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Identificação

Identificação pessoal

Nome completo
Joana Sá

Nomes de citação

  • Sá, Joana

Identificadores de autor

Ciência ID
1711-627A-10AF

Idiomas

Idioma Conversação Leitura Escrita Compreensão Peer-review
Português Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1)
Alemão Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1)
Inglês Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1)
Francês Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador independente (B1) Utilizador proficiente (C1)
Espanhol; Castelhano Utilizador elementar (A1) Utilizador proficiente (C1) Utilizador elementar (A1)
Formação
Grau Classificação
2012 - 2020
Em curso
 Música (Doutoramento)
Especialização em Performance (piano)
Universidade de Aveiro, Portugal
"'A` escuta | o aberto, trilogia para corpos disruptivos' - processos criativos e as ideias de 'a` escuta | o aberto' e 'virtuosismo' 'Listening | the open, trilogy for disruptive bodies' - creative processes and the ideas of listening | the open and vir" (TESE/DISSERTAÇÃO)
2010
Concluído
 Contemporary instrumental techniques applied to performative improvisation. INOV-ART Grant (Postgraduate Certificate)
Hochschule für Musik und Tanz Köln, Alemanha
"N/a" (TESE/DISSERTAÇÃO)
 Muito bom
2009
Concluído
 Curso de música, variante instrumento - piano (Licenciatura)
Instituto Politécnico de Castelo Branco Escola Superior de Artes Aplicadas, Portugal
"N/a" (TESE/DISSERTAÇÃO)
 18
2004
Frequentou
 Aulas de piano com Jean Fassina - Paris (Diplôme d´études supérieures)
Schola Cantorum , França
"N/a" (TESE/DISSERTAÇÃO)
 N/a
2001
Frequentou
 Curso complementar de piano (Diploma de especialização)
Escola de Música do Conservatório Nacional de Lisboa, Portugal
"N/a" (TESE/DISSERTAÇÃO)
 N/a
1997
Concluído
 Curso básico e secundário (Ensino secundário)
Escola Alemã de Lisboa, Portugal
"N/a" (TESE/DISSERTAÇÃO)
 17
Percurso profissional

Outros

Categoria Profissional
Instituição de acolhimento 		Empregador
2007 - Atual Trabalhadora independente - Música/ criação artística & literária Não aplicável, Portugal
2006/08/01 - 2008/12/01 Coordinator for music projects and music residencies (with Luís J. Martins) CENTA - Centro de Estudos para Novas Tendências Artísticas, Portugal
Projetos

Outro

Designação Financiadores
2018 - 2021 Xperimus - experimentation in music in Portuguese culture: history, contexts and practices in the 20th and 21st century
POCI-01-0145-FEDER-031380
Investigador
Universidade de Aveiro Departamento de Comunicação e Arte, Portugal
 Fundação para a Ciência e a Tecnologia

European Regional Development Fund
Em curso
2014 - 2019 EUTERPE REVELADA - Mulheres na composição e interpretação musical em Portugal nos séculos XX e XXI
FCT – PTDC/CPC-MMU/3559/2014
Investigador
Fundação para a Ciência e a Tecnologia
Concluído
Produções

Publicações

Artigo em conferência
  1. Sá, Joana. "‘Som, corpo, movimento e cena na trilogia de solos "música do pensamento" para piano semi-preparado e técnicas expandidas de Joana Sá’". Trabalho apresentado em EAW2015 - A Tecnologia ao Serviço da Criação Musical, 2015.
    Publicado
Artigo em jornal
  1. Sá, Joana. "A 'escuta' como corpo: 'virtuosismo'", Coreia - new editorial project of artistic, critical and discursive nature about arts in general, with special affiliation to the medium of dance. , 2019, https://www.coreia.pt/.
Artigo em revista
  1. Sá, Joana. "Listening | the open, Music as disruptive topological experience". Dramatugias - Dossiê Composição, dramaturgia e performance na música-teatro pós-1960 11 (2019): https://periodicos.unb.br/index.php/dramaturgias/article/view/27388.
    Acesso aberto • Publicado
Capítulo de livro
  1. Sá, Joana. "‘Beyond dualities – The performing body and the virtual: corpus (a poetic catalogue) & trilogy I’". In SYNCHRESIS – Audio Vision Tales. Aveiro: UA Editora / Universidade de Aveiro – INET-MD, PT, 2019.

