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Stefanie Baumann is a researcher at CineLab/IFILNOVA (New University of Lisbon), where she coordinates the working group "Thinking Documentary Film.". She obtained her PhD in philosophy in 2013, with a doctoral thesis on Walid Raad's artistic project The Atlas Group. She taught philosophy, aesthetics and contemporary art theory at University Paris VIII (Paris, 2007-2010), Ashkal Alwan (Beirut, 2013), ALBA - the Lebanese Academy of Fine Arts/ University of Balamand (Beirut, 2012-2015) and the Maumaus Study Program (Lisbon, since 2016). She also worked with the artist Esther Shalev-Gerz as personal assistant from 2005 to 2010, and collaborated with video artists Marie Voignier and Mounira Al Solh.
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Identificação

Identificação pessoal

Nome completo
Stefanie Baumann

Nomes de citação

  • Baumann, Stefanie

Identificadores de autor

Ciência ID
4415-E43A-A0B5
ORCID iD
0000-0003-0854-0012
Researcher Id
B-2311-2018
Scopus Author Id
57210109013

Domínios de atuação

  • Humanidades - Filosofia, Ética e Religião - Filosofia
  • Humanidades - Artes - Estudos de Cinema, Rádio e Televisão
  • Humanidades - Artes

Idiomas

Idioma Conversação Leitura Escrita Compreensão Peer-review
Alemão (Idioma materno)
Francês Utilizador proficiente (C2) Utilizador proficiente (C2) Utilizador proficiente (C2) Utilizador proficiente (C2)
Inglês Utilizador proficiente (C2) Utilizador proficiente (C2) Utilizador proficiente (C2) Utilizador proficiente (C2)
Português Utilizador independente (B1) Utilizador independente (B2) Utilizador independente (B1) Utilizador independente (B2)
Espanhol; Castelhano Utilizador elementar (A1) Utilizador independente (B1) Utilizador elementar (A1) Utilizador elementar (A1)
Italiano Utilizador elementar (A1) Utilizador independente (B1) Utilizador elementar (A1) Utilizador elementar (A1)
Formação
Grau Classificação
2013/12/14
Concluído
 Laboratoire d’études et de recherches sur les logiques contemporaines de la philosophie (LLCP) (Docteur)
Université Paris 8, França
"Ceci n’est pas un centre d’archives! L’Atlas Group de Walid Raad et les déplacements hétérotopiques de la question de l’histoire" (TESE/DISSERTAÇÃO)
 très honorable avec les félicitations du jury
2006 - 2007
Concluído
 Philosophy and Critique of contemporary culture (Master)
Especialização em Philosophy
Université Paris 8 UFR Arts Philosophie Esthétique, França
"A travers l'image Une enquête sur la « portée réelle de la photographie » avec Walter Benjamin" (TESE/DISSERTAÇÃO)
 with high honors
2005
Concluído
 Philosophie (Maîtrise)
Université Paris 8, França
 with high honors
2004
Concluído
 Philosophie (Licence)
Université Paris 8, França
 with high donors
1999 - 2002
Frequentou
 Kulturwissenschaften, Philosophie, Allgemeine und Vergleichende Literaturwissenschaft (Magister (2.º ciclo de estudos))
Universität Leipzig, Alemanha
Percurso profissional

Ciência

Categoria Profissional
Instituição de acolhimento 		Empregador
2019/02/01 - Atual Investigador Contratado (Investigação) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2016/06/01 - 2019/01/31 Pós-doutorado (Investigação) New University of Lisbon - IFILNOVA, Portugal
New University of Lisbon - IFILNOVA, Portugal

Docência no Ensino Superior

Categoria Profissional
Instituição de acolhimento 		Empregador
2021/11/08 - 2021/11/15 Professor Visitante (Docente Universitário) Université Paris 1 Panthéon-Sorbonne, França
Université Paris 1 Panthéon-Sorbonne, França
2021/07 - 2021/07 Professor Visitante (Docente Universitário) Akademie der Bildenden Kunste Munchen, Alemanha
Akademie der Bildenden Kunste Munchen, Alemanha
2019/06 - 2019/06 Professor Visitante (Docente Universitário) The Royal Danish Academy of Fine Art, Schools of Visual Arts, Dinamarca
The Royal Danish Academy of Fine Art, Schools of Visual Arts, Dinamarca
2015/11 - 2015/11 Professor Visitante (Docente Universitário) Universidade Federal do Rio de Janeiro, Brasil
Universidade Federal do Rio de Janeiro Escola de Belas Artes, Brasil
2012/02/01 - 2015/06/30 Leitor (Docente Universitário) Lebanese Academy of Fine Arts/ Balamand University, Líbano
2007/07/01 - 2010/09/30 Leitor (Docente Universitário) Université Paris 8, França
Université Paris 8 UFR Arts Philosophie Esthétique, França

