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Identification

Personal identification

Full name
Ana Margarida Andrade Cardoso

Citation names

  • Cardoso, Ana
  • Ana Cardoso
  • Cardoso, A.
  • Cardoso, A. M.
  • Ana Margarida Cardoso

Author identifiers

Ciência ID
A516-C92A-2221

Email addresses

  • ana.cardoso@museusemonumentos.pt (Professional)

Languages

Language Speaking Reading Writing Listening Peer-review
Portuguese (Mother tongue)
Education
Degree Classification
2011
Concluded
 Engenharia dos Materiais (Mestrado)
Universidade Nova de Lisboa Faculdade de Ciências e Tecnologia, Portugal
"Estudo científico dos materiais de uma pintura" (THESIS/DISSERTATION)
 14
2010
Attended
 Conservação e Reabilitação de Interiores (conclusão de unidades curriculares) (Mestrado)
Escola Superior de Artes Decorativas, Portugal
 16
Affiliation

Other Careers

Category
Host institution 		Employer
2023/12/29 - Current Técnico Superior (Técnico Superior) Museums and Monuments of Portugal, P.B.E. - José de Figueiredo Laboratory, Portugal
Laboratório José de Figueiredo, Portugal

Positions / Appointments

Category
Host institution 		Employer
2020 - 2022 Membro (eleito) do Senado (representação dos estudantes) Universidade de Évora, Portugal
Universidade de Évora, Portugal

Others

Category
Host institution 		Employer
2017/02 - 2017/03 Prestadora de Serviços Universidade de Évora, Portugal
Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal
2016/07 - 2016/12 Bolseira de Investigação 2BI/FLEXSTONE/2016 - Novas tecnologias para a competitividade da Pedra Natural Universidade de Évora, Portugal
Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal
2015/07 - 2016/06 Bolseira de Investigação PD/BI/114109/2015 Fundação para a Ciência e a Tecnologia, Portugal
Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal
2015/01 - 2015/05 Prestadora de Serviços Universidade de Évora, Portugal
Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal
2013/04 - 2014/12 Bolseira de Investigação ALENT-07-0224-FEDER-001761 "IMAGOS - Innovative Methodologies in Archaeology, Archaeometry and Geophysics - Optimizing Strategies X LARES" Universidade de Évora, Portugal
Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal
2012/06 - 2013/03 Bolseira de Investigação PTDC/EAT-HAT/115692/2009 - "ON FINARTS - On the importance of Flemish painting in the national artistic production in the sixteenth century" Fundação para a Ciência e a Tecnologia, Portugal
Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal
2010/03 - 2012/02 Bolseira de Investigação PTDC/EAT-HAT/100868/2008 - "The invisible ground layer and its influence in Portuguese painting of the fifteenth and sixteenth centuries: an issue to be resolved" Fundação para a Ciência e a Tecnologia, Portugal
Laboratório José de Figueiredo, Portugal
Projects

Contract

Designation Funders
2021 - 2022 António Carneiro: painting collection of Oporto City Museum. Study and conservation in the 150th anniversary of the painter's birth. / António Carneiro: coleção de pintura do Museu da Cidade do Porto. Estudo e conservação nos 150 anos do nascimento do pintor.
AC-MCP_150ANOS
Universidade Católica Portuguesa Centro de Investigação em Ciência e Tecnologia das Artes, Portugal

Laboratório Hercules Herança Cultural Estudos e Salvaguarda, Portugal

Câmara Municipal do Porto, Portugal

Other

Designation Funders
2021/09/01 - 2022/09/01 Identificar para conservar: Estudo de uma pintura do séc. XVI (?) do Museu Dra Berta Cabral - Vila Flor
ALT20-03-0145-FEDER-022115
 Fundação para a Ciência e a Tecnologia
Ongoing
Outputs

