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Ana Cabral Martins. Completed the Doutoramento in Digital Media in 2016/10/18 by Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Mestrado in Communication Sciences in 2009 by Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas and Licenciatura in Communication Sciences in 2007 by Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas. Is Science and Technology Management in Centro Interuniversitário de História das Ciências e da Tecnologia. Published 4 articles in journals. Has 5 section(s) of books. Organized 3 event(s). Participates and/or participated as Master Student Fellow in 1 project(s). In their professional activities interacted with 1 collaborator(s) co-authorship of scientific papers. In his curriculum Ciência Vitae the most frequent terms in the context of scientific, technological and artistic-cultural output are: cinema; televisão; complexidade narrativa; paratextos; narrativas puzzle; Westworld; HBO; linhas temporais; transmedia; sequel; remake; mulheres; realizadoras; cinema português; .
Identification

Personal identification

Full name
Ana Cabral Martins

Citation names

  • Cabral Martins, Ana

Author identifiers

Ciência ID
941E-6F8D-1BF6
ORCID iD
0000-0001-8182-0980
Researcher Id
3776878

Languages

Language Speaking Reading Writing Listening Peer-review
English Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2)
French Intermediate (B1) Upper intermediate (B2) Intermediate (B1) Upper intermediate (B2) Intermediate (B1)
Education
Degree Classification
2016/10/18
Concluded
Digital Media (Doutoramento)
Major in Creation of Audiovisual and Interactive Content
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
"Cinema in the Age of Digital Technology: A New Architecture of Immersion" (THESIS/DISSERTATION)
Muito Bom / with distinction
2009
Concluded
Communication Sciences (Mestrado)
Major in Cinema and Television
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
"O Overlap e a Experiência Cinematográfica" (THESIS/DISSERTATION)
17,4
2007
Concluded
Communication Sciences (Licenciatura)
Major in Cinema and Television
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
14
Affiliation

Science

Category
Host institution
Employer
2020/11/01 - Current Science and Technology Management Centro Interuniversitário de História das Ciências e da Tecnologia, Portugal
Universidade de Lisboa Faculdade de Ciências, Portugal
2019/11/04 - 2020/10/04 Science and Technology Management Universidade de Lisboa Centro de Estudos Geográficos, Portugal
Projects

Grant

Designation Funders
2017/11/05 - 2018/11/04 Portuguese Women Directors
Master Student Fellow
Universidade de Lisboa Instituto de Ciências Sociais, Portugal
Fundação Calouste Gulbenkian
Concluded
Outputs