Outros

Categoria Profissional
Instituição de acolhimento 		Empregador
2019/04 - 2019/10 Moderation coordinator and co-editor of the textbook Aperdoc, Portugal
Doc's Kingdom - International Seminary on Documentary Film, Portugal
2005 - 2010 Artist's Assistant Esther Shalev-Gerz, França
2004 - 2004 Internship Rencontres Internationales Paris-Berlin, França
2002 - 2002 Assistant in the framework of the interdisciplinary project “Kunst-Kommunikation” Universität Leipzig, Alemanha
Universität Leipzig Institut für Philosophie, Alemanha
Projetos

Bolsa

Designação Financiadores
2010 - 2013 Trust and the Unfolding Dialogue
2009-27288-66273-68
Bolseiro de Investigação
Göteborgs Universitet, Suécia
 Vetenskapsradet
Concluído

Projeto

Designação Financiadores
2022 - 2023/07/12 Philosophy and Documentary Film. Mediating Reality.
EXPL/FER-FIL/0045/2021
Investigador responsável
Universidade Nova de Lisboa Instituto de Filosofia, Portugal
 Fundação para a Ciência e a Tecnologia
Em curso
2007 - 2010/12 Archiver. Les pratiques historiographiques contemporaines au Moyen-Orient (ARCHIVER)
ANR-07-SUDS-0023)
Bolseiro de Doutoramento
Ecole des Hautes Etudes en Sciences Sociales, França
 Agence nationale de la recherche
Concluído
Produções

