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Identification

Personal identification

Full name
Anthony David Barker

Citation names

  • Barker, Anthony

Author identifiers

Ciência ID
A615-419E-F032
Education
Degree Classification
1977/09/01 - 1980/01/31
Concluded
 PhD Programme in English Studies (Doctor)
Major in Eighteenth-century Literature and Publishing
University of Oxford, United Kingdom
""Edward Cave, Samuel Johnson and the Gentleman's magazine (1731-54)"" (THESIS/DISSERTATION)
 N/A
1974/09/01 - 1977/07/31
Concluded
 English Language and Literature (Bachelor)
Major in English
University of Oxford Faculty of English Language and Literature, United Kingdom
 First class with honours
Affiliation

Teaching in Higher Education

Category
Host institution 		Employer
1984/01/01 - Current Associate Professor (University Teacher) Universidade de Aveiro Centro de Línguas Literaturas e Culturas, Portugal

Positions / Appointments

Category
Host institution 		Employer
2020/01/01 - 2023/01/15 Organic Unit Director Universidade de Aveiro, Portugal
Universidade de Aveiro Centro de Línguas Literaturas e Culturas, Portugal
2008/06/12 - 2014/02/26 Member of Scientific Council Universidade de Aveiro, Portugal
2001/05/01 - 2003/05/01 Vice-President Associação Portuguesa de Estudos Anglo-Americanos, Portugal
1991/05/06 - 1993/05/06 President Associação Portuguesa de Estudos Anglo-Americanos, Portugal
Associação Portuguesa de Estudos Anglo-Americanos, Portugal
1988/09/01 - 1992/09/01 Organic Unit Director Universidade de Aveiro, Portugal
Universidade de Aveiro Departamento de Línguas e Culturas, Portugal
Projects

Contract

Designation Funders
1998/09/01 - 2001/09/01 "Translators and Interpreters"
Tempus JEP 12007/97
Researcher
Universidade de Aveiro, Portugal
Concluded
1996/09/01 - 1999/09/01 Poland and the European Union
Tempus JEP 11114/96
Supervisor
Universidade de Aveiro, Portugal
Concluded
1994/09/01 - 1997/09/01 “European Life and Institutions”
Tempus JEP 7457/94
Researcher
European Training Foundation, Italy
Concluded
Outputs

