Curriculum Vitae
Joana Cristina Moreira Teixeira
Identification
Personal identification
- Full name
- Joana Cristina Moreira Teixeira
Citation names
- Teixeira, Joana
- Moreira Teixeira, Joana
Author identifiers
- Ciência ID
- 9F12-5195-D8D3
- ORCID iD
- 0000-0003-0330-2090
Email addresses
- jcteixeira@porto.ucp.pt (Professional)
- joanacmteixeira@gmail.com (Personal)
Knowledge fields
- Humanities - Arts
Languages
| Language | Speaking | Reading | Writing | Listening | Peer-review |
|---|---|---|---|---|---|
| Portuguese (Mother tongue) | |||||
| Spanish; Castilian | Proficiency (C2) | Proficiency (C2) | Advanced (C1) | Proficiency (C2) | Proficiency (C2) |
| English | Elementary (A2) | Upper intermediate (B2) | Elementary (A2) | Upper intermediate (B2) | Upper intermediate (B2) |
| Italian | Beginner (A1) | Upper intermediate (B2) | Upper intermediate (B2) |
Education
| Degree | Classification | |
|---|---|---|
|
2004/09 - 2009/10/17
Concluded
|
PhD in Conservation and Restoration of Pictorial Heritage (Docteur)
Major in Contemporary Art
Universidad Politécnica de Valencia Facultad de Bellas Artes, Spain
"La creación contemporánea además de la materialidad. Los artistas y los límites en la conservación y restauración del arte
contemporáneo/ Contemporary creation in addition to materiality. Artists and limits in the conservation and restoration of
contempor" (THESIS/DISSERTATION)
|
Sobresaliente Cum Laude |
|
2002/09 - 2003/07
Concluded
|
Fine Arts (Licenciatura)
Major in Painting
Escola Superior Artística do Porto, Portugal
|
16 |
|
1999/09 - 2002/07
Concluded
|
Painting (Bacharelato)
Escola Superior Artística do Porto, Portugal
|
15 |
Affiliation
Science
| 2019/02 - Current | Researcher (Research)
Universidade Católica Portuguesa Escola das Artes, Portugal
|
| 2013/10 - 2016/09 | Researcher (Research)
Universidade do Minho, Portugal
|
| 2014/01 - 2015/09 | Researcher (Research)
Universidade de Aveiro, Portugal
|
Teaching in Higher Education
| 2018/12/01 - Current | Invited Assistant Professor (University Teacher)
Universidade Católica Portuguesa Centro Regional do Porto, Portugal
|
| 2012 - Current | Lecturer (University Teacher)
Universidade do Porto Faculdade de Belas Artes, Portugal
|
| 2010/10 - 2015/08 | Assistant Professor (University Teacher)
Universidade Portucalense Infante Dom Henrique, Portugal
|
| 2013 - 2015 | Assistant Professor (University Teacher)
Universidade Portucalense Infante Dom Henrique, Portugal
|
Positions / Appointments
| 2012/07 - 2015/08 | Master's Coordinator
Universidade Portucalense Infante Dom Henrique Cooperativa de Ensino Superior CRL, Portugal
|
| 2014/07 - 2015/07 | Member scientific advice
Universidade Portucalense Infante Dom Henrique Cooperativa de Ensino Superior CRL, Portugal
|
| 2013/05 - 2014/09 | Bachelor's Coordinator
Universidade Portucalense Infante Dom Henrique, Portugal
|
| 2012/06 - 2014/09 | Technical coordinator
Universidade Portucalense Infante Dom Henrique Cooperativa de Ensino Superior CRL, Portugal
|
Others
| 2018/06 - Current | Collaboration and technical assistance
Fundação de Serralves, Portugal
|
| 2008/06 - 2008/09 | Traineeship/conservation and restoration practices (325h)
Istituto Valenciano de Arte moderna, Spain
|
Outputs
Publications
| Book chapter |
|
| Conference poster |
|
| Journal article |
|
| Thesis / Dissertation |
|
Other
| Research technique |
|
Activities
Oral presentation
