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Stefanie Baumann is a researcher at CineLab/IFILNOVA (New University of Lisbon), where she coordinates the working group "Thinking Documentary Film.". She obtained her PhD in philosophy in 2013, with a doctoral thesis on Walid Raad's artistic project The Atlas Group. She taught philosophy, aesthetics and contemporary art theory at University Paris VIII (Paris, 2007-2010), Ashkal Alwan (Beirut, 2013), ALBA - the Lebanese Academy of Fine Arts/ University of Balamand (Beirut, 2012-2015) and the Maumaus Study Program (Lisbon, since 2016). She also worked with the artist Esther Shalev-Gerz as personal assistant from 2005 to 2010, and collaborated with video artists Marie Voignier and Mounira Al Solh.
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Identification

Personal identification

Full name
Stefanie Baumann

Citation names

  • Baumann, Stefanie

Author identifiers

Ciência ID
4415-E43A-A0B5
ORCID iD
0000-0003-0854-0012
Researcher Id
B-2311-2018
Scopus Author Id
57210109013

Knowledge fields

  • Humanities - Philosophy, Ethics and Religion - Philosophy
  • Humanities - Arts - Studies on Film, Radio and Television
  • Humanities - Arts

Languages

Language Speaking Reading Writing Listening Peer-review
German (Mother tongue)
French Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2)
English Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2)
Portuguese Intermediate (B1) Upper intermediate (B2) Intermediate (B1) Upper intermediate (B2)
Spanish; Castilian Beginner (A1) Intermediate (B1) Beginner (A1) Beginner (A1)
Italian Beginner (A1) Intermediate (B1) Beginner (A1) Beginner (A1)
Education
Degree Classification
2013/12/14
Concluded
 Laboratoire d’études et de recherches sur les logiques contemporaines de la philosophie (LLCP) (Docteur)
Université Paris 8, France
"Ceci n’est pas un centre d’archives! L’Atlas Group de Walid Raad et les déplacements hétérotopiques de la question de l’histoire" (THESIS/DISSERTATION)
 très honorable avec les félicitations du jury
2006 - 2007
Concluded
 Philosophy and Critique of contemporary culture (Master)
Major in Philosophy
Université Paris 8 UFR Arts Philosophie Esthétique, France
"A travers l'image Une enquête sur la « portée réelle de la photographie » avec Walter Benjamin" (THESIS/DISSERTATION)
 with high honors
2005
Concluded
 Philosophie (Maîtrise)
Université Paris 8, France
 with high honors
2004
Concluded
 Philosophie (Licence)
Université Paris 8, France
 with high donors
1999 - 2002
Attended
 Kulturwissenschaften, Philosophie, Allgemeine und Vergleichende Literaturwissenschaft (Magister (2nd cycle))
Universität Leipzig, Germany
Affiliation

Science

Category
Host institution 		Employer
2019/02/01 - Current Contracted Researcher (Research) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2016/06/01 - 2019/01/31 Postdoc (Research) New University of Lisbon - IFILNOVA, Portugal
New University of Lisbon - IFILNOVA, Portugal

Teaching in Higher Education

Category
Host institution 		Employer
2021/11/08 - 2021/11/15 Visiting Professor (University Teacher) Université Paris 1 Panthéon-Sorbonne, France
Université Paris 1 Panthéon-Sorbonne, France
2021/07 - 2021/07 Visiting Professor (University Teacher) Akademie der Bildenden Kunste Munchen, Germany
Akademie der Bildenden Kunste Munchen, Germany
2019/06 - 2019/06 Visiting Professor (University Teacher) The Royal Danish Academy of Fine Art, Schools of Visual Arts, Denmark
The Royal Danish Academy of Fine Art, Schools of Visual Arts, Denmark
2015/11 - 2015/11 Visiting Professor (University Teacher) Universidade Federal do Rio de Janeiro, Brazil
Universidade Federal do Rio de Janeiro Escola de Belas Artes, Brazil
2012/02/01 - 2015/06/30 Lecturer (University Teacher) Lebanese Academy of Fine Arts/ Balamand University, Lebanon
2007/07/01 - 2010/09/30 Lecturer (University Teacher) Université Paris 8, France
Université Paris 8 UFR Arts Philosophie Esthétique, France