Publications

Book
  1. Barker, Anthony. Body and Text: Cultural Transformations in New Media Environments. Cham, Switzerland: Springer. 2019.
    Published • Editor
  2. Barker, Anthony. Personal Narratives, Peripheral Theatres: Essays on the Great War 1914-18. Cham, Switzerland. 2018.
    Published
  3. Karolewski, Ireneusz Pawel; Wilga, Maciej. Poland and the European Union. Poznan, Poland: Oxford University Press. 2018.
    10.1093/acrefore/9780190228637.013.258 • Editor
  4. Barker, Anthony. Identity and Intercultural Exchange in Travel and Tourism.. Bristol, United Kingdom: Channel View Publications. 2015.
    Published • Editor
  5. Barker, Anthony. Success and Failure. Aveiro, Portugal: Universidade de Aveiro. 2009.
    Published • Editor
  6. Barker, Anthony. Giving and Taking Offence/ Ofender e Ser Ofendido. Aveiro, Portugal: University of Aveiro. 2008.
    Published • Editor
  7. Barker, Anthony. Television, Aesthetics and Reality. Newcastle, United Kingdom: Cambridge Scholars. 2006.
    Published • Editor
  8. Barker, Anthony. O Poder e a Persistência dos Estereótipos / The Power and Persistence of Stereotyping. Aveiro, Portugal: Universidade de Aveiro. 2004.
    Published • Editor
  9. Barker, Anthony. ., A Europa: Realidade e Fantasia / Europe: Fact and Fiction. Aveiro, Portugal: Universidade de Aveiro. 2001.
    Published • Editor
  10. Barker, Anthony. European Life and Institutions. Turin, Italy: European Training Foundation. 2001.
    Published • Editor
  11. Karolewski, Ireneusz Pawel; Wilga, Maciej. Poland and the European Union. Poznan, Poland: Adam Mickiewicz University. 2001.
    Published • 10.1093/acrefore/9780190228637.013.258 • Editor
Book chapter
  1. Barker, Anthony. "Bourne-again Bond: Retooling the Spy Story in the new Millennium". In Visual Storytelling in the 21st Century: the Age of the Long Fragment, ?-?. Basingstoke, United Kingdom: Palgrave, 2024.
    In press
  2. Barker, Anthony. "“Always Be Closing: An ABC of Business in English Language Feature Films”". In Exploring Business, Language and Culture, 238-255. Cham, Switzerland: Springer, 2020.
    Published
  3. Barker, Anthony. "From the River Kwai to Madison County: Bridges as Metaphors in Film and TV". Newcastle, United Kingdom: Cambridge Scholars Publishing, 2018.
    Published
  4. Barker, Anthony. "African Queens and Ice-Cream Wars: Fictional and Filmic Versions of the East African Conflict of 1914–18". In Personal Narratives, Peripheral Theatres: Essays on the Great War (1914–18), 225-238. Springer International Publishing, 2017.
    10.1007/978-3-319-66851-2_15
  5. Machado, Elsa; Barker, Anthony. "Of Body and Mind, of Matter and Spirit: War and Melancholia in Dalton Trumbo’s Johnny Got His Gun (1938 and 1971)". In Personal Narratives, Peripheral Theatres: Essays on the Great War (1914–18), 153-165. Springer International Publishing, 2017.
    10.1007/978-3-319-66851-2_10
  6. Barker, Anthony. "Face-off, Stand-off, Voice-off, Music-off: Forms of Address in the Films of Quentin Tarantino and the Coen Brothers". Katowice, Poland: University of Silesia Press, 2016.
    Published
  7. Barker, Anthony. "“Commercial Cinema, Location Shooting and “the Tourism Effect.””". In Identity and Intercultural Exchange in Travel and Tourism. Bristol, United Kingdom: Channel View, 2015.
    Published
  8. Barker, Anthony. "“Deaths in Venice: Dying for a Holiday.”". In Identity and Intercultural Exchange in Travel and Tourism. Bristol, United Kingdom: Channel View, 2015.
    Published
  9. Barker, Anthony. "“The Afterlife in Film and Media of Dickens’s Ebenezer Scrooge”". In Languages and Literatures in Contact: English and American Studies in the Age of Global Communication, 123-136. Krakow, Poland: Tertium Publishers, 2013.
    Published
  10. Barker, Anthony. "“Survivalist Violence in American Cinema of the early 1970s”". Opole, Poland: University of Opole, 2013.
    Published
  11. Barker, Anthony. ""Anarchtopia: Zany Film Comedy from the Marx Brothers to Monty Python”". 71-92. Newcastle, United Kingdom: Cambridge Scholars Publishing, 2012.
    Published
  12. Barker, Anthony. "“Time, Space and Police Procedure in The Silence of the Lambs (1991) and Fargo (1996)"". In Cartographies of Culture: Memory, Space, Representation., 163-178. Frankfurt, Germany: Peter Lang, 2010.
    Published
  13. Barker, Anthony. "“Property. Place and Mood in Three British Crime Films”". 336-344. Newcastle, United Kingdom: Cambridge Scholars Publishing, 2010.
    Published
  14. Barker, Anthony. "“Re-living the Living Legend: The Singer Biopic as Film Musical Redux in the Age of Television”". In Generic Attractions: New Essays on Film Genre Criticism, 231-246. Paris, France: Michel Houdiard Editeur, 2010.
    Published
  15. Barker, Anthony. "“Research Topics and Methodologies in Film Studies”". 91-106. Coimbra: Verso edições, 2009.
    Published
  16. Barker, Anthony. "“Adapting the Really Big Book: the Performance History of Thackeray’s Vanity Fair (1848)”". 115-134. Braga, Portugal: Braga: Colecção Hespérides/ Literatura/ 23, 2009.
    Published
  17. Barker, Anthony. "“Teaching and the Classroom in Popular Film Culture"". In On Language, Structure, Acquisition and Teaching, 399-410. Katowice, Poland: University of Silesia Press, 2009.
    Published
