We concluded our PhD in 2012, with research about the painter Columbano Bordalo Pinheiro (1857-1929), who stood out as a portrait painter, but also dedicated himself to decorative works in palaces, such as the Foz Palace, or de Beau Séjour Palace (both in Lisbon). As Columbano was an artist closely linked to the city of Lisbon, we can say that our research work in Art History was, from the beginning, about Lisbon in the nineteenth century. It is in this context that, in 2016, we published in the journal “Rossio - Estudos de Lisboa” an article about the place where was Columbano's studio, "The Courtyard of the Martel" (2016). Since 2012, we have been pointing our research into the decorative arts, furniture and architecture. This transition from painting to other areas resulted in part from our work as a scholarship researcher, between 2011 and 2014, on a project about furniture for public buildings, in the years 1940-1974. This project, was held by the Faculty of Architecture of the Technical University of Lisbon, being coordinated by the architect João Paulo Martins. Following this project we made several publications, including two in 2014: “The Hotels of Santa Luzia and Seteais and the activity of the Furniture Acquisition Commission (1953-1955)”; and “The adaptation of the Foz Palace to Headquarters of the National Information Secretariat. The Intervention of DGEMN and Luís Benavente in Furniture and Interior Decoration (1940-1953)” (this one in a peer reviewed art journal). Still related, is the article “The Royal Throne of D. Maria II”, published in 2017, in the magazine "Res Mobilis" of the University of Oviedo (Spain). Between 2017-2019, we were scholarship researchers for the REVIVE project, which resulted from a protocol between IHA / FCSH / NOVA, Tourism of Portugal, the Directorate General of Cultural Heritage and the Directorate-General for the Treasury and Finance. We carried out eleven historical and artistic monographs on State properties, which will be used for tourism. Among these buildings is the Royal Palace of Caxias (late eighteenth century), but also a castle, several convents, etc.. In addition to these works, we continued to investigate on painting, having conducted research on the watercolor painter Alfredo Roque Gameiro (1864-1935) (2014) and, more recently, on another painter, Carlos Reis (1863-1940). At the invitation of the historian João Serra, we curated the exhibition “Animals in Caldense Pottery, Collection by João Maria Ferreira”, held in the Museum of Ceramics of Caldas da Rainha (2016), and were responsible for coordinating the respective catalog. Waiting for publication, there are two articles related to Lisbon Studies. One about “The Camões quarter”, in collaboration with Raquel Henriques da Silva, to be published in a monograph of the Autonomous University of Lisbon (UAL), about the Palace of the Counts of Redondo. The other on “The Campo Pequeno Bullring”, also in collaboration with Raquel Henriques da Silva. This last article awaits response to the proposal for publication. We also made investigation about the Flores Square, in Lisbon, in collaboration with ICOMOS, to help to make an impound to the construction of a building that would destroy the patrimonial image of this historical square. Finally, in the last year, we published three articles on a peer reviewed dictionary, "Who's Who in Portuguese Museology". We participated in a course about "Lisbon seen by foreigners", promoted by the Art History Institute, where I gave a class on "Lisbon seen by foreigners in the 19th century". Finally, with Raquel Henriques da Silva, we coordinated the publication of a number of the peer reviewed magazine "Cadernos do Arquivo Municipal", of the Lisbon City Hall, about the "Lisbon neighborhoods".