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Filipa Magalhães holds a PhD in Musicology. She is a researcher at CESEM - Centre for the Study of the Sociology and Aesthetics of Music, FCSH, NOVA University of Lisbon. Her research focuses on documenting and preserving contemporary musical works featuring different technological components, as well as developing interdisciplinary methods and tools in order to document and study these works from a musicological viewpoint. In 2013, she completed an MA degree in Musical Arts: Music and Technology with her thesis entitled "Survey of magnetic tape collections: evaluation of their state of preservation". During this research period, she completed an internship at the Phonogrammarchiv - the Austrian Academy of Sciences, in Vienna, run by engineer Nadja Wallaszkovits. In 2014, she joined a training course at Institut National de l’Audiovisuel in Paris, a centre specialized in public cultural broadcasting, the retrieval and transmission of French audio-visual heritage, under the guidance of sound engineer Vincent Fromont. In 2017, she attended an internship at CSC - Centro di Sonologia Computazionale, integrated into the Department of Information Engineering, University of Padova, where the initial studies on the application of electronic and digital technologies to sound and music took place. There, under the guidance of Dr Sergio Canazza, she worked on the Luciano Berio and Luigi Nono audio collections. Currently, she specifically works on a set of music theatre works by the composer Constança Capdeville, with the purpose of recovering them through documentation, among other collections belonging to Portuguese contemporary music composers and ensembles. She intends to continue studying this body of work through this research project. Filipa Magalhães is a member of the Contemporary Music Research Group (GIMC), integrated into CESEM NOVA FCSH.
Identification

Personal identification

Full name
Ana Filipa Gonçalves de Magalhães

Citation names

  • Magalhães, Filipa

Author identifiers

Ciência ID
AE10-9B13-5284
ORCID iD
0000-0003-4230-825X

Email addresses

  • filipa.magalhaes@campus.fcsh.unl.pt (Professional)

Websites

  • https://gimccesem.wordpress.com/researchers/filipa-magalhaes/ (Professional)

Knowledge fields

  • Humanities - Arts - Performing Arts Studies (Musicology, Theater Science, Dramaturgy)

Languages

Language Speaking Reading Writing Listening Peer-review
Spanish; Castilian Beginner (A1) Intermediate (B1) Beginner (A1) Beginner (A1)
English Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
Italian Intermediate (B1) Intermediate (B1) Beginner (A1) Intermediate (B1)
French Beginner (A1) Intermediate (B1) Beginner (A1) Beginner (A1)
Education
Degree Classification
2021/09/20 - 2022/06/30
Concluded
Postgraduate Course in Historical Archivistics (Pós-Graduação)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
17/20
2016/03/01 - 2020/02/19
Concluded
Doctoral Degree Ph.D. in Musicology (Doutoramento)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
""A música já não pode viver sozinha": da interação rumo à identidade" (THESIS/DISSERTATION)
Muito Bom, por maioria / Very Good, by majority
2012/09/20 - 2014/04/08
Concluded
Diploma for Advanced Studies in Musicology (Diploma de especialização)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
16/20
2010/10/10 - 2013/01/25
Concluded
MA degree in Musical Arts: Music and Technology (Mestrado)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
"Levantamento de espólios fonográficos em fita magnética: Avaliação do Estado de Conservação das Fitas" (THESIS/DISSERTATION)
16/20
2007/10/10 - 2008/05/06
Concluded
Post-graduation course in Musicology: professional qualification for teaching (Especialização pós-licenciatura)
Major in Educational Sciences
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
14/20
2001/10/10 - 2006/06/20
Concluded
Bachelor in Musicology (Licenciatura)
Major in Musicology
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
"Tese Final da Licenciatura não exigida" (THESIS/DISSERTATION)
14/20
Affiliation

Others

Category
Host institution
Employer
2019/06/05 - Current Researcher Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2016/03/01 - 2019/02/28 PhD Candidate / FCT Fellow Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2017/02/22 - 2017/03/17 Trainee Universidade de Pádua - CSC - Sound and Music Computing Group, Italy
Universidade de Pádua - CSC - Sound and Music Computing Group, Italy
2008/10/01 - 2015/12/31 Administrative Assistant Intermúsica, Lda., Portugal
2014/09/01 - 2014/09/19 Trainee Institut National de l'Audiovisuel (INA), France
Archive vidéo et radio Ina, France
2011/08/25 - 2011/09/02 Trainee Phonogrammarchiv, Austria
Phonogrammarchiv, Austria
Projects