  18. Barker, Anthony. "“Always Be Canting!” – Success-speak in David Mamet’s Glengarry Glen Ross (1984 and 1992) and Michael Moore’s Roger and Me (1989)"". In Success and failure, 105-115. Aveiro, Portugal: University of Aveiro, 2009.
    Published
  19. Barker, Anthony. "“After the Strange Gods of Television: Lumet’s Network (1976) and Ashby’s Being There (1979)”". In (Ex)changing Voices, Expanding Boundaries. Évora, Portugal: Universidade de Évora, 2009.
    Published
  20. Barker, Anthony. "“Big City Corruption, Small Town Venality: Gay’s The Beggar’s Opera (1728)”". In Images of the City, 170-180. Newcastle, United Kingdom: Cambridge Scholars Publishing, 2009.
    Published
  21. Barker, Anthony. "“‘You should only get cancer!’ – Television and Wasted Lives”". 50-61. Warsaw, Poland: Warsaw Institute of Psychology, 2008.
    Published
  22. Barker, Anthony. "“Duels and Duellists: Joseph Conrad and Taking Offence to the Grave”". 25-35. Aveiro, Portugal: Universidade de Aveiro, 2008.
    Published
  23. Barker, Anthony. "“Faust: Selling Your Soul in Genre Cinema”". 33-44. Lublin, Poland: Universidade de Lublin, 2008.
    Published
  24. Barker, Anthony. "“River Kwai and the Japanese POW Camp Movie: A Multiculturalism too Far?”". In Multicultural Dilemmas: Identity, Difference, Otherness, 193-206. Frankfurt, Germany: Peter Lang, 2008.
    Published • 10.2307/j.ctt18fs4g5.13
  25. Barker, Anthony. "“Radio on the London Orbital: Chris Petit and the British Post-Industrial Road Movie”". 287-297. Braga, Portugal: Universidade do Minho, 2007.
    Published
  26. Barker, Anthony. "“Playing for Real’: Recent British “Mockumentary” and “Docucom” Television Series”". In Television, Aesthetics and Reality, 135-153. Newcastle, United Kingdom: Cambridge Scholars Press, 2006.
    Published
  27. Barker, Anthony. "“Television Drama Series’ Incorporation of Film Narrative Innovation: the case of 24”". In Television, Aesthetics and Reality, 166-179. Newcastle, United Kingdom: Cambridge Scholars Press, 2006.
    Published
  28. Barker, Anthony. "“Carved Up: Robert Altman’s Short Cuts (1993)"". 113-122. Poznan, Poland: University of Poznan Press, 2006.
    Published
  29. Barker, Anthony. "“Esperanto for Computer Geeks? Teaching and Learning English Cultures in the Age of Instrumentality”". 79-88. Krakow, Poland: Krakow Academy Press, 2005.
    Published
  30. Barker, Anthony. "“Disregarding Henry: James on Film in the Hollywood Studio Era”". 35-51. Warsaw, Poland: University of Warsaw Press, 2005.
    Published
  31. Barker, Anthony. "“People will pay you to do that? Downsizing “Genius” in Contemporary Cinema”". In O Poder e a Persistência dos Esteréotipos / The Power and Persistence of Stereotyping, 241-252. Aveiro, Portugal: Universidade de Aveiro, 2004.
    Published
  32. Barker, Anthony. "“Casting Around for Meaning in A Perfect World”". In Landscapes of Memory / Paisagens da Memoria. Lisboa, Portugal: Universidade Católica de Lisboa, 2004.
    Published
  33. Barker, Anthony. "“Televisualizing the 1950s – Appropriation and Anachronism in Recent Hollywood Comedy”". In Memory, Imagination and Desire in Contemporary Anglo-American Literature and Film, 175-185. Heidelberg, Germany: Universitatsverlag Heidelberg, 2004.
    Published
  34. Barker, Anthony. "“Carousing till the Second Cock: The Playboy Macbeth”". 41-51. Plzen, Czech Republic: University of Plzen, 2003.
    Published
  35. Barker, Anthony. "“O’erstepping the Modesty of Nature: Reflecting on Performance Style and Meaning in filmed and televised versions of Hamlet”". In Línguas: Futuro Mais-Que-Perfeito?, 31-40. Aveiro, Portugal: Universidade de Aveiro, 2002.
    Published
  36. Barker, Anthony. "“Hidden Persuaders: British Television Sitcom’s Discourse on Europe since 1975”". 159-174. Aveiro, Portugal: Universidade de Aveiro, 2001.
    Published
Dictionary entry
  1. Barker, Anthony. "Cave, Edward (1691–1754)". In Oxford Dictionary of National Biography. Oxford University Press, 2018. http://dx.doi.org/10.1093/odnb/9780192683120.013.4921.
    10.1093/odnb/9780192683120.013.4921
Journal article
  1. Barker, Anthony. "“From Courtroom to Carnival: Film’s Recreation of the Great War 50 years on”". Anglo-saxonica (2018):
    Published
  2. Barker, Anthony. "“Long Walks, Incredible Journeys: Popular Fantasies of Escape and Returning Home”". Exodus (2018):
  3. Barker, Anthony. "“Consider Yourself One of Us”: The Dickens Musical on Stage and Screen". Text Matters 7 7 (2017): 241-257. http://dx.doi.org/10.1515/texmat-2017-0013.
    10.1515/texmat-2017-0013
  4. Barker, Anthony. "On Not Being Porn: Intimacy and the Sexually Explicit Art Film". Text Matters - A Journal of Literature, Theory and Culture 3 3 (2013): http://dx.doi.org/10.2478/texmat-2013-0034.
    10.2478/texmat-2013-0034
  5. Barker, Anthony. "“Blood Oath and the Return of the Japanese POW Movie”". (2005): 25-34.
    Published
  6. Barker, Anthony. ""Lost Highways and Straight Stories: The Road Movies of David Lynch"". RUA-L 19/20 (2003): 251--260.
    Published
  7. Barker, Anthony. "“Getting Knotted: Four Weddings, Notting Hill and the Special Relationship”". (2001): 321-331.
    Published
Translation
  1. Barker, Anthony. “Zlekcewazony Henry: James w adaptacjach filmowych epoli wielkich studiów filmwych Hollywood”. Torun, Poland: University of Torun. 2005.
    Published
Activities