Others

Category
Host institution 		Employer
2019/04 - 2019/10 Moderation coordinator and co-editor of the textbook Aperdoc, Portugal
Doc's Kingdom - International Seminary on Documentary Film, Portugal
2005 - 2010 Artist's Assistant Esther Shalev-Gerz, France
2004 - 2004 Internship Rencontres Internationales Paris-Berlin, France
2002 - 2002 Assistant in the framework of the interdisciplinary project “Kunst-Kommunikation” Universität Leipzig, Germany
Universität Leipzig Institut für Philosophie, Germany
Projects

Grant

Designation Funders
2010 - 2013 Trust and the Unfolding Dialogue
2009-27288-66273-68
Research Fellow
Göteborgs Universitet, Sweden
 Vetenskapsradet
Concluded

Contract

Designation Funders
2022 - 2023/07/12 Philosophy and Documentary Film. Mediating Reality.
EXPL/FER-FIL/0045/2021
Principal investigator
Universidade Nova de Lisboa Instituto de Filosofia, Portugal
 Fundação para a Ciência e a Tecnologia
Ongoing
2007 - 2010/12 Archiver. Les pratiques historiographiques contemporaines au Moyen-Orient (ARCHIVER)
ANR-07-SUDS-0023)
PhD Student Fellow
Ecole des Hautes Etudes en Sciences Sociales, France
 Agence nationale de la recherche
Concluded
Outputs