Artística / Interpretação

Composição musical
  1. Sá, Joana; Luís José Martins. Paixão e Folia para São João.. Commission by Teatro Maria Matos, for its last concert as a municipal theatre., 2018.
  2. Sá, Joana; Luís José Martins; Eduardo Raon; Luís André Ferreira; Nuno Aroso. turbamulta - (like a mast, an arm, a head I, II, III); o exagero minúsculo; And they would all stumble upon some figure I & II; in holes.. Premiered at Maria Matos Theatre, Lisboa, PT., 2018.
  3. Sá, Joana; Savina Yannatou. Untitled. 2017.
  4. Sá, Joana. Listening: the open (3rd piece of trilogy 'Listening | the open'). Premiered at Maria Matos Theatre (Lisbon), 2016.
  5. Sá, Joana; Luís José Martins; Eduardo Raon. Di Lontan (À flor do mal, O Nervo e a outra dança, 'Divertimento').. Premiered at Maria Matos Theatre, Lisboa, PT., 2015.
  6. Sá, Joana. O Pássaro da cabeça. Commission by Miso Music, 2014.
  7. Sá, Joana; Luís José Martins. Music for the theatre piece 'Acompanhante'.. Staged by Gonçalo Amorim at Teatro Aberto, Lisboa (PT), 2014.
  8. Sá, Joana; Luís José Martins. Music for short-film 'The most beautiful man on earth'. Film directed by Maïa Thiriet, (FR)., 2014.
  9. Sá, Joana. Dentro da cabeça nem tudo é claro/ Inside the head not everything is clear (visual concept & scenography Rita Sá). Commissioned by CCB - Fabrica das Artes for Big Bang Festival, 2014.
  10. Sá, Joana. 'Modo Portátil, a partir de Constança Capdeville' by André E. Teodósio, António Sousa Dias, Inês Botelho, Joana Sá, Luiz Antunes, Nuno Moura, Patrícia Silva, Tatiana Macedo, Ramiro Guerreiro, Jonas Runa, José Luís Ferreira. Pequeno Auditório do CCB, Lisboa, PT, 2014.
  11. Sá, Joana. Elogio da Desordem/ In Praise of Disorder ( 2nd piece/solo of trilogy Listening | the open). Concert and Performance Series Theatre/Music Gulbenkian/Maria Matos - Maria Matos Theatre, Lisbon, PT., 2013.
  12. Sá, Joana; Luís José Martins. Almost a song (Cantiga de Amor; Rock em Setembro; Cantiga, partindo-se; Die wahnsinnige Forelle; presque Sarabande - quasi una fantasia). Premiered at Culturgest, Lisbon, PT., 2013.
  13. Sá, Joana. Quarto dos músicos/ Musicians’ room. commission by Fábrica das Artes CCB for Festival Big Bang, Centro Cultural de Belém (CCB), Lisboa, PT, 2013.
  14. Sá, Joana. Variações pindéricas sobre a insensatez. Music for long-feature film TABU´. Music for long-feature film TABU directed by Miguel Gomes (among other awards: Alfred Bauer Prize and Fipresci Prize from Berlinale Film festival), 2012.
  15. Sá, Joana; Luís José Martins. Almost a Songbook. Work commissioned by Maria Matos Teatro Municipal for the event 100 Cage, 2012.
  16. Sá, Joana. 6849 AA para piano preparado e objectos.. Premiered at Culturgest Porto & Lisboa, 2011.
  17. Sá, Joana. through this looking glass (1st piece/solo of trilogy Listening | the open). Premiered at Maria Matos Theatre, PT & Studio Musik Fabrik, DE, 2010.
