Identification
Personal identification
- Full name
- Ana Filipa Gonçalves de Magalhães
Citation names
- Magalhães, Filipa
Author identifiers
- Ciência ID
- AE10-9B13-5284
- ORCID iD
- 0000-0003-4230-825X
Email addresses
- filipa.magalhaes@campus.fcsh.unl.pt (Professional)
Websites
- https://gimccesem.wordpress.com/researchers/filipa-magalhaes/ (Professional)
Knowledge fields
- Humanities - Arts - Performing Arts Studies (Musicology, Theater Science, Dramaturgy)
Languages
Language | Speaking | Reading | Writing | Listening | Peer-review |
---|---|---|---|---|---|
Spanish; Castilian | Beginner (A1) | Intermediate (B1) | Beginner (A1) | Beginner (A1) | |
English | Advanced (C1) | Advanced (C1) | Advanced (C1) | Advanced (C1) | |
Italian | Intermediate (B1) | Intermediate (B1) | Beginner (A1) | Intermediate (B1) | |
French | Beginner (A1) | Intermediate (B1) | Beginner (A1) | Beginner (A1) |
Education
Degree | Classification | |
---|---|---|
2021/09/20 - 2022/06/30
Concluded
|
Postgraduate Course in Historical Archivistics (Pós-Graduação)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
|
17/20 |
2016/03/01 - 2020/02/19
Concluded
|
Doctoral Degree Ph.D. in Musicology (Doutoramento)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
""A música já não pode viver sozinha": da interação rumo à identidade" (THESIS/DISSERTATION)
|
Muito Bom, por maioria / Very Good, by majority |
2012/09/20 - 2014/04/08
Concluded
|
Diploma for Advanced Studies in Musicology (Diploma de especialização)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
|
16/20 |
2010/10/10 - 2013/01/25
Concluded
|
MA degree in Musical Arts: Music and Technology (Mestrado)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
"Levantamento de espólios fonográficos em fita magnética: Avaliação do Estado de Conservação das Fitas" (THESIS/DISSERTATION)
|
16/20 |
2007/10/10 - 2008/05/06
Concluded
|
Post-graduation course in Musicology: professional qualification for teaching (Especialização pós-licenciatura)
Major in Educational Sciences
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
|
14/20 |
2001/10/10 - 2006/06/20
Concluded
|
Bachelor in Musicology (Licenciatura)
Major in Musicology
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
"Tese Final da Licenciatura não exigida" (THESIS/DISSERTATION)
|
14/20 |
Affiliation
Others
Category Host institution |
Employer | |
---|---|---|
2019/06/05 - Current | Researcher | Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal | ||
2016/03/01 - 2019/02/28 | PhD Candidate / FCT Fellow | Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal | ||
2017/02/22 - 2017/03/17 | Trainee | Universidade de Pádua - CSC - Sound and Music Computing Group, Italy |
Universidade de Pádua - CSC - Sound and Music Computing Group, Italy | ||
2008/10/01 - 2015/12/31 | Administrative Assistant | Intermúsica, Lda., Portugal |
2014/09/01 - 2014/09/19 | Trainee | Institut National de l'Audiovisuel (INA), France |
Archive vidéo et radio Ina, France | ||
2011/08/25 - 2011/09/02 | Trainee | Phonogrammarchiv, Austria |
Phonogrammarchiv, Austria |
Projects
Contract
Designation | Funders | |
---|---|---|
2019 - Current | CESEM Strategic Project (Ref.: FCSH / CESEM / UID/EAT/00693/2019)
Research Fellow
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
|
Fundação para a Ciência e a Tecnologia
Ongoing
|
2019 - 2022/06/30 | Portuguese contemporary music composers and ensembles: collective heritage preservation
Integration into Research Grant Fellow
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
|
Fundação para a Ciência e a Tecnologia
Ongoing
|
2016 - 2019/02/28 | "'A música já não pode viver sozinha': Da interação rumo à identidade"
PD/BD/114395/2016
PhD Student Fellow
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
|
Fundação para a Ciência e a Tecnologia
Concluded
|
Outputs
Publications
Book chapter |
|
Conference paper |
|
Conference poster |
|
Journal article |
|
Journal issue |
|
Thesis / Dissertation |
|
Activities
Oral presentation
Presentation title | Event name Host (Event location) |
|
---|---|---|
2022/06/09 | Music theatre preservation: Intersections between musicology and archival science |
University of Edinburgh (Edinburgh , United Kingdom)
|
2022/05/09 | Idiosyncratic ways of preserving performing arts creation in an (digital) archive | TENOR 2022
PRISM (CNRS), the InCIAM Institut, Aix-Marseille University (AMU), Université Côte d’Azur (UCA) (Marseille, France)
|
2022/05/04 | A documentação de teatro-música: intersecções entre a musicologia e a arquivística histórica | Seminários Interartes e Intermedia (organizados pelo grupo THELEME do Centro de Estudos Comparatistas)
Faculdade de Letras (Lisbon, Portugal)
|
2021/07/28 | An analysis of music-theatre works understanding the interaction between the musicologist, the musician and the available documentation | BrumMAC 2021 - The Birmingham Music Analysis Conference 2021
University of Birmingham (Birmingham, United Kingdom)
|
