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Current appointment: Director "Coordenador Científico" of the Centre for Interdisciplinary Studies (CEIS20) at the Univ. of Coimbra (~115 Integrated Researchers); Professor of Music Studies at FLUC Faculty of Arts and Humanities. I am also elected President of Portuguese Society for Music Research (SPIM, 2021-2023). Previous appointments: FCT-Principal Investigator and Vice-director of the Research Center for Science and Technology of the Arts at the Catholic Univ. of Portugal; Assistant Prof. at the Eastman School of Music of the Univ. of Rochester and at the Univ. of Iowa; and a Research fellow at Princeton Univ. Education: Ph.D. Univ. of Chicago (History and Theory of Music); M.M. Northwestern Univ.; B.M. Inst. Politécnico Porto. +++++++++ Main research interests include the epistemology of interdisciplinary and modes of knowledge production. In music studies, my work explores music theoretical modelling of systems of modernity, temporality, music cognition, analytical readings of post-tonal music (Bartók, Stravinsky, Ravel, Milhaud, Lopes-Graça, Falla, Lutoslawski, and Kurtág), and the oral tradition in Canção and Guitarra of Coimbra. +++++++++ My publications have appeared in Musurgia, Journal of Music Theory, Perspectives of New Music, Routledge Companion of Music Theory Pedagogy, Theory and Practice, Bridges, Mathematics and Computation in Music, and Portuguese Journal of Musicology, etc. +++++++++ Distinguished articles include the 2019 Musurgia Prize for Music Analysis (Société Française d'Analyse Musicale), 2006 Patricia Carpenter Emerging Scholar Award (Music Theory Society of New York State), and 2004 Arthur J. Komar Scholar Award; chapter included in a distinguished book by the 2022 Outstanding Multi-author award (Society for Music Theory, USA). +++++++++ Keynote Speaker invitations: Society for Music Analysis (2023 Colloquium Series, UK), X EuroMAC (2021, RU); TeMA/MusMat (2019, BR); ENIM IX (2019, PT), IV Contemporary Piano International Meeting (2019, PT), EurSAX (2017, PT), and EITAM (2013, BR); and I have presented work at over 70 peer-reviewed conferences and invited seminars. +++++++++ Editorial experience includes co-Director of Portuguese Journal of Musicology, Chief-editor of the journal Twentieth-Century Studies (2021-pres.), and the Journal of Science and Technology of the Arts (2019). I have been Reviews-editor for the journal Theory and Practice, and I am/been on the Editorial board and reviewer for: Music Theory Spectrum (US), OPUS (BR), Musica Theorica (BR), MusMat (BR), Rivista di Analisi e Teoria Musicale (IT), Music Theory Spectrum (US), Journal of Music Theory (US), Music Theory Online (US), Music Theory & Analysis (NL), etc. +++++++++ (PI) Principal-Investigator for several North-American and FCT (PT) financed projects. I am co-founder of the European Network for Theory and Analysis of Music. +++++++++ Organizing Chair of international peer-reviewed conferences such as 2016 Porto International Conference on Musical Gesture as Creative Interface (PT); 1st Música Analítica 2019: International Symposium on Analysis and Theory of Music (PT); 2nd Música Analítica 2023: Interdisciplinary Approaches to Musical Time (PT); 2023 Interdisciplining Knowledge in the Humanities, Sciences and Culture (PT); Mathematics and Computation in Music 2024 (USA-EU). +++++++++ My roles as Evaluator include: 2019-2024 panel member Final Scientific Project R&D Reports in the Arts FCT-Science and Technology Foundation; 2017-2023 Agency for Assessment and Accreditation of Higher Education (A3ES), External Evaluation Committee (CAE); 2022-23 Society for Music Theory Publication Awards; Panel Member ERC-European Research Council.
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Identification

Personal identification

Full name
José António Oliveira Martins

Citation names

  • Martins, José
  • Martins, José Oliveira
  • Martins, J.
  • Martins, J. O.
  • Martins, José António