Contract

Designation Funders
2019 - Current CESEM Strategic Project (Ref.: FCSH / CESEM / UID/EAT/00693/2019)
Research Fellow
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2019 - 2022/06/30 Portuguese contemporary music composers and ensembles: collective heritage preservation
Integration into Research Grant Fellow
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Fundação para a Ciência e a Tecnologia
Ongoing
2016 - 2019/02/28 "'A música já não pode viver sozinha': Da interação rumo à identidade"
PD/BD/114395/2016
PhD Student Fellow
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Fundação para a Ciência e a Tecnologia
Concluded
Outputs

Publications

Book chapter
  1. Magalhães, Filipa. "A obra de Constança Capdeville: itinerários artísticos, sociais e afetivos". In Geografias Culturais da Música, do Som e do Silêncio, edited by Ana Francisca de Azevedo (AF1B-B63D-80BF); Duarte, Miguel Bandeira; Carlos Alberto Augusto; Beatriz Helena Furlanetto, 275-299. Braga, Portugal: Laboratório de Paisagens, Património e Território da Universidade do Minho/Lab2.PT, 2020.
    Published
  2. Magalhães, Filipa. "Constança Capdeville: “A música já não pode viver sozinha”. Diálogos entre música e cinema em Cerromaior (1980), de Luís Filipe Rocha.". In Cinema e Outras Artes II Diálogos e Inquietudes Artísticas, 215-229. Covilhã, Portugal: Universidade da Beira Interior, 2019.
    Published
Conference paper
  1. Magalhães, Filipa. "Idiosyncratic ways of preserving performing arts creation in an (digital) archive". Paper presented in TENOR 2022, Marseille, 2022.
    Published
  2. Magalhães, Filipa. "A comunicação entre a musicologia e as bibliotecas digitais em particular para a música contemporânea". Paper presented in 2.º Encontro Memória para Todos: Comunidades e Sustentabilidade, Lisbon, 2020.
    Submitted
  3. Magalhães, Filipa. "A proposal of analysis for music-theatre works with electroacoustic. The case of Double by Constança Capdeville.". Paper presented in Electroacoustic Music Studies Network Conference (EMS18), Florença, 2018.
    Published
  4. Magalhães, Filipa. "A documentação de coleções de fita magnética: o caso de Constança Capdeville.". Paper presented in III Encontro Ibero-americano de Jovens Musicólogos, Sevilha, 2016.
    Published
  5. Magalhães, Filipa; Nogueira, Andreia; Pires, Isabel; Macedo, Rita. "A preservação da performance musical contemporânea: o caso do espólio fonográfico em fitas magnéticas de Clotilde Rosa.". Paper presented in Processos de Musealização. Um Seminário de Investigação Internacional., Porto, 2014.
    Published
Conference poster
  1. Magalhães, Filipa. "A proposal of analysis for music-theatre works with electroacoustic. Double as a case study.". Paper presented in NOVA Science Day, 2019.
  2. Magalhães, Filipa; Magalhães, Filipa. "A análise de obras de teatro-música com electroacústica. O caso de Double de Constança Capdeville.". Paper presented in Ciência 2018 - Encontro de Ciência e Tecnologia em Portugal, 2018.
  3. Magalhães, Filipa. "New Methodologies to preserve mixed music works: the case of Constança Capdeville.". Paper presented in IASA 2016 47th Annual Conference, The International Association of Sound and Audiovisual Archives, 2016.