Publications

Book chapter
  1. Antunes, Vanessa; Candeias, António; Valadas, Sara; Cardoso, Ana; Francisco, Maria J.; Lauw, Alexandra; Manso, Marta; Pereira, Fernando A. B.; Carvalho, Maria L.. "Travelling Masterpieces from Flanders to Portugal: Jorge Afonso’s Portuguese ‘Copy’ of Quentin Metsys’s Apparition of the Angel to Saints Clare, Agnes, and Colette". In Art, Travel, and Exchange between Iberia and Global Geographies, c. 1400–1550, 384-404. BRILL, 2024.
    10.1163/9789004707474_014
  2. Gil M.; Costa M.; Cardoso A. M.; Helvaci Y. Z.; Bhattacharya S.; Candeias A.. "Science applied to modern mural painting studies. Traditional pigments and innovations in Almada Negreiros’ working palettes at the DN building in Lisbon (Phase 2)". In On mural painting – Almada Negreiros, Spain and dictatorships. Conservation and art historical approaches, 71-94. 2024.
    Published
  3. Valadas, Sara; Miguel, Catarina; Miriam Pressato; Bottura Scardina, Silvia; Candeias, António; Ana Margarida Cardoso. "Estudo Analítico do Retrato de D. João IV". In Pinto para os Tempos a imagem de hum Rey - Contributos para o estudo da pintura de José de Avelar Rebelo, edited by Susana Varela Flor; Sara Valadas. Portugal: Fundação da Casa de Bragança, 2023.
    In press
  4. Cristina Galacho; Moita, Patrícia; Ana Cardoso; A. Soluiman; Boieiro, Dora; I. Bocchi; Mirao, Jose; Beltrame Massimo. "Caracterização de Argamassa, embrechados, eflorescências salinas e pigmentos". In A casa de fresco do Paço de São Miguel, 60-68. Évora, Portugal: Fundação Eugénio de Almeida, 2023.
    Published
  5. Ferrer, Jin Strand; Sandu, Irina Crina Anca; Syversen, Terje; Cardoso, Ana Margarida; Candeias, António; Borca, Camelia N.. "Investigating Colour Changes in Red and Blue Paints – A Preliminary Study of Art Materials and Techniques in Edvard Munch’s Old Man in Warnemünde (1907)". In Conservation of Modern Oil Paintings, 209-218. Springer International Publishing, 2019.
    Published • 10.1007/978-3-030-19254-9_15
  6. Mimoso, J.; Pais, Alexandre; Simões, João Miguel; Teresa Morna; Sílvia R. M. Pereira; Ana Margarida Cardoso; Maria de Lurdes Esteves; Antunes, Maria Augusta; António Candeias. "The many questions raised by the 16th century Sevillian azulejos in Igreja de São Roque in Lisbon". In Studies in Heritage Glazed Ceramics - On the origin of majolica azulejos production in Portugal, edited by Rodrigues, J. D., 51-72. LISBOA, Portugal: LNEC, 2019.
    Published
  7. Ana Cardoso; Ana F. Machado; António Candeias; José Carlos Frade; Sara Valadas. "No rasto do original: Considerações sobre o estudo material e técnico de escultura polícroma". Portugal, 2018.
    Published
  8. Milene Gil; Cátia Souto; Ana Cardoso; José Mirão. "Caracterização técnica, material e de diagnóstico das pinturas murais da parede fundeira da ermida de São Pedro da Ribeira". Portugal, 2016.
    Published
  9. Milene Gil; Luís Dias; Ana Cardoso; Catarina Miguel; Ana Manhita; Sérgio Martins; Cristina Dias; José Mirão; António Candeias. "Charola do Convento de Cristo em Tomar: matéria e técnica das pinturas murais do octógono central (novas perspetivas)". In A Charola de Tomar, Novos dados, novas interpretações 2016, 84-109. Direcção Geral do Património Cultural, 2016.
    Published
  10. Maia, B; Frade, J; Calvo, A; Candeias, A; Mirão, J; Cardoso, A. "Obras de Grão Vasco e da sua Oficina". ed. Overprint, 2014.
Conference abstract
  1. Ana Teresa Teves Reis; António Estêvão Grande Candeias; Fernando António Baptista Pereira; Sara Sofia Galhano Valadas; Ana Margarida Cardoso; Ana Filipa Machado. "Materials Science in the distinction of original paint layers and restoration interventions: The Vice-Roys portrait gallery". 2019.
Conference paper
  1. Ana Teresa Teves Reis; Valadas, Sara; Candeias, António; Fernando António Baptista Pereira; Ana Margarida Cardoso; Ana Filipa Barbosa Machado; Piorro, Luís Pedro; et al. "The Viceroys gallery of Goa. Technical study of an Indo-Portuguese portrait collection". Paper presented in Seventh Forbes Symposium on Technical Studies of Asian Art, Washington DC, 2023.
    In press
  2. T. Madeira; A. Le Gac; C. Pires; S. Valadas; A. M. Cardoso; J. P. Veiga; J. Mirão; et al. "Tubes of paint used by Vieira da Silva (1908-1992): Application of Raman spectroscopy and complementary techniques". Paper presented in 10th Congress on Application of Raman Spectroscopy in Art and Archaeology, Potsdam, 2019.
  3. Sílvia R. M. Pereira; Maria Augusta Antunes; Ana Margarida Cardoso; Mafalda Costa; José Delgado Rodrigues; Lurdes Esteves; José Mirão; António Candeias; João M. Mimoso. "Influence of the production technology on the morphologic characteristics of azulejos". Paper presented in GlazeArt 2018, 2018.
  4. Alexandre Pais; Maria José Sequeira; Maria de Jesus Monge; Maria de Lurdes Esteves; Inês Castanheira; António Valongo; Cláudia Manso; et al. "16th century azulejos: what lies beneath the ground of Lisbon?". Paper presented in GlazeArt 2018, 2018.
  5. João Manuel Mimoso; Dória Rodrigues Costa; Maria Augusta Antunes; Ana Margarida Cardoso; Lurdes Esteves; José Mirão; Alexandre Pais. "SEM-EDS research on mineral inclusions found in the biscuit of azulejos as a tool for provenance studies". Paper presented in GlazeArt 2018, Lisboa, 2018.
  6. Sofia Gomes; Carolina Ferreira; Nascimento, Virgínia Glória; Luís Piorro; Ana Cardoso; António Candeias; Mercês Lorena. "Painting colours: original vs overpaint". Paper presented in Conferencia internacional Colours 2015, Évora, 2015.
    Published
  7. Oliveira, Maria; Crespo, Teresa; Sónia, Costa; Cristina Dias; Manhita, Ana; Ana Cardoso; Luis Dias; Candeias, António. "Material characterization of Gilding and Painting tecniques of a Post-byzantine icon". 2015.
    Published • 10.34618/ecr.7.9887
  8. Sara Valadas; Ana Cardoso; José Mirão; Cristina Barrocas Dias; Rita Vaz Freire; António Candeias. "A pintura flamenga em Évora no Século XVI: novas perspectivas sobre a obra atribuída a Frei Carlos". 2013.