Author identifiers

Ciência ID
8A1A-8C2F-161B
ORCID iD
0000-0002-7840-4705

Email addresses

  • jmartins@uc.pt (Professional)

Addresses

  • Universidade de Coimbra - Faculdade de Letras Largo da Porta Férrea, 3004-530, Coimbra, Coimbra, Portugal (Professional)

Websites

Knowledge fields

  • Humanities - Arts - Performing Arts Studies (Musicology, Theater Science, Dramaturgy)

Languages

Language Speaking Reading Writing Listening Peer-review
Portuguese (Mother tongue)
English Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2) Proficiency (C2)
French Intermediate (B1) Intermediate (B1) Intermediate (B1) Intermediate (B1) Intermediate (B1)
Spanish; Castilian Advanced (C1) Advanced (C1) Intermediate (B1) Advanced (C1) Advanced (C1)
Italian Elementary (A2) Elementary (A2) Elementary (A2) Elementary (A2) Elementary (A2)
Polish Beginner (A1) Beginner (A1) Beginner (A1)
Education
Degree Classification
1996/10 - 2016/03
Concluded
 Ph.D. (Doutoramento)
Major in Music History and Theory
University of Chicago Department of Music, United States
"The Dasian, Guidonian, and Affinity Spaces in Twentieth-Century Music" (THESIS/DISSERTATION)
1992/10 - 1996/06
Concluded
 Master of Music (Mestrado)
Major in Music Theory and Violin Performance (Double Major)
Northwestern University Henry and Leigh Bienen School of Music, United States
"Force-Counterforce: Accentual Balance in the Music of the Classical Period." (THESIS/DISSERTATION)
 4.0
1989/09 - 1992/06
Concluded
 Instrumento - Performance (Licenciatura)
Major in Violin
Instituto Politécnico do Porto Escola Superior de Música e Artes do Espetáculo, Portugal
"Recital - Program" (THESIS/DISSERTATION)
 17
Affiliation

Science

Category
Host institution 		Employer
2020/07 - Current Researcher (Research) Universidade de Coimbra Centro de Estudos Interdisciplinares, Portugal
Universidade de Coimbra Centro de Estudos Interdisciplinares, Portugal
2015/08/01 - 2019/08 Principal Investigator (Research) Fundação para a Ciência e a Tecnologia, Portugal
Universidade Católica Portuguesa Centro de Investigação em Ciência e Tecnologia das Artes, Portugal
2012/01/01 - 2012/08/01 Postdoc (Research) Fundação para a Ciência e a Tecnologia, Portugal
Universidade Católica Portuguesa Centro de Investigação em Ciência e Tecnologia das Artes, Portugal
2011/07/01 - 2011/12/31 Visiting Researcher (Research) Princeton University Department of Music, United States
Princeton University Department of Music, United States

Teaching in Higher Education

Category
Host institution 		Employer
2019/09 - Current Assistant Professor (University Teacher) Universidade de Coimbra Faculdade de Letras, Portugal
Universidade de Coimbra Centro de Estudos Interdisciplinares do Século XX, Portugal
2008/07/01 - 2015/06/30 Assistant Professor (University Teacher) University of Rochester, United States
University of Rochester Eastman School of Music, United States
2006/01/01 - 2008/06/30 Assistant Professor (University Teacher) The University of Iowa, United States
The University of Iowa, United States
2004 - 2005 Invited Adjunct Teacher (Polytechnic Teacher) Instituto Politécnico de Castelo Branco, Portugal
Instituto Politécnico de Castelo Branco Escola Superior de Artes Aplicadas, Portugal
2001/01 - 2003/12 Visiting Professor (University Teacher) Lake Forest College, United States
Lake Forest College, United States
1998/08 - 2002/06 Assistant (University Teacher) University of Chicago Department of Music, United States
University of Chicago Department of Music, United States

