JOHN CUNNINGHAM; Bryan White, 32-48. Boydell and Brewer, 2020.
  7. Woolley, Andrew. "England". In The Cambridge Companion to the Harpsichord, edited by Kroll, Mark, 47-70. Cambridge University Press, 2019.
    Published • 10.1017/9781316659359.005
Book review
  1. Woolley, Andrew. "A Case for Charpentier: Treatise on Accompaniment and Composition, translated and edited by Carla E. Williams (Historical Performance)". Review of A Case for Charpentier: Treatise on Accompaniment and Composition 79, 3 (2023): 420-422.
    Published • 10.1353/not.2023.0017
  2. Woolley, Andrew. "Sonia Gonzalo Delgado, Santiago Kastner and the Programming of Early Iberian Keyboard Music (Kassel, Reichenberger, 2021)". Review of Santiago Kastner and the Programming of Early Iberian Keyboard Music (2023):
    Submitted
  3. Woolley, Andrew. "William McGibbon, Complete Sonatas, ed. Elizabeth C. Ford, Recent Researches in the Music of the Baroque Era, vol. 204 (A-R Editions, 2018)". Review of William McGibbon, Complete Sonatas, ed. Elizabeth C. Ford, Recent Researches in the Music of the Baroque Era, vol. 204 (A-R Editions, 2018) 34, (2020): 35-36.
  4. Woolley, Andrew. "The Sonatas of Henry Purcell: Rhetoric and Reversal. By Alon Schab". Review of The Sonatas of Henry Purcell: Rhetoric and Reversal 100, 1 (2019): 136-138. http://dx.doi.org/10.1093/ml/gcz009.
    10.1093/ml/gcz009
  5. Woolley, Andrew. "Early English keyboard music revitalized". Review of Keyboard music from Fitzwilliam manuscripts 47, 3 (2019): 418-419.
    10.1093/em/caz052
  6. Woolley, Andrew. "Sandra Mangsen, Songs Without Words: Keyboard Arrangements of Vocal Music in England, 1560–1760". Review of Songs Without Words: Keyboard Arrangements of Vocal Music in England, 1560–1760 44, (2019): 18-19.
  7. Woolley, Andrew. "Ercole Pasquini, Toccate, Canzoni, Ricercari ed. by Paul Kenyon (review)". Review of Ercole Pasquini, Toccate, Canzoni, Ricercari 64, 2 (2017): 196-197. https://muse.jhu.edu/article/663118.
    Published
  8. Woolley, Andrew. "Ancient music and its advocates". Review of The Advancement of Music in Enlightenment England: Benjamin Cooke and the Academy of Ancient Music 43, 2 (2015): 327-328. http://dx.doi.org/10.1093/em/cav017.
    10.1093/em/cav017
  9. Woolley, Andrew. "Rebecca Herissone, Musical Creativity in Restoration England". Review of Musical Creativity in Restoration England 37, (2015): 27-29.
  10. Woolley, Andrew. "Thomas Arne (1710–1778), Thomas Chilcot (C1707–1766), Benjamin Cooke (1734–1793), William Crotch (1775–1847), William Felton (1715–1769), Philip Hayes (C1738–1797), William Hayes (C1708–1777), James Hook (1746–1827), George Rush (Fl. 1760–1780), John Stanley (1712–1786), Charles Wesley (1757–1834), Samuel Wesley (1766–1837), William Russell (1777–1813)". Review of English Keyboard Concertos 1740-1815 11, 02 (2014): 306-307. http://dx.doi.org/10.1017/s1478570614000153.
    10.1017/s1478570614000153
  11. A. Woolley. "German music of three centuries on organs". 41, 1 (2013): 171-173. http://dx.doi.org/10.1093/em/cat009.
    10.1093/em/cat009
  12. Andrew Woolley. "William Croft, Canticles and Anthems with Orchestra". Review of Croft, William: Canticles and Anthems with Orchestra 34, 1 (2012): 134-137. http://dx.doi.org/10.1080/08145857.2012.681757.
    10.1080/08145857.2012.681757
  13. A. Woolley. "Thomas Mulliner revived". Review of The Mulliner Book 40, 1 (2012): 127-128. http://dx.doi.org/10.1093/em/car123.
    10.1093/em/car123
  14. A. Woolley. "Italian concertos, unknown and known". 39, 3 (2011): 457-460. http://dx.doi.org/10.1093/em/car068.
    10.1093/em/car068
  15. Woolley, Andrew. "Gerald Gifford, Ed. Fitzwilliam Handeliana, Volume 1". 8, 01 (2011): 135-137. http://dx.doi.org/10.1017/s1478570610000539.
    10.1017/s1478570610000539
  16. A. Woolley. "Vivaldi highs and lows". 39, 1 (2011): 131-134. http://dx.doi.org/10.1093/em/caq134.
    10.1093/em/caq134
  17. A. Woolley. "Keyboard music of the Americas". 37, 2 (2009): 322-324. http://dx.doi.org/10.1093/em/cap013.
    10.1093/em/cap013
Conference paper
