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Raquel Schefer is a researcher, a filmmaker, a film curator, and an associated professor at Sorbonne Nouvelle University. She holds a PhD in Film Studies from Sorbonne Nouvelle University, a Master in Documentary Cinema from the University of Cinema of Buenos Aires, and a degree in Communication Sciences from NOVA University of Lisbon. She published the book “Self-Portrait in Documentary” and several book chapters and articles. Raquel taught at Grenoble Alpes, Gustav Eiffel, and Rennes 2 Universities, as well as at the University of Cinema of Buenos Aires, the University of Communication in Mexico City, and Elías Querejeta Zine Eskola. She was a Visiting Scholar at the University of California, Los Angeles and a postdoctoral FCT fellow at the CEC/University of Lisbon and the IHC/NOVA University of Lisbon. She is a co-editor of the quarterly of theory and history of cinema La Furia Umana and a program advisor at the International Documentary Film Festival Amsterdam (IDFA).
Identification

Personal identification

Full name
Raquel Schefer

Citation names

  • Schefer, Raquel

Author identifiers

Ciência ID
F91F-070C-C7F9
ORCID iD
0000-0002-6353-0688

Telephones

Mobile phone
  • (+33) 647416613 (Personal)

Addresses

  • Rua Quinta das Chas, 180, 15, 4400-556, Vila Nova de Gaia, Vila Nova de Gaia, Portugal (Personal)

Knowledge fields

  • Humanities - Arts - Studies on Film, Radio and Television

Languages

Language Speaking Reading Writing Listening Peer-review
Portuguese (Mother tongue)
English Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2)
French Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2)
Spanish; Castilian Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2)
German Upper intermediate (B2) Advanced (C1) Intermediate (B1) Upper intermediate (B2) Intermediate (B1)
Education
Degree Classification
2017/06/01 - 2022/09/01
Concluded
"O transe do real: modernismo e primitivismo no cinema anti-colonial e pós-colonial" (Pós-doutoramento)
Major in Arts
Universidade de Lisboa Faculdade de Letras, Portugal

Universidade Nova de Lisboa, Portugal

University of the Western Cape, South Africa
2009/01/05 - 2015/10/06
Concluded
PhD in Film Studies (Docteur)
Major in Film Studies
Université Sorbonne Nouvelle-Paris 3, France
"La Forme-événement : le cinéma révolutionnaire mozambicain et le cinéma de Libération" (THESIS/DISSERTATION)
20
2008/09/15 - 2008/12/15
Concluded
Gulbenkian Creativity and Artistic Creation Programme (Outros)
Major in Videoart
Fundação Calouste Gulbenkian, Portugal
2004/03/01 - 2006/12/10
Concluded
Master in Documentary Cinema (Magister)
Major in Documentary Cinema
Universidad del Cine, Argentina
"Self-Portrait in Documentary: Figures, Machines, Images" (THESIS/DISSERTATION)
20
1998/09/20 - 2003/01/05
Concluded
Ciências da Comunicação (Licenciatura)
Major in Comunicação e Cultura e Cinema
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
15
2001/09/01 - 2002/06/30
Attended
Ciencias de la Información (Licence)
Universidad Complutense de Madrid, Spain
Affiliation

Science

Category
Host institution
Employer
2020/10/08 - Current Researcher (Research) Universidade Nova de Lisboa Instituto de História Contemporânea, Portugal
Universidade Nova de Lisboa Instituto de História Contemporânea, Portugal
2017/06/01 - Current Researcher (Research) Universidade de Lisboa Centro de Estudos Comparatistas, Portugal
Universidade de Lisboa Centro de Estudos Comparatistas, Portugal
2019/03/01 - 2019/08/31 Visiting Researcher (Research) University of the Western Cape Faculty of Arts, South Africa
University of the Western Cape, South Africa
2017/09/28 - 2018/03/28 Visiting Researcher (Research) University of California Los Angeles, United States
University of California Los Angeles, United States
2009/09/01 - 2017/08/31 Researcher (Research) Universidade do Algarve Centro de Investigação em Artes e Comunicação, Portugal
Universidade do Algarve Centro de Investigação em Artes e Comunicação, Portugal

Teaching in Higher Education

Category
Host institution
Employer
2022/10/01 - Current Associate Professor (University Teacher) Université Sorbonne Nouvelle Département Cinéma et Audiovisuel, France
2021/09/10 - 2022/06/30 Visiting Professor (University Teacher) École Nationale Supérieure de Techniques Avancées, France
École Nationale Supérieure de Techniques Avancées, France
2014/09/01 - 2022/06/30 Assistant (University Teacher) Université Sorbonne Nouvelle-Paris 3, France
Université Sorbonne Nouvelle-Paris 3, France
2021/05/24 - 2022/06/01 Visiting Professor (University Teacher) Elías Querejeta Zine Eskola, Spain
Elías Querejeta Zine Eskola, Spain
2018/08/01 - 2018/12/15 Visiting Professor (University Teacher) Universidad de la Comununicación, Mexico
Universidad de la Comununicación, Mexico
2016/09/01 - 2017/09/30 Assistant Professor (University Teacher) Université Grenoble Alpes, France
Université Grenoble Alpes, France
2015/09/01 - 2016/06/30 Assistant (University Teacher) Université Gustave Eiffel, France
Université Gustave Eiffel, France
2015/01/08 - 2015/06/30 Assistant (University Teacher) Université de Rennes 2, France
Université de Rennes 2, France
2006/03/20 - 2006/12/16 Assistant (University Teacher) Universidad del Cine, Argentina
Universidad del Cine, Argentina