Positions / Appointments

Category
Host institution 		Employer
2020/07 - Current Manager of Laboratory, Institute, Museum, Centre or Observatory Universidade de Coimbra Centro de Estudos Interdisciplinares, Portugal
Universidade de Coimbra Centro de Estudos Interdisciplinares, Portugal

Others

Category
Host institution 		Employer
2021 - Current Direcção editorial - Revista Portuguesa de Musicologia SOCIEDADE PORTUGUESA DE INVESTIGAÇÃO EM MÚSICA, Portugal
2021 - Current Coordenador 3º ciclo - Doutoramento em Estudos Contemporâneos Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal
2020/07 - Current DIRECTOR (COORDENADOR CIENTÍFICO) OF RESEARCH UNIT Universidade de Coimbra Centro de Estudos Interdisciplinares, Portugal
Universidade de Coimbra Centro de Estudos Interdisciplinares, Portugal
2020 - Current Direcção editorial - Revista Estudos do Século XX Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal
2020 - Current Presidente do Conselho Científico Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal
2020 - Current Presidente do Conselho Consultivo Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal
2020 - Current Presidente do Conselho Editorial Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal
2020 - Current LIPA - Laboratório de Investigação em Práticas Artísticas, Secretariado (docente) e Parceria com CEIS20 Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal
2021/03 - 2023 PRESIDENT - PORTUGUESE SOCIETY OF MUSIC RESEARCH SOCIEDADE PORTUGUESA DE INVESTIGAÇÃO EM MÚSICA, Portugal
SOCIEDADE PORTUGUESA DE INVESTIGAÇÃO EM MÚSICA, Portugal
2021 - 2023 Presidente da Direcção SOCIEDADE PORTUGUESA DE INVESTIGAÇÃO EM MÚSICA, Portugal
2020 - 2023 Membro de Comissão Científica do DHEEAA, FLUC Universidade de Coimbra Faculdade de Letras, Portugal
2022 - 2022 Mobilidade, FLUC, Estudos Artísticos Universidade de Coimbra Faculdade de Letras, Portugal
2017/01 - 2019/06 VICE-DIRECTOR OF RESEARCH UNIT Universidade Católica Portuguesa Centro de Investigação em Ciência e Tecnologia das Artes, Portugal
Universidade Católica Portuguesa Centro de Investigação em Ciência e Tecnologia das Artes, Portugal
2019 - 2019 Co-editor Chefe - JOURNAL OF SCIENCE AND TECHNOLOGY OF THE ARTS Universidade Católica Portuguesa Centro de Investigação em Ciência e Tecnologia das Artes, Portugal
Projects

Grant

Designation Funders
1996 - 2000 Dasian, Guidonian, and Affinity Spaces in Twentieth-Century Music
PRAXIS XXI/BD/9595/96
PhD Student Fellow
University of Chicago Department of Music, United States
 Fundação para a Ciência e a Tecnologia
Concluded