  1. Woolley, Andrew. "Musical scores acquired by the Portuguese court from Italy in the eighteenth century and the Fundo do Conde de Redondo at the National Library of Portugal". Paper presented in MARCMUS - Watermarks and handwriting in the music manuscripts of the Fundo do Conde de Redondo, Biblioteca Nacional, Lisbon, 2023.
  2. Woolley, Andrew. "The collection of responsories and lamentations for voice and basso continuo from the beginning of the eighteenth century in P-BRad, MS 964". Paper presented in 20th Biennial International Conference on Baroque Music, Geneva, 2023.
  3. Woolley, Andrew. "Towards completing the revised Volume 6 of the Purcell Society Edition (‘Harpsichord and Organ Music’): editorial approaches for an ‘inclusive’ collected-works volume". Paper presented in The Future of Digital Editions of Music (Northumbria University, 28–30 March 2023), Newcastle, 2023.
  4. Woolley, Andrew. "Identifying concordances and musical inter-relationships using digital tools: Where to from here?". Paper presented in COST: A new ecosystem of early music studies (EarlyMuse): Working Group 2 (Sources), Lisbon, 2023.
  5. Woolley, Andrew. "Partituras de ópera italiana no Fundo do Conde do Redondo". Paper presented in ENIM 2022: XI Encontro de Investigação em Música, 2022.
  6. Woolley, Andrew. "Aural transmission and the role of notation in the dissemination of miscellaneous airs in the seventeenth century: insights from the collection in P-BRad MS 964". Paper presented in 21st Quinquennial IMS Congress (IMS2022), Athens, 2022.
  7. "Luis Venegas de Henestrosa and composing keyboard music in sixteenth-century Spain". Paper presented in 50th aMedieval and Renaissance Music Conference, Uppsala, 2022.
  8. Woolley, Andrew. "Watermarks in seventeenth-century music manuscripts from Portugal". Paper presented in Workshop MarcMus, 2022.
  9. Woolley, Andrew. "The Italian Concerto Style in Handel's Early Keyboard Pieces". Paper presented in Handel: Interactions and Influences, London, 2021.
  10. Woolley, Andrew. "A coleção de responsórios e lamentações para voz e baixo contínuo (harpa, órgão ou cravo) do início do século XVIII do manuscrito P-BRad, MS 964". Paper presented in ENIM 2020/1 – X Encontro de Investigação em Música, Coimbra, 2021.
  11. Woolley, Andrew. "The manuscript collection of an anonymous mid-seventeenth-century composer: the cartapácios in the University of Coimbra General Library". Paper presented in Birmingham Baroque 2021, 2021.
  12. Woolley, Andrew. "A biografia de Pedro de Araújo (c.1640-c.1710/15) revisitada: os factos conhecidos e novas informações". Paper presented in Simpósio Permanente de Investigação do CESEM, 2021.
  13. Woolley, Andrew. "Charles Babel's 'Concerts a deux' (c.1702): sources, compilation and performance practice". Paper presented in Webinaire AteCop: Les premiers ateliers français de copistes en musique, 2021.
  14. Woolley, Andrew. "A ornamentação floreada na interpretação de cantochão com acompanhamento de baixo contínuo no início do século XVIII em Portugal: o testemunho de uma coleção de responsórios e lamentações para voz e baixo contínuo em P-BRad, MS 964". Paper presented in Sonoridades Eborenses, Universidade de Évora, 2020.
  15. Woolley, Andrew. "Scribal creativity and performance practice in the instrumentally conceived four-part music in P-Cug, MM 242 and MM 48". Paper presented in 48th Medieval and Renaissance Music Conference, University of Edinburgh, 2020.
  16. Woolley, Andrew. "'Italianos ou estrangeiros’: the collection of miscellaneous keyboard airs in P-BRad, MS 964 and its Iberian context". Paper presented in Ignacio Jerusalem 250: Galant Musics in Italy, the Iberian Peninsula, and the New World, Universidad Internacional de Andalucía, Baeza, 2019.
  17. Woolley, Andrew. "'Empréstimos’ de Flores da Música (1620) de Manuel Rodrigues Coelho na música portuguesa para tecla em partitura italiana do final do século XVII". Paper presented in IX Encontro Nacional de Investigação em Música ENIM 2019, Universidade Nova de Lisboa, Lisbon, 2019.
  18. Woolley, Andrew. "Evocations of Performance: 17th-Century Portuguese Keyboard Music in Contrapuntal Genres". Paper presented in The Current State of Performance Practice Studies, Fitzwilliam College, Cambridge, 2019.