Journal article
  1. Magalhães, Filipa. "Material Sources, Lack of Notation and the Presence of Collaborators: The case of Double by Constança Capdeville". Organised Sound (2022): 1-13. https://doi.org/10.1017/S1355771822000346.
    Published • 10.1017/s1355771822000346
  2. Magalhães, Filipa. "Musicological Archaeology and Constança Capdeville". TDR: The Drama Review 66 3 (2022): 64-77. http://dx.doi.org/10.1017/s1054204322000302.
    Published • 10.1017/s1054204322000302
  3. Magalhães, Filipa. "Music, performance, and preservation: insights into documentation strategies for music theatre works". International Journal of Performance Arts and Digital Media 17 2 (2021): 1-25. https://doi.org/10.1080/14794713.2021.1974726.
    Published • 10.1080/14794713.2021.1974726
  4. Magalhães, Filipa. "Philology as a systematic method of documentation and its application to the study of Constança Capdeville's musical works". Interdisciplinary Studies in Musicology 20 (2021): 65-79. https://pressto.amu.edu.pl/index.php/ism.
    Open access • Published
  5. Magalhães, Filipa. "Reflexões em torno do teatro-música de Constança Capdeville". Dramaturgias 11 (2019): 88-102. http://dx.doi.org/10.26512/dramaturgias.v0i11.27385.
    Open access • Published • 10.26512/dramaturgias.v0i11.27385
  6. Magalhães, Filipa; Pires, Isabel. "Recovering Music-Theatre Works Involving Electronic Elements: The case of Molly Bloom and FE…DE…RI…CO…". Organised Sound 24 1 (2019): 96-108. http://dx.doi.org/10.1017/s1355771819000098.
    Published • 10.1017/s1355771819000098
  7. Pires, Isabel; Magalhães, Filipa; Nogueira, Andreia. "Preservation and technological obsolescence: Portuguese contemporary musical heritage in perspective". Journal of New Music Research 47 4 (2018): 355-364. http://dx.doi.org/10.1080/09298215.2018.1486433.
    Published • 10.1080/09298215.2018.1486433
  8. Magalhães, Filipa; Pires, Isabel. "Providing Access to Music-Theatre Works with Electronic Sound on Tape". International Association of Sound and Audiovisual Archives (IASA) Journal 47 (2017) (2018): 48-60. http://dx.doi.org/10.35320/ij.v0i47.55.
    Published • 10.35320/ij.v0i47.55
Journal issue
  1. Magalhães, Filipa; Wanke, Riccardo; Pires, Isabel. "Old Is New: The Presence of the Past in the Music of the Present International Conference Proceedings". NOVA Contemporary Music Journal 1 1 (2022): http://fabricadesites.fcsh.unl.pt/ncmm/nova-contemporary-music-journal-2/.
    Published • Editor
  2. Magalhães, Filipa; Wanke, Riccardo; Pires, Isabel. "Composing Music Today International Conference Proceedings". 2 1 (2022): http://fabricadesites.fcsh.unl.pt/ncmm/nova-contemporary-music-journal-2/.
    Published • Editor
Thesis / Dissertation
  1. Magalhães, Filipa. ""A música já não pode viver sozinha": Da interação rumo à identidade na obra de Constança Capdeville.". PhD, Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, 2020. http://hdl.handle.net/10362/96663.
  2. Magalhães, Filipa. "Levantamento de espólios fonográficos em fita magnética. Avaliação do Estado de Conservação das Fitas". Master, Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, 2013. http://run.unl.pt/handle/10362/9429.
Activities