2021/07/28 | Digital humanities research applied to avant-garde music theatre works: the case of Constança Capdeville collection. | 2021 IAML Congress (in association with DLfM)
International Association of Music Libraries, Archives and Documentation Centres (London, United Kingdom)
|
2021/05/07 | Music, performance and preservation: current perspectives for the documentation of works involving performance | NOVA Contemporary Music Meeting (NCMM21) — “Musical performance as creation“
NOVA University of Lisbon (Lisbon, Portugal)
|
2021/04/16 | A obra de Constança Capdeville: itinerários artísticos, sociais e afetivos (book launch) | WEBINAR GEOGRAFIAS CULTURAIS DA MÚSICA DO SOM E DO SILÊNCIO
LAB2.PT - UNIVERSIDADE DO MINHO - MUSEU NOGUEIRA DA SILVA (Braga, Portugal)
|
2021/01/28 | Documenting production processes for the recovery of Constança Capdeville's music theatre works. The creation of a proper environment for their preservation. | BARN VIRTUAL COLLOQUIA - SERIES ONE 2021
University of Leeds (Leeds, United Kingdom)
|
2020/11/18 | A comunicação entre a musicologia e as bibliotecas digitais em particular para a música contemporânea | 2.º Encontro Memória para Todos: Comunidades e Sustentabilidade
Fundação Mário Soares e Maria Barroso (Lisbon, Portugal)
|
2019/12/14 | Understanding the role of the piano thoughout Constança Capdeville’s works | IV International Contemporary Piano Meeting, 2019
ESMAE/CESEM (Porto, Portugal)
|
2019/10/09 | "Rewriting" Constança Capdeville’s works through documentation production | Tracking the creative process in music - TCPM 2019
FCSH, NOVA University of Lisbon (Lisboa, Portugal)
|
2019/06/29 | Philology as a systematic method of documentation and its application to the study of Constança Capdeville's musical works | Hidden archives, hidden practices: debates about music-making June 28 - 30, 2019
Departamento de Comunicação e Arte da Universidade de Aveiro (Aveiro, Portugal)
|
2019/06/25 | Music-Theatre in Gulbenkian's Contemporary Music Meetings: On Two Works by Constança Capdeville | Opera and the City: Technologies of Displacement and Dissemination
CESEM NOVA-FCSH (Lisboa , Portugal)
|
2019/03/22 | The complexity of analysing musical works comprising various means: a perspective on Constança Capdeville's works. | Música Analítica 2019
CITAR - Universidade Católica Portuguesa (Porto, Portugal)
|
2018/11/23 | What place does Constança Capdeville hold in contemporary Portuguese music history? | NOVA Contemporary Music Meeting (NCMM18) — International Conference
NOVA University of Lisbon (Lisboa, Portugal)
|
2018/11/16 | The Communication Between Musicology and Digital Libraries in Particular for Contemporary Music | BISA 2018 annual conference
National Library of Wales and the British Library (Aberysthwyth, United Kingdom)
|
2018/06/20 | A proposal of analysis for music-theatre works with electroacoustic. The case of Double by Constança Capdeville. | Electroacoustic Music Studies Network Conference - EMS18
Institute for Research in Musicology - IREMUS, Sorbonne University (Villa Finaly, Florence, Italy)
|
2017/11/11 | Processos criativos na música de Constança Capdeville: a importância da parte eletrónica | VII Encontro Nacional de Investigação em Música - ENIM 2017
Universidade do Minho (Braga) (Braga, Portugal)
|
2017/09/28 | A música já não pode viver mais sozinha". Diálogos entre música e cinema na obra de Constança Capdeville. | Encontro internacional O Cinema e as outras Artes
Faculdade de Artes e Letras Departamento de Comunicação e Artes - Universidade da Beira Interior (Covilhã, Portugal)
|
2017/09/15 | The Importance of the electronic part on seeking creative processes in music. | Tracking Creative Processes in Music - TCPM2017
Huddersfield University (Huddersfield, United Kingdom)
|
2017/06/08 | Recuperação do espólio de Constança Capdeville | Projeto Constança, Jornada de homenagem a Constança Capdeville (1937-1992), por ocasião do seu 80º aniversário
CESEM FCSH NOVA (Lisboa, Portugal)
|
2017/05/10 | Aesthetic issues on the analysis of Capdeville's music works and their relationship with technology. | International Conference Musiques électriques, électricité et musique
Université Paris 8 – Vincennes à St-Denis (Paris, France)
|
2016/11/24 | The presence of the past on the music of Constança Capdeville: an analysis of the work Mise-en-Requiem. | OLD IS NEW - The Presence of the Past in the Music of the Present
Escola Superior de Música de Lisboa e CESEM FCSH NOVA (Lisboa, Portugal)
|
2016/10/06 | How to reproduce electroacoustic music works of Constança Capdeville? Implications of the lack of recordings in the performance. | Bilateral International Conference Portugal/Italy Performance analysis: a bridge between theory and interpretation
Fundação Engenheiro António de Almeida e Casa da Música (Porto, Portugal)
|
2016/03/19 | The Gesture on the Musical Theatre Compositions of Constança Capdeville. | Porto International Conference on Musical Gesture as Creative Interface.