Others

Category
Host institution
Employer
2021/09/01 - 2022/09/01 Coordinator of the History and Image Workshop (Oficina de História e Imagem) Universidade Nova de Lisboa Instituto de História Contemporânea, Portugal
Universidade Nova de Lisboa Instituto de História Contemporânea, Portugal
2020/09/01 - 2022/09/01 Coordinator of the cluster Visual Culture, Migration, Globalization and Decolonization Universidade de Lisboa Centro de Estudos Comparatistas, Portugal
Universidade de Lisboa Centro de Estudos Comparatistas, Portugal
Projects

Grant

Designation Funders
2017/06/01 - 2022/10/31 O transe do real: modernismo e primitivismo no cinema anti-colonial e pós-colonial
SFRH/BPD/120884/2016
Fundação para a Ciência e a Tecnologia
Concluded

Contract

Designation Funders
2021/01/01 - 2025/12/31 Laboratório Associado para a Investigação e Inovação em Património, Artes, Sustentabilidade e Território
LA/P/0132/2020
Universidade de Évora, Portugal

Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal

Universidade Nova de Lisboa, Portugal

Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Instituto de História Contemporânea, Portugal

Universidade Nova de Lisboa Instituto de História da Arte, Portugal

Universidade do Porto Centro Interdisciplinar de Investigação Marinha e Ambiental, Portugal

ISCTE-Instituto Universitário de Lisboa, Portugal

Universidade do Minho, Portugal

Universidade de Coimbra, Portugal

Universidade do Minho Laboratório de Paisagens Património e Território, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2017/06/01 - 2023/05/31 O transe do real: modernismo e primitivismo no cinema anti-colonial e pós-colonial
SFRH/BPD/120884/2016
Post-doc Fellow
Universidade de Lisboa Centro de Estudos Comparatistas, Portugal

Universidade Nova de Lisboa Instituto de História Contemporânea, Portugal

University of the Western Cape, South Africa
Fundação para a Ciência e a Tecnologia
Ongoing
2019/01/01 - 2019/12/31 Centro de Estudos Comparatistas
UID/ELT/00509/2019
Universidade de Lisboa Faculdade de Letras, Portugal

Universidade de Lisboa Centro de Estudos Comparatistas, Portugal
Fundação para a Ciência e a Tecnologia
Concluded
2019/01/01 - 2019/12/31 Centro de Investigação em Artes e Comunicação - CIAC
UID/Multi/04019/2019
Universidade do Algarve Centro de Investigação em Artes e Comunicação, Portugal

Universidade do Algarve, Portugal

Instituto Politécnico de Lisboa, Portugal
Fundação para a Ciência e a Tecnologia
Concluded
2010/01/01 - 2013/12/31 ESTUDOS CINEMATOGRÁFICOS E AUDIOVISUAIS TÍTULO DA TESE DE DOUTORAMENTO - SUJEITOS, MÁQUINAS, ARQUIVOS. AS ESTRATÉGIAS FORMAIS DO AUTO-RETRATO AUDIOVISUAL CONTEMPORÂNEO
SFRH/BD/62471/2009
PhD Student Fellow
Université Sorbonne Nouvelle-Paris 3, France
Fundação para a Ciência e a Tecnologia
Concluded
2011/01/01 - 2012/12/31 Projecto Estratégico - UI 4019 - 2011-2012
PEst-OE/EAT/UI4019/2011
Universidade do Algarve Centro de Investigação em Artes e Comunicação, Portugal

Universidade do Algarve, Portugal

Instituto Politécnico de Lisboa, Portugal
Fundação para a Ciência e a Tecnologia
Concluded

Other

Designation Funders
2020/01/01 - Current "ColectiVIS-ARTS - Recherches sur la praxis artistique (arts visuels) des femmes dans les collectifs d'artistes, mixtes et non mixtes"
Researcher
Université Grenoble Alpes, France
Agence nationale de la recherche
Ongoing
Outputs