Oral presentation

Presentation title Event name
Host (Event location)
2022/06/09 Music theatre preservation: Intersections between musicology and archival science
University of Edinburgh (Edinburgh , United Kingdom)
2022/05/09 Idiosyncratic ways of preserving performing arts creation in an (digital) archive TENOR 2022
PRISM (CNRS), the InCIAM Institut, Aix-Marseille University (AMU), Université Côte d’Azur (UCA) (Marseille, France)
2022/05/04 A documentação de teatro-música: intersecções entre a musicologia e a arquivística histórica Seminários Interartes e Intermedia (organizados pelo grupo THELEME do Centro de Estudos Comparatistas)
Faculdade de Letras (Lisbon, Portugal)
2021/07/28 An analysis of music-theatre works understanding the interaction between the musicologist, the musician and the available documentation BrumMAC 2021 - The Birmingham Music Analysis Conference 2021
University of Birmingham (Birmingham, United Kingdom)
2021/07/28 Digital humanities research applied to avant-garde music theatre works: the case of Constança Capdeville collection. 2021 IAML Congress (in association with DLfM)
International Association of Music Libraries, Archives and Documentation Centres (London, United Kingdom)
2021/05/07 Music, performance and preservation: current perspectives for the documentation of works involving performance NOVA Contemporary Music Meeting (NCMM21) — “Musical performance as creation“
NOVA University of Lisbon (Lisbon, Portugal)
2021/04/16 A obra de Constança Capdeville: itinerários artísticos, sociais e afetivos (book launch) WEBINAR GEOGRAFIAS CULTURAIS DA MÚSICA DO SOM E DO SILÊNCIO
LAB2.PT - UNIVERSIDADE DO MINHO - MUSEU NOGUEIRA DA SILVA (Braga, Portugal)
2021/01/28 Documenting production processes for the recovery of Constança Capdeville's music theatre works. The creation of a proper environment for their preservation. BARN VIRTUAL COLLOQUIA - SERIES ONE 2021
University of Leeds (Leeds, United Kingdom)
2020/11/18 A comunicação entre a musicologia e as bibliotecas digitais em particular para a música contemporânea 2.º Encontro Memória para Todos: Comunidades e Sustentabilidade
Fundação Mário Soares e Maria Barroso (Lisbon, Portugal)
2019/12/14 Understanding the role of the piano thoughout Constança Capdeville’s works IV International Contemporary Piano Meeting, 2019
ESMAE/CESEM (Porto, Portugal)
2019/10/09 "Rewriting" Constança Capdeville’s works through documentation production Tracking the creative process in music - TCPM 2019
FCSH, NOVA University of Lisbon (Lisboa, Portugal)
2019/06/29 Philology as a systematic method of documentation and its application to the study of Constança Capdeville's musical works Hidden archives, hidden practices: debates about music-making June 28 - 30, 2019
Departamento de Comunicação e Arte da Universidade de Aveiro (Aveiro, Portugal)
2019/06/25 Music-Theatre in Gulbenkian's Contemporary Music Meetings: On Two Works by Constança Capdeville Opera and the City: Technologies of Displacement and Dissemination
CESEM NOVA-FCSH (Lisboa , Portugal)
2019/03/22 The complexity of analysing musical works comprising various means: a perspective on Constança Capdeville's works. Música Analítica 2019
CITAR - Universidade Católica Portuguesa (Porto, Portugal)
2018/11/23 What place does Constança Capdeville hold in contemporary Portuguese music history? NOVA Contemporary Music Meeting (NCMM18) — International Conference
NOVA University of Lisbon (Lisboa, Portugal)
2018/11/16 The Communication Between Musicology and Digital Libraries in Particular for Contemporary Music BISA 2018 annual conference
National Library of Wales and the British Library (Aberysthwyth, United Kingdom)
2018/06/20 A proposal of analysis for music-theatre works with electroacoustic. The case of Double by Constança Capdeville. Electroacoustic Music Studies Network Conference - EMS18
Institute for Research in Musicology - IREMUS, Sorbonne University (Villa Finaly, Florence, Italy)
2017/11/11 Processos criativos na música de Constança Capdeville: a importância da parte eletrónica VII Encontro Nacional de Investigação em Música - ENIM 2017
Universidade do Minho (Braga) (Braga, Portugal)
2017/09/28 A música já não pode viver mais sozinha". Diálogos entre música e cinema na obra de Constança Capdeville. Encontro internacional O Cinema e as outras Artes
Faculdade de Artes e Letras Departamento de Comunicação e Artes - Universidade da Beira Interior (Covilhã, Portugal)
2017/09/15 The Importance of the electronic part on seeking creative processes in music. Tracking Creative Processes in Music - TCPM2017
Huddersfield University (Huddersfield, United Kingdom)
2017/06/08 Recuperação do espólio de Constança Capdeville Projeto Constança, Jornada de homenagem a Constança Capdeville (1937-1992), por ocasião do seu 80º aniversário
CESEM FCSH NOVA (Lisboa, Portugal)
2017/05/10 Aesthetic issues on the analysis of Capdeville's music works and their relationship with technology. International Conference Musiques électriques, électricité et musique
Université Paris 8 – Vincennes à St-Denis (Paris, France)
2016/11/24 The presence of the past on the music of Constança Capdeville: an analysis of the work Mise-en-Requiem. OLD IS NEW - The Presence of the Past in the Music of the Present
Escola Superior de Música de Lisboa e CESEM FCSH NOVA (Lisboa, Portugal)
2016/10/06 How to reproduce electroacoustic music works of Constança Capdeville? Implications of the lack of recordings in the performance. Bilateral International Conference Portugal/Italy Performance analysis: a bridge between theory and interpretation
Fundação Engenheiro António de Almeida e Casa da Música (Porto, Portugal)
2016/03/19 The Gesture on the Musical Theatre Compositions of Constança Capdeville. Porto International Conference on Musical Gesture as Creative Interface.
CITAR - Center of Academic Research of School of the Arts, Universidade Católica Portuguesa (Porto, Portugal)
2014/11/21 O espólio em fitas magnéticas da compositora Clotilde Rosa. Ponto de partida para a preservação das suas obras mistas. Encontro Nacional de Investigação em Música - IV ENIM 2014
Biblioteca Nacional de Portugal (Lisboa, Portugal)