| Presentation title | Event name Host (Event location) |
|
|---|---|---|
| 2020/02/27 | When the contemporary artist seeks conservation solutions: Helena Dias's unsupported paintings / Cuando el artista contemporáneo busca soluciones de conservación: las pinturas sin suporte de Helena Dias | 21ª Jornada de Conservación de arte Contemporáneo
Museo Nacional Centro de Arte Reina Sofía (Madrid, Spain)
|
| 2019/03/01 | The impact of bubble plastic on mordent filmogenic layers moved 54 years: material analysis and conservation and restoration treatments/ El impacto del plástico de burbujas sobre capas filmógenas mordentes trasladados 54 años: el análisis material y los tratamientos de conservación y restauración | 20ª Jornada. conservación de Arte Contemporânea
Museo Nacional Centro de Arte Reina Sofia (Madrid, Spain)
|
| 2014/05/29 | Contemporary art: the theoretical-practical implications of conservation and restoration. The regulations and associated rights/ El arte contemporáneo: las implicaciones teórico-prácticas de la conservción y restauración. Las normativas y los derechos asociados | Course "Contemporary Art: from creation to conservation"
Instituto do Património Cultural de Espanha (Madrid, Spain)
|
| 2011/05 | What is the end of contemporary creations? /Qual o destino das criações contemporâneas? | Simpósio Património: políticas, intervenções e destinos / Heritage Symposium: policies, interventions and destinations
Universidade Portucalense Infante Dom Henrique (Porto, Portugal)
|
| 2010/09 | What is the artist's role and what are the limits on the conservation / restoration activity of his work?/ Qual o papel do artista e quais os limites na actividade de conservação/restauro da sua obra? | Fórum Internacional: Conservação do Moderno ao Contemporãneo, A memória do Futuro: um primeiro olhar sobre a realidade nacional/
International Forum: Conservation of the Modern to the Contemporary, The Memory of the Future: a first look at the national
reality
Museu Oscar Niemeyer (Curitiva, Brazil)
|
| 2010/02 | The artists and the boundaries in the conservation and restoration of contemporary art /Los artistas y los límites en la conservación y restauración del arte contemporáneo | 11ª Joanada de Conservación de arte Contemporáneo
Museo Nacional Centro de Arte Reina Sofia (Madrid, Spain)
|
| 2007/12 | Restoration in contemporary art: concepts and factors | Mesa redonda: Arte, instituições e agentes culturais: divulgação de valores ou divulgação de mercadoria? / Roundtable: Art,
institutions and cultural agents: dissemination of values or dissemination of merchandise?
Escola Superior Artística do Porto (Porto, Portugal)
|
| 2007/11 | An approach to contemporary artistic creation: research as a basis for action/ Un acercamiento a la creación artística contemporánea y actual: la investigación como base de actuación | De la teoría a la realidad: la conservación infalible / From theory to reality: infallible conservation
GEIIC e Universidade de História de Arte de Oviedo (Oviedo, Spain)
|
| 2007/02 | The artist and his role in the preservation of unconventional art/ El artista y su papel en la conservación del arte no convencional | 8ª Jornada. Conservación de Arte Contemporáneo
Museo Nacional Centro de Arte Reina Sofia (Madrid, Spain)
|
Supervision
| Thesis Title Role |
Degree Subject (Type) Institution / Organization |
|
|---|---|---|