  18. Sá, Joana; Luís José Martins; Eduardo Raon. What We Think When We Walk And What We Walk While Thinking (Ouverture; Improvisation I, II, III, IV, V). Premiered at Goethe Institut, Lisbon, PT., 2009.
  19. Sá, Joana. Music for Multichannel 'Installation Instances of Commediation' by Rita Sá.. Installation presented at Entangled, 255 CANAL, New York, USA (2010); SIGGRAPH Asia Art Gallery, Yokohama, JP (2009)• Mediated Realities, Visual Arts Gallery, New York, USA (2009), 2009.
  20. Sá, Joana. Music for Installation 'Fractions of a room' by Rita Sá. presented at exhibition 'All work and no play', Plataforma Revólver, Lisbon, PT, 2008.
Gravação vídeo
  1. Sá, Joana; Daniel Costa Neves (Realizador). 2010. through this looking glass (Joana Sá, conceito, composição e performance & Daniel Costa Neves, realização, direcção fotografia). blinker - Marke für Rezentes.
Gravação áudio
  1. Sá, Joana; Savina Yannatou; Clean feed (Produtor). 2020. "Untitled (Joana Sá & Savina Yannatou)". In Untitled (Joana Sá & Savina Yannatou), Clean feed.
  2. Sá, Joana; Clean feed (Produtor). 2018. "Turbamulta (turbamulta: Joana Sá, Eduardo Raon, Luís André Ferreira, Luís José Martins, Nuno Aroso - composição & performance)". In Turbamulta (turbamulta), Clean feed.
  3. Sá, Joana; Shhpuma (Produtor). 2015. "Di Lontan (Powertrio, composição & performance)". In Di Lontan, Shhpuma.
  4. Sá, Joana; Shhpuma (Produtor). 2013. "Almost a Song (Joana Sá & Luís José Martins, composição & performance)". In Almost a Song (Joana Sá & Luís José Martins), Shhpuma.
  5. Sá, Joana; Label: Shhpuma (Produtor). 2013. "In Praise of Disorder/ Elogio da Desordem (Joana Sá, composição & performance)". In In Praise of Disorder/ Elogio da Desordem (Joana Sá), Label: Shhpuma.
  6. Sá, Joana. 2013. "In Praise of disorder (incomplete version), concert at Frankfurter Hof, Mainz, DE". In Concert cycle ClassicClash, Live transmission for SWR2, Frankfurter Hof, Mainz, DE.
  7. Sá, Joana; blinker - Marke für Rezentes (Produtor). 2010. "through this looking glass (Joana Sá, composição & performance)". In through this looking glass (Joana Sá), blinker - Marke für Rezentes.
  8. Sá, Joana; Creative Sources (Produtor). 2009. "What We Think When We Walk And What We Walk While Thinking (Powertrio, composição & performance)". In What We Think When We Walk And What We Walk While Thinking (Powertrio), Creative Sources.
  9. Sá, Joana; Luís Bastos Machado. 2009. "'Improvisation modules for two pianos' by Paulo A´lvares (f. Joana Sa´ & Lui´s Bastos Machado)". In Forum Neue Musik - la otra America, Recorded & transmited by Deutschlandfunk, Cologne, DE.
  10. Sá, Joana; CENTA (Produtor). 2008. "Four improvisations (Powertrio, composição & performance)". In Four improvisations (Powertrio), CENTA.
Atividades