Event organisation

Event name
Type of event (Role)
Institution / Organization
2022/06/22 - 2022/06/22 Member of the scientific organization and participation in the event: 1.º Ciclo de SMART TALKS entitled "Práticas de preservação aplicadas à arte contemporânea nos domínios das artes plásticas, da música e da dança", in collaboration with researcher Andreia Nogueira (integrated in the research center Techn & Art do Instituto Politécnico de Tomar). (2022/04/30 - 2022/06/22)
Meeting (Member of the Scientific Committee)
Instituto Politécnico de Tomar, Portugal
2020/09/01 - 2021/07/31 Nova Contemporary Music Meeting (NCMM21) — “Music Performance as Creation” (2021/05/05 - 2021/05/07)
Conference (Member of the Organising Committee)
Universidade Nova de Lisboa, Portugal
2019/10/31 - 2019/10/31 Screening of the film "Cerromaior" by Luís Filipe Rocha, with original music by Constança Capdeville - A talk with the director (2019/10/31 - 2019/10/31)
Meeting (Other)
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2019/10/09 - 2019/10/11 Tracking the creative process in music - TCPM 2019: Membro da organização do evento, funções de secretariado e moderação de comunicações. (2019/10/09 - 2019/10/11)
Conference (Member of the Organising Committee)
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2018/01/01 - 2018/11/23 Nova Contemporary Music Meeting (NCMM18) — International Conference (2018/11/21 - 2018/11/23)
Conference (Member of the Organising Committee)
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2016/09/01 - 2016/11/24 OLD IS NEW - The Presence of the Past in the Music of the Present (2016/11/24 - 2016/11/26)
Conference
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2013/01/01 - 2013/06/21 EMS 2013: Electroacoustic Music in the context of Interactive Approaches and Networks (2013/06/17 - 2013/06/21)
Conference (Member of the Organising Committee)
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Event participation

Activity description
Type of event
Event name
Institution / Organization
2022/06/27 - 2022/07/04 Participation in the Summer Course entitled “Music and Intangible Heritage: Leadership in Contemporary Creative and Curatorial Practice”, provided by CEU Central European University at Budapest (by invitation)
Other
Central European University - Budapest Campus, Hungary

Ad Hoc journal article review

Journal title (ISSN) Publisher
2017/10/02 - 2018/01/31 Journal of New Music Research (1744-5027) Informa UK (Taylor & Francis)

Conference scientific committee

Conference name Conference host
2020/11/01 - 2021/05/30 Nova Contemporary Music Meeting (NCMM21) — “Music Performance as Creation” NOVA University of Lisbon

Course / Discipline taught

Academic session Degree Subject (Type) Institution / Organization
2021/07/08 - 2021/07/08 Global concerns in the context of archives, digital platforms and preservation of contemporary music IMCC - Lisbon Masterclass (Erasmus +) (Licenciatura) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2020/11/26 - 2020/11/26 Archives, digital platforms and contemporary music preservation (Mestrado) Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2019/12/03 - 2019/12/03 The analysis of Contemporary Music: Capdeville's music-theatre works Ciências Musicais /Musicology (Licenciatura) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2019/11/28 - 2019/11/28 Methodological and academic grounding in the area of Musicology: The documentation of musical works featuring different means including technological. Curso de Mestrado em Artes Musicais / Masters in Musical Arts (Mestrado) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2018/11/19 - 2018/11/19 Methodological and academic grounding in the area of Musicology: the documentation of contemporary musical works including technological components (e.g. magnetic tape); main difficulties regarding the preservation of these works: preserving the means (magnetic tape and equiment); practices and methodologies used within archives. Curso de Mestrado em Artes Musicais / Masters in Musical Arts (Mestrado integrado) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal

Interview (tv / radio show)

Program Topic
2022/01/08 - 2022/01/08 'Conversas à Beira Minho' broadcast by Rádio Cultural de Cerveira My research work regarding Constança Capdeville's music theatre