| 2015 - 2016/12 | Study and application of preventive conservation measures for contemporary designs at the FBAUP Museum/ Estudo e aplicação
de medidas de conservação preventiva para desenhos contemporâneos do Museu da FBAUP
Supervisor
|
Masters Artistic Studies / Museological and Curatorial studies (Master)
Universidade do Porto Faculdade de Belas Artes, Portugal
|
| 2013 - 2014/07 | Galeria Marzee: collecting and preserving contemporary jewelery/ Galeria Marzee: colecionar e conservar joalharia contemporânea
Supervisor
|
Mestrado Estudos Artísticos/ Estudos Museológicos e Curadoriais / Masters Artistic Studies / Museological and Curatorial Studies (Master)
Universidade do Porto Faculdade de Belas Artes, Portugal
|
Event organisation
| Event name Type of event (Role) |
Institution / Organization | |
|---|---|---|
| 2018/11 - 2019/12 | V Luso-Brazilian Meeting of Conservation and Restoration (2019/12/09 - 2019/12/10)
Meeting (Member of the Organising Committee)
|
Universidade Católica Portuguesa Centro Regional do Porto, Portugal |
| 2018/02 - 2018/04 | Exhibition "Conservation Issues 3: Studies of Barata Feyo for the sources of law the Palace of Justice in Porto"/ "Questões
de Conservação 3: Estudos de Barata Feyo para as fontes do Direito o Palácio da justiça no Porto" (2018/04/12 - 2018/04/20)
Exhibition (Member of the Organising Committee)
|
Faculdade de Belas Artes da Universidade do Porto, Portugal |
| 2017/02 - 2017/04 | Exhibition "Conservation issues 2: Installation of Fernando José Pereira"/ "Questões de conservação 2: Instalação de Fernando
José Pereira" (2017/04/21 - 2017/04/28)
Exhibition (Member of the Organising Committee)
|
Faculdade de Belas Artes da Universidade do Porto, Portugal |
| 2016/02 - 2016/03 | Exhibition "Conservation issues: contemporary design in FBAUP collection/ "Questões de conservação: desenho contemporâneo
na coleção da FBAUP" (2016/03/31 - 2016/04/21)
Exhibition (Member of the Organising Committee)
|
Faculdade de Belas Artes da Universidade do Porto, Portugal |
Event participation
| Activity description Type of event |
Event name Institution / Organization |
|
|---|---|---|
| 2019/07/24 - 2019/07/26 | Modern Paints Cleaning with Bronwyn Ormsby and Judith Lee (Tate, UK)
Workshop
|
16th Masterclass_ Modern Paints Cleaning
2021 Conservação e restauro, Portugal
|
| 2019/02/19 - 2019/02/20 | Workshop Green Conservation of Cultural Heritage, com os formadores Andrea Machia e Laura Rivaroli (12 horas) / Green Conservation
of Cultural Heritage Workshop with trainers Andrea Machia and Laura Rivaroli (12 hours)
Workshop
|
Green Conservation of Cultural Heritage
Universidade Católica Portuguesa Escola das Artes, Portugal
|
| 2018/09/25 - 2018/09/25 | Workshop on Aqueous solutions and solvents for the treatment of paper artworks. Application to documents of ancient art and
contemporary art, with Paolo Cremonesi (participation in the theoretical part)
Workshop
|
Aqueous solutions and solvents for the treatment of paper artworks. Application to documents of ancient art and contemporary
art
Universidade Católica Portuguesa Escola das Artes, Portugal
|
| 2018/09/14 - 2018/09/14 | Meeting Cleaning of funds and collections of photographic negatives. Cleaning for what? Organization of the CITAR and PhD
in Conservation and Restoration of Cultural Goods
Meeting
|
Cleaning of funds and collections of photographic negatives. Clear for what?