  19. Woolley, Andrew. "Seventeenth-Century French Dance Music in Portuguese and Spanish Keyboard Sources". Paper presented in Syntagma Musicum 1619–2019, Slovenian Academy of Sciences and Arts, Institute of Musicology, Ljubljana, 2019.
  20. Woolley, Andrew. "Os cartapácios na Biblioteca Geral da Universidade de Coimbra: codicologia e copistas". Paper presented in VIII Encontro Nacional de Investigação em Música ENIM 2018, Instituto Politénico do Porto, 2018.
  21. Woolley, Andrew. "The seventeenth-century keyboard player’s workshop: a case study from northern Portugal". Paper presented in 18th Biennial International Conference on Baroque Music, Pavia University, Cremona, 2018.
  22. Woolley, Andrew. "Authorship and Creative Copying in Braga, Arquivo Distrital, MS 964". Paper presented in 3rd International Conference on Historical Keyboard Music: Authorship in Keyboard Music, Universidade Nova de Lisboa, Lisbon, 2018.
  23. Woolley, Andrew. "Paper Types and Copyists in Braga, Arquivo Distrital, MS 964". Paper presented in VII Encontro Nacional de Investigação em Música ENIM 2017, Universidade do Minho, Braga, 2017.
  24. Woolley, Andrew. "Paper Types in 17th-and 18th-Century Portuguese Music Manuscripts: Braga, Arquivo Distrital, MS 964". Paper presented in Interdisciplinary Conference on Iberian Manuscripts, Universidade Nova de Lisboa, Lisbon, 2017.
  25. Woolley, Andrew. "From Venice to Chichester via London and Bath: the Travels of an Italian Giga". Paper presented in Early Keyboard Instruments: Repertoire, Use and Design, Murray Edwards College, Cambridge, 2017.
  26. Woolley, Andrew. "Tracing Concordances Using Encoded Numerical Incipits". Paper presented in VI Encontro Nacional de Investigação em Música ENIM 2016, Universidade de Aveiro, 2016.
  27. Woolley, Andrew. "William Babell, Jean-François Dandrieu and HWV 441". Paper presented in 17th Biennial International Conference on Baroque Music, Canterbury Christ Church University, 2016.
  28. Woolley, Andrew; Cowgill, Rachel. "Adaptation in English Opera of the late Eighteenth and Early Nineteenth Centuries: New Light on London Repertoire from the Norwich Theatre Royal Music Collection, Norfolk Heritage Centre". Paper presented in The London Stage and the Nineteenth-Century World, New College, Oxford, 2016.
  29. Woolley, Andrew. "'the new Airy Tunes of these Times': 'French Dances' in late seventeenth-century England". Paper presented in Music in Transition: Changing Styles and Approaches in the Mid-Baroque (1650-1710), Royal Birmingham Conservatoire, Birmingham, 2015.
  30. Woolley, Andrew. "William Walond (1750– 1836), a follower of Handel in late eighteenth-century Chichester". Paper presented in Music in Eighteenth-Century Britain, London, 2014.
  31. Woolley, Andrew. "The Eleven ‘Sonate’ a4 by Francesco Scarlatti in Charles Avison’s Workbook I and the influence of the Neapolitan sonata/concerto a quattro in Britain". Paper presented in Pietro Marchitelli, Michele Mascitti, and Neapolitan Instrumental Music / Marchitelli, Michele Mascitti e la Scuola strumentale Napoletana, Villa Santa Maria, 2014.
  32. Woolley, Andrew. "London musicians and the provinces in the late seventeenth century: the case of Francis Forcer (1649-1705)". Paper presented in Musical Life Outside of London, 1500–1800: Networks, Circulation, Sources, Newcastle, 2014.
  33. Woolley, Andrew. "The Latin correspondence of John Clerk of Penicuik: further light on Clerk’s relationship with Italian music and musicians". Paper presented in 16th International Biennial Conference on Baroque Music, Mozarteum University, Salzburg, 2014.
  34. Woolley, Andrew. "London musicians and the provinces in the late seventeenth century: the case of Francis Forcer (1649-1705)". Paper presented in Amateur Music-Making in The British Provinces, University of Leeds, 2014.
  35. Woolley, Andrew. "‘Without basses': tune books, dancing-master violinists and memory culture in late seventeenth-century England". Paper presented in 79th American Musicological Society Conference, Pittsburgh, 2013.