Publications

Book
  1. "El Autorretrato en el Documental: Figuras, Máquinas, Imágenes". Buenos Aires, Argentina: Ediciones Universidad del Cine. 2008.
    Published
Book chapter
  1. ""The Representation of Ritual and Cinema as a Ritual in Revolutionary Mozambique: Ruy Guerra’s 'Mueda, Memória e Massacre'”". In "Contemporary Lusophone African Film. Transnational Communities and Alternative Modernities", edited by Livia Apa; Paulo de Medeiros, 145-158. Londres, United Kingdom: Routledge, 2021.
    Published
  2. ""Filipa César, les formes du politique et la politique des formes"". In "ALL I WANT : Les femmes artistes portugaises des XXe et XXIe siècles", 290-297. Bruxelas, Belgium: Centre de création contemporaine Olivier Debré and Calouste Gulbenkian Foundation, 2021.
    Published
  3. ""Lettre à une communauté brûlante"". In "Les frontières brûlent : Nicolas Klotz et Elisabeth Perceval", edited by Robert Bonamy; Sandrine Bonamy, 158-169. Cherbourg, France: Arte Éditions and de l'incidence éditeur, 2021.
    Published
  4. ""Welket Bungué: The Aesthetics, Politics, and Epistemology of Self-Representation"". In "Atlantica: Contemporary Art from Cabo Verde, Guinea Bissau, São Tomé and Príncipe and their Diasporas", edited by César Schofield Cardoso; Mónica de Miranda, 55-60. Lisboa, Portugal: Hangar - Centro de Investigação Artística, 2021.
    Published
  5. ""'Brandos Costumes'. 'Como um espelho', mas além do reflexo: a Revolução prefigurada e o arquivo sensível do fascismo"". In "Catálogo 3.ª Mostra (Re)Descobrir o (Novo) Cinema Português", edited by Paulo Cunha, 33-37. Coimbra, Portugal: Caminhos do Cinema Português, 2021.
    Published
  6. "“'Maranhão 66' (1966), de Glauber Rocha. El newsreel y sus dinámicas formales"". In "El cine documental. Una encrucijada estética y política. Inquisiciones contemporáneas al sistema audiovisual", edited by Javier Campo; Tomás Crowder Taraborrelli; Clara Garavelli; Pablo Piedras; Kristi Wilson, 93-106. Buenos Aires, Argentina: Prometeo, 2020.
    Published
  7. ""Maimuna Adam, or the Aesthetics of Diaspora"". In "Atlantica: Contemporary Art from Mozambique and its Diaspora", 23-28. Lisboa, Portugal: Hangar Edições, 2020.
    Published
  8. "“'Mueda, spomin in pokol' Ruya Guerre, lm-dogodek"". In "Podoba-upor militantni dokumentarec na bojišcih maja '68", 55-69. Liubliana, Slovenia: Slovenian Cinematheque, 2019.
    Published
  9. ""'Mueda, Memória e Massacre', de Ruy Guerra: revoluções e rotações"". In "Suspended spaces 4 — A partilha dos esquecimentos", 160-171. Lisboa, Portugal: Sistema Solar, 2018.
    Published
  10. ""Palimpsestic Images in the Work of Keyezua"". In "Atlantica: Contemporary Art from Angola and its Diaspora", 98-108. Lisboa, Portugal: Hangar Edições, 2018.
    Published
  11. "“O cinema analítico de Jonathan Perel”". In "Imagens em disputa. Cinema, vídeo, fotografia e monumento em tempo de ditaduras", edited by Andréa França; Tatiana Siciliano; Patrícia Machado, 117-132. Rio de Janeiro, Brazil: 7Letras, 2018.
    Published
  12. ""Ficções de libertação: 'O Vento sopra do norte', de José Cardoso (1987)"". In "A Colecção Colonial da Cinemateca. Campo, contracampo, fora-de-campo", edited by Maria do Carmo Piçarra, 178-191. Poejinhos, Portugal: Cine Clube de Viseu, Aleph - Rede de acção e investigação crítica da imagem colonial, 2018.
    Published
  13. ""Between the visible and the invisible: 'Mueda, Memória e Massacre' by Ruy Guerra and the cultural forms of the Makonde Plateau"". In "(Re)imagining African Independence. Film, Visual Arts and the Fall of the Portuguese Empire", edited by Maria do Carmo Piçarra; Teresa Castro, 47-64. Oxford, United Kingdom: Peter Lang, 2017.
    Published
  14. "“'Ici je ne suis jamais venu'. La fonction du remploi d’archives familiales et d’autres types de remploi dans l’élaboration d’une 'contre-histoire' du colonialisme tardif portugais"". In "L’Archive sensible", edited by Maria-Benedita Basto; David Marcilhacy, 91-100. Paris, France: Université Paris 4, 2017.
    Published
  15. ""Reconstitutions / Autour de 'Mueda, Memória e Massacre” de Ruy Guerra. Article commenté"". In "36 Short Stories", edited by Mélanie Bouteloup; Garance Malivel, 113-119. Paris, France: Bétonsalon and Les éditions Beaux-arts, 2017.
    Published