  9. Oliveira, M.; Murta, E.; Dias, Luís; Ferreira, Teresa; Mirão, José; Barrocas Dias, Cristina; Candeias, António; Cardoso, Ana. "Estofado Materials and Techniques - Contribution for the Characterization of Regional Production of Baroque Polychrome Sculptures - a Case Study". Paper presented in Working Group Interim Meeting on Polychrome Sculpture: Decorative Practice and Artistic Tradition, 2013.
    Published
  10. Helena Pinheiro de Melo; António João Cruz; Professor António Candeias (Universidade de Évora); José Mirão; Ana Margarida Cardoso; Valadas, Sara; Helena Melo; et al. "Os estratos preparatórios das obras do pintor eborense Francisco João (activo entre 1563 e 1595)". Paper presented in Colóquio Internacional ¿ As preparações na Pintura Portuguesa Séculos XV e XVI, 2013.
    Published • 10.13140/2.1.4156.5123
  11. Francisco Manuel Braz Fernandes; Andersan dos Santos Paula; J.P.H.G. Canejo; Karimbi Koosappa Mahesh; R.M.S. Martins; Ana Cardoso; N. Schell. "Texture evolution during annealing of Ni-Ti SMA". 2006.
    Published
Conference poster
  1. Ana Teresa Teves Reis; Valadas, Sara; Ana Filipa Barbosa Machado; António Estevão Grande Candeias; Luís Pedro Piorro; Ana Margarida Cardoso; Vandenabeele, Peter; et al. "A multidisciplinary study for the identification and characterization of the repaint layers from the Viceroys gallery in Goa: the contribution of Raman Spectroscopy (in situ and micro)". Paper presented in 6th International Conference on Innovation in Art Research and Technology ¿ InART2024, 2024.
  2. Oliveira, César; Bottaini, Carlo; Candeias, António; Pereira, António; Miguel, Catarina; Cardoso, Ana. "UMA ABORDAGEM MULTIANALÍTICA NO ESTUDO DE UM TINTEIRO ROMANO PROVENIENTE DA ANTIGA CIDADE DE CONIMBRIGA, PORTUGAL". Paper presented in 4º Encontro Nacional de Investigadores do IN2PAST, 2024.
  3. Vanessa Antunes; Sara Valadas; Miriam Pressato; António Candeias; José Mirão; Ana Cardoso; Sofia Pessanha; Rocio Bruquetas-Roldán; Luisa Carvalho. "Radiation techniques to study "Ecce Agnus Dei" by Zurbaran, Baltazar Gomes Figueira and Josefa d’Obidos". 2024.
  4. Milene Gil; Yigit Helvaci; Ana Cardoso; Mafalda Costa. "The Colourful Planisphere Painting of Almada Negreiros (Part1): phases of execution, technical and material details. Some observations.". Paper presented in COLOURS 2022 BRIDGING SCIENCE WITH ART, 2022.
  5. Ana CARDOSO; Sara VALADAS; Irina SANDU; Erika SANDBAKKEN; José MIRÃO; Ana Teresa CALDEIRA; António CANDEIAS. "Analytical approach on seven sketches by Edvard Munch". Paper presented in MUNCH2022: Understanding Munch and the art at the turn of the centuries, 2022.
  6. S. Valadas; A. Cardoso; I.C.A. Sandu; E. Sandbakken; A. Manhita; C. Miguel; J. Mirão; A. T. Caldeira; A. Candeias. "Creating a database on MUNCH crayons' collection". Paper presented in MUNCH2022: Understanding Munch and the art at the turn of the centuries, 2022.
  7. Milene GIL; Silvia BOTTURA SCARDINA; Ana CARDOSO; Ana MANHITA; Mafalda COSTA; Catarina MIGUEL; Sara VALADAS. "Building up a reference collection of mural paint layers with different pictorial techniques and colorants for material and diagnostic studies (Phase1)". Paper presented in MUNCH2022: Understanding Munch and the art at the turn of the centuries, 2022.
  8. Antunes Vanessa ; Valadas Sara; Candeias António; Mirão José; Cardoso Ana; Pessanha Sofia; Manso Marta; Bruquetas-Galán Rocio; Carvalho Maria L.. "Ecce Agnus Dei material influences and techniques in 17th century Iberian world studied through complementary techniques". Paper presented in inArt 2022: 5th International Conference on Innovation in Art Research and Technology, 2022.
  9. VALADAS Sara; CANDEIAS António; CARDOSO Ana; MANHITA Ana; MIGUEL Catarina; GIRONDA Michelle; CAETANO Joaquim; et al. "Integrated study and conservation of 15th century masterpiece St. Vincent Panels: the contributions of nowadays technology". Paper presented in inArt 2022: 5th International Conference on Innovation in Art Research and Technology, 2022.
  10. Cardoso Ana; Sandu Irina; Sandbakken Erika; Manhita Ana; Valadas Sara; Dias Cristina; Candeias António. "Multitechnique study of drawing materials by Edvard Munch". Paper presented in inArt 2022: 5th International Conference on Innovation in Art Research and Technology, 2022.
  11. VALADAS Sara; CARDOSO Ana; MIRÃO José; RAMÔA Joana; TORRAS Begona; MIGUEL Catarina; CANDEIAS António. "To be or not to be… original colours or copper carboxilates at Batalha Monastery (Portugal)?". Paper presented in inArt 2022: 5th International Conference on Innovation in Art Research and Technology, 2022.
  12. Reis, Teresa; Valadas, Sara; Machado, Ana; Piorro, Luís; Cardoso, Ana; Carriço, Nuno; Pereira, Fernando; Candeias, António. "Insights on the integrated study performed in a shared heritage collection: the Viceroys gallery". Paper presented in inArt 2022: 5th International Conference on Innovation in Art Research and Technology, 2022.
  13. Ana Cardoso; Sara Valadas; Milene Gil. "An analytical approach: How much does calcium carbonate interfere in the identification of organic binders in mural paintings?". Paper presented in inArt 2022: 5th International Conference on Innovation in Art Research and Technology, 2022.
  14. Antunes Vanessa; Valadas Sara; Mirão José; Candeias António; Cardoso Ana; Pessanha Sofia; Carvalho Maria L.. "Still lifes technical and material evolution in Iberian 17th century Studio Practice". Paper presented in EXRS-2022 European conference on X-ray analysis, 2022.
  15. Fonseca, Ana; Coutinho, Mathilda; Beltrame, M.; Cardoso, Ana; Valadas, Sara; Carriço, Nuno; Dias, Luis; Mirao, J.. "Os materiais que vestem o Boneco". Paper presented in Vestindo o Património Cultural - Grupo de Investigação e Estudos em Ciências da Arte e do Património - “Francisco de Holanda'' – CIEBA/FBAUL, 2021.