  36. Woolley, Andrew. ""Without basses": tune books, dancing-master violinists and memory culture in late seventeenth-century England". Paper presented in Seminars in Musicology, Bangor University, 2013.
  37. Woolley, Andrew. "Music from the Brussels Opera in Two Eighteenth-Century British Collections: Musical Patronage and Manuscript Culture in Brussels c.1775–80". Paper presented in Royal Musical Association 49th Annual Conference, Institute of Musical Research, Senate House, London, 2013.
  38. Woolley, Andrew. ""French"-style music in England in the late seventeenth century: exploring the keyboard sources from a broader geographical orbit". Paper presented in Research Seminars in Music, University of Aberdeen, 2012.
  39. Woolley, Andrew. "Neapolitan sacred music in eighteenth-century Britain: new light on the sources of Pergolesi’s 'Messa di S. Emidio'". Paper presented in 15th International Biennial Conference on Baroque Music, University of Southampton, Southampton, 2012.
  40. Woolley, Andrew; Chapman, Jane. "‘Wild but pleasing when understood': William Hamilton Bird and the 'Hindoostanni air'". Paper presented in Grove Forum, Royal College of Music, London, 2012.
  41. Woolley, Andrew. "The Red Priest in Scotland: Vivaldi's Flute Concerto "Il Gran Mogol"". Paper presented in Research Seminars in Music, University of Edinburgh, 2010.
  42. Woolley, Andrew. ""Scocca pur" revisited". Paper presented in 14th International Biennial Conference on Baroque Music, Belfast, 2010.
  43. Woolley, Andrew. "Who was the "Bryne scribe"? Questions of scribal identity and function in the sources of Albertus Bryne’s keyboard music". Paper presented in Music, Literature, Illustration: Collaboration and networks in English manuscript culture, 1500-1700, University of Southampton, Chawton, 2010.
Edited book
  1. Woolley, Andrew; Peter Holman. Theatre airs, 1660-1710. Musica Britannica (Stainer & Bell). 2024.
    Accepted
  2. Woolley, Andrew; Smith, David J.; Hogwood, Christopher. Keyboard Music (The Complete Works of Henry Purcell). United Kingdom: The Complete Works of Henry Purcell (Stainer & Bell). 2024.
    Submitted
  3. Woolley, Andrew. Studies on Authorship in Historical Keyboard Music. Ashgate Historical Keyboard Series (Routledge). 2023.
    Published • Editor
  4. Woolley, Andrew. William Babell: Toccatas, Suites and Preludes for Harpsichord. Lyrebird Music. 2021.
    Published
  5. Woolley, Andrew; Heather Windram; Terence Charlston. London, Lambeth Palace Library, MS 1040 (1650s-1660s). English Keyboard Music c.1650-c.1700 (Norsk Musikforlag). 2021.
    Published
  6. Woolley, Andrew. English Keyboard Music 1650-1695: Perspectives on Purcell. Purcell Society Companion Series (Stainer & Bell). 2018.
  7. Woolley, Andrew; Talbot, Michael. Henricus Albicastro: ‘London’ Sonata No. 1 in C minor; ‘London’ Sonata No. 2 in B flat major; ‘London’ Sonata No. 3 in F minor; ‘London’ Sonata No. 4 in F major; ‘Leuven’ Sonata in D minor; ‘Kilravock’ Sonata in A minor. Edition HH. 2016.
  8. Woolley, A.; Kitchen, J.. Interpreting historical keyboard music: Sources, contexts and performance. Ashgate Historical Keyboard Series (Routledge). 2013.
  9. Woolley, Andrew. Richard Ayleward: Harpsichord Music. Web Library of Seventeenth-Century Music. 2013.
    Published
  10. Woolley, Andrew. Antonio Vivaldi: Concerto in D minor, (Il Gran Mogol), RV 431a Concerto in E minor, RV431. Edition HH. 2010.
  11. Woolley, Andrew. Charles Dieupart: Three Harpsichord Suites from Manuscript Sources. Edition HH. 2009.
Encyclopedia entry
  1. Woolley, Andrew. "Henry Purcell". In Oxford Bibliographies: Music. Oxford University Press, 2016.
    10.1093/obo/9780199757824-0034
  2. Woolley, Andrew. "Cobb, Richard". In Oxford Music Online. Oxford University Press, 2016. http://dx.doi.org/10.1093/gmo/9781561592630.article.2293451.
    10.1093/gmo/9781561592630.article.2293451
  3. Holman, Peter; Woolley, Andrew. "King, Robert(i)". In Grove Music Online. Oxford University Press, 2016.
    10.1093/gmo/9781561592630.article.15021
  4. Le Huray, Peter; Ashbee, Andrew; Woolley, Andrew. "Cobb, John". In Grove Music Online. Oxford University Press, 2016.
    Published • 10.1093/gmo/9781561592630.article.06004