  16. ""The Birth of fiction: On 'Mueda, Memória e Massacre,' by Ruy Guerra".". In "Africa's Lost Classics: New Histories of African Cinema", edited by David Murphy; Lizelle Bisschoff, 168-173. Oxford, United Kingdom: Maney Publishing, 2014.
    Published
Conference paper
  1. Sampaio, Sofia; Martins, Humberto; Schefer, Raquel; Salgado, Ricardo Seiça. "On making choices: some thoughts on an ethnographic film screening". 2017.
Journal article
  1. ""Sarah Maldoror. Rencontre de regards"". "Art Press" 497 (2022): 46-49.
    Published
  2. Nogueira, Isabel; Santos, David; Soares, Ana Isabel; Schefer, Raquel; Dias, Fernando; Pinto, Paula; Coutinho, Liliana. "“Pontos, linhas, planos: ‘Almada, Um Nome de Guerra’ (1969-1972)”". "Arte e Cultura Visual" 2 (2021): 57-65. http://hdl.handle.net/10451/50404.
    Published
  3. Afonso, Tiago; Contador, António; Marques, Sabrina D.; Nogueira, Isabel; Robert-Gonçalves, Mickaël; Schefer, Raquel. ""Cinéma, critique, arts visuels : autour de José Ernesto de Sousa (1921-1988)"". "Perspective" 1 (2021): 61-78. http://dx.doi.org/10.4000/perspective.22575.
    Open access • Published • 10.4000/perspective.22575
  4. Schefer, Raquel. "Materialidade e Materialismo em Scenes from the Class Struggle in Portugal (1977-79), de Robert Kramer e Philip Spinelli". Aniki: Revista Portuguesa da Imagem em Movimento 8 2 (2021): 136-159. http://dx.doi.org/10.14591/aniki.v8n2.791.
    Published • 10.14591/aniki.v8n2.791
  5. Schefer, Raquel; Boieiro, Catarina. "Entrevista a Nataša Petrešin-Bachelez, curadora interdependente". Aniki: Revista Portuguesa da Imagem em Movimento 8 1 (2021): 273-289. http://dx.doi.org/10.14591/aniki.v8n1.753.
    Published • 10.14591/aniki.v8n1.753
  6. Leroy, Alice; Schefer, Raquel. ""Les armes miraculeuses"". "Revue d'histoire contemporaine de l'Afrique" 1 (2021): 167-177. http://dx.doi.org/10.51185/journals/rhca.2021.e296.
    Open access • Published • 10.51185/journals/rhca.2021.e296
  7. Basto, Maria-Benedita; Castro, Teresa; Domingos, Nuno; Overhoff Ferreira, Carolin; Pellerin, Agnès; Carmo Piçarra, Maria do; Schefer, Raquel; Deniz Silva, Manuel. "Fictions (post-)coloniales dans le cinéma portugais". "Perspective : actualité en histoire de l'art" 1 (2021): 79-99. http://hdl.handle.net/10451/51362.
    Published • 10.4000/perspective.22749
  8. Schefer, Raquel. "Ver hacia dentro y ver más allá: la luminosa oscuridad cinematográfica de 'Cités de la plaine' (2000), de Robert Kramer". "Correspondencias: Cine y Pensamiento" 17 (2021): http://hdl.handle.net/10362/129155.
    Open access • Published
  9. ""Doc's Kingdom, le mouvement d'un séminaire"". "Cahiers du cinéma" 781 (2021): 63-63.
    Published
  10. ""'La Maquisarde'"". "Cahiers du cinéma" 768 (2020): 44-44.
    Published
  11. Schefer, Raquel. ""Ruy Duarte de Carvalho’s 'Nelisita': Shifting the Boundaries of Art and Science in Angolan Revolutionary Cinema"". "South African Historical Journal" 72 3 (2020): 405-430. http://dx.doi.org/10.1080/02582473.2020.1836020.
    Published • 10.1080/02582473.2020.1836020
  12. ""Miradas en rotación en el cine latinoamericano"". "Artefacto Visual: Revista de Estudios Visuales Latinoamericanos" 8 (2020): 13-38.
    Open access • Published
  13. Schefer, Raquel; Leroy, Alice. ""Sarah Maldoror. Les chants d’ombre"". "Cahiers du cinéma" 766 (2020): 56-67.
    Published
  14. Schefer, Raquel. ""A trama do colonial. 'Fordlândia Malaise', de Susana de Sousa Dias"". Esferas 1 16 (2020): 15. http://dx.doi.org/10.31501/esf.v1i16.11141.
    Open access • Published • 10.31501/esf.v1i16.11141
  15. Schefer, Raquel. "'Affiches cubaines. Révolution et cinéma. 1959-2019'. Uma exposição no Museu de Artes Decorativas de Paris". Aniki : Revista Portuguesa da Imagem em Movimento 7 1 (2020): 245-254. http://dx.doi.org/10.14591/aniki.v7n1.658.
    Published • 10.14591/aniki.v7n1.658
  16. Schefer, Raquel. "Mal de arquivo". "Obs*" (2020): 52-72. http://hdl.handle.net/10362/110726.
    Open access • Published • https://doi.org/10.15847/obsOBS0001816
  17. Schefer, Raquel. ""Making the 'Xapiri' Dance. Photography and Shamanism in the Exhibition 'Claudia Andujar, The Yanomami Struggle'"". "Necsus. European Journal of Media Studies" (2020): 339-350. http://hdl.handle.net/10362/110728.