  16. Milene Gil; Celia Laurita; Mafalda Costa; Ana Cardoso; Sara Valadas; Mirian Pressato; António Candeias; et al. "Insight into paolo and Laura Mora wall painting collection at ICCROM: Painting technique and pigments from the Roman period". Paper presented in Symposium A Closer Look at Murals: Recent advances in the Conservation and scientific investigation of wall paintings, 2019.
  17. Ana Margarida Cardoso; Irina Sandu; Erika Sandbakken; Valadas, Sara; José Mirão; Ana Teresa Caldeira; Professor António Candeias (Universidade de Évora); et al. "Material characterization of Edvard Munch¿s sketches for the Aula Magna at Oslo University". Paper presented in Technart 2019, 2019.
  18. Milene Gil; Ana Cardoso; Yigit Helvaci; Sriradha Bhattacharya; Patrícia Moita; Catarina Miguel; António Candeias. "Unveiling the mural art of Almada Negreiros (1939-1949)". Paper presented in Symposium A Closer Look at Murals: Recent advances in the Conservation and scientific investigation of wall paintings, 2019.
  19. Ana Brito; Rita Veiga; Sofia Santos; Sílvia Rocha; Sara Valadas; Catarina Miguel; António Candeias; et al. "Decorative coatings of the upper-choir of Santa Clara's church, in Porto (Portugal)". Paper presented in Technart 2019, 2019.
  20. C. Pires; A. Le Gac; S. Valadas; A. Cardoso; C. Dias; A. Manhita; J. Mirão; A. Candeias. "Tubes of paint used by Vieira da Silva (1908-1992): Unexpected results unveiled by a micro-analytical approach". Paper presented in Technart 2019, 2019.
  21. C. Tibúrcio; S. Valadas; A. Cardoso; C. Miguel; A. Candeias; C. Barreira. "Between Demons and Angels: the mysteries behind the colors of three illuminated manuscripts from the 15th century Portuguese royal court". Paper presented in Technart 2019, 2019.
  22. I. Kovalev; M. Costa; S. Valadas; A. Cardoso; A. Candeias; M. Gil. "Unveiling Portuguese modern mural paintings. Multi-analytical analysis of a Pentecostes by Julio Resende (1917-2011)". Paper presented in Technart 2019, 2019.
  23. S. Valadas; R. Vaz Freire; M. Pressato; A. Cardoso; A. Manhita; A. Lauw; A. Candeias. "On the trail of forgotten 16th century Flemish easel painting Triptych Christ and the Apostles (Beja, Portugal)". Paper presented in Technart 2019, 2019.
  24. S. Valadas; A. Machado; T. Serra e Moura; A. Cardoso; A. Manhita; A. Candeias. "Re-writing the story about the 1755 Lisbon earthquake painting by João Glama Ströberle: Contributions of scientific examination". Paper presented in Technart 2019, 2019.
  25. Vanessa Antunes; Vitor Serrão; António Candeias; José Mirão; Ana Cardoso; Maria L. Carvalho; Marta Manso. "Enlightening the darkness: how to turn European shadows into Goan light". Paper presented in 5TH ICOM-CC SPAD International Conference - IPT, 2019.
  26. Milene Gil; Margarida Padeira Nunes; Marta Manso; Sofia Pessanha; Ana Manhita; Ana Cardoso; Catarina Pereira; et al. "Insight of Old Portuguese masters. Comparative study of the techniques and materials used by José de Escovar in 17th mural and panel paintings st the chapel of the souls (Southern Portugal)". Paper presented in Technart 2019, 2019.
  27. Jin S. Ferrer; Irina Sandu; Ana Margarida Cardoso; António Candeias; Terje Syversen; Camelia Borca; Emilien Leonhardt. "Investigating colour changes in red and blue paints - a case study on multilevel characterization of art materials and techniques in Edvard Munch's painting "Old Man in Warnemunde" (1907)". Paper presented in CMOP, 2018.
  28. Marie Cathrine Mustad; Irina Sandu; António Candeias; Ana Margarida Cardoso; Perla Colombini. "Beeswax painting technique in two Edward Munch paintings: a case study on the characterization of the artist's materials and techniques". Paper presented in CMOP, 2018.
  29. Valadas, Sara; Ana Machado; Teresa Serra e Moura; Ana Margarida Cardoso; Ana Manhita; Professor António Candeias (Universidade de Évora). "Integrated Study of Lisbon Earthquake of 1755 canvas painting by Portuguese painter João Glama Ströberle". Paper presented in Internacional inArt 2018 - 3rd International Conference on Innovation in Art Research and Technology, 2018.
  30. Adam Gašpar; Basira Mir Makhamad; Jan Petrík; Pavel Fojtík; José António Paulo Mirão; Massimo Beltrame; Ana Cardoso; Nicola Schiavon. "A multi-analytical archaeometric approach to study white inlay decorations in Bell Beaker pottery from Brodek u Prostejova (Czech Republic)". Paper presented in X Congresso Nazionale AIAR, 2018.
  31. Milene Gil; Ana Cardoso; Sriradha Bhattacharya; Patricia Moita; Catarina Miguel; António Candeias. "The re-discovered color palette of Almada Negreiros at Diário de Notícias former headquarters in Lisbon (1939-1940): a multidisciplinary approach". Paper presented in Authentication in Art Congress, 2018.
  32. Santos, Isabela; Faria, Dalva; Cardoso, Ana; Candeias, António; Gil, Milene. "Infrared and Raman microspectroscopy investigation of a 18th-19th c. mural painting at the National palace of Mafra: a preliminary study". 2017.
  33. Cardeira, A.M.; Cardoso, A.M.; Costa, S.; Tavares, C.; Pereira, F.A.B.; Candeias, A.. "Preliminary multi-spectroscopic characterization of academic nude paintings (late 19th century and beginning of 20th century) from the collection of Fine Arts of Lisbon". Paper presented in YOuth in COnservation of CUltural Heritage YOCOCU 2016, 2016.
  34. Milene Gil; Margarida Padeira Nunes; Cátia Relvas; Marta Manso; Sofia Pessanha; Ana Manhita; Patricia Monteiro; et al. "Techniques and materials used by the painter José de Escovar in the 17th mural na panel paintings at the chapel of the souls ( southern Portugal). A multianalytical comparative Approach". Paper presented in EXRS2016: European Conference on X-Ray Spectrometry,, 2016.
  35. Milene Gil; Margarida Nunes; Marta Manso; Sofia Pessanha; Ana Cardoso; Catarina Pereira; Teresa Ferreira. "The José Escovar palette at the chapel of souls". Paper presented in XI Congresso Ibérico de Arqueometria, 2015.