Publicações

Artigo em revista
  1. Baumann, Stefanie. "Images of the Real. Introductory Notes 1". Cinema - Journal of Philosophy and the Moving Image 12 (2021): 8-21. http://static1.1.sqspcdn.com/static/f/906805/28411259/1615143987730/SBAUMANN.pdf?token=ycbsF%2FoFoVuFAY%2B667U7Ts%2Bz8UQ%3D.
    Acesso aberto • Publicado
  2. Duarte, S.N.; Baumann, S.. "Virtual round table: An experiment,Mesa redonda virtual: Um ensaio". Cinema 12 (2021): 175-215. http://www.scopus.com/inward/record.url?eid=2-s2.0-85103157915&partnerID=MN8TOARS.
    Acesso aberto
  3. Baumann, S.; Duarte, S.N.. "Editorial thinking documentary film". Cinema 12 (2021): 1-2. http://www.scopus.com/inward/record.url?eid=2-s2.0-85103043176&partnerID=MN8TOARS.
    Acesso aberto
  4. Stefanie Baumann. "Heterodox mediations. Notes on Walid Raad’s The Atlas Group". Journal of Aesthetics & Culture 11 1 (2019): 1633192-1633192. https://doi.org/10.1080/20004214.2019.1633192.
    10.1080/20004214.2019.1633192
  5. Baumann, Stefanie; Susana Duarte (AA12-646B-E34D. "Hanan al Cinema: an Interview with Laura U. Marks". Cinema: Journal of Philosophy and the Moving Image 9 (2018): 108-114. http://static1.1.sqspcdn.com/static/f/906805/27864677/1521829953830/9_Marks_Baumann_Duarte.pdf.
    Acesso aberto • Publicado
  6. Baumann, Stefanie. "Ralentir, déployer, ouvrir les images". Revue Proteus 12 (2017): 67-73. http://www.revue-proteus.com/articles/Proteus12-7.pdf.
    Acesso aberto • Publicado
  7. Baumann, Stefanie. "Prisms of Realism.". Revista Constellazioni 4 (2017): 115-128. https://www.rivistacostellazioni.org/numero-iv.
    Publicado
  8. Stefanie Baumann. "Projeter le réel. Notes sur l’attitude critique inhérente à la notion de réalisme, à partir du film Chung Kuo, Cina de Michelangelo Antonioni". Le Philosophoire 47 1 (2017): 135-150. http://dx.doi.org/10.3917/phoir.047.0135.
    Acesso aberto • Publicado • 10.3917/phoir.047.0135
  9. Holert, Tom; Baumann, Stefanie; Blom, Ina; Basilio, Miriam; Puric, Biljana; Hsu, Claire; Boudry, Pauline; et al. "Roundtable on the Critical Archive". ARTMargins 3 3 (2014): 3-20. http://dx.doi.org/10.1162/artm_a_00091.
    Publicado • 10.1162/artm_a_00091
  10. Baumann, Stefanie. "Archiver ailleurs, archiver autrement ?". Ateliers d'anthropologie 36 (2012): http://dx.doi.org/10.4000/ateliers.9013.
    Acesso aberto • Publicado • 10.4000/ateliers.9013
  11. Stefanie Baumann. "Archiver ce qui aurait pu avoir lieu". Conserveries mémorielles 6/2009 (2009): https://doaj.org/article/2e43fb219f7846ab93f1e63201d9cebe.
    Acesso aberto • Publicado
  12. Baumann, Stefanie. "Entering The Place of Art/ Att ta sig in på Konstens plats". ArtMonitor 2/2008 (2008): 139-145. http://hdl.handle.net/2077/21752.
    Acesso aberto • Publicado
Capítulo de livro
  1. Baumann, Stefanie. "How to Mediate Reality: Thinking Documentary Film with Horkheimer and Adorno". In How to Critique Authoritarian Populism: Methodologies of the Frankfurt School, editado por Jeremiah Morelock, 412-430. Leiden, Boston, Países Baixos: Brill (Studies in Critical Social Sciences), 2021.
    Publicado
  2. Baumann, Stefanie. "Between the culture industry and art: Adorno’s approach to film". In Understanding Adorno, Understanding Modernism, editado por Robin Truth Goodman, 94-107. New York, Estados Unidos: Bloomsbury Academic, 2020.
    Publicado
  3. Baumann, Stefanie. "On Experience and Illumination: Werner Herzog’s Dialectical Relation with Society". In The Philosophy of Werner Herzog, editado por M. Blake Wilson; Christopher Turner, 187-201. Lanham, Boulder, New York, London, Estados Unidos: Lexington/ Rowman and Littlefield, 2020.
    Publicado
  4. Baumann, Stefanie; Hamers, Jeremy; Corman, Gregory; Lecerf, Eric; Mouzinho, Susana. "Notes dispersées à partir de la table ronde « Retour en Amazonie : Werner Herzog »". In Fordlandia: Suspended Spaces 5, editado por Françoise Parfait; Éric Valette; Daniel Le, 84-91. Paris, França: Les Presses du Réel, 2020.
    Publicado
  5. Baumann, Stefanie. "Preferring Not to: Maumaus as Gesture". In Parting with the Bonus of Youth – Maumaus as Object, editado por Jürgen Bock; Simon Thompson, 4-9. lisbon, Portugal: Maumaus / Lumiar Cité, 2020.
    Publicado
  6. Baumann, Stefanie. "Archives piégées. Note sur la posture critique dans deux dossiers des archives de l'Atlas Group". In Archiver au Moyen Orient. Fabriques documentaires contemporaines, editado por Christine Jungen; Jihane Sfeir, 271-297. Paris, França: Karthala /CNRS, 2019.
    Publicado