    Open access • Published • https://doi.org/10.25969/mediarep/14322
  18. "“'The Laughing Alligator' de Juan Downey (1979), un cinéma endo-cannibale"". "Écrans" 12 (2020): 215-231.
    Published
  19. ""Le cinéma révolutionnaire mozambicain et le Nouveau cinéma latino-américain : vers une cartographie historique et esthétique du 'cinéma de Libération'”". "Écrans" 7 (2020): 35-58.
    Published
  20. ""Le corps en situation coloniale et postcoloniale dans le cinéma latino-américain : vers une reconstitution sensible de l’histoire"". "La Furia Umana" 36 (2019):
    Published
  21. ""Shade and Light. Susana de Sousa Dias’ 'Luz Obscura'"". "Docalogue" (2019): https://docalogue.com/april-luz-obscura/.
    Open access • Published
  22. Schefer, Raquel. "Tania Bruguera: "Hablándole al poder". Uma exposição no Museo Universitario Arte Contemporáneo da Cidade do México". Aniki : Revista Portuguesa da Imagem em Movimento 6 1 (2019): http://dx.doi.org/10.14591/aniki.v6n1.528.
    Published • 10.14591/aniki.v6n1.528
  23. Schefer, Raquel. ""Ruy Guerra’s Mueda, Memória e Massacre: The missing images"". "Journal of African Cinemas" 10 3 (2018): 205-223. http://dx.doi.org/10.1386/jac.10.3.205_1.
    Published • 10.1386/jac.10.3.205_1
  24. ""The Lived Cinema of Robert Kramer: Politics and Subjectivity"". "La Furia Umana" 35 (2018): http://www.lafuriaumana.it/index.php/68-archive/lfu-35/857-raquel-schefer-the-lived-cinema-of-robert-kramer-politics-and-subjectivity.
    Published
  25. "“'Sin la cámara, con nuestros cuerpos': el cine de Robert Kramer, un ensayo sobre el amor"". "Arkadin: Estudios sobre Cine y Artes Audiovisuales" 7 (2018): 19-32.
    Open access • Published
  26. ""The Return of the Newsreel (2011-2016) in Contemporary Cinematic Representations of the Political Event"". "Comparat/ive Cinema" (2017): 61-70.
    Open access • Published
  27. ""A forma-acontecimento"". "Revista Latinoamericana de Estudios Althusserianos" (2017):
    Open access • Published
  28. Schefer, Raquel. "Mueda, Memória e Massacre by Ruy Guerra and the cultural forms of the Makonde Plateau". Comunicação e Sociedade 29 (2016): 53-77. http://dx.doi.org/10.17231/comsoc.29(2016).2409.
    Open access • 10.17231/comsoc.29(2016).2409
  29. Schefer, Raquel. ""(R)evoluções e Transições Revisitadas - O Fim do Império Colonial Português em Representações Cinematográficas da Lusofonia (1974-2014)"". "Aniki: Revista Portuguesa da Imagem em Movimento" 3 1 (2016): 158-164. http://aim.org.pt/ojs/index.php/revista/article/view/211.
    Open access • Published • 10.14591/aniki.v3n1.211
  30. Sampaio, Sofia; Schefer, Raquel; Blank, Thaís. "Filmes utilitários, amadores, órfãos e efémeros: repensando o cinema a partir dos “outros filmes”". (2016): http://aim.org.pt/ojs/index.php/revista/article/view/263.
    10.14591/aniki.v3n2.263
  31. Schefer, Raquel. "Visible Evidence". Aniki : Revista Portuguesa da Imagem em Movimento 1 1 (2014): 158-164. http://dx.doi.org/10.14591/aniki.v1n1.45.
    Open access • Published • 10.14591/aniki.v1n1.45
  32. Schefer (Université de la Sorbonne-Paris 3), Dndª. Raquel. "O nascimento da ficção". Poiésis - Revista do Programa de Pós-Graduação em Educação 5 9 (2012): 260-279. http://dx.doi.org/10.19177/prppge.v5e92012260-279.
    Published • 10.19177/prppge.v5e92012260-279
Journal issue
  1. Schefer, Raquel; Angela Pryston; Paul Grant. ""Post/de/anti Colonial Cinema. Special Report"". "La Furia Umana" 41 (2021): http://www.lafuriaumana.it/index.php/75-archive/lfu-41.
    Published • Coeditor
  2. Schefer, Raquel; Benjamin Léon; Mickaël-Robert Gonçalves. "“Cinema and Revolution in Portugal”". "La Furia Umana" 39 (2020): http://www.lafuriaumana.it/index.php/73-archive/lfu-39.
    Published • Coeditor
  3. ""Robert Kramer"". "La Furia Umana" 35 (2018): http://www.lafuriaumana.it/index.php/68-archive/lfu-35.
    Published • Editor
  4. Schefer, Raquel; Victor Guimarães. ""Cinema and Theatre Today"". "La Furia Umana" 32 (2017): http://www.lafuriaumana.it/index.php/archives/65-lfu-32.
    Published • Coeditor
  5. "“Sylvain George”". "La Furia Umana" 31 (2017): http://www.lafuriaumana.it/index.php/archives/64-lfu-31.
    Published • Editor
Manual
  1. "’48’. Susana de Sousa Dias". Lisboa, Portugal: Plano Nacional de Cinema. 2022.
    Under revision