Universidade Católica Portuguesa Escola das Artes, Portugal
Centro Português de Fotografia, Portugal |
| 2013/02/25 - 2013/02/25 | Training in "Preventive conservation in a museological context of sculpture in polychrome wood"
Meeting
|
Encontros de Conservação Preventiva em Contexto Museológico / Preventive Conservation Meetings in a Museological Context
Museu Nacional Soares dos Reis, Portugal
Laboratório José de Figueiredo, Portugal Fundação para a Ciência e a Tecnologia, Portugal |
| 2013/01/28 - 2013/01/28 | Training in "Preventive Conservation in the Museological Context of Painting"
Meeting
|
Encontros de Conservação Preventiva em Contexto Museológico / Preventive Conservation Meetings in a Museological Context
Museu Nacional Soares dos Reis, Portugal
Laboratório José de Figueiredo, Portugal Fundação para a Ciência e a Tecnologia, Portugal |
| 2012/05/12 - 2012/05/12 | Workshop "Preservation of books and graphic documents" (3 hours, scientific coordination by Paula Menino Homem)
Workshop
|
Preservation of books and graphic documents
Conserva-me, Portugal
Mosteiro de Tibães, Portugal |
| 2012/04/26 - 2012/04/28 | Theoretical-practical course on "Techniques of restoration and conservation of bookbinding" (20 hours), guided by Arsénio
Sanchez Hernampérez
Workshop
|
Tecnicas de restauración y conservación de encuadernaciones/ Techniques of restoration and conservation of bookbinding
Institut Valencia de Conservacio I Restauració de Bens Culturals, Spain
|
| 2009/04/23 - 2009/04/24 | International Seminar "Polymers in Conservation of Pictorial Works"
Seminar
|
Seminário internacional Polímeros en conservación de obras pictóricas
Universidad Politécnica de Valencia Facultad de Bellas Artes, Spain
|
| 2009/03/11 - 2009/03/12 | International Seminar "Study of Easel Painting: Structural Behavior and Degradation Mechanism"
Seminar
|
Seminário internacional "Estudio de la pintura de caballete: comportamiento estructural y mecanismo de degradación" / International
Semi-Narium"Study of Easel Painting: Structural Behavior and Degradation Mechanism"
Universidad Politécnica de Valencia Facultad de Bellas Artes, Spain
|
| 2007/12/13 - 2007/12/15 | Workshop "Contemporary Art Conservation Methodologies" guided by Lydia Beerkens
Workshop
|
Metodologias de Conservação de Arte Contemporânea / Contemporary Art Conservation Methodologies
Faculdade de Belas Artes da Universidade do Porto, Portugal
|
| 2005/01/10 - 2005/01/15 | Reintegration of the pictorial layer using tratteggio's technique, guided by Domenico De Palo (Istituto Centrale per il Restauro/Rome)
Workshop
|
Reintegración de la capa pictórica mediante la técnica de Tratteggio / Reintegration of the pictorial layer using tratteggio's
technique
Universidade Politécnica de Valencia Faculdade de Belas Artes, Spain
|
| 2004/07/12 - 2004/07/16 | Conservation intervention in the Romantic Chapel of S. Mamede de Vila Verde, integrated in the company Mural da História
Other
|
Intervenção de conservação / Conservation intervention |
| 2004/07/05 - 2004/07/09 | Conservation and restoration intervention in the Chapel of S. Brás de Portel integrated in the company Mural da História
Other
|
Intervenção de conservação e restauro /conservation and restoration intervention |
| 2004/05/16 - 2004/05/22 | 1st Course of fresh painting technique, guided by Joaquim Caetano
Workshop
|
1º curso de técnica de pintura a fresco / 1st Course of fresh painting technique
Rota do Fresco, Portugal
|
| 2003/10 - 2004/05 | Training and specialization in Conservation and Restoration of easel painting (800 hours) |
Jury of academic degree
| Topic Role |
Candidate name (Type of degree) Institution / Organization |
|
|---|---|---|
| 2017/12 | Restoration of the work of greatest relevance of the artistic production of Artur Nísio - Arrival of Zacarias de Góes de Vasconcellos/
Restauro da obra de maior relevância da produção artística de Artur Nísio - Chegada de Zacarias de Góes de Vasconcellos
(Thesis) Main arguer
|
Suely Aparecida Deschermayer (Master)