  7. Baumann, Stefanie. "Dialectiques du film selon Adorno". In Où en sommes-nous avec la théorie esthétique d’Adorno?, editado por Christophe David; Florent Perrier, 318-332. Rennes, França: Éditions Pontcerq, 2018.
    Publicado
  8. Baumann, Stefanie; Catarina Simao. "Reverse Shot: Approaching Mozambican History, conversation with Catarina Simão (English/German)". In The Fevered Spectres of Art, 124 (eng: 209)-139 (eng: 216). Berlin, Alemanha: Sternberg Press, 2018.
    Publicado
  9. Baumann, Stefanie. "Archives mozambicaines: entretien avec Catarina Simão". In Suspended spaces n°4 - Le partage es oublis, editado por Françoise Parfait; Éric Valette; Daniel Le, 260-270. Lisbon, Portugal: Editions Sistema Solar, 2018.
    Publicado
  10. Baumann, Stefanie. "Legendas urbanas. Da cumplicidade entre fotografia e cidade no projeto Sweet Talk dos archivos do Atlas Group de Walid Raad". In Espaços compartilhados da imagem: caderno de reflexões críticas sobre a fotografia, editado por Bruno Vilela; Guilherme Cunha, 84-99. Rio de Janeiro, Brasil: Editora Circuito, 2015.
    Publicado
  11. Baumann, Stefanie. "Urban Legends. On the Complicity between Photography and City in the Sweet Talk file of Walid Raad’s Atlas Group Archives". In Shared Spaces of The Image: Notebook of Critical Reflections on Photography, editado por Bruno Vilela; Guilherme Cunha, 92-99. Rio de Janeiro, Brasil: Edição Circuito, 2015.
    Publicado
  12. Baumann, Stefanie. "Légendes urbaines. De la complicité entre photographie et ville dans le dossier Sweet Talk des archives de l'Atlas Group de Walid Raad". In Suspended spaces n°3 – Inachever la modernité, editado por Françoise Parfait; Éric Valette; Daniel Le, 310-317. França: Éditions de l’ENSBA, 2014.
    Publicado
  13. Baumann, Stefanie. "Approaching Trust and the Unfolding Dialogue". In Esther Shalev-Gerz: The Contemporary Art of Trusting Uncertainties and Unfolding Dialogue, editado por Jason E. Bowman, 161-178. Stockholm, Suécia: Art and Theory Publishing/ University of Gothenburg, 2013.
  14. Baumann, Stefanie. "Des peuples qui manquent. Suite libanaise". In Suspended spaces n° 02 – Une expérience collective, editado por Françoise Parfait; Éric Valette; Daniel Le, 28-41. Paris, França: Edition BlackJack, 2012.
    Publicado
  15. Baumann, Stefanie. "Mirroirs d'ailleurs.". In Théories de la diversité culturelle et de la mondialisation, Communautés et sociétés.. Beirut, Líbano: Faculté des lettres et des sciences humaines- Université Saint-Joseph de Beyrouth, 2011.
    Publicado
  16. Baumann, Stefanie. "Missing lebanese Wars : notes sur un dossier de l’Atlas Group Archive". In Mémoires de guerres au Liban (1975-1990), editado por Franck Mermier; Christophe Varin, 510-521. Paris, França: Actes Sud-Sindbad/ Ifpo, 2009.
    Publicado
Edição de livro
  1. Baumann, Stefanie. Textos de Apoio do Seminário Internacional de Cinema Documental Doc’s Kingdom 2019. Floresta de Signos. Lisbon, Portugal: Doc's Kingdom. 2019.
    Publicado • Editor
Edição de número de revista
  1. Baumann, Stefanie; Susana Duarte (AA12-646B-E34D. "Images of the Real". Cinema - Journal of Philosophy and the Moving Image 12 (2021):
    Publicado • https://doi.org/10.34619/eoua-x5xy • Co-editor
Recurso online
  1. Baumann, Stefanie. Faits Divers. Notes on a recurrent figure in contemporary Lebanese art. 2018. http://www.saradarcollection.com/ContentFiles/1184PDFLink.pdf.
Revisão de livro
  1. Baumann, Stefanie. "The Philosophy of Documentary Film. Image, Sound, Fiction, Truth". Revisão de The Philosophy of Documentary Film. Image, Sound, Fiction, Truth 9 (2018): 121-126. http://static1.1.sqspcdn.com/static/f/906805/27864187/1521811931273/9_Baumann.pdf?token=5rH3J5L4eNt5WEqwQAZVporZE4E%3D.
    Publicado
  2. Baumann, Stefanie. "Lukácsian Film Theory and Cinema: a Study of Georg Lukács' writings on film 1913-71". Revisão de Lukácsian Film Theory and Cinema: a Study of Georg Lukács' writings on film 1913-71 9 (2017): 121-126. http://cjpmi.ifilnova.pt/8-contents.
    Publicado
Tradução
  1. Baumann, Stefanie. Dieter Mersch: Théorie des médias. Une introduction. Paris, França: Presses du Réel. 2018.
    Publicado
  2. Baumann, Stefanie. Adorno et-al., Recommandations pour le cinéma : un débat avec le 'Groupe du nouveau cinéma allemande' lors de la Semaine internationale du film de Mannheim 1962. Rennes, França: Éditions Pontcerq. 2018.
    Publicado
  3. Baumann, Stefanie. Jacques Rancière « Le travail de l’image » (Die Arbeit des Bildes). Weimar, Alemanha: Stiftung Gedenkstätten Buchenwald. 2006.
    Publicado
Atividades