  5. B. A. R. Cooper; Woolley, Andrew. "Roberts, John (i)". In Grove Music Online. Oxford University Press, 2016.
    10.1093/gmo/9781561592630.article.23577
  6. Holman, Peter; Woolley, Andrew. "Forcer, Francis". In Grove Music Online. Oxford University Press, 2016.
    10.1093/gmo/9781561592630.article.09967
  7. Granger, P. R.; Aston, Peter; Roast, Tom; Woolley, Andrew. "Ayleward, Richard". In Grove Music Online. Oxford University Press, 2016.
    10.1093/gmo/9781561592630.article.01615
  8. Cooper, B. A. R.; Woolley, Andrew. "Bryne [Bryan, Brian], Albertus [Albert]". In Grove Music Online. Oxford University Press, 2016.
    10.1093/gmo/9781561592630.article.04217
Journal article
  1. Woolley, Andrew. "Snapshots of a Genre in the Making: Francesco Geminiani's Sonate a violino, Op. 1, and Francesco Scarlatti's 11 Sonatas a4 as Precursors of English Corellian Concertos". Recercare 34 (2022): 113-133.
    Published
  2. Woolley, Andrew. "A Catalogue of the 'French Dances' in The Dancing Master and Apollo's Banquet (c. 1662-1687)". Revista Portuguesa de Musicologia 7 1 (2021): 7-59.
    Open access • Published
  3. Woolley, Andrew. "William Babell as a Performer-Composer and Music Copyist". Eighteenth-Century Music 17 1 (2020): 87-99.
    10.1017/S1478570619000484
  4. Woolley, Andrew. "From Arrangements to New Compositions: Seventeenth-century French Dance Music in Portuguese and Spanish Keyboard Sources to 1720". De musica disserenda 16 1 (2020): 9-35.
    Open access • Published • 10.3986/dmd16.1.01
  5. Woolley, Andrew. "New light on William Babell's development as a keyboard composer". Early Music 46 2 (2018): 251-270. http://dx.doi.org/10.1093/em/cay022.
    Published • 10.1093/em/cay022
  6. Woolley, Andrew. "Neapolitan sacred music in eighteenth-century Britain: the case of Pergolesi’s Messa di S. Emidio". Pergolesi Studies 10 (2015): 185-207.
  7. Andrew Woolley. "Purcell and the Reception of Lully's ‘Scocca pur’ (LWV 76/3) in England". Journal of the Royal Musical Association 138 2 (2013): 229-273. http://dx.doi.org/10.1080/02690403.2013.771960.
    10.1080/02690403.2013.771960
  8. Woolley, Andrew. "Newly discovered seventeenth-century trumpet music in a Los Angeles manuscript". ITG Journal 38 1 (2013): 73-79.
  9. Woolley, Andrew; Woolley, Andrew. "An Unknown Flute Concerto by Vivaldi in Scotland". Studi vivaldiani 10 (2010): 3-38.
  10. A. Woolley. "An Unknown Autograph of Harpsichord Music by William Croft". Music and Letters 91 2 (2010): 149-170. http://dx.doi.org/10.1093/ml/gcq015.
    10.1093/ml/gcq015
  11. Woolley, Andrew; Woolley, Andrew. "Manuscript Additions to a copy of John Playford's Select Musicall Ayres and Dialogues in the Dolmetsch Library: a little-known source of 17th-century English music". The Consort: The Journal of the Dolmetsch Foundation 66 (2010): 35-53.
  12. Cunningham, John; Woolley, Andrew. "A Little-Known Source of Restoration Lyra-Viol and Keyboard Music: Surrey History Centre, Woking, LM/1083/91/35". Royal Musical Association Research Chronicle 43 (2010): 1-22. http://dx.doi.org/10.1080/14723808.2010.10541029.
    10.1080/14723808.2010.10541029
  13. Woolley, Andrew. "The Harpsichord Music of Richard Ayleward (?1626–1669), “an Excellent Organist” of the Commonwealth and Early Restoration". Journal of Seventeenth-Century Music 15 1 (2009): https://sscm-jscm.org/v15/no1/woolley.html.
Magazine article
  1. "William Babell's recently discovered toccatas", Harpsichord and Fortepiano Magazine, 2022
Preface / Postscript
  1. Woolley, Andrew. "A context for Royal College of Music MS 2093". Preface to London, Royal College of Music Library, MS 2093 (1660s–1670s), xiii-xvi. Norway: English Keyboard Music c.1650–c.1700 (Norsk Musikforlag). 2015.
Report
  1. Woolley, Andrew. 2022. Handel: Interactions and Influences.
  2. R. Ahrendt; A. Howard; D. R. M. Irving; B. White; A. Woolley. 2014. Baroque in Salzburg. http://dx.doi.org/10.1093/em/cau126.
    10.1093/em/cau126
Translation
  1. Woolley, Andrew. O grande Te Deum setecentista português / The eighteenth-century Portuguese Grand Te Deum. Biblioteca Nacional de Portugal. 2019.
    Published