Publications

Book chapter
  1. Martins, Ana Cabral. "The essay film and Rita Azevedo Gomes’s Correspondences". In Women’s Cinema in Contemporary Portugal, edited by Mariana Liz; Hilary Owen. United Kingdom: Bloomsbury Academic, 2020.
    Published • 10.5040/9781501349751.0017
  2. Cabral Martins, Ana. "Netflix and TV-as-Film: A Case Study of ‘Stranger Things’ and ‘The OA'". In Netflix at the Nexus: Content, Practice, and Production in the Age of Streaming Television, edited by Theo Plothe. United States: Peter Lang US, 2019.
    Published
  3. Cabral Martins, Ana. "Where Comics and Movies Converge: Days of Future Present". In Visions of the Future in Comics: International Perspectives, edited by Francesco-Alessio Ursini; Adnan Mahmutovi; Frank Bramlett, 229-242. Jefferson, North Carolina, United States: McFarland, 2017.
    Published
  4. Cabral Martins, Ana. "Seduction and Mutually Assured Destruction: The Modern "Femme Fatale" in "Gone Girl"". In Seduction in Popular Culture, Psychology, and Philosophy, edited by Constantino Pereira Martins, Fabrizio Macagno, Manuel José Damásio; Manuel Damásio, 90-111. Hershey, Pennsylvania, United States: IGI Global, 2016.
    Published • 10.4018/978-1-5225-0525-9.ch005
  5. Cabral Martins, Ana. "Theorizing 'La Jetée' and 'Twelve Monkeys', but also 'Vertigo'". In Photography and Cinema: 50 Years of Chris Markers 'La Jetée', edited by Margarida Medeiros; Teresa Mendes Flores; Joana Cunha Leal, 285-296. Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing, 2015.
    Published
Book review
  1. Cabral Martins, Ana. "Kay Cannon’s 'Girlboss' review". Review of Girlboss (série Netflix) 68, (2018): http://genderforum.org/wp-content/uploads/2018/05/2018-68-Bodies-on-the-Line.pdf.
    Published
Conference paper
  1. Cabral Martins, Ana. "The Big Digital Screen: Differentiating the Theatrical Screen from a Multitude of Screens". Paper presented in Post-Screen: International Festival of Art, New Media and Cybercultures, Lisbon, 2016.
    Published • 10.1109/adl.1996.502516
  2. Cabral Martins, Ana. "Film distribution and exhibition in the digital age". Paper presented in Avanca | Cinema International Conference Cinema - Art, Technology, Communication, 2015.
    Published
Encyclopedia entry
  1. Cabral Martins, Ana. "Canonero, Milena". In Hollywood Heroines: The Most Influential Women in Film History, edited by Laura L. S. Bauer. ACB-CLIO, 2019. https://www.abc-clio.com/ABC-CLIOCorporate/product.aspx?pc=A4691C.
    Published
  2. Cabral Martins, Ana. "Jenkins, Patty". In Hollywood Heroines: The Most Influential Women in Film History, edited by Laura L. S. Bauer. ABC-CLIO, 2019. https://www.abc-clio.com/ABC-CLIOCorporate/product.aspx?pc=A4691C.
    Published
  3. Cabral Martins, Ana. "Martin, Catherine". In Hollywood Heroines: The Most Influential Women in Film History, edited by Laura L. S. Bauer. ACB-CLIO, 2019. https://www.abc-clio.com/ABC-CLIOCorporate/product.aspx?pc=A4691C.
    Published
  4. Cabral Martins, Ana. "Langley, Donna". In Hollywood Heroines: The Most Influential Women in Film History, edited by Laura L. S. Bauer. ABC-CLIO, 2019. https://www.abc-clio.com/ABC-CLIOCorporate/product.aspx?pc=A4691C.
    Published
Journal article
  1. Cabral Martins, Ana. "'Westworld': complex TV, puzzle narratives, and paratexts". Aniki Revista Portuguesa da Imagem em Movimento 6 1 (2019): 130-146. http://aim.org.pt/ojs/index.php/revista/article/view/460.
    Open access • Published
  2. Cabral Martins, Ana. "A Bridge and a Reminder: 'The Force Awakens', Between Repetition and Expansion". Kinephanos: Journal of Media Studies and Popular Culture 8 1 (2018): https://www.kinephanos.ca/2018/a-bridge-and-a-reminder-the-force-awakens-between-repetition-and-expansion/.
    Open access • Published
  3. Cabral Martins, Ana. "American television and the explosion of the superhero genre". Communicazioni Sociali: Journal of Media, Performing Arts and Cultural Studies 2 (2015): http://comunicazionisociali.vitaepensiero.com/scheda-articolo_digital/ana-cabral-martins/american-television-and-the-explosion-of-the-superhero-genre-001200_2015_0002_0163-313594.html.
    Open access • Published
  4. Cabral Martins, Ana. "Technological Innovation and Dystopian Futures". Immediacy: Online Media Journal (2014): http://immediacy.newschool.edu/?p=503.
    Published
Magazine article
  1. Cabral Martins, Ana. "'Twin Peaks': between cinema and television", Electra, 2018, https://www.fundacaoedp.pt/pt/noticias/o-turismo-esta-em-destaque-no-terceiro-numero-da-revista-electra.
Online resource
  1. Cabral Martins, Ana. Phantom Thread and its Inherent Comedy. 2018. http://mediacommons.futureofthebook.org/imr/2018/05/25/phantom-thread-and- its-inherent-comedy.

Other

Other output
  1. Pedagogical Dossier on Leonor Teles. Produced at the behest of the Portuguese Directorate-General for Education, within the scope of the National Cinema Plan. 2020. Cabral Martins, Ana.
  2. Pedagogical Dossier on 'Wadja' by Haifaa al-Mansour. Produced at the behest of the Portuguese Directorate-General for Education, within the scope of the National Cinema Plan. 2020. Cabral Martins, Ana.
Activities

