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Art historian, teacher and researcher with more than ten years of professional experience. He has worked in varied areas related to education, arts and culture, mainly in public institutions (University of León, European Commission, University of Granada, Extremadura Regional Government...) As researcher his main aims are enclosed in the realm of contemporary art and its relations with wide aspects of culture and society at the present: digital humanities, new technologies, heritage and innovation, museums, gender studies... He has given lectures and talks in congresses, conferences and seminars, and he has published a large number of articles and papers, both at national and international level. He has done professional and academic stays in Brussels, Berlin and Lisbon. Mph and PhD in Art History, both at Granada University. He can develop a very wide range of tasks linked to the educational, cultural and editorial areas: research, cultural management, curation, content editor, coordinator of events, exhibitions... Currently he works as lecturer in the University of León, Spain.
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Identification

Personal identification

Full name
Luis David Rivero Moreno

Citation names

  • Rivero Moreno, Luis D.
  • LD Rivero Moreno
  • LDR Moreno

Author identifiers

Ciência ID
AD1A-FB39-8900
ORCID iD
0000-0002-0494-379X
Google Scholar ID
https://scholar.google.com/citations?user=6XleBQoAAAAJ&hl=es&oi=ao
Scopus Author Id
https://www.scopus.com/authid/detail.uri?authorId=57196000188

Email addresses

  • lrivem@unileon.es (Professional)

Telephones

Mobile phone
  • 968374994 (Personal)

Addresses

  • Rua Luís Monteiro 13, 1º esq, 1900-309, Lisbon, Lisbon, Portugal (Personal)

Websites

Knowledge fields

  • Humanities - Arts
  • Humanities - Arts - Art history

Languages

Language Speaking Reading Writing Listening Peer-review
Spanish; Castilian (Mother tongue)
English Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
Portuguese Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
Education
Degree Classification
2013/11/12
Concluded
 Doctor en Estudios Avanzados de Historia del Arte (Doctor)
Universidad de Granada, Spain
"Humanos y Humanoides. Autorrepresentación, identidad y deformación de la figura humana en el arte contemporáneo" (THESIS/DISSERTATION)
 Cum laude
2010/02/15
Concluded
 Master en Historia del Arte: Conocimiento y Tutela del Patrimonio Histórico (Master Universitario)
Universidad de Granada, Spain
 Sobresaliente
2007/09/27
Concluded
 Licenciado en Historia del Arte (Bachelor)
Universidad de Extremadura, Spain
Affiliation

Teaching in Higher Education

Category
Host institution 		Employer
2020/10/01 - Current Associate Professor (University Teacher) Universidad de León, Spain
2009/09/01 - 2020/03/12 Lecturer (University Teacher) Universidad de Granada, Spain
Projects

Grant

Designation Funders
2018/03/07 - 2019/05/31 H2020. ROCK project. Regeneration and Optimisation of Cultural Heritage in Creative and Knowledge Cities
730280
Researcher
Università di Bologna - Università di Bologna, Italy
 European Commission
Concluded
Outputs