Oral presentation

Presentation title Event name
Host (Event location)
2023/07/13 "A Photographer on the Lot: still-crazy after all these years" International Conference on "Photography: From Leicas to Likes"
University of Aveiro (CLLC) and ISCAP-IPP. (Porto, Portugal)
2023/05/19 The Hegemony of Educational Technology in the 21st century: psychological and institutional perspectives. 34th International Conference on Foreign / Second Language Acquisition.
University of Silesia ( Szczyrk, Poland)
2022/09/29 “The Fog of War Memoirs: A Case Study.” "A fúria de Aquiles - the Rage of Achilles"
Universidade de Aveiro (Aveiro, Portugal)
2022/07/20 “Making Sense of the Gulf Wars (1991 & 2003) in Commercial Cinema” Mundos em Mudança
University of Aveiro (CLLC) (Aveiro, Portugal)
2022/07/01 “Bourne-again Bond: Retooling the Spy Story in the new Millennium” Visual Storytelling
University of Aveiro (CLLC) (Aveiro, Portugal)
2021/05/21 “In Praise of Silent Comedy.” Portuguese Association of Anglo-American Studies 41st Annual Conference
University of Aveiro (CLLC) (Aveiro, Portugal)
2021/05/02 “The Tree of Life or the Life of Trees? The Eco-films of Terrence Malick” European Association of American Studies Annual Conference
University of Warsaw (Warsaw, Poland)