Apresentação oral de trabalho

Título da apresentação Nome do evento
Anfitrião (Local do evento)
2019/12/14 The body as 'listening': 'virtuosity' - Lecture-performance. EPIC - IV Encontros Internacionais de Piano Contemporâneo
ESMAE - Escola Superior de Música e Artes do Espetáculo (Lisboa, Portugal)
2019/12/12 “The body ‘as’ listening: virtuosity”. Lecture-performance and paper DARE - 3rd International conference on Deleuze and Artistic Research
Orpheus Institute (Gent, Bélgica)
2019/11/02 Lecture-performance - "The body as 'listening': 'virtuosity' " Hands-on Research Symposium
Universidade de Aveiro (Aveiro, Portugal)
2019 Presentation of the film through this looking glass Encuentros Sonoros
Facultad de Bellas Artes da Universidad Complutense de Madrid (Madrid, Espanha)
2018 Presentation of the film 'through this looking glass' & paper 'Corpus (...a poetic catalogue)’ – a major project aiming towards possible and impossible revolutions of the performing body' Hands-on Piano 2018
Universidade de Aveiro (Aveiro, Portugal)
2018 Paper presentation: ‘Listening | the open' – music creation as disruptive topological experience. Symposium Euterpe unveiled: Women in Portuguese musical creation and interpretation during the 20th and 21st centuries.
Universidade de Aveiro (Aveiro, Portugal)
2017/06 In Praise of Disorder (excerpts) concert Conference/Concerts in homage to the composer and performer Constança Capdeville
Universidade Nova (Lisboa, Portugal)
2017/06 Visiting researcher at Orpheus Institute, Gent, BE.¿ June 21st – July 14th. June 27th - Presentation of 'Listening | the open, trilogy for disruptive bodies', Orpheus Institute, BE.¿ July 4th Presentation of the film 'through this looking glass', Orpheus Institute, BE.
Orpheus Institute (Gent, Bélgica)
2017 CONCERTS 2017 (selection): May 7th - Inside the head not everything is clear – by Joana Sá & Rita Sá (visual concept & scenography) - Festival Ilustração à Vista, Fábrica das Ideias, Ílhavo; April 28th - Powertrio - Ort - Peter Kowald Gesellschaft, Wuppertal, DE; April 29th - Duo Joana Sá & Savinna Yannatou - Ort - Peter Kowald Gesellschaft, Wuppertal, DE; March 12th – Inside the head not everything is clear – by Joana Sá & Rita Sá, Concertgebouw Brugge, BE ; January 17th - Art’s Birthday live transmission for EURORADIO, O'culto da Ajuda CONCERTS 2017 (selection)
2017 Paper presentation: 'Beyond dualities and subjectivity – The performing body and the virtual' & presentation of the film 'through this looking glass' EAW- Electroacousticwinds 2017
Universidade de Aveiro, PT
2016 Concerts 2016 (selection) October 13th and 14th - Listening: the open (music, concept & performance by Joana Sá, visual concept by Daniel C. Neves), Maria Matos Teatro Municipal, Lisboa, PT; August 15th – In Praise of Disorder – (f. J. S.) Festival Bons Sons, Cem Soldos, PT January 12th - Powertrio - Di Lontan (f. Eduardo Raon, Joana Sá & Luís J. Martins) Cancariev Dom, Ljubljana, SLO; Concerts 2016 (selection)
2016 Paper presentation: Body/movement relations in a trilogy for semi-prepared piano and sound extensions by Joana Sá Porto International Conference on Musical Gesture as Creative Interface
Escola das Artes da Universidade Cato´lica Portuguesa, Porto, PT (Porto, Portugal)
2015 Concerts 2015 (selection) November 4th – Powertrio - Di Lontan, Cd release, Maria Matos Theatre, PT; November 10th – Turbamulta – première of the quintet, O’culto da Ajuda, PT; May 9th & 10th – Inside the head not everything is clear, Onassis Foundation, Athens, GR; February 14th & 15th – Inside the head not everything is clear. Opera de Lille, Lille, FR; January - Art's Birthday – Powertrio – concert with live transmission for Euroradio (European classical radio stations), O'culto da Ajuda, Lisboa, PT;