Universidade Católica Portuguesa Centro Regional do Porto, Portugal
|
| 2015/11 | Study and intervention of conservation and restoration of a work by Vicente de Péris/ Estudo e intervenção de conservação
e restauro de uma obra de Vicente de Péris
(Thesis) Main arguer
|
Margarida Corte-Real (Master)
Universidade Católica Portuguesa Centro Regional do Porto, Portugal
|
| 2013 | Study for the intervention on the body of a car from the 1920s: the Bugatti from Lake Maggiore/ Estudo para a intervenção
na carroçaria de um automóvel dos anos 20 do século XX: o Bugatti do lago Maggiore
President of the jury
|
António Manuel Marques Teixeira Lopes (Master)
Universidade Portucalense Infante Dom Henrique, Portugal
|
Committee member
| Activity description Role |
Institution / Organization | |
|---|---|---|
| 2019/02 - 2019/12 | Member of the scientific committee of the V Luso-Brazilian Meeting of Conservation and Restoration
Member
|
Universidade Católica Portuguesa Escola das Artes, Portugal |
Consulting
| Activity description | Institution / Organization | |
|---|---|---|
| 2020/01 - 2020/01 | Intervention of conservation and restoration of acrylic painting, Eduardo Batarda, Rolfo, 2001. | |
| 2019/12 - 2019/12 | Intervention of conservation and restoration painting (China ink, enamel and acrylic) on paper of Rui Sanches, Untitled, 2005 | Fundação Ilídio Pinho, Portugal |
| 2019/10 - 2019/10 | Intervention of conservation and restoration of painting (acrilic, resin, cement, graphite, etc.), Luis Cuqueñao, Untitled, 1996 | Universidade Católica Portuguesa Centro de Conservação e Restauro, Portugal |
| 2019/07 - 2019/08 | Conservation-restoration intervention of 6 works by Joan Miró of the Coleção do Estado Português: Peinture, 1935; Painting V/V, 1960; Femmes et oiseaux, 1968; Superteixim 12, 1973; Toile brûlée III, 1973; La Fête des oiseaux et des constellations, 1974. | Fundação de Serralves, Portugal |
| 2019/07/19 - 2019/07/23 | Intervention of conservation and restoration of painting on canvas of Noronha da Costa | Universidade Católica Portuguesa Centro de Conservação e Restauro, Portugal |
| 2019/07/18 - 2019/07/18 | Conservation intervention and restoration of 2 acrylic painting on wood, Júlio Bragança, collection of FBAUP Museum | Faculdade de Belas Artes da Universidade do Porto, Portugal |
| 2019/07/15 - 2019/07/17 | Conservation and restoration intervention for the exhibition "30 years of Collection", at the Cruise Terminal, Leixões | Fundação de Serralves, Portugal |
| 2019/07/08 - 2019/07/10 | Preparation of the exhibition " Collection 30 years" and carrying out conservation-restoration interventions of the works " O mar prolonga-se em cada um de nós", Alberto Caneiro, 1968-1969 and "Tango", Albuquerque Mendes, 2001. | Fundação de Serralves, Portugal |
| 2019/06/25 - 2019/06/29 | Evaluation and support in the disassembly of the exhibition "Joana Vasconcelos, I,m your mirror" | Fundação de Serralves, Portugal |
| 2019/06/11 - 2019/06/18 | Evaluation and preparation of works for the exhibition "Colecção 30 anos" | Fundação de Serralves, Portugal |
| 2019/05/09 - 2019/05/15 | Evaluation of the state of conservation of works and support in the assembly of the exhibition of Joan Jonas | Fundação de Serralves, Portugal |
| 2019/04/16 - 2019/04/17 | Evaluation and treatment of conservation of inflatable work, Silvestre Pestana, Aros II, 1969 | Fundação de Serralves, Portugal |
| 2019/04/03 - 2019/04/05 | Evaluation and preparation of works for the exhibition " Carnation and Velvet. Art and revolution (1968-1974-1989)", Prague. Technical assistance in the disassembly of Angela Bulloch's sculpture "Heavy Stack metal oh Six" | Fundação de Serralves, Portugal |
| 2019/03/06 - 2019/03/06 | Evaluation of the state of conservation and conservation treatment of painting " Ribeira Negra I" by Júlio Resende | Fundação de Serralves, Portugal |
| 2018/07/20 - 2018/10/27 | Evaluation and intervention of conservation/restoration of 36 paintings of the FBAUP collection, exposed in "Stories by telling. They: authorship & authority in question" curated by Miguel von Hafe Pérez | Faculdade de Belas Artes da Universidade do Porto, Portugal |