Publications

Book chapter
  1. Baumann, Stefanie. "How to Mediate Reality: Thinking Documentary Film with Horkheimer and Adorno". In How to Critique Authoritarian Populism: Methodologies of the Frankfurt School, edited by Jeremiah Morelock, 412-430. Leiden, Boston, Netherlands: Brill (Studies in Critical Social Sciences), 2021.
    Published
  2. Baumann, Stefanie. "Between the culture industry and art: Adorno’s approach to film". In Understanding Adorno, Understanding Modernism, edited by Robin Truth Goodman, 94-107. New York, United States: Bloomsbury Academic, 2020.
    Published
  3. Baumann, Stefanie. "On Experience and Illumination: Werner Herzog’s Dialectical Relation with Society". In The Philosophy of Werner Herzog, edited by M. Blake Wilson; Christopher Turner, 187-201. Lanham, Boulder, New York, London, United States: Lexington/ Rowman and Littlefield, 2020.
    Published
  4. Baumann, Stefanie; Hamers, Jeremy; Corman, Gregory; Lecerf, Eric; Mouzinho, Susana. "Notes dispersées à partir de la table ronde « Retour en Amazonie : Werner Herzog »". In Fordlandia: Suspended Spaces 5, edited by Françoise Parfait; Éric Valette; Daniel Le, 84-91. Paris, France: Les Presses du Réel, 2020.
    Published
  5. Baumann, Stefanie. "Preferring Not to: Maumaus as Gesture". In Parting with the Bonus of Youth – Maumaus as Object, edited by Jürgen Bock; Simon Thompson, 4-9. lisbon, Portugal: Maumaus / Lumiar Cité, 2020.
    Published
  6. Baumann, Stefanie. "Archives piégées. Note sur la posture critique dans deux dossiers des archives de l'Atlas Group". In Archiver au Moyen Orient. Fabriques documentaires contemporaines, edited by Christine Jungen; Jihane Sfeir, 271-297. Paris, France: Karthala /CNRS, 2019.
    Published
  7. Baumann, Stefanie. "Dialectiques du film selon Adorno". In Où en sommes-nous avec la théorie esthétique d’Adorno?, edited by Christophe David; Florent Perrier, 318-332. Rennes, France: Éditions Pontcerq, 2018.
    Published
  8. Baumann, Stefanie; Catarina Simao. "Reverse Shot: Approaching Mozambican History, conversation with Catarina Simão (English/German)". In The Fevered Spectres of Art, 124 (eng: 209)-139 (eng: 216). Berlin, Germany: Sternberg Press, 2018.
    Published
  9. Baumann, Stefanie. "Archives mozambicaines: entretien avec Catarina Simão". In Suspended spaces n°4 - Le partage es oublis, edited by Françoise Parfait; Éric Valette; Daniel Le, 260-270. Lisbon, Portugal: Editions Sistema Solar, 2018.
    Published
  10. Baumann, Stefanie. "Legendas urbanas. Da cumplicidade entre fotografia e cidade no projeto Sweet Talk dos archivos do Atlas Group de Walid Raad". In Espaços compartilhados da imagem: caderno de reflexões críticas sobre a fotografia, edited by Bruno Vilela; Guilherme Cunha, 84-99. Rio de Janeiro, Brazil: Editora Circuito, 2015.
    Published
  11. Baumann, Stefanie. "Urban Legends. On the Complicity between Photography and City in the Sweet Talk file of Walid Raad’s Atlas Group Archives". In Shared Spaces of The Image: Notebook of Critical Reflections on Photography, edited by Bruno Vilela; Guilherme Cunha, 92-99. Rio de Janeiro, Brazil: Edição Circuito, 2015.
    Published
  12. Baumann, Stefanie. "Légendes urbaines. De la complicité entre photographie et ville dans le dossier Sweet Talk des archives de l'Atlas Group de Walid Raad". In Suspended spaces n°3 – Inachever la modernité, edited by Françoise Parfait; Éric Valette; Daniel Le, 310-317. France: Éditions de l’ENSBA, 2014.
    Published
  13. Baumann, Stefanie. "Approaching Trust and the Unfolding Dialogue". In Esther Shalev-Gerz: The Contemporary Art of Trusting Uncertainties and Unfolding Dialogue, edited by Jason E. Bowman, 161-178. Stockholm, Sweden: Art and Theory Publishing/ University of Gothenburg, 2013.
  14. Baumann, Stefanie. "Des peuples qui manquent. Suite libanaise". In Suspended spaces n° 02 – Une expérience collective, edited by Françoise Parfait; Éric Valette; Daniel Le, 28-41. Paris, France: Edition BlackJack, 2012.
    Published
  15. Baumann, Stefanie. "Mirroirs d'ailleurs.". In Théories de la diversité culturelle et de la mondialisation, Communautés et sociétés.. Beirut, Lebanon: Faculté des lettres et des sciences humaines- Université Saint-Joseph de Beyrouth, 2011.
    Published
  16. Baumann, Stefanie. "Missing lebanese Wars : notes sur un dossier de l’Atlas Group Archive". In Mémoires de guerres au Liban (1975-1990), edited by Franck Mermier; Christophe Varin, 510-521. Paris, France: Actes Sud-Sindbad/ Ifpo, 2009.