Artistic / Performance

Musical performance
  1. Rachmaninov - Prelude, Op. 23/6: Performance on Knauss Piano (c.1895) [https://www.youtube.com/watch?v=LXkfwekIdzU]. 2016.
    Instrumentalist
  2. Scriabin - Poème (Op. 32 no. 1): Performance on Knauss piano (c.1895) [https://www.youtube.com/watch?v=w0p7w6Dakgk]. 2016.
    Instrumentalist
  3. Richard Ayleward (1626?-1669): Suite in F major ('Passionate Air') [https://www.youtube.com/watch?v=NYMAIyL7kYg]. 2014.
    Instrumentalist
  4. Concert (on piano) with Shawn Mativetsky, Indian tabla player (Bangor University, International Concert Series). 2014.
    Instrumentalist
  5. Concert (on harpsichord) with baroque violinist Emma Lloyd at St Cecilia's Hall (Edinburgh Festival Fringe). 2013.
    Instrumentalist
  6. Concert (on harpsichord) with baroque violinist Julia Lungu (St Andrews University, International Concert Series). 2013.
    Instrumentalist
  7. Concert (on harpsichord) with baroque violinist Emma Lloyd (Dunfermline Literature Festival). 2012.
    Instrumentalist

Other

Other output
  1. Booklet essay for the CD *Cabezón: Obras de Música* by Harmonices Mundi, La Moranda, Quartetto Italiano di Viole da Gamba, and Claudio Astronio (Brilliant Classics, 2012). 2012. Woolley, Andrew. https://www.brilliantclassics.com/articles/c/cabez%C3%B3n-obras-de-m%C3%BAsica/.
  2. Booklet essay for the CD *Geminiani: Pieces de Clavecin* by Francesca Lanfranco (Newton Classics/Naxos, 2012). 2012. Woolley, Andrew.
  3. Booklet essay for the CD *Galuppi: Trio Sonatas* by Accademia Vivaldiana di Venezia (Newton Classics/Naxos, 2012). 2012. Woolley, Andrew.
  4. Booklet essay for the CD *Galuppi: Harpsichord Sonatas* by Ilario Gregoletto (Newton Classics/Naxos, 2012). 2012. Woolley, Andrew.
  5. Booklet essay for the CD *Scarlatti: Sonatas for Two Harpsichords* by Ilario Gregoletto and Elena Modena Newton Classics/Naxos (2012). 2012. Woolley, Andrew.
Activities

Event organisation

Event name
Type of event (Role)
Institution / Organization
2021/07/05 - 2021/07/11 49th Medieval and Renaissance International Music Conference (MedRen 2021 Lisbon) (2021/07/05 - 2021/07/11)
Conference (Member of the Organising Committee)
Universidade Nova de Lisboa, Portugal
2018/06/07 - 2018/06/09 3rd International Conference on Historical Keyboard Music: Authorship in Keyboard Music (2018/06/07 - 2018/06/09)
Conference (President of the Organising Committee)
Universidade Nova de Lisboa, Portugal
2013/07/19 - 2013/07/21 2nd International Conference on Historical Keyboard Music: the keyboard and its role in the internationalisation of music 1600-1800 (2013/07/19 - 2013/07/21)
Conference (Co-organisor)
The University of Edinburgh Reid School of Music, United Kingdom
2011/07/01 - 2011/07/03 1st International Conference on Historical Keyboard Music (2011/07/01 - 2011/07/03)
Conference (Co-organisor)
The University of Edinburgh Reid School of Music, United Kingdom