Apresentação oral de trabalho

Título da apresentação Nome do evento
Anfitrião (Local do evento)
2022/06/18 Negotiating Documents: On Second Production parallel program for the exhibition "Back of my Hand"
Carpinterias de São Lázaro (Lisbon, Portugal)
2022/05/16 Mediating the Real. 14th International Critical Theory Conference of Rome
John Felice Rome Center of Loyola University Chicago (Rome, Itália)
2022/05/11 Making Films politically: Thinking the conditions of visibility of Palestinians today Aulas abertas de questões e debates do contemporâneo
Politécnico de Leira/ Escola Superior de Artes e Design (Caldas de Rainha, Portugal)
2022/03/24 (De)Framing North Korea. On the critical potential of documentary forms. The Place of Documentary
Luca School of Arts, DocNomads, Docville (Leuven)
2021/11/10 Faire des films politiquement. Penser les conditions de visibilités des Palestiniens Méthodes et fictions
École doctorale 279 APESA/ Université Paris 1 Panthéon-Sorbonne (Paris, França)
2021/11/04 Like countless impossibles. Problématiser les déplacements en Palestine à travers l'art Traverser - Le déplacement en suspens
Suspended spaces/ ACTE-Université Paris 1 Panthéon-Sorbonne/CRAE-Université de Picardie Jules Verne/Les Beaux-Arts de Marseille / INSEAMM – Institut National Supérieur d’Enseignement Artistique Marseille-Méditerranée/ LESA-Images en transit -Aix-Marseille (Marseille, França)
2021/06/18 Thinking Documentary Film with Theodor W. Adorno and Max Horkheimer 19th Annual Conference of the International Social Theory Consortium
University of South Florida (online) (online, Estados Unidos)
2019/12/18 Subverting the truth of accountants: Werner Herzog between fiction and documentary Seminário RIAL: O Cinema na Fronteira: Passagens entre Ficção e Documentário
Faculdade de Letras da Universidade de Lisboa (Lisbon, Portugal)
2019/11/06 Ni centré sur la politique, ni politiquement inerte". De la subversion sensible dans les films de Werner Herzog “But I saw something that others did not see”. International Colloquium on the encounter between the work of Werner Herzog and philosophy
University Paris 8 (Paris, França)
2019/05/09 Politics of Perception: thinking film critically with Adorno 12th International Critical Theory Conference in Rome
John Felice Rome Center of Loyola University Chicago (Rome, Itália)
2018/05/30 Variations of left-wing realism International symposium Critcal May 68
Universidade Nova de Lisboa (Lisbon, Portugal)
2018/02/12 Counter-shots from Lebanon. On The Atlas Group’s peculiar way to subvert hegemonic claims to truth
School of Visual Arts, New York (New York, Estados Unidos)
2017/10/07 Dialectique du film selon Adorno International Colloquium Où en sommes-nous avec la Théorie esthétique d’Adorno?
Université de Rennes 2 (Rennes, França)
2017/09/14 Du réalisme en tant que protestation : penser politiquement le cinéma avec Alexander Kluge International colloquium Penser l’émancipation/ Thinking emancipation
Université Paris 8 (Paris, França)
2017/03/25 Subverting the archive : Walid Raad’s Atlas Group Sintomatologia: o Arquivo na sua relação com as Artes/ O que e o arquivo
Câmara Municipal de Lisboa / Arquivo Municipal – Videoteca, Museu Calouste Gulbelkian, Lisbon (Lisbon, Portugal)
2016/04/28 Projecting Mozambican Liberation. On Catarina Simão’s film Effects of wording International colloquium Nostalgias do futuro ?Histórias e legados cruzados da modernidade
Faculdade de Belas-Artes, Universidade de Lisboa (Lisbon, Portugal)
2016/03/07 Thinking with pictures in Lebanon
Maumaus Independent Study Program (Lisbon, Portugal)
2015/11/25 Regards rendus. Notes sur le documentaire Chung Kuo, Cina de Michelangelo Antonioni International Symposium Chamar as chamas
MAR (Rio de Janeiro, Brasil)
2015/10/07 De la photographie et ses autres. Archive, légende, contextes, véracité International Festival of Photography of Belo Horizonte 2-11/10/2015
(Belo Horizonte, Brasil)
2013/06/11 Enquêtes sur les animaux cachés. Abductions cryptozoologiques
MAR na Academia, Museo de Arte do Rio (Rio de Janeiro, Brasil)
2013/05/29 De l’archive à l’atlas: détournements libanaises International Symposium Images, symptoms and anachronisms
MAR (Rio de Janeiro, Brasil)
2013/04/18 Partners in crime. De la complicité entre photographie et espace urbain chez les surréalistes et certains artistes libanais d'après-guerre International symposium Regarding Suspended Architecture in Lebanon
Suspended Spaces/Ashkal Alwan/Beirut Art Center, (Beirut, Líbano)
2012/12/14 The truth will be known when the last witness is dead La domestication du faux. Effets de collection
EHESS/CNRS (Paris, França)
2012/11/30 Ceci n’est pas un centre d’archives! International symposium L’histoire des avant-dernières choses: L’art comme une écriture de l’histoire
Home Workspace, Ashkal Alwan (Beirut, Líbano)
2011/08/19 La cryptzozoologie et ses images Of other images
98 weeks project space (Beirut, Líbano)
2011/05/24 Espèces d'indices: voitures piégées et leurs restes dans les dossiers de l'Atlas Group de Walid Raad Techniques et emprunts
Université Paris Ouest/Nanterre (Paris, França)
2010/10/21 On hysterical documents. How Walid Raad's project "The Atlas Group Archives" approaches the notions of authenticity, documents and the archive De la collection aux archives: Prises en faux
CNRS /Paris and CETOBAC, IFEA, University of Bosporus (Istanbul, Turquia)
2010/05/05 Statut et usage de l'image en Cryptozoologie International Symposium « Cinema, Technology, Perception : New Dialogues »
UFRJ Rio de Janeiro (Rio de Janeiro, Brasil)
2009/06/11 Entre l'écoute et la parole: Derniers témoins d'Esther Shalev-Gerz Penser le charnel
IHTP Paris (Paris, França)
2009/03/15 Art mémorisé et art numérique chez Walid Raad et les archives de l ´Atlas Group International colloquim « Dimension esthétique, art et multimédia »
Tunesian Association of Aestetics and Poetics, Hammamed (Hammamed, Tunísia)