    Published
Book review
  1. Baumann, Stefanie. "The Philosophy of Documentary Film. Image, Sound, Fiction, Truth". Review of The Philosophy of Documentary Film. Image, Sound, Fiction, Truth 9 (2018): 121-126. http://static1.1.sqspcdn.com/static/f/906805/27864187/1521811931273/9_Baumann.pdf?token=5rH3J5L4eNt5WEqwQAZVporZE4E%3D.
    Published
  2. Baumann, Stefanie. "Lukácsian Film Theory and Cinema: a Study of Georg Lukács' writings on film 1913-71". Review of Lukácsian Film Theory and Cinema: a Study of Georg Lukács' writings on film 1913-71 9 (2017): 121-126. http://cjpmi.ifilnova.pt/8-contents.
    Published
Edited book
  1. Baumann, Stefanie. Textos de Apoio do Seminário Internacional de Cinema Documental Doc’s Kingdom 2019. Floresta de Signos. Lisbon, Portugal: Doc's Kingdom. 2019.
    Published • Editor
Journal article
  1. Baumann, Stefanie. "Images of the Real. Introductory Notes 1". Cinema - Journal of Philosophy and the Moving Image 12 (2021): 8-21. http://static1.1.sqspcdn.com/static/f/906805/28411259/1615143987730/SBAUMANN.pdf?token=ycbsF%2FoFoVuFAY%2B667U7Ts%2Bz8UQ%3D.
    Open access • Published
  2. Duarte, S.N.; Baumann, S.. "Virtual round table: An experiment,Mesa redonda virtual: Um ensaio". Cinema 12 (2021): 175-215. http://www.scopus.com/inward/record.url?eid=2-s2.0-85103157915&partnerID=MN8TOARS.
    Open access
  3. Baumann, S.; Duarte, S.N.. "Editorial thinking documentary film". Cinema 12 (2021): 1-2. http://www.scopus.com/inward/record.url?eid=2-s2.0-85103043176&partnerID=MN8TOARS.
    Open access
  4. Stefanie Baumann. "Heterodox mediations. Notes on Walid Raad’s The Atlas Group". Journal of Aesthetics & Culture 11 1 (2019): 1633192-1633192. https://doi.org/10.1080/20004214.2019.1633192.
    10.1080/20004214.2019.1633192
  5. Baumann, Stefanie; Susana Duarte (AA12-646B-E34D. "Hanan al Cinema: an Interview with Laura U. Marks". Cinema: Journal of Philosophy and the Moving Image 9 (2018): 108-114. http://static1.1.sqspcdn.com/static/f/906805/27864677/1521829953830/9_Marks_Baumann_Duarte.pdf.
    Open access • Published
  6. Baumann, Stefanie. "Ralentir, déployer, ouvrir les images". Revue Proteus 12 (2017): 67-73. http://www.revue-proteus.com/articles/Proteus12-7.pdf.
    Open access • Published
  7. Baumann, Stefanie. "Prisms of Realism.". Revista Constellazioni 4 (2017): 115-128. https://www.rivistacostellazioni.org/numero-iv.
    Published
  8. Stefanie Baumann. "Projeter le réel. Notes sur l’attitude critique inhérente à la notion de réalisme, à partir du film Chung Kuo, Cina de Michelangelo Antonioni". Le Philosophoire 47 1 (2017): 135-150. http://dx.doi.org/10.3917/phoir.047.0135.
    Open access • Published • 10.3917/phoir.047.0135
  9. Holert, Tom; Baumann, Stefanie; Blom, Ina; Basilio, Miriam; Puric, Biljana; Hsu, Claire; Boudry, Pauline; et al. "Roundtable on the Critical Archive". ARTMargins 3 3 (2014): 3-20. http://dx.doi.org/10.1162/artm_a_00091.
    Published • 10.1162/artm_a_00091
  10. Baumann, Stefanie. "Archiver ailleurs, archiver autrement ?". Ateliers d'anthropologie 36 (2012): http://dx.doi.org/10.4000/ateliers.9013.
    Open access • Published • 10.4000/ateliers.9013
  11. Stefanie Baumann. "Archiver ce qui aurait pu avoir lieu". Conserveries mémorielles 6/2009 (2009): https://doaj.org/article/2e43fb219f7846ab93f1e63201d9cebe.
    Open access • Published
  12. Baumann, Stefanie. "Entering The Place of Art/ Att ta sig in på Konstens plats". ArtMonitor 2/2008 (2008): 139-145. http://hdl.handle.net/2077/21752.
    Open access • Published
Journal issue
  1. Baumann, Stefanie; Susana Duarte (AA12-646B-E34D. "Images of the Real". Cinema - Journal of Philosophy and the Moving Image 12 (2021):
    Published • https://doi.org/10.34619/eoua-x5xy • Coeditor
Online resource
  1. Baumann, Stefanie. Faits Divers. Notes on a recurrent figure in contemporary Lebanese art. 2018. http://www.saradarcollection.com/ContentFiles/1184PDFLink.pdf.
Translation
  1. Baumann, Stefanie. Dieter Mersch: Théorie des médias. Une introduction. Paris, France: Presses du Réel. 2018.
    Published
  2. Baumann, Stefanie. Adorno et-al., Recommandations pour le cinéma : un débat avec le 'Groupe du nouveau cinéma allemande' lors de la Semaine internationale du film de Mannheim 1962. Rennes, France: Éditions Pontcerq. 2018.
    Published
  3. Baumann, Stefanie. Jacques Rancière « Le travail de l’image » (Die Arbeit des Bildes). Weimar, Germany: Stiftung Gedenkstätten Buchenwald. 2006.
    Published
Activities