Publications

Conference paper
  1. Luis David Rivero Moreno. "Cine, arte y demás fraudes: Banksy, Welles y las mentiras de la representación". 2011.
    10.6035/978-84-87510-57-1.2011.100
Journal article
  1. María Santandreu; Luis D. Rivero-Moreno. "Are contemporary art museums non-profit institutions? Axioms, paradoxes, and contradictions on the economic role of museums". Museum Management and Curatorship (2023): https://doi.org/10.1080/09647775.2023.2289120.
    10.1080/09647775.2023.2289120
  2. Luis D. Rivero-Moreno. "Cuestiones sobre la criptocultura y los NFTs. Hacia una estética del cansancio". Arte, Individuo y Sociedad (2023): https://doi.org/10.5209/aris.87798.
    10.5209/aris.87798
  3. Luis D. Rivero-Moreno. "La ciudad compartida: el patrimonio cultural como herramienta para la re-creación del relato urbano". Ciudad y Territorio Estudios Territoriales (2022): https://doi.org/10.37230/CyTET.2022.213.4.
    10.37230/CyTET.2022.213.4
  4. Luis D. Rivero Moreno. "Sustainable city storytelling: cultural heritage as a resource for a greener and fairer urban development". Journal of Cultural Heritage Management and Sustainable Development ahead-of-p ahead-of-p (2020): https://doi.org/10.1108/JCHMSD-05-2019-0043.
    10.1108/JCHMSD-05-2019-0043
  5. Luis David Rivero Moreno. "De la Historia a los relatos. El patrimonio cultural como herramienta de comunicación abierta, participación ciudadana y desarrollo urbano". revista PH (2019): https://doi.org/10.33349/2019.97.4384.
    10.33349/2019.97.4384
  6. Luis David Rivero Moreno. "La industria cultural necesita máquinas. La Alhambra: patrimonio, turismo y producción económica = Cultural Industry Needs Machines. Alhambra: Heritage, Tourism and Economic Production". Espacio Tiempo y Forma. Serie VII, Historia del Arte (2018): https://doi.org/10.5944/etfvii.6.2018.19096.
    10.5944/etfvii.6.2018.19096
  7. Moreno, Luis. "Museums and digital era: preserving art through databases". Collection and Curation (2018): http://dx.doi.org/10.1108/cc-02-2018-0002.
    10.1108/cc-02-2018-0002
  8. Moreno, L.D.R.. "Cultural industry needs machines. Alhambra: Heritage, tourism and economic production". Espacio, Tiempo y Forma, Serie VII: Historia del Arte 6 (2018): 451-472. http://www.scopus.com/inward/record.url?eid=2-s2.0-85058792337&partnerID=MN8TOARS.
    10.5944/etfvii.2018.19096
  9. Luis David Rivero Moreno. "Inmaterialidades. Problemas de conservacio´n del arte de los nuevos medios Inmaterialities. Problems of conservation of new media art". De Arte. Revista de Historia del Arte 16 (2017): 227-227. https://doi.org/10.18002%2Fda.v0i16.4974.
    10.18002/da.v0i16.4974
  10. Luis D. Rivero Moreno. "Artista contemporáneo busca público al que enfrentarse. Sobre el arte como hecho comunicativo". Liño 23 23 (2017): 147-147. https://doi.org/10.17811%2Fli.23.2017.147-158.
    10.17811/li.23.2017.147-158
  11. Rivero Moreno, L.D.. "Contemporary artist seeks audience to get involve. On art as a communicative fact,Artista contemporáneo busca público al que enfrentarse. Sobre el arte como hecho comunicativo". Lino 23 (2017): 147-158. http://www.scopus.com/inward/record.url?eid=2-s2.0-85042662797&partnerID=MN8TOARS.
  12. Moreno, L.D.R.. "Violence and control of the image. The femenine identity in the work ofanamendieta,Violencia y control de la imagen. La identidad femenina en la obra de ana mendieta". Ars Longa 26 (2017): 303-316. http://www.scopus.com/inward/record.url?eid=2-s2.0-85043329743&partnerID=MN8TOARS.
    10.7203/arslonga.26.10970
  13. María Barbaño González-Moreno; Luis D. Rivero Moreno. "Carolee Schneemann. El cine como autobiografía, la artista como actriz, el cuerpo como pincel". Revista Estudos Feministas (2017): https://www.redalyc.org/articulo.oa?id=38152752029.
  14. Luis David Rivero Moreno. "Todos somos artistas; todos somos maniquíes. O sobre el narcisismo en el mundo contemporáneo". Ars Bilduma 5 (2015): 107-121. https://doi.org/10.1387%2Fars-bilduma.11663.
    10.1387/ars-bilduma.11663
Activities

Oral presentation

Presentation title Event name
Host (Event location)
2022/12/05 Crisis, precariousness, and unsustainability. Some questions about new media art from a peripherical point of view
Interface Cultures, Kunstuniversität Linz (Austria) (Linz, Austria)
2022/10/18 Monstruosas. Mostración y demostración de las mujeres en el arte contemporáneo Investigación en el imaginario literario y artístico hispánico: actualidad, perspectivas y enfoques teórico-metodológicos
GEIG, Universidad de León (León, Spain)
2022/10/11 Cómo conservar Arte Digital. Da net.art ao blockchain Doutoramento em Estudos Artísticos - Artes e Mediações
NOVA FCSH, CAN, Universidade Nova de Lisboa (Lisbon, Portugal)
2022/07/06 Utopías y distopías de un arte entre la libertad, el liberalismo y el colapso. Where are we know? Curso de Verano ULE
Universidad de León / MUSAC (León, Spain)