| 2018/06/14 - 2018/06/15 | Evaluation and preparation of works for the exhibitions " Zero conduit: works of the collection of serralves" and " The return of the object: art of the 1980s in the collection of Serralves" | Fundação de Serralves, Portugal |
| 2017/09 - 2017/09 | Evaluation and intervention of conservation and restoration of oil painting " O mar sagrado", Martins da Costa (FBAUP collection) | Faculdade de Belas Artes da Universidade do Porto, Portugal |
| 2016/05 - 2016/05 | Evaluation and intervention of conservation of Júlio Resende's garden seat in the Panarso Building | Edificio Panarso, Portugal |
| 2011/09 - 2011/09 | Intervention and restoration of the "Self Portrait with necklace/ Auto-retrato com laço" by Aurélia de Souza (private collection) | Universidade Portucalense Infante Dom Henrique CCR: Clínica de Conservação e Restauro, Portugal |
| 2004/05/25 - 2004/06/24 | Intervention of conservation and restoration of mural painting in the old Pamplona house (Rua Alvares Cabral, Porto) | Antiga Casa Pampolona, Portugal |
Course / Discipline taught
| Academic session | Degree Subject (Type) | Institution / Organization | |
|---|---|---|---|
| 2017/04 - Current | Conservation of contemporary art | Degree in Art, Conservation and Restoration (Licenciatura) | Universidade Católica Portuguesa Escola das Artes, Portugal |
| 2016/03 - Current | Documentation and Conservation of Contemporary Art | Master's degree in Conservation and Restoration of Cultural Goods (Mestrado) | Universidade Católica Portuguesa Escola das Artes, Portugal |
| 2012 - Current | Conservation of Contemporary Art | Master of Art Studies (Mestrado) | Universidade do Porto Faculdade de Belas Artes, Portugal |
| 2012 - 2015 | Ethics and intervention; Research and Intervention in Organic Materials | Master in Artistic Heritage - Conservation and Restoration (Mestrado) | Universidade Portucalense Infante Dom Henrique, Portugal |
| 2010 - 2015 | Laboratory Practices I; Specialty Laboratory Practices I; Specialty Laboratory Practices II; Conservation and Restoration of Graphic Documents; Intervention Methods and Techniques I; Laboratory Hygiene and Safety | Degree in conservation and restoration (Licenciatura) | Universidade Portucalense Infante Dom Henrique, Portugal |
Journal scientific committee
| Journal title (ISSN) | Publisher | |
|---|---|---|
| 2011 - 2016 | Conservar Património (2182-9942) | Associacao Profissional de Conservadores-Restauradores de Portugal |
Mentoring / Tutoring
| Topic | Student name | |
|---|---|---|
| 2019/02/11 - 2019/05/13 | Supervision and guidance of conservation interventions and restorations of 3 elements of Katarine Grosse's "Atoms Outside Eggs" work, 2 Gurpo Puzzle paintings and painting "De facto os números são grandes palavras" by E.M. Melo and Castro | Contemporary Art Conservation _ Art, Conservation and Restoration Degree, UCP |
| 2018/04 - 2018/05 | Intervention of conservation and restoration "Tau ou os porcos do retábulo de Issenheim" (1990/7 esculturas), António Dacosta; "Le Bateau" (1983), José Luís Darocha; "Tela dobrada" (1973), Armando Alves. | Conservation of contemporary art _ Degree of Art, Conservation and Restoration, UCP |
| 2014/11 - 2015/06 | Intervention of conservation and restoration of the altar canvas "The vision of Saint Augustine" | Course unit: Specialty Laboratory Practice II |
| 2013/02 - 2013/06 | Conservation and restoration of graphic documents: Mota Prego documentary collection | Course Unit: Conservation and restoration of graphic documents |
| 2012/09 - 2013/06 | Project supervision | José Manuel Gomes |
| 2012/03 - 2013/06 | Conservation and restoration of 83 photographs and 8 books from the Miragaia Collective | Course unit: Conservation and restoration of graphic documents |
| 2012/03 - 2012/06 | Conservation and restoration intervention of 15 paintings from the FBAUP collection | Curricular Unit: Specialty Laboratory Practice II |