Oral presentation

Presentation title Event name
Host (Event location)
2018/11/15 Blurring the Boundaries between Cinema and Television Times and Movements of the Image International Conference
Institute of Art History (IHA), Universidade Nova de Lisboa (Lisbon, Caldas da Rainha, Portugal)
2018/02/02 Game of Thrones’ relationship with (short) time Le court/bref en série/ La forme brève dans les séries télévisées
Centre Inter Langues/ GUEST Normadie, University of Burgundy (Bourgogne, France)
2017/11/13 Eccentricities of a Film Adaptation: the Portuguese Classic 'The Maias' From Text to Screen and Back to Text: Film and Literature – The Portuguese Context
Camões Centre King's College - Portuguese Language and Culture (London, United Kingdom)
2017/09/29 Hollywood: Suburbs and Blockbusters Colóquio O Cinema e a Cidade / Colloquium Cinema and the City
Cinemateca Portuguesa (Lisbon, Portugal)
2016/11/18 The Big Digital Screen: Differentiating the Theatrical Screen from a Multitude of Screens Post-Screen: International Festival of Art, New Media and Cybercultures
Cyberart at the Center for Research and Studies in Fine Arts, University of Lisbon (Lisbon, Portugal)
2015/09/04 Where Comics and Movies Converge: Days of Future Present Future in Comics Conference
English Department at the University of Stockholm (Stockholm, Sweden)
2015/07/24 Film Distribution and Exhibition in the Digital Age AVANCA | CINEMA: International Conference Cinema - Art, Technology, Communication
Aveiro University/ Cine-Clube de Avanca (Avanca, Portugal)
2015/05/22 Cinematographic Universes or the new Total Artwork 5th Annual Meeting of the Association of Moving Image Researchers
AIM - Association of Moving Image Researchers (Lisbon, Portugal)
2015/05/13 'Frances Ha': The Modern Film Flâneuse Flâneur - New Urban Narratives
Procur.arte, CIAC at UAlg, DINÂMIA’CET-IUL at ISCTE – IUL, and IHA at Nova University of Lisbon (Lisbon, Portugal)
2013/06/25 Film Culture Is Not Dead III Lisbon Summer School for the Study of Culture
Lisbon Consortium, Portuguese Catholic University (Lisbon, Portugal)
2012/11 Theorizing 'La Jetée' and 'Twelve Monkeys', but also 'Vertigo' International Conference on Photography and Cinema: 50 Years of Chris Marker’s 'La Jetée'
(Former) Center for Communication and Language Studies (CECL) and the Institute of Art History (IHA) (Lisbon, Portugal)

Event organisation

Event name
Type of event (Role)
Institution / Organization
2020/01/01 - 2020/02/07 Dissemination and logistics; preparation of multimedia materials. (2020/02/06 - 2020/02/07)
Conference (Member of the Organising Committee)
Universidade de Lisboa Centro de Estudos Geográficos, Portugal
2019/01/18 - 2019/01/27 Portuguese Filmmakers Film Festival (Mostra Realizadoras Portuguesas) was organized as a part of the Portuguese Women Directors project. It highlighted crucial movies of some of the most important filmmakers working in Portugal since 1975. The screenings were held at Caleidoscópio, at Campo Grande, were attended by the filmmakers, and were followed by Q&As. (2019/01/18)
Festival (Co-organisor)
Universidade de Lisboa Instituto de Ciências Sociais, Portugal

Universidade de Lisboa, Portugal
2018/09/17 - 2018/09/17 Workshop organized as part of the Portuguese Women Directors project. The authors that will contribute to the edited volume met in order to discuss the respective chapters, allowing for a more cohesive book. The workshop was held in Lisbon. (2018/09/17 - 2018/09/17)
Workshop (Co-organisor)
Universidade de Lisboa Instituto de Ciências Sociais, Portugal

Course / Discipline taught

Academic session Degree Subject (Type) Institution / Organization
2016 - Current Lecture "Hollywood - Industry, Blockbusters, and Superheroes" for the Pop Culture seminar of the Faculty of Social Sciences and Humanities, part of the Masters of Communication Sciences (Contemporary Culture and New Technologies) and Anthropology (Visual Cultures). A yearly invitation by Professor Jorge Martins Rosa, since 2016. Cultura Pop (Outros) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal

Evaluation committee

Activity description
Role
Institution / Organization Funding entity
2018/06/01 - 2018/09/15 Member of the Scientific Committee for the forthcoming book 'Women in Iberian Cinema', to be published by Intellect Books, Bristol, UK. It is edited by Elena Cordero-Hoyo (Center for Comparative Studies - University of Lisbon) and Professor Begoña Soto-Vázquez (Universidad Rey Juan Carlos).
Evaluator
Universidade de Lisboa Centro de Estudos Comparatistas, Portugal

Other jury / evaluation

Activity description Institution / Organization
2019/10/13 - Current Programmer of short films at IndieLisboa
2019/02/21 - 2019/02/23 CineNova: The Interuniversity Film Festival — Jury for Best Film. Universidade Nova de Lisboa, Portugal