  36. Francesca Sabatini; Ana Cardoso; Rita Vaz Freire; António Candeias; Cristina Barrocas Dias. "Shedding light on Gregório Lopes’ palette: a multi-analytical approach for the characterization of painting materials used in the ‘Ressurreição do Mancebo’". Paper presented in COLOURS 2015: BRIDGING SCIENCE WITH ART, 2015.
  37. I. C. A. SANDU; M. F. C. PEREIRA; A. M. CARDOSO; L. DIAS; J. MIRÃO; A. CANDEIAS. "Novel complementary multi-technique protocol of investigation of gilded samples from cultural heritage assets". Paper presented in EUROINVENT, European Exhibition of Creativity and Innovation, 2015.
  38. Milene Gil; Ana Margarida Cardoso; Luis Dias; António Candeias; Gil, M.; Cardoso, A.; Dias, L.; Candeias, A.. "Are they diferences? Analytical characterization of gildings in two Portuguese fresco and seco mural paintings ( 16th-17th centuries)". Paper presented in GILT-ENArt2015: Gilding materials and techniques in European Art, 2015.
  39. Antonino Cosentino; Milene Gil; R.di Mauro; S. Stout; Luis Dias; Ana Margarida Cardoso; José mirão. "The newly discovered 18th century frescoes in Aci Santo António (Sicily)". Paper presented in Technart 2015: Non-destrutive and microanalytical techniques in art and cultural heritage, 2015.
  40. A. Cosentino; M. Gil; S. Stout; R. Di Mauro; L. Dias; A. Cardoso; J. Mirão; A. Candeias. "The newly discovered 18th century wall paintings in Aci Sant'Antonio". Paper presented in TECHNART 2015: Non-destrutive and microanalytical techniques in art and cultural heritage, 2015.
  41. Ana Manhita; Ana Margarida Cardoso; Silvânia Afonso; Cristina Dias; António Candeias; Milene Gil. "On the study of red lakes and binders in the mural paintings from the Charola of the Convent of Christ (Tomar): preliminary results". Paper presented in Technart 2015: Non-destrutive and microanalytical techniques in art and cultural heritage, 2015.
  42. M. Gil; J.A. Pestana; L. Dias; L. Tobias; A. Cardoso; C. Miguel; J. Mirão; A.E. Candeias. "Analytical characterization of gilding techniques in secco 16th century murals at the convent of Christ (Tomar, Portugal)". Paper presented in Synchrotron Radiation in Art and Archaeology (SR2A), 2014.
  43. B. Campos Maia ; J. C. Frade; A. Calvo; L. Dias; J. Mirão; A. Cardoso; C. Dias; A. Claro; A. J. Candeias. "Unraveling Grão Vasco Workshop Technique". Paper presented in ChemCH, 2014, 2014.
  44. Valadas, Sara; Ana Margarida Cardoso; Rita Vaz Freire; José Mirão; Cristina Dias; Professor António Candeias (Universidade de Évora). "Comparative study of 16th Century Flemish-Portuguese paintings attributed to Frei Carlos ¿workshop". Paper presented in Inart2013: 1st International Conference on Innovation Art Research and Technology, 2013.
  45. V.H. Antunes; A.M. Cardoso; A. Fryxell. "The Restorer's visual conception-a changing process. A Portuguese case". Paper presented in ICOM-CC 2011, 2011.
  46. M. Gil; L. Carvalho; S. Longelin; S. Valadas; M.J. Oliveira; A. Cardoso; J. Mirão; A.E. Candeias. "The golden years of portuguese mural paintings: copper pigments in José de Escobar palete ( 1585-1622)". Paper presented in TECHNART 2011: Non-destructive and Micronalytical Techniques in Art and Cultural Heritage, 2011.
  47. Valadas, Sara; Ana Margarida Cardoso; Lina Falcão; José Pestana; Lília Esteves; Ana Mesquita e Carmo; José Mirão; Isabel Ribeiro; Professor António Candeias (Universidade de Évora). "Studying an uncommon gilt leather - The case of the Convento of the Order of Christ of Tomar (Portugal)". Paper presented in Technart 2009, Non-destructive and Microanalytical Techniques in Art and Cultural Heritage, 2009.
  48. Cardoso, Ana; Esteves, Lília. "Using Micro-Scopeman in Dendrochronology applied to works of Art". Paper presented in Technart 2007: Non-destructive and Microanalytical Techniques in Art and Cultural Heritage, 2007.
Journal article
  1. Antunes, Vanessa; Candeias, António; Mirão, José; Valadas, Sara; Cardoso, Ana; Francisco, Maria José; Lauw, Alexandra; Manso, Marta; Carvalho, Maria Luísa. "From Flanders to Portugal: A Portuguese Painter in Pursuit of Prestigious Flemish Painting—Materials and Techniques Compared Through an Analytical Approach". Heritage 8 6 (2025): 205. https://doi.org/10.3390/heritage8060205.
    10.3390/heritage8060205
  2. I. Miranda; A. Lourenço; V. Sousa; A. Cardoso; H. Pereira. "Weathering impact on expanded cork agglomerates as simulated by artificial UV light irradiation". International Journal of Environmental Science and Technology (2025): https://doi.org/10.1007/s13762-025-06552-9.
    10.1007/s13762-025-06552-9
  3. Teresa Reis; Sara Valadas; Ana Machado; Luís Piorro; Nuno Carriço; Ana Cardoso; Ana Teresa Caldeira; Fernando António Baptista Pereira; António Candeias. "Searching for the original portrait of Afonso de Albuquerque – new revelations from the Viceroys Gallery of Goa". Conservar Património (2024): https://doi.org/10.14568/cp28800.
    10.14568/cp28800
  4. Ana Margarida Cardoso; Irina Sandu; Erika Sandbakken; Ana Manhita; Valadas, Sara; Barrocas Dias, Cristina; Antonio Candeias; et al. "Edvard Munch’s Collection of Drawing Materials: Crayon Characterization". International Journal of Conservation Science 13 1 (2023): 1665-1680.
    Published
  5. Melo, Helena P.; Valadas, Sara; Cruz, António João; Cardoso, Ana Margarida; Miguel, Catarina; Manhita, Ana; Helvaci, Yigit Zafer; Dias, Cristina Barrocas; Candeias, António. "Italian Influence in a Portuguese Mannerist Painting (Part I): A New Palette with Original Orange and Green Pigments". Studies in Conservation (2022): 1-16. http://dx.doi.org/10.1080/00393630.2022.2133917.
    Published • 10.1080/00393630.2022.2133917