2015 Recital Conference: Listening: the open – presentation of work in progress Post-ip '15 - Post-in-progress: 3rd International Post-Graduate Forum for Studies in Music and Dance.
Universidade de Aveiro
2015 Paper presentation: Sound, body, movement and scene in a trilogy of solos for semi-prepared piano and extended techniques by Joana Sá. International Conference Electroacoustic Winds 2015
Centro Cultural e de Congressos de Aveiro, PT
2015 Recital Conference: In Praise of Disorder and the idea of ‘music of thought’ International Congress PERFORMA’15 – Research Meeting in Performance
Universidade de Aveiro (Aveiro)
2014 Concerts 2014 (selection): October/November - 'Inside the head not everything is clear' (Joana Sá & Rita Sá) Big Bang Festival: CCB, Lisboa, PT; De Singel, Antwerpen, BE; Bozar, Bruxelles, BE; Opera de Gent, BE; June - 'In Praise of Disorder' at Leiria Music Festival, Teatro Josá Lúcio da Silva, PT; April – Powertrio – Festa do Jazz, São Luiz Teatro Municipal, Lx, PT; February -'Modo Portátil, a partir de Constança Capdeville', CCB, PT; February - 'Concert series: In Praise of disorder/ Almost a Song/TTLG Cineteatro Avenida Castelo Branco, PT
2013 Recital conference: In Praise of disorder in the context of Instrumental theatre Post Ip ‘ 13 - Post- in-progress: 2nd International Post-Graduate Forum for Studies in Music and Dance
Universidade de Aveiro (Aveiro, Portugal)
2012 Concerts 2012 (selection) November 22th - through this looking glass - Festival de Outono, Universidade de Aveiro, PT October/November – Artistic Residence in ORT - Peter Kowald Gesellschaft, Wuppertal, Germany, with the various concerts (Wuppertal & Berlin); August 18th- through this looking glass - Festival Bons Sons, Cem Soldos, PT; June 2nd - through this looking glass - Teatro Municipal da Guarda, PT; January 28th – February 1st - pi_ADD(a) forte by Sima~o Costa (f. Joana Sa´, Sima~o Costa, Yola Pinto, Rita Sa´, Moirika Reker- CCB, Lx, PT
2011 Concerts 2011 (selection) May 6th Solo Concert in Piano Festival Beflu¨gelt, ORT- Peter Kowald Gesellschaft, Wuppertal, DE; September 14th 'In Paraise of Disorder, first version' – Festival Mu´sica Viva, Pequeno Audito´rio CCB, Lisboa, PT September 21th 'Improvisac¸a~o a partir de IN C de Terry Riley ' with Drumming GP & various performers; September 30th - through this looking glass (complete version) – Premie`re of 1st part of trilogy (music & concept by Joana Sa´, visual concept by Daniel C. Neves, mobile by Rita Sa´) – Maria Matos Theatre, PT
2010 Concerts 2010 (selection): through this looking glass – Concert series Reihe M, Studio der MusikFabrik, Cologne, DE; Emmanuel Nunes e Jorge Peixinho (piano solo pieces) Teatro Recreios Amadora, Amadora, PT; Zeitdehnungen – Palais de Mari by Morton Feldman, Kunststation Sankt Peter, Cologne, DE; January 21st – Concert with Eduardo Raon, Hans Reichel, Ganesh Anandan, KlappstuhlFest, ORT, Wuppertal, DE; Emmanuel Nunes e Jorge Peixinho – Piano solo pieces (f.J.S.) & 'through this.... ' (J.S.), Festival Begegnungen Portugal | Ko¨ln, Loft, Cologne, DE;
2009 Concerts 2009 (selection) September 14th – Powertrio - Festival Mu´sica Viva 2009, Pequeno Audito´rio do Centro Culturalde Bele´m (CCB), Lisboa, PT; September – Powertrio – Clubbing, Casa da Mu´sica, Porto, PT; May - Powertrio – Festival Jazz Cerkno, Cerkno, SLO; May - Powertrio – Ring Ring Festival, Belgrade, SER
2008 Concerts 2008 (selection) September - Concert for piano & orchestra, John Cage - (50th anniversary of the concert), Festival CENTAMOSTRA (f. J. S.) Centro de Estudos para Novas Tende^ncias Arti´sticas (CENTA) , Vila Velha de Ro´da~o, PT; Powertrio - Festival CENTAMOSTRA ; September - Improbable Concerts (by Joana Sa´ & Lui´s J. Martins) Festival CENTAMOSTRA; October - Improbable Concerts (by Joana Sa´ & Lui´s J. Martins) Teatro de Borba, Borba, PT