Event participation

Activity description
Type of event
Event name
Institution / Organization
2021/01/18 - Current Panel member (by invitation) for the first symposium of the “Digital directions for collected editions” project
Symposium
Digital Editing Online Symposium
Northumbria University, United Kingdom
2021/11/11 - 2021/11/11 Chair and organizer of the session "Olhar as fontes de cantochão: metodologias, diálogos, práticas performativas"
Conference
ENIM 2020/1 ¿ X Encontro de Investigação em Música
Universidade de Coimbra Faculdade de Letras, Portugal
2021/02/04 - 2021/02/04 Speaker and panel member (by invitation) for the seminar series "Webinaire AteCop: Les premiers ateliers français de copistes en musique"
Seminar
Webinaire AteCop: Les premiers ateliers français de copistes en musique
Centre de musique baroque de Versailles, France
2020/07/21 - 2020/07/21 Panel member (by invitation) at an online workshop for research students at Royal Holloway who would have presented at the 19th Biennial International Conference on Baroque Music
Workshop
"Biennial Baroque" virtual session for research students
Royal Holloway University of London, United Kingdom
2019/10/19 - 2019/10/19 Speaker (by invitation) at the workshop "The Current State of Performance Practice Studies"
Workshop
The Current State of Performance Practice Studies
University of Cambridge Fitzwilliam College, United Kingdom
2019/10/16 - 2019/10/16 Speaker (by invitation) at the symposium "Richard Ayleward: Lost and Found"
Symposium
Norwich Cathedral, United Kingdom
2018/11 - 2018/11 Chair and organizer of the session "Performance Practices and Source Studies" ENIM 2018 - 8th Conference on Musical Research
Instituto Politécnico do Porto, Portugal
2016/07/31 - 2016/08/07 Pre-concert lecturer (by invitation) at the Cambridge Early Music Summer School
Concert
The Spanish Baroque World: Spain, Naples and the Netherlands
Jesus College, University of Cambridge, United Kingdom

Jury of academic degree

Topic
Role
Candidate name (Type of degree)
Institution / Organization
2022 "This day the Organs did begin to play at White-hall before the King": The work and influence of Christopher Gibbons (1615-76)
(Thesis) Main arguer
Paul Michael Stubbings (PhD)
Canterbury Christ Church University Department of Music and Performing Arts, United Kingdom
2019 Violinists and Violin Music in Scotland, 1550-1750
(Thesis) Main arguer
Aaron McGregor (PhD)
University of Glasgow, United Kingdom
2014 The voice of instruments: Vocal idioms in the works for solo strings and orchestra by Max Bruch Nicholas Hardisty (PhD)
Bangor University, United Kingdom

Ad Hoc journal article review

Journal title (ISSN) Publisher
2015 - 2022 Early Music Oxford University Press

Conference scientific committee

Conference name Conference host
2021/07/05 - 2021/07/11 49th Medieval and Renaissance International Music Conference (MedRen 2021 Lisbon) Universidade Nova de Lisboa
2018 - 2018 3rd International Conference on Historical Keyboard Music: Authorship in Keyboard Music Universidade Nova de Lisboa
2017 - 2017 VII Encontro Nacional de Investigação em Música ENIM 2017 Universidade do Minho
2013 - 2013 2nd International Conference on Historical Keyboard Music: the keyboard and its role in the internationalisation of music 1600-1800 University of Edinburgh
2011 - 2011 1st International Conference on Historical Keyboard Music University of Edinburgh