  6. Pinheiro de Melo, Helena; Cruz, António João; Sanyova, Jana; Valadas, Sara; Cardoso, Ana Margarida; Candeias, António. "Images in transformation: The color and its change in a group of Portuguese paintings from the second half of the 16th century". Color Research & Application (2022): http://dx.doi.org/10.1002/col.22809.
    Published • 10.1002/col.22809
  7. Cardeira, A. M.; Cardoso, A. M.; Azevedo Tavares, C.; Baptista Pereira, F. A.; Candeias, A.. "Analytical characterization of academic nude paintings from the Faculty of Fine Arts of the University of Lisbon". Conservar Património 39 (2022): 81-95. https://doi.org/10.14568/cp2021006.
    Published • 10.14568/cp2021006
  8. Milene Gil; Mafalda Costa; Ana Cardoso; Sara Valadas; Yigit Helvaci; Sriradha Bhattacharya; Patrícia Moita; António Candeias. "On the Two Working Palettes of Almada Negreiros at DN Building in Lisbon (1939-1940): First Analytical Approach and Insight on the Use of Cd Based Pigments". Heritage 4 4 (2021): 4578-4595. http://dx.doi.org/10.3390/heritage4040252.
    Published • 10.3390/heritage4040252
  9. Pereira, António; Candeias, António; Cardoso, Ana; Mirão, José; Caldeira, Ana Teresa. "Plastic toy soldiers, a lost battle? - an analytical perspective". 37 (2021): 92-99. https://doi.org/10.14568/cp2020002.
    Published • https://doi.org/10.14568/cp2020002
  10. Gil, Milene; Costa, Mafalda; Cvetkovic, Mila; Bottaini, Carlo; Cardoso, Ana; Manhita, Ana; Barrocas Dias, Cristina; Candeias, António. "Unveiling the mural painting art of Almada Negreiros at the Maritime Stations of Alcântara (Lisbon): diagnosis research of paint layers as a guide for its future conservation". Ge-conservación 20 (2021): 105-116. https://ge-iic.com/ojs/index.php/revista/article/view/1027/1050.
    Published • 10.37558/gec.v20i.1027
  11. Ilia KOVALEV; Mafalda COSTA; Sara VALADAS; Ana CARDOSO; António CANDEIAS; Milene GIL. "Exploratory Analytical Study of a 20th century Portuguese Mural Painting by Julio Resende (1917-2011)". International Journal of Conservation Science 11 3 (2020): 627-638. http://hdl.handle.net/10174/29179.
    Published
  12. Helena P. Melo; António João Cruz; Sara Valadas; Ana Margarida Cardoso; António Candeias. "The use of glass particles and its consequences in late 16th century oil painting: A Portuguese case based on the analytical results and the technical treatises". Journal of Cultural Heritage 43 (2020): 261-270. http://dx.doi.org/10.1016/j.culher.2019.11.001.
    Published • 10.1016/j.culher.2019.11.001
  13. C. Tibúrcio; S. Valadas; A. Cardoso; A. Candeias; C. Barreira; C. Miguel. "On the use of EDXRF and UV-Vis FORS to unveil the production of two illuminated manuscripts from the fifteenth century Portuguese Royal Court". Microchemical Journal (2019): http://dx.doi.org/10.1016/j.microc.2019.104455.
    Published • 10.1016/j.microc.2019.104455
  14. João Manuel Mimoso; Alexandre Pais; António Marques; Maria de Lurdes Esteves; Sílvia R. M. Pereira; Maria Augusta Antunes; Ana Margarida Cardoso; António Candeias. "16th century azulejos excavated in Lisbon: a tile with arabesque designs found at "Terraços do Carmo"". Studies in Heritage Glazed Ceramics - On the origin of majolica azulejos production in Portugal II (2019): http://glazedceramics.lnec.pt/.
    Published
  15. João Manuel Mimoso; Alexandre Pais; Teresa Morna; João Miguel Simões; Maria de Lurdes Esteves; Sílvia R. M. Pereira; Maria Augusta Antunes; et al. "Debris of greatness - research on the remains of 16th century Portuguese azulejo panels at "Igreja de São Roque" in Lisbon". Studies in Hertitage Glazed Ceramics II 02 (2019): 01-18. http://azulejos.lnec.pt/AzuRe/SHGC_n02/006-MIMOSOetal_SRoque_dispersos_final.pdf.
    Published
  16. Pais, Alexandre; Mimoso, João-Manuel; Teresa Morna; João Miguel Simões; Maria de Lurdes Esteves; Sílvia R. M. Pereira; Maria Augusta Antunes; et al. "The many questions raised by the 16th century Sevillian azulejos in Igreja de São Roque in Lisbon". Studies in Heritage Glazed Ceramics: On the origin of majolica azulejos production in Portugal Vol2 1 02 (2019): 45-46. http://glazedceramics.lnec.pt/.
    Published
  17. Vanessa Antunes; Vitor Serrão; Sara Valadas; António Candeias; José Mirão; Ana Cardoso; Marta Manso; et al. "A Painter in the Shadow: Unveiling Conservation, Materials and Techniques of the Unknown Luso-Flemish Master of Lourinhã". Heritage 1188 (2019): 105-117. http://dx.doi.org/10.3390/heritage2040169.
    Published • 10.3390/heritage2040169
  18. Antunes, Vanessa; Serrão, Vitor; Candeias, António; Mirão, José; Cardoso, Ana; Carvalho, Maria L.; Manso, Marta. "Characterization of a pair of Goan paintings from the 16th-17th centuries". The European Physical Journal Plus 134 6 (2019): http://dx.doi.org/10.1140/epjp/i2019-12713-0.
    10.1140/epjp/i2019-12713-0
  19. João Manuel Mimoso; Alexandre Pais; Teresa Morna; João Miguel Simões; Maria de Lurdes Esteves; Ana Margarida Cardoso; Sílvia R. M. Pereira; António Candeias. "A research on the azulejo panels of the São Roque chapel in Lisbon". 1 (2019): 93-112.
    Published
  20. João Manuel Mimoso; Sílvia R. M. Pereira; Alexandre N. Pais; Maria Augusta Antunes; Ana Margarida Cardoso; Maria de Lurdes Esteves; António Candeias. "A technical comparison of three renaissance azulejo panels from the workshops of Lisbon". 1 (2019): 113-132.
    Published
  21. João Manuel Mimoso; Alexandre Pais; Vitor Filipe; Maria de Lurdes Esteves; Sílvia R. M. Pereira; Maria Antónia Pinto de Matos; Ana Margarida Cardoso; António Candeias. "Analytical study of the 16th century azulejo panel "Nossa Senhora da Vida" and related archaeologic findings". 1 (2019): 77-92.
    Published
  22. Alexandre Pais; João Manuel Mimoso; Maria de Lurdes Esteves; Miguel Ângelo Silva; Ana Margarida Cardoso; Maria Augusta Antunes; Sílvia R. M. Pereira; António Candeias. "Study of the azulejo panels in Graça church signed by João de Góis". 1 (2019): 47-66.
    Published