Oral presentation

Presentation title Event name
Host (Event location)
2022/06/18 Negotiating Documents: On Second Production parallel program for the exhibition "Back of my Hand"
Carpinterias de São Lázaro (Lisbon, Portugal)
2022/05/16 Mediating the Real. 14th International Critical Theory Conference of Rome
John Felice Rome Center of Loyola University Chicago (Rome, Italy)
2022/05/11 Making Films politically: Thinking the conditions of visibility of Palestinians today Aulas abertas de questões e debates do contemporâneo
Politécnico de Leira/ Escola Superior de Artes e Design (Caldas de Rainha, Portugal)
2022/03/24 (De)Framing North Korea. On the critical potential of documentary forms. The Place of Documentary
Luca School of Arts, DocNomads, Docville (Leuven)
2021/11/10 Faire des films politiquement. Penser les conditions de visibilités des Palestiniens Méthodes et fictions
École doctorale 279 APESA/ Université Paris 1 Panthéon-Sorbonne (Paris, France)
2021/11/04 Like countless impossibles. Problématiser les déplacements en Palestine à travers l'art Traverser - Le déplacement en suspens
Suspended spaces/ ACTE-Université Paris 1 Panthéon-Sorbonne/CRAE-Université de Picardie Jules Verne/Les Beaux-Arts de Marseille / INSEAMM – Institut National Supérieur d’Enseignement Artistique Marseille-Méditerranée/ LESA-Images en transit -Aix-Marseille (Marseille, France)
2021/06/18 Thinking Documentary Film with Theodor W. Adorno and Max Horkheimer 19th Annual Conference of the International Social Theory Consortium
University of South Florida (online) (online, United States)
2019/12/18 Subverting the truth of accountants: Werner Herzog between fiction and documentary Seminário RIAL: O Cinema na Fronteira: Passagens entre Ficção e Documentário
Faculdade de Letras da Universidade de Lisboa (Lisbon, Portugal)
2019/11/06 Ni centré sur la politique, ni politiquement inerte". De la subversion sensible dans les films de Werner Herzog “But I saw something that others did not see”. International Colloquium on the encounter between the work of Werner Herzog and philosophy
University Paris 8 (Paris, France)
2019/05/09 Politics of Perception: thinking film critically with Adorno 12th International Critical Theory Conference in Rome
John Felice Rome Center of Loyola University Chicago (Rome, Italy)
2018/05/30 Variations of left-wing realism International symposium Critcal May 68
Universidade Nova de Lisboa (Lisbon, Portugal)
2018/02/12 Counter-shots from Lebanon. On The Atlas Group’s peculiar way to subvert hegemonic claims to truth
School of Visual Arts, New York (New York, United States)
2017/10/07 Dialectique du film selon Adorno International Colloquium Où en sommes-nous avec la Théorie esthétique d’Adorno?
Université de Rennes 2 (Rennes, France)
2017/09/14 Du réalisme en tant que protestation : penser politiquement le cinéma avec Alexander Kluge International colloquium Penser l’émancipation/ Thinking emancipation
Université Paris 8 (Paris, France)
2017/03/25 Subverting the archive : Walid Raad’s Atlas Group Sintomatologia: o Arquivo na sua relação com as Artes/ O que e o arquivo
Câmara Municipal de Lisboa / Arquivo Municipal – Videoteca, Museu Calouste Gulbelkian, Lisbon (Lisbon, Portugal)
2016/04/28 Projecting Mozambican Liberation. On Catarina Simão’s film Effects of wording International colloquium Nostalgias do futuro ?Histórias e legados cruzados da modernidade
Faculdade de Belas-Artes, Universidade de Lisboa (Lisbon, Portugal)
2016/03/07 Thinking with pictures in Lebanon
Maumaus Independent Study Program (Lisbon, Portugal)
2015/11/25 Regards rendus. Notes sur le documentaire Chung Kuo, Cina de Michelangelo Antonioni International Symposium Chamar as chamas
MAR (Rio de Janeiro, Brazil)
2015/10/07 De la photographie et ses autres. Archive, légende, contextes, véracité International Festival of Photography of Belo Horizonte 2-11/10/2015
(Belo Horizonte, Brazil)
2013/06/11 Enquêtes sur les animaux cachés. Abductions cryptozoologiques
MAR na Academia, Museo de Arte do Rio (Rio de Janeiro, Brazil)
2013/05/29 De l’archive à l’atlas: détournements libanaises International Symposium Images, symptoms and anachronisms
MAR (Rio de Janeiro, Brazil)
2013/04/18 Partners in crime. De la complicité entre photographie et espace urbain chez les surréalistes et certains artistes libanais d'après-guerre International symposium Regarding Suspended Architecture in Lebanon
Suspended Spaces/Ashkal Alwan/Beirut Art Center, (Beirut, Lebanon)
2012/12/14 The truth will be known when the last witness is dead La domestication du faux. Effets de collection
EHESS/CNRS (Paris, France)
2012/11/30 Ceci n’est pas un centre d’archives! International symposium L’histoire des avant-dernières choses: L’art comme une écriture de l’histoire
Home Workspace, Ashkal Alwan (Beirut, Lebanon)
2011/08/19 La cryptzozoologie et ses images Of other images
98 weeks project space (Beirut, Lebanon)
2011/05/24 Espèces d'indices: voitures piégées et leurs restes dans les dossiers de l'Atlas Group de Walid Raad Techniques et emprunts
Université Paris Ouest/Nanterre (Paris, France)
2010/10/21 On hysterical documents. How Walid Raad's project "The Atlas Group Archives" approaches the notions of authenticity, documents and the archive De la collection aux archives: Prises en faux
CNRS /Paris and CETOBAC, IFEA, University of Bosporus (Istanbul, Turkey)
2010/05/05 Statut et usage de l'image en Cryptozoologie International Symposium « Cinema, Technology, Perception : New Dialogues »
UFRJ Rio de Janeiro (Rio de Janeiro, Brazil)
2009/06/11 Entre l'écoute et la parole: Derniers témoins d'Esther Shalev-Gerz Penser le charnel
IHTP Paris (Paris, France)
2009/03/15 Art mémorisé et art numérique chez Walid Raad et les archives de l ´Atlas Group International colloquim « Dimension esthétique, art et multimédia »
Tunesian Association of Aestetics and Poetics, Hammamed (Hammamed, Tunisia)