Participação em evento

Descrição da atividade
Tipo de evento 		Nome do evento
Instituição / Organização
2019/01/21 - 2019/01/22 Music Experiment X - Workshop on the notions of assemblage, transduction and operator
Encontro
 Music Experiment X - Workshop on the notions of assemblage, transduction and operator
Orpheus Instituut, Bélgica

Entrevista (jornal / revista)

Descrição da atividade Jornal / Forum
2018 Interview and review of the CD 'Turbamulta' (4,5 estrelas) Público
2016 Interview about the première of 'Listening: the open'/ 'À escuta: o aberto' at Maria Matos Theatre. Ípsilon, Público
2016 Interview about the premiere of 'Listening: the open'/ 'À escuta: o aberto' at Maria Matos Theatre Observador
2015 Interview and review of the CD 'Di Lontan' (4,5 stars) Ípsilon, Público
2014 Review of CD Elogio da Desordem Classical Modern Music Review
2013 Interview about the premiere of 'In Praise of Disorder'/ 'Elogio da Desordem' at Maria Matos Theatre. Público
2013 Review of the CD 'Elogio da Desordem' (4 stars) Ípsilon, Público
2013 Review of CD 'Almost a song' (5 stars) DN Diário de Notícias
2013 Review of CD 'Almost a song' (4,5 stars) Ípsilon/ Público
2011 Review 'through this looking glass'. NMZ Neue Musik Zeitung
2011 Review of 'through this looking glass' DVD+CD Classical Modern Music Review
2011 Review of 'through this looking glass' (5 stars) Ípsilon/ Público

Entrevista / Programa (rádio / tv)

Programa Tema
2017/01 - Atual Euroradio - Art’s Birthday live transmission for European classical radio stations– Concerto for improvisers and laptop orchestra by Rui Dias (f. Carlos Zíngaro, Gilberto Bernardes, Joana Sá, Filipe Lopes) O’culto da Ajuda, Lisboa, PT
2016/10 - Atual Interview about Listening: the open for Program Império dos sentidos. Listening: the open (premiere at Maria Matos Theatre)
2016 - Atual If you walk the galaxies
2015 - Atual Program Música Hoje/ Music Today Powertrio & Alvaro Garcia Zuñiga
2015 - Atual Art's Birthday 2015 Powertrio concert with live transmission for European classical radio emissions
2014 - Atual Program Música Hoje/ Music Today Pianists and composers Joana Sá and Simão Costa
2014 - Atual Program Música Hoje/ Music Today Almost a Song by Joana Sá & Luís José Martins
2014 - Atual open: Studio Elektronische Musik Lob der Unordnung/In Praise of Disorder
2013 - Atual Concert cycle ClassicClash, live transmission. In Praise of disorder (incomplete version) – Concert cycle ClassicClash, with live transmission, Frankfurter Hof, Mainz, DE
2013 - Atual Império dos sentidos Interview about In Praise of Disorder
2013 - Atual Portugália In Praise of Disorder
2013 - Atual Agora Interview about In Praise of Disorder
2013 - Atual Sic Notícias Interview about In Praise of Disorder
2012 - Atual Arte eletroacústica Interview about In Praise of Disorder
2011 - Atual Império dos Sentidos interview about 'through this looking glass'
2011 - Atual Interview with João Almeida interview about solo concert at Festival Música Viva 2011
2011 - Atual Música Contemporânea 'through this looking glass' - transmission of complete work
2011 - Atual Cartaz TV piece about through this looking glass
2011 - Atual Radio France - program about new approaches to jazz in Portugal program about new approaches to jazz in Portugal
2011 - Atual Culture program by José Carlos Barreto interview about through this looking glass
2010 - Atual WDR – Björn Gottstein Interview about through this looking glass
2009 - Atual Festival Música Viva, CCB with live transmission live transmission: POWERTRIO Concert at CCB
2009 - Atual Forum Neue Musik - la otra America, recorded & transmited live by Deutschlandfunk Improvisation modules for two pianos by Paulo Álvares (f. Joana Sá & Luís Bastos Machado)