Artistic / Performance

Artistic exhibition
  1. "Generalized Visual Resistance. Photobooks and Liberation Movements: Angola, Mozambique, Guinea-Bissau and Cape Verde”. 2021.
  2. "Seeing Being Seen" (Series of Film Screenings). 2020.
Visual artwork
  1. Raquel Schefer. "Avó (Muidumbe)" (film).
  2. Schefer, Raquel. "Nshajo (O Jogo)" (film).
Activities

Oral presentation

Presentation title Event name
Host (Event location)
2022/01/28 "Le déplacement des 'images-archives' de la modernité et de la colonialité dans l’oeuvre de Chantal Akerman : une conception politique du paysage" "The Affective Interiors of Chantal Akerman: Aesthetic Passages – Films and Installations"
University of Chicago in Paris, Centre Georges Pompidou, Université Sorbonne Nouvelle (Paris, France)
2021/12/15 "Documentary and the Crisis of Representation: from Co-Representation to Intervisual, and Inter-Epistemological Film Practices" Visible Evidence Seminar
Goethe-Universität Frankfurt am Main (Frankfurt, Germany)
2021/09/29 "Sarah Maldoror, la intención poética” Coloquio Arte, Imagen y Sonido
Universidad Autónoma de Aguascalientes (Aguascalientes, Mexico)
2021/09/28 "Acercamientos Post/descoloniales al cine” Coloquio Arte, Imagen y Sonido
Universidad Autónoma de Aguascalientes ( (Aguascalientes, Mexico)
2021/06/11 “'Becoming'-Peasant. Communitarianism and Transition from Representation to Co-Representation in the Work of Shinsuke Ogawa and Ogawa Productions (Ogawa Pro)" The European Network for Cinema and Media Studies (NECS) 2020 Conference
Università degli Studi di Palermo (Palermo, Italy)
2021/05/29 "A função do reemprego de arquivos e da reconstituição sensível na elaboração de uma contra-história do colonialismo português tardio” Conferência "Encontro(s) de mulheres nas descolonizações: modos de ver e saber"
Hangar - Centro de Investigação Artística e Museu do Aljube (Lisboa, Portugal)
2021/05/05 "La mirada de las imágenes: crítica de la modernidad, inter-visualidad e inter-epistemología en el cine de Ana Vaz" "Ecologías de la imagen en movimiento. Seminar of Film Studies
Cultural Center of Spain in Mexico (Cidade do México, Mexico)
2021/05/05 "'Une intense luminosité tremblante”' Cinéma et chamanisme chez, avec et par les Yanomami" International Conference "Sommeils de cinéma"
Université Paris 1 Panthéon Sorbonne (Paris, France)
2020/12/10 "Regards croisés selon une perspective intersectionnelle : le collectif mexicain Los Ingrávidos" International Conference " Journée d’études « Intervenir en collectif : Utopies artistiques et réalités genrées"
Université Grenoble Alpes (Grenoble, France)
2020/09/02 "On Film Criticism" Film Criticism Seminar
Cultural Center of Spain in Mexico (Cidade do México, Mexico)
2020/03/12 "Rethinking Film Criticism" Forum of Criticism
International Film Festival of the National Autonomous University of México (Cidade do México, Mexico)
2019/12/09 “'Mal d’archive’ : une approche à l’archive anticoloniale mozambicaine à partir de l’œuvre de Ruy Guerra" International Conference "Régimes de vérité dans les aires lusophones"
Université Paris Sorbonne – Paris 4 (Paris, France)
2019/12/04 "Making Visible the Invisible: Reflections on the Process of Production of my Film 'Avó (Muidumbe)' (2009)" International Conference "Contemporary Portuguese Image and Censorship"
King's College (Londres, United Kingdom)
2019/07/27 "From Otavalo to Los Angeles: “Ethno-co-biography” in 'Zulay, Facing the 21st Century (Jorge Prelorán, Mabel Prelorán, and Zulay Saravino, 1992)" Visible Evidence Seminar
University of Southern California (Los Angeles, United States)
2019/05/11 "New Tendencies of Documentary Cinema" Encontros do Cinema de Viana Film Festival
Encontros do Cinema de Viana Film Festival (Viana do Castelo, Portugal)
2019/04/13 "A Comparative Study of the Cinema of Liberation in Angola and Mozambique" International Conference "Liberation beyond the Nation: Comparisons, Interactions and Methodologies"
University of Oxford and University of the Western Cape (Cape Town, South Africa)
2018/03/03 "Poetics of Film Language: Experimental Cinema in Portugal" International Conference "Visual Symphony. Cinema and Music in Ana Hatherly’s Life"
University of California, Berkeley (Berkeley, United States)
2017/08/08 "New Perspectives on Contemporary Documentary Cinema" I Symposium on Cinema and Audiovisual
Universidad Nacional del Centro de la Provincia de Buenos Aires (Tandil, Argentina)
2017/08/05 "The Newsreel as a Political Film Form and its Formal Dynamics" Visible Evidence Seminar
Universidad Nacional de Tres de Febrero (Buenos Aires, Argentina)
2016/11/10 "On Self-Portrait in Documentary" Forum Art, Cinema and Audiovisual
Universidade Federal de Santa Maria (Santa Maria, Brazil)
2015/08/22 “'The way forward is the way back'. Colonial and anti-colonial archives: the historiographic operation as a film praxis" Visible Evidence Seminar
Ryerson University (Toronto, Canada)
2013/08/18 "Raised hands. The representation of the political event in contemporary non-fiction film" Visible Evidence Seminar
University of Stockholm (Estocolmo, Sweden)
2011/08/12 "Birth of an Image" Visible Evidence Seminar
New York University (Nova Iorque, United States)