Event organisation

Event name
Type of event (Role) 		Institution / Organization
2017 - 2019/11 Co-Organization of “But I saw something that others did not see”. International Colloquium on the encounter between the work of Werner Herzog and philosophy (2019/11/06 - 2019/11/08)
Symposium (Co-organisor)
 Université Paris 8 UFR Arts Philosophie Esthétique, France

Université de Lille, France

Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal

Universidade Federal do Estado do Rio de Janeiro, Brazil
2018/01 - 2018/11/15 Retour en Amazonie: Werner Herzog 14/11/2018 Conception of/participation in the Round Table Discussion, International Symposium Suspended Spaces: Retour de Fordlandia (2018/11/13 - 2018/11/18)
Conference (Co-organisor)
 Université Paris 1 Panthéon-Sorbonne, France
2017 - 2018/05 Critical May 68 International Symposium on Philosophy and Cinema (2018/05/29 - 2018/05/30)
Symposium (Co-organisor)
 New University of Lisbon - IFILNOVA, Portugal
2017/06 - 2018/04 Problematizing Reality. Encounters between art, cinema and philosophy Series of film-projections and discussions featuring dialogues between film-artists and philosophers of international renown (2018/06/01 - 2019/03/03)
Other (Co-organisor)
 New University of Lisbon - IFILNOVA, Portugal

Maumaus Independent Study Program, Portugal
2011 - 2013/06 Co-organisation of Imagens, sintomas e anacronismos/ Images, symptoms and anachronisms With Tadeu Capistrano and Philip Farah (2013/05/28 - 2013/05/29)
Conference (Co-organisor)
 Universidade Federal do Rio de Janeiro, Brazil
2012 - 2013/05/29 Co-organisation of Imagens, sintomas e anacronismos/ Images, symptoms and anachronisms (2013/05/28 - 2013/05/29)
Conference (Co-organisor)
 Universidade Federal do Rio de Janeiro, Brazil

Event participation

Activity description
Type of event 		Event name
Institution / Organization
2019/05/06 - 2019/05/08 Moderation of the panel Artistic practices as strategies of resistance
Conference
 Counter-Image
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2018/12/06 - 2018/12/08 Moderation of several conferences at the International Colloquium Counter-Memories. Towards an Archeology of Memoryscapes in Iranian Cinema
Conference
 Counter-Memories. Towards an Archeology of Memoryscapes in Iranian Cinema
Universität Basel, Switzerland
2016/11/28 - 2016/11/30 Moderation of (Re)framing space, International Conference on Space and Cinema, University of Lisbon
Conference
 (Re)framing space, International Conference on Space and Cinema,
Universidade de Lisboa Centro de Estudos Comparatistas, Portugal
2016/11/02 - 2016/11/05 Moderation of several conferences at the International Colloquium Image under Construction. Revolution of Forms in Iranian Cinema before and after 1979
Conference
 Image under Construction. Revolution of Forms in Iranian Cinema before and after 1979
Universität Basel, Switzerland

Jury of academic degree

Topic
Role 		Candidate name (Type of degree)
Institution / Organization
2021/09/13 "A margem do meio: energia e montagem nas imagens do rio São Francisco" (banca de qualificação de doutorado)
Thesis Member
 Frederico Benevides Parente (PhD)
Universidade Federal do Rio de Janeiro, Brazil