  23. Mimoso, J.; Pais, Alexandre; Sílvia R. M. Pereira; Maria de Lurdes Esteves; Antunes, Maria Augusta; Ana Margarida Cardoso; António Candeias; et al. "A comparison of the earliest faience tiles produced in Lisbon with earlier and later types". Studies in Heritage Glazed Ceramics - On the origin of majolica azulejos produced in Portugal 1 01 (2019): 025-045. http://azulejos.lnec.pt/AzuRe/SHGC_n01/002-JMMimoso_timeline_final.pdf.
    Published
  24. Mimoso, João-Manuel; Sílvia R. M. Pereira; Pais, Alexandre; Maria Augusta Antunes; Ana Margarida Cardoso; Maria de Lurdes Esteves; Candeias, António. "A compararison of the earliest faiance tiles produced in Lisbon with earlier and later types". Studies in Heritage Glazed Ceramics. On the Origin of majolica azulejos production in Portugal 01 (2019): http://glazedceramics.lnec.pt/.
  25. Vanessa Antunes; Vitor Serrão; António Candeias; José Mirão; Ana Cardoso; Maria L. Carvalho; Natasha Fernandes; Marta Manso. "Scrutinizing Ecce Homo: European or Indian painting? Assessment by Raman and complementary spectroscopic techniques". Journal of Raman Spectroscopy (2019):
    Published • 10.1002/jrs.5549
  26. João M. Mimoso; Alexandre N. Pais; Antonio Marques; Maria de Lurdes Esteves; Sílvia R. M. Pereira; Maria Augusta Antunes; Ana Margarida Cardoso; José Mirão. "Instrumental study of the 16th century azulejo panel decorating a public fountain in Alcácer do Sal - Portugal". Studies in Heritage Glazed Ceramics: On the origin of majolica azulejos production in Portugal Vol2 2 1 (2019): 19-34.
    Published
  27. Vanessa Antunes; António Candeias; José Mirão; Maria L. Carvalho; Vitor Serrão; Cristina Barrocas Dias; Ana Manhita; Ana Cardoso; Marta Manso. "On the origin of Goa Cathedral former altarpiece: Material and technical assessment to the work of Garcia Fernandes, Portuguese painter from 16th century Lisbon workshop". Microchemical Journal 138 (2018): 226-237. https://doi.org/10.1016/j.microc.2018.01.018.
    Published • 10.1016/j.microc.2018.01.018
  28. Coccato, Alessia; Costa, Mafalda; Rousaki, Anastasia; Clist, Bernard-Olivier; Karklins, Karlis; Bostoen, Koen; Manhita, Ana; et al. "Micro-Raman spectroscopy and complementary techniques (hXRF, VP-SEM-EDS, µ-FTIR and Py-GC/MS) applied to the study of beads from the Kongo Kingdom (Democratic Republic of the Congo)". (2017): http://onlinelibrary.wiley.com/doi/10.1002/jrs.5106/abstract.
    http://onlinelibrary.wiley.com/doi/10.1002/jrs.5106/abstract
  29. Milene Gil; Catarina Pereira; Cátia Relvas; Margarida Nunes; Sofia Pessanha; Ana Cardoso; Vanessa Antunes; Patrícia Monteiro; Teresa Ferreira. "José de Escovar at the Chapel of the Souls: Technical and material study of a 1603 panel painting". Color Research and Application 41 3 (2016): 252-257. http://www.scopus.com/inward/record.url?eid=2-s2.0-84954304664&partnerID=MN8TOARS.
    Published • 10.1002/col.22031
  30. Yigit Z. Helvaci; Luís Dias; Ana Manhita; Sérgio Martins; Ana Cardoso; António Candeias; Milene Gil. "Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal)". Color Research and Application 41 3 (2016): 276-282. http://www.scopus.com/inward/record.url?eid=2-s2.0-84956854804&partnerID=MN8TOARS.
    Published • 10.1002/col.22040
  31. Ana Manhita; Sérgio Martins; Cristina Barrocas Dias; Ana Cardoso; António Candeias; Milene Gil. "An unusual mural paintings at the charola of the convent of tomar: Red lakes and organic binders". Color Research and Application 41 3 (2016): 258-262. http://www.scopus.com/inward/record.url?eid=2-s2.0-84952361057&partnerID=MN8TOARS.
    Published • 10.1002/col.22009
  32. S. Valadas; R. Freire; A. Cardoso; J. Mirão; P. Vandenabeele; J.O. Caetano; A. Candeias. "New insight on the underdrawing of 16th Flemish-Portuguese easel paintings by combined surface analysis and microanalytical techniques". Micron 85 (2016): 15-25. http://www.scopus.com/inward/record.url?eid=2-s2.0-84961671369&partnerID=MN8TOARS.
    Published • 10.1016/j.micron.2016.03.004
  33. Sofia Gomes; Carolina Ferreira; Glória Nascimento; Luís Piorro; Ana Cardoso; António Candeias; Mercês Lorena. "Identification and removal of nonoriginal layers in the 16th century paintings of funchal's Cathedral altarpiece". Color Research and Application 41 3 (2016): 283-288. http://www.scopus.com/inward/record.url?eid=2-s2.0-84969376997&partnerID=MN8TOARS.
    Published • 10.1002/col.22027
  34. Bordalo, R.; Lorena, M.; Cardoso, A.; Mirão, J.; Santos, L.; Candeias, A.. "Microanalytical characterization of nineteenth century Portuguese Paintings: contribution to the study of works by João Cristino da Silva and Miguel Ângelo Lupi". Microscopy and Microanalysis (2015): 144. https://doi.org/10.1017/S1431927614014421.
    Published • 10.1017/S1431927614014421
  35. Bordalo, R.; Lorena, M.; Cardoso, A.; Mirão, J.; Santos, L.; Candeias, A.. "Comparative study of ground layers of nineteenth century Portuguese Paintings". Microscopy and Microanalysis 21 S6 (2015): 146. https://doi.org/10.1017/S1431927614014433.
    Published • 10.1017/S1431927614014433
  36. A. Pereira; A. Candeias; A. Cardoso; D. Rodrigues; P. Vandenabeele; A.T. Caldeira. "Non-invasive methodology for the identification of plastic pieces in museum environment — a novel approach". Microchemical Journal 124 (2015): 846-855. http://www.scopus.com/inward/record.url?eid=2-s2.0-84939864133&partnerID=MN8TOARS.
    Published • 10.1016/j.microc.2015.07.027
  37. Milene Gil; Maria Rosário Martins; Maria Luísa Carvalho; Cátia Souto; Stephane Longelin; Ana Cardoso; José Mirão; António Estêvão Candeias. "Microscopy and Microanalysis of an Extreme Case of Salt and Biodegradation in 17th Century Wall Paintings". Microscopy and Microanalysis 21 3 (2015): 606-616. http://www.scopus.com/inward/record.url?eid=2-s2.0-84936862699&partnerID=MN8TOARS.
    Published • 10.1017/S1431927615000562