Supervision

Thesis Title
Role
Degree Subject (Type)
Institution / Organization
2020/09/01 - Current "The Notions of 'Delayed Time' and 'Transmitter-Receiver Narrative Pact' as Reflexive Tools for the Construction of a Cinematographic Essay Based on Family Video Letters"
Co-supervisor of Melina Wazhima Monné
Doutoramento em Artes Performativas e da Imagem em Movimento (PhD)
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2012/09/01 - Current "Politics of Fear: Technical Images of the Body in Armed Conflicts"
Supervisor of María Belén Santillán
Master in Communication Design (Master)
Universidad de Buenos Aires, Argentina
2021/06/01 - 2022/02/15 "Constructions of the Gaze: Contrasts between Representations of Black African and White European Women in Fiction and Non-Fiction Colonial Films about Equatorial Guinea"
Supervisor of Mariana Queen Nwabasili
Master in Curating Studies (Master)
Elías Querejeta Zine Eskola, Spain
2018/01/15 - 2022/02/14 "Back and Forth: the Scene of Experimental Appropriation Cinema in Mexico (1998-2018)"
Co-supervisor of Daniel Valdez Puertos
PhD in Art History (PhD)
Universidad Nacional Autónoma de México, Mexico
2018/09/15 - 2020/09/14 "'Silent Clamor': Ruin and Rebirth of the Oppressed in Pedro Costa's 'Casa de Lava' (1995)"
Co-supervisor of Lucrecia Arcos Alcaraz
Master in Art History (Master)
Consorcio Universidad Nacional Autonoma de Mexico, Mexico
2017/02/01 - 2017/09/12 "Between Memory and Imaginary: Albertina Carri's 'Los Rubios' and Petra Costa's 'Elena' (2012)"
Co-supervisor of Osyeiny Montero
Master in Artistic Creation: Film Studies (Master)
Université Grenoble Alpes, France

Event organisation

Event name
Type of event (Role)
Institution / Organization
2019/06/05 - 2019/06/05 Series of talks "Agora: Contemporary Cultural Practices," Calouste Gulbenkian Foundation, Paris. (2019/06/05 - 2019/06/05)
Symposium (Co-organisor)
Fundação Calouste Gulbenkian, Portugal
2018/12/04 - 2018/12/08 Event “African and Afro-Diasporic Cultural Production” (talks, screenings, artistic interventions). (2018/12/04 - 2018/12/08)
Other (Co-organisor)
Universidade de Lisboa Centro de Estudos Comparatistas, Portugal
2018/12/03 - 2018/12/05 International conference and film screenings "On Landscape and Cinema." (2018/12/03 - 2018/12/05)
Conference (Co-organisor)
Universidade de Lisboa Centro de Estudos Comparatistas, Portugal
2018/04/04 - 2018/04/06 International Conference and film screenings "Abyssal Colonial," Calouste Gulbenkian Foundation, Paris. (2018/04/04 - 2018/04/06)
Conference (Co-organisor)
Fundação Calouste Gulbenkian, Portugal
2015/10/07 - 2015/10/09 International Conference and film screenings "Ruy Guerra and the Critical Thinking of Images." (2015/10/07 - 2015/10/09)
Conference (Co-organisor)
Université Sorbonne Nouvelle-Paris 3, France

Sorbonne Université, France
2014/03/10 - 2014/03/12 International conference and film screenings "Revolution and Cinema: the Portuguese Example." (2014/03/10 - 2014/03/12)
Conference (Co-organisor)
Université Sorbonne Nouvelle-Paris 3, France

Jury of academic degree

Topic
Role
Candidate name (Type of degree)
Institution / Organization
2020/12/11 "Expressions of Memory: Possibilities and Challenges of Audio-Visual Archiving"
(Thesis) Main arguer
Lucas Campacci (Master)
Universidade da Beira Interior, Portugal
2020/10/22 "The Organic Screen. A Visual Study"
(Thesis) Main arguer
Anna Clara Cosentino (Master)
Universidade de Lisboa Faculdade de Belas-Artes, Portugal
2019/01/28 "Images of Horror in Contemporary Cinema. From the Unrepresentable to Borderline Images in Documentary"
(Thesis) Arguer
Bruno Hachero Hernández (PhD)
Universitat Pompeu Fabra, Spain