Committee member

Activity description
Role 		Institution / Organization
2020 - 2023/10/01 Member of the executive committee for ‘T-Factor’ international consortium NOVA IA&T
Member
 Universidade Nova de Lisboa, Portugal
2013/09 - 2015/06 Membre du comitée pédagogique (arts visuels, licence
Member
 Lebanese Academy of Fine Arts/ Balamand University, Lebanon
2013/09 - 2015/06 Membre du comitée pédagogique (design, master)
Member
 Lebanese Academy of Fine Arts/ Balamand University, Lebanon

Conference scientific committee

Conference name Conference host
2020 - Current Encontro internacional O Cinema e as outras Artes Universidade da Beira Interior, Faculdade de Artes e Letras, Departamento de Comunicação e Artes
2019 - Current Counter-Image FCSH, New University of Lisbon
2018/11 - 2019 But I saw something that others did not see University Paris 8
2017 - 2018 Critical May 68 FCSH - Universidade Nova de Lisboa
2012 - 2013 Imagens, sintomas e anacronismos/ Images, symptoms and anachronisms UFRJ/Cinemateca, Rio de Janeiro

Consulting

Activity description Institution / Organization
2022 - Current Consultant for the project Muxarabi (program aiming at promoting Arabic films and food in Lisbon) funded by DGArtes Republica Portuguesa Direção-Geral das Artes, Portugal
2019 - Current Moderation coordinator and co-editor of the textbook at Doc’s Kingdom/ International Seminary on Documentary Film Aperdoc, Portugal

