Visual Artist, Curator, Researcher and Professor. Holds a PhD in Fine Arts from the Faculty of Fine Arts of the University of Lisbon, specializing in Installation. Since 2000, she has developed projects that cross artistic and curatorial practice, her domain of specialization being the performativity of the moving image and the dynamics of the viewer. Curatorial Assistant to Dr. Jean-François Chougnet, Director of the Berardo Collection Museum from 2007 to 2011, having developed curatorial research, and assisted curators such as Bernard Blisténe, Marin Karmitz, Luís Serpa, Eric Corne, Eric Fabre, Larrys Frogier, Jean-Jacques Lebel or Emmanuelle Lambert, and artists like Judith Barry, Pierre Coulibeuf, Robert Longo, Christian Boltanski, Annette Messager, Peter Kogler, Rosângela Rennó, and choreographers like Jérome Bel or Jan Fabre, among others. Of her curatorial projects, the exhibition SHE IS A FEMME FATALE stands out: female artists at the Modern and Contemporary Art Foundation Museum Collection Berardo, One Woman Show, Organization of the Film Cycle in collaboration with the Festival Temps d`Images (2009); SHE IS A FEMME FATALE # 2, Faculty of Science and Technology, Universidade Nova de Lisboa, Caparica Campus Library, Almada, in 2010 OBSERVERS_Revelations, Transits and Distances, Foundation of Modern and Contemporary Art Museum Collection Berardo (2011); CURATING THE DOMESTIC Images @ home, Lisbon Architecture Triennial (2013); THE EMBODIED VISION: Performance for the camera, National Museum of Contemporary Art Museu do Chiado (2014); Archive and Democracy, José Maçãs de Carvalho, MAAT (2017) and CONSTELLATIONS: a choreography of minimal gestures (2019-2022), curator of BF22 and BF24. In 2007 she presented her first solo exhibition at the MAM Mario Mauroner Contemporary Art Gallery (now represented by this Gallery), in Vienna, entitled Powerfull Acrobat. In the same year he participates in the collective exhibition Faccia Lei, curated by Elena Agudio at the Spazio Tetis, Arsenale, 52nd Venice Biennale, where she returns, after the first participation in the Biennial in 2003, through a seminal curator project between the Venice Biennale and IUAV. She has participated in numerous collective and individual exhibitions and is represented in important Collections of Contemporary Art in Portugal and abroad. Since 2002, in the development of her artistic and curatorial projects, she has collaborated with the following institutions and agents, among others: MACBA, Warburg Institute, Archives Yves Klein, Haus Lange-Haus Esters - Kunstmuseen Krefeld, Museu do Chiado, Museu de Serralves, Foundation Calouste Gulbenkian, Casa das Histórias, Georges Pompidou Center, Triennial of Architecture, Walter Benjamin Archives, Temps d´Images Festival, Eletronic Arts Intermix, FUSO International Video Festival, CAPC- Coimbra Plastic Arts Circle, MUCEM, Marseille. She is Coordinator of Artistic and Educational Projects for Citizenship and Gender Equality (National Commission for Gender Equality, National Plan for the Arts, Casa Pia de Lisboa, Calouste Gulbenkian Foundation, Ministry of Education, MAAT: Museum of Architecture, Art and Technology , Berardo Collection Museum: Centro Cultural de Belém). Author of exhibition books and catalogs and essays for exhibition catalogs, member of national and international juries, she is also an Associate Curator of the UmbigoLAB platform and Venice Curatorial Course. Co-Coordinator of the Master's Course in Curatorial Studies and Professor in the Doctoral Course in Artistic Studies at the Faculty of Humanities and in the Doctoral Course in Contemporary Art at the College of Arts - University of Coimbra. She is currently an Integrated Researcher at CEIS20_University of Coimbra, co-coordinating the research line Art, Performance and Curatorial Practice. She was Sub-Director of the College of Arts_UC (2020 -2023)