Organização de evento

Nome do evento
Tipo de evento (Tipo de participação) 		Instituição / Organização
2017 - 2019/11 Co-Organization of “But I saw something that others did not see”. International Colloquium on the encounter between the work of Werner Herzog and philosophy (2019/11/06 - 2019/11/08)
Simpósio (Coorganizador)
 Université Paris 8 UFR Arts Philosophie Esthétique, França

Université de Lille, França

Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal

Universidade Federal do Estado do Rio de Janeiro, Brasil
2018/01 - 2018/11/15 Retour en Amazonie: Werner Herzog 14/11/2018 Conception of/participation in the Round Table Discussion, International Symposium Suspended Spaces: Retour de Fordlandia (2018/11/13 - 2018/11/18)
Conferência (Coorganizador)
 Université Paris 1 Panthéon-Sorbonne, França
2017 - 2018/05 Critical May 68 International Symposium on Philosophy and Cinema (2018/05/29 - 2018/05/30)
Simpósio (Coorganizador)
 New University of Lisbon - IFILNOVA, Portugal
2017/06 - 2018/04 Problematizing Reality. Encounters between art, cinema and philosophy Series of film-projections and discussions featuring dialogues between film-artists and philosophers of international renown (2018/06/01 - 2019/03/03)
Outro (Coorganizador)
 New University of Lisbon - IFILNOVA, Portugal

Maumaus Independent Study Program, Portugal
2011 - 2013/06 Co-organisation of Imagens, sintomas e anacronismos/ Images, symptoms and anachronisms With Tadeu Capistrano and Philip Farah (2013/05/28 - 2013/05/29)
Conferência (Coorganizador)
 Universidade Federal do Rio de Janeiro, Brasil
2012 - 2013/05/29 Co-organisation of Imagens, sintomas e anacronismos/ Images, symptoms and anachronisms (2013/05/28 - 2013/05/29)
Conferência (Coorganizador)
 Universidade Federal do Rio de Janeiro, Brasil

Participação em evento

Descrição da atividade
Tipo de evento 		Nome do evento
Instituição / Organização
2019/05/06 - 2019/05/08 Moderation of the panel Artistic practices as strategies of resistance
Conferência
 Counter-Image
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2018/12/06 - 2018/12/08 Moderation of several conferences at the International Colloquium Counter-Memories. Towards an Archeology of Memoryscapes in Iranian Cinema
Conferência
 Counter-Memories. Towards an Archeology of Memoryscapes in Iranian Cinema
Universität Basel, Suiça
2016/11/28 - 2016/11/30 Moderation of (Re)framing space, International Conference on Space and Cinema, University of Lisbon
Conferência
 (Re)framing space, International Conference on Space and Cinema,
Universidade de Lisboa Centro de Estudos Comparatistas, Portugal
2016/11/02 - 2016/11/05 Moderation of several conferences at the International Colloquium Image under Construction. Revolution of Forms in Iranian Cinema before and after 1979
Conferência
 Image under Construction. Revolution of Forms in Iranian Cinema before and after 1979
Universität Basel, Suiça