Supervision

Thesis Title
Role 		Degree Subject (Type)
Institution / Organization
2014/08/19 - 2018/03/20 "Masculinity, Melancholia and Misogyny in the Films of Sam Peckinpah"
Supervisor
 Programa Doutoral em Estudos Culturais (PhD)
Universidade de Aveiro, Portugal
2013/09/15 - 2017/05/06 HItchcock on the Couch: A Lacanian Study of the Films of Alfred Hitchcock"
Supervisor
 Programa Doutoral em Estudos Culturais (PhD)
Universidade de Aveiro, Portugal
2009/05/04 - 2013/06/06 "A Convergência do Cinema e a Realidade Virtual"
Co-supervisor
 Programa Doutoral em Comunicação (PhD)
Universidade de Aveiro, Portugal
2007/09/03 - 2011/04/21 "Sources, Signification and Genre Stability in Classic Filme Noir"
Supervisor
 Programa Doutoral em Estudos Culturais (PhD)
Universidade de Aveiro, Portugal

Event organisation

Event name
Type of event (Role) 		Institution / Organization
2023/07/13 - 2023/07/14 "Photography: From Leicas to Likes" - the photographic image as it enters the digital age (2023/07/13 - 2023/07/14)
Conference (Co-organisor)
 Universidade de Aveiro Centro de Línguas Literaturas e Culturas, Portugal
2022/07/20 - 2022/07/22 Mundos em Mudança: Changing Worlds" (2022/07/20 - 2022/07/22)
Conference (Member of the Scientific Committee)
 Universidade de Aveiro Centro de Línguas Literaturas e Culturas, Portugal
2022/06/30 - 2022/07/01 "Visual Storytelling" - narrative in new media (2022/06/30 - 2022/07/01)
Conference (Co-organisor)
 Universidade de Aveiro Centro de Línguas Literaturas e Culturas, Portugal
2019/09/23 - 2019/09/25 "Treacherous Words: Fake News, Censorship and the Unsayable", (2019/09/23 - 2019/09/25)
Conference (President of the Organising Committee)
 Universidade de Aveiro, Portugal
2019/03/26 - 2019/03/26 "India in the World." (2019/03/26 - 2019/03/26)
Conference (Co-organisor)
 Universidade de Aveiro, Portugal

Conference scientific committee

Conference name Conference host
2018/09 - Current Moving Texts University of Aveiro
2015/07/06 - Current Peripheral Theatres of the First World War Dept of Languages, University of Aveiro
2017/06/29 - 2017/07/01 "Transformers: all that is solid changes into something else" Universidade de Aveiro

Course / Discipline taught

Academic session Degree Subject (Type) Institution / Organization
2017/09/01 - 2023/05/01 Director of the Doctoral Programme in Cultural Studies Cultural Studies (Doutoramento) Universidade de Aveiro, Portugal

Evaluation committee

Activity description
Role 		Institution / Organization Funding entity
2023/06/06 - 2023/07/15 Member of A3Es panel accrediting humanities courses
Member
 University of Macau, Macau SAR China
2023/06/05 - 2023/06/15 A3Es panel accrediting a course in communication and digital transformation
President
 Universidade de Trás-os-Montes e Alto Douro Centro de Estudos em Letras, Portugal
2022/06/20 - 2022/06/22 Member of A3Es panel accrediting humanities courses
Member
 Universidade do Minho, Portugal
2021/10/06 - 2021/10/08 Member of A3Es panel accrediting humanities courses
Member
2021/09/29 - 2021/09/30 Member of A3Es panel accrediting humanities courses Universidade de Madeira - Ciências Humanas, Portugal
2016/10/27 - 2017/02/01 Member of A3Es panel doing accreditation of humanities courses
Evaluator
 Instituto Politécnico de Bragança Escola Superior de Comunicação Administração e Turismo, Portugal

Universidade do Algarve - Campus de Gambelas, Portugal 		Fundação para a Ciência e a Tecnologia
Distinctions

Award

2000 Krzyzem kawalerskim orderu zaslugi rzecyzpospolitej polskiej *Medal for Services to Polish Education

Title

1981 Mumby Fellow in Bibliography
University of Cambridge Darwin College, United Kingdom