Consulting

Activity description Institution / Organization
2022 - Current Peer-review of monograph submitted to Routledge
2013 - Current General Editor (with Heather Windram and Terence Charlston) of *English keyboard music c.1650-c.1700: a series of facsimiles of manuscript sources* (http://www.ekm.org.uk/) Norsk musikkforlage, Norway
2011 - Current General Editor (with David J. Smith) of the Ashgate Historical Keyboard Series (Routledge) (https://www.routledge.com/Ashgate-Historical-Keyboard-Series/book-series/AHKS) Routledge, United Kingdom
2015 - 2022 Peer-review reports on seven articles submitted to *Early Music* Oxford University Press, United Kingdom
2009 - 2022 Editor of *Early Music Performer: the Journal of the National Early Music Association* (two issues per year) National Early Music Association UK, United Kingdom
2020 - 2020 Peer-review of edition submitted to the Web Library of Seventeenth-Century Music (Society for Seventeenth-Century Music) Society for Seventeenth-Century Music, United States
2018 - 2018 Peer-review of *Studies in English Organ Music*, ed. Iain Quinn (Routledge) Routledge, United Kingdom
2018 - 2018 Peer-review of *Aspects of English Keyboard Music Before c.1630*, ed. David J. Smith (Routledge) Routledge, United Kingdom
2018 - 2018 Peer-review of article submitted to *Revista Portuguesa de Musicologia* Portuguese Society for Music Research / Sociedade Portuguesa de Investigação em Música, Portugal
2017 - 2017 Peer-review of *Muzio Clementi and British Musical Culture*, ed. Luca Lévi Sala and Rohan H. Stewart-MacDonald (Routledge) Routledge, United Kingdom
2017 - 2017 Peer-review of *Perspectives on Early Keyboard Music and Revival in the Twentieth Century*, ed. Rachelle Taylor and Hank Knox (Routledge) Routledge, United Kingdom
2017 - 2017 Peer-review of Barry Cooper, *The Creation of Beethoven's 35 Piano Sonatas* (Routledge) Routledge, United Kingdom
2014 - 2016 Peer-review reports on two articles submitted to *Royal Musical Association Research Chronicle* Routledge, United Kingdom
2014 - 2014 Peer-review report on article submitted to *Performance Practice Review* Claremont Colleges Library, United States
2013 - 2013 Committee member of a group tasked with identifying articles on seventeenth-century British topics requiring updating/revision in *Grove Music Online* Oxford University Press, United Kingdom

Course / Discipline taught

Academic session Degree Subject (Type) Institution / Organization
2013 - 2014 Undergraduate modules at Bangor University with responsibility for module coordination: WXM 2004/3004 (Vivaldi and the Baroque Concerto); WXP 1016/2241/3297/3298 (Solo Performance); WXP 2243/3243 (Ensemble Performance); WXK 2231 (Orchestration). Other undergraduate modules taught with colleagues: WXM 1001 (The Study of Music); WXM 1004 (Harmony and Counterpoint); WXM 2178 (Words and Music); WXM 2203 (Writing about Music); WXM 2267/3267 (Teaching Techniques); WXM 3276/3282 (Dissertation/Edition); WXP 2247/3247 (Historical Performance Studies) Music (Bachelor) Bangor University, United Kingdom
2013 - 2014 Postgraduate modules at Bangor University (all with responsibility for module coordination): WMM 4044 (Principal Subject: Performance); WMP 4047 (Performance Practice); WMP 4048 (Performance and Pedagogy in the Digital Age); WMP 4052 (Preparation for Part II Project) Music (Master) Bangor University, United Kingdom
2011 - 2013 Undergraduate module at Edinburgh University with responsibility for module coordination: MUSI10079 (Genre and Form in 17th- and 18th-Century Music). Undergraduate modules co-taught with colleagues at Edinburgh University: MUSI08012 (Music and Technologies); MUSI08031 (Music and Ideas). Music (Bachelor) The University of Edinburgh Reid School of Music, United Kingdom
2011 - 2013 Postgraduate seminar leading and research-project supervision at the University of Edinburgh for: Research Methods A Musicology (Master) The University of Edinburgh Reid School of Music, United Kingdom

Interview (tv / radio show)

Program Topic
2012 - 2012 Tales from the Stave (BBC Radio 4) Vivaldi's Flute Concerto
2010 - 2010 Interviews for BBC Radio 4, BBC Television, BBC World Service, the Canadian Broadcasting Corporation and the Norwegian Broadcasting Company concerning my discovery of a ‘lost’ flute concerto by Antonio Vivaldi in 2010 A newly discovered flute concerto by Antonio Vivaldi (RV 431a)

Journal scientific committee

Journal title (ISSN) Publisher
2009 - Current Early Music Performer (1477-478X) National Early Music Association (UK)
2011 - 2013 British Postgraduate Musicology British Postgraduate Musicology

Mentoring / Tutoring

Topic Student name
2022 - 2022 Guitar Repertoire Inspired by the Operas of Vincenzo Bellini Davide Sciacca