Júri de grau académico

Tema
Tipo de participação 		Nome do candidato (Tipo de grau)
Instituição / Organização
2021/09/13 "A margem do meio: energia e montagem nas imagens do rio São Francisco" (banca de qualificação de doutorado)
Vogal
 Frederico Benevides Parente (Doutoramento)
Universidade Federal do Rio de Janeiro, Brasil

Arbitragem científica em conferência

Nome da conferência Local da conferência
2020 - Atual Encontro internacional O Cinema e as outras Artes Universidade da Beira Interior, Faculdade de Artes e Letras, Departamento de Comunicação e Artes
2019 - Atual Counter-Image FCSH, New University of Lisbon
2018/11 - 2019 But I saw something that others did not see University Paris 8
2017 - 2018 Critical May 68 FCSH - Universidade Nova de Lisboa
2012 - 2013 Imagens, sintomas e anacronismos/ Images, symptoms and anachronisms UFRJ/Cinemateca, Rio de Janeiro

Consultoria / Parecer

Descrição da atividade Instituição / Organização
2022 - Atual Consultant for the project Muxarabi (program aiming at promoting Arabic films and food in Lisbon) funded by DGArtes Republica Portuguesa Direção-Geral das Artes, Portugal
2019 - Atual Moderation coordinator and co-editor of the textbook at Doc’s Kingdom/ International Seminary on Documentary Film Aperdoc, Portugal