Course / Discipline taught

Academic session Degree Subject (Type) Institution / Organization
2021/09/10 - Current Colonial and Postcolonial History and Memory Seen through the Prism of a Cinematographic Reflection Engineering (Licence) École Nationale Supérieure de Techniques Avancées, France
2021/05/24 - Current New Film Geographies: Anti-, Post- and Decolonial Approaches to Cinema Master in Film Studies (Master) Elías Querejeta Zine Eskola, Spain
2020/01/10 - Current Anticolonial and Postcolonial Cinemas BA in Film Studies (Licence) Université Sorbonne Nouvelle-Paris 3, France
2020/01/10 - Current History of Film Forms - Circular Camera Movements (Tracking and Panning Shots) and their Aesthetic, Political and Epistemic Dimension BA in Film Studies (Licence) Université Sorbonne Nouvelle-Paris 3, France
2020/01/10 - Current African Modernisms BA in Film Studies (Licence) Université Sorbonne Nouvelle-Paris 3, France
2018/08/01 - 2018/12/15 History of World Cinema BA in Film Studies (Licence) Universidad de la Comunicación, Mexico
2018/08/01 - 2018/12/15 Film Culture BA in Film Studies (Licence) Universidad de la Comunicación, Mexico
2017/02/01 - 2017/06/30 Pedagogy of Cinema BA in Film Studies (Licence) Université Grenoble Alpes, France
2017/02/01 - 2017/06/30 Performance Analysis (Film) BA in Performative Arts (Licence) Université Grenoble Alpes, France
2017/02/01 - 2017/06/30 Sociology of Film BA in Film Studies (Licence) Université Grenoble Alpes, France
2016/09/10 - 2017/01/31 Film Theories BA in Film Studies (Licence) Université Grenoble Alpes, France
2016/09/10 - 2017/01/31 Reflexive Writing Workshop Master in Artistic Creation - Film Studies (Master) Université Grenoble Alpes, France
2016/09/10 - 2017/01/31 Cinema and other Arts BA in Film Studies (Licence) Université Grenoble Alpes, France
2016/09/10 - 2017/01/31 Film and Performative Arts BA in Performative Arts (Licence) Université Grenoble Alpes, France
2016/09/10 - 2017/01/30 History of Cinema: 1960-1990 BA in Performative Arts (Licence) Université Grenoble Alpes, France
2016/02/01 - 2016/06/30 History of Cinema - IV BA in Film Studies (Licence) Université Gustave Eiffel, France
2016/02/01 - 2016/06/30 Film Analysis BA in Film Studies (Licence) Université Gustave Eiffel, France
2015/01/12 - 2016/06/30 History of Film Forms - Archival Appropriation BA in Film Studies (Licence) Université Sorbonne Nouvelle-Paris 3, France
2015/09/15 - 2016/01/31 History of Cinema - III BA in Film Studies (Licence) Université Gustave Eiffel, France
2015/01/16 - 2015/06/30 Contemporary Portugal BA in Portuguese Studies (Licence) Université de Rennes 2, France
2015/01/16 - 2015/06/30 Intercultural Relationships BA in Portuguese Studies (Licence) Université de Rennes 2, France
2006/03/20 - 2006/12/16 Screenplay Screenplay (Guión) (Master) Universidad del Cine, Argentina

Evaluation committee

Activity description
Role
Institution / Organization Funding entity
2019 - 2019 Scientific expertise for Smart Culture – Arts and Culture Programme 2019, The Netherlands Organisation for Scientific Research, Dutch Research Council.
Specialist

Other jury / evaluation

Activity description Institution / Organization
2021/05/02 - 2021/07/15 Associate evaluator of the competitive exam to enter the Louis-Lumière National Superior School. Ecole nationale supérieure Louis-Lumière, France
2020/05/15 - 2020/07/10 Associate evaluator of the competitive exam to enter the Louis-Lumière National Superior School. Ecole nationale supérieure Louis-Lumière, France

Scientific expedition

Activity description Institution / Organization
2017/09/28 - 2018/03/28 Development of the research project "“L.A. Rebellion”: Modernism and Primitivism of a Minor Cinema". University of California Los Angeles, United States
Distinctions

Award

2019 Laureate of the Research and Creation Support Programme
Institut pour la Photographie, France
2016 Dissertation Award of the Society of Africanists (short-listed)
Société des africanistes, France
2010 Award for the Best Film in Competition
FUSO - Anual de Videoarte Internacional de Lisboa, Portugal

Other distinction

2020 Support for the Visibility of Portuguese Artistic Creation in France
Fundação Calouste Gulbenkian, Portugal
2020 Grant for innovative projects of artistic creation in film directing
Fundação Calouste Gulbenkian, Portugal
2017 Post-doctoral Grant
Fundação para a Ciência e a Tecnologia, Portugal
2016 Support for the participation in international conferences
Institut National d'Histoire de l'Art, France
2016 Support for International Promotion – Cinema
Fundação Calouste Gulbenkian, Portugal
2013 Flaherty Fellowship
Flaherty Seminar, United States
2009 Doctoral Grant
Fundação para a Ciência e a Tecnologia, Portugal
2007 Berlinale Talent Campus - Alumnus
Berlinale - Festival de Cinema de Berlim, Germany
2001 Erasmus Grant