Course / Discipline taught

Academic session Degree Subject (Type) Institution / Organization
2022/01/13 - 2022/01/18 Critique and/through/of audiovisual media (Intensive Seminar) Critique and/through/of audiovisual media (Pós-Graduação) Maumaus Independent Study Program, Portugal
2021/07 - 2021/07 Subverting the Frames. Critique of the documentary image Subverting the Frames. Critique of the documentary image (Master) Akademie der Bildenden Kunste Munchen, Germany
2021/03/10 - 2021/03/12 On Critique II (Intensive Seminar) On Critique II (Postgraduate Certificate) Maumaus Independent Study Program, Portugal
2021/01/11 - 2021/01/15 On Critique. (Intensive seminar) On Critique. (Postgraduate Certificate)
2020/01/14 - 2020/01/16 [O]nly what does not fit into this world is true. Thinking images with Adorno [O]nly what does not fit into this world is true. Thinking images with Adorno (Pós-Graduação) Maumaus Independent Study Program, Portugal
2019/02 - 2019/12 Monthly Seminar on the Philosophy of Werner Herzog (open Seminar) (Outros) New University of Lisbon - IFILNOVA, Portugal
2019/06/24 - 2019/06/28 Adorno and the Image Adorno and the Image (Master) The Royal Danish Academy of Fine Art, Schools of Visual Arts, Denmark
2019/01/28 - 2019/01/31 Adorno and Documentary Intensive course/ workshop Adorno and documentary (Outros) Maumaus Independent Study Program, Portugal
2018/04 - 2018/04 Critical Theory and the Politics of Documentary Images (Intensive Seminar) Critical Theory and the Politics of Documentary Images (Pós-Graduação) Maumaus Independent Study Program, Portugal
2018/03 - 2018/03 On the value of necessary images: Werner Herzog’s quest for ecstatic truth (Intensive Workshop) (Pós-Graduação) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2017/02 - 2017/02 Art/commitment : Brecht, Lukacs, Adorno, Kluge and the question of realism (Intensive Seminar) (Pós-Graduação) Maumaus Independent Study Program, Portugal
2016/02 - 2016/02 Realisms. On political perceptions of the real (Intensive Seminar) (Pós-Graduação) Maumaus Independent Study Program, Portugal
2015/11/01 - 2015/11/15 Realisms. On political perceptions of the real Visiting professor at the Programa de Pós-graduação em Artes Visuais (PPGAV) of the UFRJ and MAR na academia (Postgraduate Certificate) Universidade Federal do Rio de Janeiro Editora UFRJ, Brazil
2014/09 - 2015/06 Esthétique et philosophie de l'art contemporain Esthétique et philosophie de l'art contemporain (Master) Lebanese Academy of Fine Arts/ Balamand University, Lebanon
2013/09 - 2014/06 Art, philosophie et technique (Master) Lebanese Academy of Fine Arts/ Balamand University, Lebanon
2013/02 - 2013/06 le surréalisme le surréalisme (Licence) Lebanese Academy of Fine Arts/ Balamand University, Lebanon
2013/02 - 2013/06 qu’est ce que l’art moderne qu’est ce que l’art moderne (Licence) Lebanese Academy of Fine Arts/ Balamand University, Lebanon
2013/02 - 2013/06 histoire de l’esthétique occidentale histoire de l’esthétique occidentale (Licence) Lebanese Academy of Fine Arts/ Balamand University, Lebanon
2013/01/01 - 2013/03/31 Seminary Contemporary Philosophical Positions on Political Engagement Through Art Contemporary Philosophical Positions on Political Engagement Through Art (Postgraduate Certificate) Ashkal Alwan/Homeworks Academy, Lebanon
2012/09 - 2013/02 Histoire de l’esthétique occidentale Histoire de l’esthétique occidentale (Licence) Lebanese Academy of Fine Arts/ Balamand University, Lebanon
2012/09 - 2013/02 Qu’est-ce que l’art moderne ? Qu’est-ce que l’art moderne ? (Licence) Université de Balamand Académie Libanaise des Beaux-Arts, Lebanon
2012/09 - 2013/02 Autour des hétérotopies Autour des hétérotopies (Master) Lebanese Academy of Fine Arts/ Balamand University, Lebanon
2012/09 - 2013/02 Arts de faire Arts de faire (Master)
2012/03/01 - 2012/08/31 Le surréalisme selon Walter Benjamin le surréalisme (Licence) Lebanese Academy of Fine Arts/ Balamand University, Lebanon
2012/03/01 - 2012/08/31 Art and Concept art et concept (Licence) Lebanese Academy of Fine Arts/ Balamand University, Lebanon
2012/03/01 - 2012/08/31 Atlas: a conceptual and visual figure atlas (Licence) Lebanese Academy of Fine Arts/ Balamand University, Lebanon
2012/02 - 2012/06 Art et concept Art et concept (Licence) Université de Balamand Académie Libanaise des Beaux-Arts, Lebanon
2012/02 - 2012/06 Philosophie de l’art. Une lecture de l’essai „Le Surréalisme. Le dernier instantané de l’intelligentsia européenne » de Walter Benjamin Philosophie de l’art: Une lecture de l’essai „Le Surréalisme. Le dernier instantané de l’intelligentsia européenne » de Walter Benjamin (Licence) Université de Balamand Académie Libanaise des Beaux-Arts, Lebanon
2012/02 - 2012/06 Atlas. A partir de Aby Warburg et Georges Didi-Huberman Atlas. A partir de Aby Warburg et Georges Didi-Huberman (Licence) Université de Balamand Académie Libanaise des Beaux-Arts, Lebanon
2010/04/01 - 2010/08/31 Temporalités des images II Temporalités des images II (Master) Université Paris 8 UFR Arts Philosophie Esthétique, France
2009/09/01 - 2010/01/31 Figures du symptôme Figures du symptôme (Master) Université Paris 8 UFR Arts Philosophie Esthétique, France
2009/04/01 - 2009/08/31 Temporalités des images Temporalités des images (Master) Université Paris 8 UFR Arts Philosophie Esthétique, France
2008/09/01 - 2009/02/01 Parmi des traces : inventorier l'archive Parmi des traces : inventorier l'archive (Master) Université Paris 8 UFR Arts Philosophie Esthétique, France
2008/04/01 - 2008/08/31 Master “Philosophy and Critique of contemporary culture”; 2007/2008 Ceci n´est pas un livre! Sur le „Livre des passages“ de Walter Benjamin (Master)
2008/03/01 - 2008/08/31 Ceci n'est pas un livre! Sur le Livre des passages de Walter Benjamin Ceci n´est pas un livre! Sur le „Livre des passages“ de Walter Benjamin (Master) Université Paris 8 UFR Arts Philosophie Esthétique, France
2007/09/01 - 2008/02/01 Décrire, dit-elle Décrire, dit-elle (Licence) Université Paris 8 UFR Arts Philosophie Esthétique, France
Distinctions

Award

2016 Post-Doc Research Fellowship
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2007 Allocation de Recherche
Ministere de l'Education nationale de l'Enseignement superieur et de la Recherche Secrétariat de l'Enseignement supérieur et de la Recherche, France