Curso / Disciplina lecionado

Disciplina Curso (Tipo) Instituição / Organização
2022/01/13 - 2022/01/18 Critique and/through/of audiovisual media (Intensive Seminar) Critique and/through/of audiovisual media (Pós-Graduação) Maumaus Independent Study Program, Portugal
2021/07 - 2021/07 Subverting the Frames. Critique of the documentary image Subverting the Frames. Critique of the documentary image (Master) Akademie der Bildenden Kunste Munchen, Alemanha
2021/03/10 - 2021/03/12 On Critique II (Intensive Seminar) On Critique II (Postgraduate Certificate) Maumaus Independent Study Program, Portugal
2021/01/11 - 2021/01/15 On Critique. (Intensive seminar) On Critique. (Postgraduate Certificate)
2020/01/14 - 2020/01/16 [O]nly what does not fit into this world is true. Thinking images with Adorno [O]nly what does not fit into this world is true. Thinking images with Adorno (Pós-Graduação) Maumaus Independent Study Program, Portugal
2019/02 - 2019/12 Monthly Seminar on the Philosophy of Werner Herzog (open Seminar) (Outros) New University of Lisbon - IFILNOVA, Portugal
2019/06/24 - 2019/06/28 Adorno and the Image Adorno and the Image (Master) The Royal Danish Academy of Fine Art, Schools of Visual Arts, Dinamarca
2019/01/28 - 2019/01/31 Adorno and Documentary Intensive course/ workshop Adorno and documentary (Outros) Maumaus Independent Study Program, Portugal
2018/04 - 2018/04 Critical Theory and the Politics of Documentary Images (Intensive Seminar) Critical Theory and the Politics of Documentary Images (Pós-Graduação) Maumaus Independent Study Program, Portugal
2018/03 - 2018/03 On the value of necessary images: Werner Herzog’s quest for ecstatic truth (Intensive Workshop) (Pós-Graduação) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2017/02 - 2017/02 Art/commitment : Brecht, Lukacs, Adorno, Kluge and the question of realism (Intensive Seminar) (Pós-Graduação) Maumaus Independent Study Program, Portugal
2016/02 - 2016/02 Realisms. On political perceptions of the real (Intensive Seminar) (Pós-Graduação) Maumaus Independent Study Program, Portugal
2015/11/01 - 2015/11/15 Realisms. On political perceptions of the real Visiting professor at the Programa de Pós-graduação em Artes Visuais (PPGAV) of the UFRJ and MAR na academia (Postgraduate Certificate) Universidade Federal do Rio de Janeiro Editora UFRJ, Brasil
2014/09 - 2015/06 Esthétique et philosophie de l'art contemporain Esthétique et philosophie de l'art contemporain (Master) Lebanese Academy of Fine Arts/ Balamand University, Líbano
2013/09 - 2014/06 Art, philosophie et technique (Master) Lebanese Academy of Fine Arts/ Balamand University, Líbano
2013/02 - 2013/06 le surréalisme le surréalisme (Licence) Lebanese Academy of Fine Arts/ Balamand University, Líbano
2013/02 - 2013/06 qu’est ce que l’art moderne qu’est ce que l’art moderne (Licence) Lebanese Academy of Fine Arts/ Balamand University, Líbano
2013/02 - 2013/06 histoire de l’esthétique occidentale histoire de l’esthétique occidentale (Licence) Lebanese Academy of Fine Arts/ Balamand University, Líbano
2013/01/01 - 2013/03/31 Seminary Contemporary Philosophical Positions on Political Engagement Through Art Contemporary Philosophical Positions on Political Engagement Through Art (Postgraduate Certificate) Ashkal Alwan/Homeworks Academy, Líbano
2012/09 - 2013/02 Histoire de l’esthétique occidentale Histoire de l’esthétique occidentale (Licence) Lebanese Academy of Fine Arts/ Balamand University, Líbano
2012/09 - 2013/02 Qu’est-ce que l’art moderne ? Qu’est-ce que l’art moderne ? (Licence) Université de Balamand Académie Libanaise des Beaux-Arts, Líbano
2012/09 - 2013/02 Autour des hétérotopies Autour des hétérotopies (Master) Lebanese Academy of Fine Arts/ Balamand University, Líbano
2012/09 - 2013/02 Arts de faire Arts de faire (Master)
2012/03/01 - 2012/08/31 Le surréalisme selon Walter Benjamin le surréalisme (Licence) Lebanese Academy of Fine Arts/ Balamand University, Líbano
2012/03/01 - 2012/08/31 Art and Concept art et concept (Licence) Lebanese Academy of Fine Arts/ Balamand University, Líbano
2012/03/01 - 2012/08/31 Atlas: a conceptual and visual figure atlas (Licence) Lebanese Academy of Fine Arts/ Balamand University, Líbano
2012/02 - 2012/06 Art et concept Art et concept (Licence) Université de Balamand Académie Libanaise des Beaux-Arts, Líbano
2012/02 - 2012/06 Philosophie de l’art. Une lecture de l’essai „Le Surréalisme. Le dernier instantané de l’intelligentsia européenne » de Walter Benjamin Philosophie de l’art: Une lecture de l’essai „Le Surréalisme. Le dernier instantané de l’intelligentsia européenne » de Walter Benjamin (Licence) Université de Balamand Académie Libanaise des Beaux-Arts, Líbano
2012/02 - 2012/06 Atlas. A partir de Aby Warburg et Georges Didi-Huberman Atlas. A partir de Aby Warburg et Georges Didi-Huberman (Licence) Université de Balamand Académie Libanaise des Beaux-Arts, Líbano
2010/04/01 - 2010/08/31 Temporalités des images II Temporalités des images II (Master) Université Paris 8 UFR Arts Philosophie Esthétique, França
2009/09/01 - 2010/01/31 Figures du symptôme Figures du symptôme (Master) Université Paris 8 UFR Arts Philosophie Esthétique, França
2009/04/01 - 2009/08/31 Temporalités des images Temporalités des images (Master) Université Paris 8 UFR Arts Philosophie Esthétique, França
2008/09/01 - 2009/02/01 Parmi des traces : inventorier l'archive Parmi des traces : inventorier l'archive (Master) Université Paris 8 UFR Arts Philosophie Esthétique, França
2008/04/01 - 2008/08/31 Master “Philosophy and Critique of contemporary culture”; 2007/2008 Ceci n´est pas un livre! Sur le „Livre des passages“ de Walter Benjamin (Master)
2008/03/01 - 2008/08/31 Ceci n'est pas un livre! Sur le Livre des passages de Walter Benjamin Ceci n´est pas un livre! Sur le „Livre des passages“ de Walter Benjamin (Master) Université Paris 8 UFR Arts Philosophie Esthétique, França
2007/09/01 - 2008/02/01 Décrire, dit-elle Décrire, dit-elle (Licence) Université Paris 8 UFR Arts Philosophie Esthétique, França

Membro de comissão

Descrição da atividade
Tipo de participação 		Instituição / Organização
2020 - 2023/10/01 Member of the executive committee for ‘T-Factor’ international consortium NOVA IA&T
Membro
 Universidade Nova de Lisboa, Portugal
2013/09 - 2015/06 Membre du comitée pédagogique (arts visuels, licence
Membro
 Lebanese Academy of Fine Arts/ Balamand University, Líbano
2013/09 - 2015/06 Membre du comitée pédagogique (design, master)
Membro
 Lebanese Academy of Fine Arts/ Balamand University, Líbano
Distinções

Prémio

2016 Post-Doc Research Fellowship
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2007 Allocation de Recherche
Ministere de l'Education nationale de l'Enseignement superieur et de la Recherche Secrétariat de l'Enseignement supérieur et de la Recherche, França