  38. Sara Valadas; Rita V. Freire; Ana Cardoso; José Mirão; Cristina B. Dias; Peter Vandenabeele; António Candeias. "On the Use of the Unusual Green Pigment Brochantite (Cu4(SO4)(OH)6) in the 16th-Century Portuguese-Flemish Paintings Attributed to The Master Frei Carlos Workshop". Microscopy and Microanalysis 21 2 (2015): 518-525. http://www.scopus.com/inward/record.url?eid=2-s2.0-84928617808&partnerID=MN8TOARS.
    Published • 10.1017/S1431927615000094
  39. Irina Crina Anca SANDU; Elsa MURTA; Sílvia FERREIRA; Manuel F. COSTA PEREIRA; Stepanka HRDLICKOVA KUCKOVA; Valentina VALBI; Luís DIAS; et al. "A Comparative Multi-technique Investigation on Material Identification of Gilding Layers and the Conservation State of 7 Portuguese Mannerist Altarpieces". International Journal of Conservation Science 6 SpecialIss (2015): 439-454. http://www.scopus.com/inward/record.url?eid=2-s2.0-84944328502&partnerID=MN8TOARS.
    Published
  40. Maria Oliveira; M. Teresa Crespo; Sónia Costa; Cristina Barrocas Dias; Ana Manhita; Ana Cardoso; Luís Dias; António Candeias. "Material characterization of gilding and painting techniques of a post-byzantine icon". Estudos de Conservação e Restauro 7 (2015): 22-34. http://dx.doi.org/10.7559/ecr.7.9881.
    Published • 10.7559/ecr.7.9881
  41. Milene Gil; J. Artur Pestana; Catarina Miguel; Ana Manhita; Luís Dias; Ana Cardoso; José Mirão; António Candeias. "The Painted Angels from the central drum of Convent of Christ Rotunda in Tomar - first results of the material and technical comparative study". e-conservation Journal 4 (2015): http://dx.doi.org/10.18236/econs4.201510.
    Published • 10.18236/econs4.201510
  42. Celso Mangucci; Irina Crina Anca Sandu; Ana Manhita; Ana Margarida Cardoso; Luís Dias. "Análise Comparativa do Douramento e Policromia de dois Retábulos de Évora, Portugal". Estudos de Conservação e Restauro 7 (2015): 52-71. http://dx.doi.org/10.7559/ecr.7.9883.
    Published • 10.7559/ecr.7.9883
  43. H. P. MELO; A. J. CRUZ; A. CANDEIAS; J. MIRÃO; A. M. CARDOSO; M. J. OLIVEIRA; S. VALADAS. "Problems of analysis by FTIR of calcium sulphate-based preparatory layers: The case of a group of 16th-century portuguese paintings". Archaeometry 56 3 (2014): 513-526. http://www.scopus.com/inward/record.url?eid=2-s2.0-84900862839&partnerID=MN8TOARS.
    Published • 10.1111/arcm.12026
  44. M. Gil; V. Serrão; M. L. Carvalho; S. Longelin; L. Dias; A. Cardoso; A. T. Caldeira; et al. "Material and diagnostic characterization of 17th century mural paintings by spectra-colorimetry and SEM-EDS: An insight look at José de Escovar Workshop at the Convent of N. Sra da Saudação (Southern Portugal)". Color Research and Application 39 3 (2014): 288-306. http://www.scopus.com/inward/record.url?eid=2-s2.0-84898011394&partnerID=MN8TOARS.
    Published • 10.1002/col.21792
  45. Le Gac, Agnès; Estrompa, Raquel; Frade, José Carlos; Pessanha, Sofia; Madeira, Teresa Isabel; Cardoso, Ana; Piorro, Luís; et al. "Multianalytical approach for the authenticity of an eighteenth-century Pascal Taskin harpsichord". Journal of Analytical Atomic Spectrometry 27 4 (2012): 626-643. http://dx.doi.org/10.1039/c2ja10226a.
    Published • 10.1039/c2ja10226a
  46. Le Gac, A.; Frade, J. C.; Cardoso, A. M.; Barros, P.; Murta, E.; Candeias, A.. "Elementos para uma arqueologia de misturas de cera-resina usadas como adesivos em Talha e Escultura policromada". Estudos Arqueológicos de Oeiras 19 (2012): 233-240. https://eao.oeiras.pt/index.php/DOC/article/view/227.
    Published
  47. Ana Fryxell; Isabel Ribeiro; Ana Margarida Cardoso; Ana Mesquita e Carmo; António Candeias. "Study and treatment of the painting "Gauguin (o casamento)", by Álvaro Lapa: cleaning problems found in contemporary paintings". Conservar Património (2011): https://doi.org/10.14568/cp13-14_5.
    Published • 10.14568/cp13-14_5
  48. RUI BORGES; ANA CARDOSO; ANA MESQUITA E CARMO; BELMIRA MADURO; MARIA JOSÉ OLIVEIRA; ISABEL RIBEIRO; ANA ISABEL SERUYA; RUI J. C. SILVA; ISABEL TISSOT. "O túmulo de D. Afonso de Portugal (séc. XV) - proteger para conservar". Corrosão e Protecção de Materiais 28 4 (2009): 120-125. http://www.scielo.mec.pt/scielo.php?script=sci_arttext&pid=S0870-11642009000400002.
    Published
  49. Andersan dos Santos Paula; J.H.P.G. Canejo; Karimbi Koosappa Mahesh; R.J.C. Silva; Francisco Manuel Braz Fernandes; R.M.S. Martins; Ana Cardoso; N. Schell. "Study of the textural evolution in Ti-rich NiTi using synchrotron radiation". Nuclear Instruments and Methods in Physics Research Section B Beam Interactions with Materials and Atoms 246 (2006): 206-210. https://doi.org/10.1016/j.nimb.2005.12.029.
    Published • 10.1016/j.nimb.2005.12.029
  50. Andersan dos Santos Paula; Karimbi Koosappa Mahesh; Francisco Manuel Braz Fernandes; R.M.S. Martins; Ana Cardoso; Norbert Schell. "In Situ High Temperature Texture Characterisation in NiTi Shape Memory Alloy Using Synchrotron Radiation". Materials Science Forum (2005): https://doi.org/10.4028/www.scientific.net/MSF.495-497.125.
    Published • 10.4028/www.scientific.net/MSF.495-497.125
Magazine article
  1. Nuno Proença; José Pestana; Valadas, Sara; Ana Margarida Cardoso; Helena Vargas; Isabel Ribeiro. "Pinturas da Charola do Convento de Cristo (Tomar): estudo material para reintegração cromática", Pedra & Cal, 2008
Newspaper article
  1. Vanessa Antunes; António Candeias; José Mirão; Maria L. Carvalho; Cristina Barrocas Dias; Ana Manhita; Ana Cardoso; et al. "Analytical characterization of the palette and painting techniques of Jorge Afonso, the great 16th century Master of Lisbon painting workshop", Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 2017, http://dx.doi.org/10.1016/j.saa.2017.12.027.
    10.1016/j.saa.2017.12.027
Online resource
  1. Veiga, Ana Rita; Brito, Ana; Valadas, Sara; Candeias, António; Ana Margarida Cardoso; Pereira, Luís Bravo. Quo Vadis?: descodificar para bem intervencionar. O contributo do estudo técnico e material da obra. 2017. https://issuu.com/066239/docs/revista_ccv_2017_quovadis_2017-12-1.