CITAR - Center of Academic Research of School of the Arts, Universidade Católica Portuguesa (Porto, Portugal)
|
2014/11/21 | O espólio em fitas magnéticas da compositora Clotilde Rosa. Ponto de partida para a preservação das suas obras mistas. | Encontro Nacional de Investigação em Música - IV ENIM 2014
Biblioteca Nacional de Portugal (Lisboa, Portugal)
|
Event organisation
Event name Type of event (Role) |
Institution / Organization | |
---|---|---|
2022/06/22 - 2022/06/22 | Member of the scientific organization and participation in the event: 1.º Ciclo de SMART TALKS entitled "Práticas de preservação
aplicadas à arte contemporânea nos domínios das artes plásticas, da música e da dança", in collaboration with researcher Andreia
Nogueira (integrated in the research center Techn & Art do Instituto Politécnico de Tomar). (2022/04/30 - 2022/06/22)
Meeting (Member of the Scientific Committee)
|
Instituto Politécnico de Tomar, Portugal |
2020/09/01 - 2021/07/31 | Nova Contemporary Music Meeting (NCMM21) — “Music Performance as Creation” (2021/05/05 - 2021/05/07)
Conference (Member of the Organising Committee)
|
Universidade Nova de Lisboa, Portugal |
2019/10/31 - 2019/10/31 | Screening of the film "Cerromaior" by Luís Filipe Rocha, with original music by Constança Capdeville - A talk with the director (2019/10/31 - 2019/10/31)
Meeting (Other)
|
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal |
2019/10/09 - 2019/10/11 | Tracking the creative process in music - TCPM 2019:
Membro da organização do evento, funções de secretariado e moderação de comunicações. (2019/10/09 - 2019/10/11)
Conference (Member of the Organising Committee)
|
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal |
2018/01/01 - 2018/11/23 | Nova Contemporary Music Meeting (NCMM18) — International Conference (2018/11/21 - 2018/11/23)
Conference (Member of the Organising Committee)
|
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal |
2016/09/01 - 2016/11/24 | OLD IS NEW - The Presence of the Past in the Music of the Present (2016/11/24 - 2016/11/26)
Conference
|
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal |
2013/01/01 - 2013/06/21 | EMS 2013: Electroacoustic Music in the context of Interactive Approaches and Networks (2013/06/17 - 2013/06/21)
Conference (Member of the Organising Committee)
|
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal |
Event participation
Activity description Type of event |
Event name Institution / Organization |
|
---|---|---|
2022/06/27 - 2022/07/04 | Participation in the Summer Course entitled “Music and Intangible Heritage: Leadership in Contemporary Creative and Curatorial
Practice”, provided by CEU Central European University at Budapest (by invitation)
Other
|
Central European University - Budapest Campus, Hungary
|
Ad Hoc journal article review
Journal title (ISSN) | Publisher | |
---|---|---|
2017/10/02 - 2018/01/31 | Journal of New Music Research (1744-5027) | Informa UK (Taylor & Francis) |
Conference scientific committee
Conference name | Conference host | |
---|---|---|
2020/11/01 - 2021/05/30 | Nova Contemporary Music Meeting (NCMM21) — “Music Performance as Creation” | NOVA University of Lisbon |
Course / Discipline taught
Academic session | Degree Subject (Type) | Institution / Organization | |
---|---|---|---|
2021/07/08 - 2021/07/08 | Global concerns in the context of archives, digital platforms and preservation of contemporary music | IMCC - Lisbon Masterclass (Erasmus +) (Licenciatura) | Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
2020/11/26 - 2020/11/26 | Archives, digital platforms and contemporary music preservation | (Mestrado) | Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal |
2019/12/03 - 2019/12/03 | The analysis of Contemporary Music: Capdeville's music-theatre works | Ciências Musicais /Musicology (Licenciatura) | Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
2019/11/28 - 2019/11/28 | Methodological and academic grounding in the area of Musicology: The documentation of musical works featuring different means including technological. | Curso de Mestrado em Artes Musicais / Masters in Musical Arts (Mestrado) | Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
2018/11/19 - 2018/11/19 | Methodological and academic grounding in the area of Musicology: the documentation of contemporary musical works including technological components (e.g. magnetic tape); main difficulties regarding the preservation of these works: preserving the means (magnetic tape and equiment); practices and methodologies used within archives. | Curso de Mestrado em Artes Musicais / Masters in Musical Arts (Mestrado integrado) | Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal |
Interview (tv / radio show)
Program | Topic | |
---|---|---|
2022/01/08 - 2022/01/08 | 'Conversas à Beira Minho' broadcast by Rádio Cultural de Cerveira | My research work regarding Constança Capdeville's music theatre |