Contract

Designation Funders
2019 - 2023 Strategic Plan - Centre for Interdisciplinary Studies | University of Coimbra
UIDB/00460/2020
Principal investigator
Universidade de Coimbra Centro de Estudos Interdisciplinares do Século XX, Portugal
 Fundação para a Ciência e a Tecnologia
Ongoing
2019 - 2023 Programatic Plan - Centre for Interdisciplinary Studies | University of Coimbra
UIDP/00460/2020
Principal investigator
Universidade de Coimbra Centro de Estudos Interdisciplinares do Século XX, Portugal
Ongoing
2019/01/01 - 2019/12/31 Centro de Investigação em Ciência e Tecnologia das Artes
UID/EAT/00622/2019
Universidade Católica Portuguesa, Portugal
 Fundação para a Ciência e a Tecnologia
Concluded
2015/05/01 - 2019/09/01 IF/01458/2014/CP1213/CT0003
IF/01458/2014/CP1213/CT0003
Principal investigator
Universidade Católica Portuguesa Centro de Investigação em Ciência e Tecnologia das Artes, Portugal
 Fundação para a Ciência e a Tecnologia
Concluded
2015/05 - 2015/05 Conceptual music-models of multi-layered harmonic experience
SFRH/BPD/104207/2014
Post-doc
Universidade Católica Portuguesa Centro de Investigação em Ciência e Tecnologia das Artes, Portugal
 Fundação para a Ciência e a Tecnologia
Cancelled
2012/01/01 - 2012/08/01 Affinity space, Modulation Space, and Geometrical Representations of Musical Systems
SFRH/BPD/74117/2010
Principal investigator
Universidade Católica Portuguesa Centro de Investigação em Ciência e Tecnologia das Artes, Portugal
 Fundação para a Ciência e a Tecnologia
Concluded
2011/07/01 - 2011/12/31 Geometrical Representations of Musical Systems
SFRH/BPD/74117/2010
Research Fellow
Princeton University Department of Music, United States
 Fundação para a Ciência e a Tecnologia
Concluded
2007/06 - 2007/08 Language, Temporality and Harmony in the Music of Witold Lutoslawski and 20th c. Polish Music
OLDGOLD/IOWA/2007/MARTINS
Principal investigator
Polish Music Information Centre , Poland
 The University of Iowa
Concluded
Outputs

Publications

Book
  1. Martins, José Oliveira. The Blue Knight: Joy and Spirit in Charles Rosen’s Legacy. United Kingdom: Routledge - Routledge Research in Music series. 2024.
    Accepted • Editor
  2. Martins, José Oliveira. Mathematics and Computation in Music. 9th International Conference, MCM 2024, Coimbra, Portugal. Germany: Springer-Nature. 2024.
    Accepted • Editor
  3. Martins, José Oliveira. The Polytonal Impulse: Multilayered space and Harmonic Imagination in Modern Music. United States: Oxford University Press. 2024.
    Accepted
  4. Martins, José. Mathematics and Computation in Music - Third International Conference, MCM 2011, Proceedings. 2011.
Book chapter
  1. Martins, José Oliveira. "MARTINS, JOSÉ OLIVEIRA. 2020. TWENTIETH-CENTURY POLYMODALITY: SCALAR LAYERING, CHROMATIC MISMATCH, AND SYMMETRY | NEW YORK: THE ROUTLEDGE COMPANION TO MUSIC THEORY PEDAGOGY [REFEREED]". In The Routledge Companion to Music Theory Pedagogy, edited by LEIGH VANHANDEL, 244-249. NEW YORK, United States: Routledge, 2020.
    Published
  2. Martins, José Oliveira. "Twentieth-century Polymodality: Scalar Layering, Chromatic Mismatch, and Symmetry". In Routledge Companion to Music Theory Pedagogy, 244-249. Routledge Companion Series, 2020.
    Published
  3. Martins, J.O.. "MARTINS, JOSÉ OLIVEIRA. 2011. INTERVAL CYCLES, AFFINITY SPACES, AND TRANSPOSITIONAL NETWORKS | MATHEMATICS AND COMPUTATION IN MUSIC | PARIS: SPRINGER [REFEREED; SCOPUS]". In Mathematics and Computation in Music, 126-139. PARIS, France: SPRINGER, 2011.
    Published • 10.1007/978-3-642-21590-2_10
  4. Martins, J.O.. "MARTINS, JOSÉ OLIVEIRA. 2009. AFFINITY SPACES AND THEIR HOST SET CLASSES | COMMUNICATIONS IN COMPUTER AND INFORMATION SCIENCE: MATHEMATICS AND COMPUTATION IN MUSIC | BERLIN: SPRINGER [REFEREED; SCOPUS]". In Communications in Computer and Information Science, 499-511. BERLIN, Germany, 2009.
    Published • 10.1007/978-3-642-04579-0_51
Book review
  1. Martins, José. "MARTINS, JOSÉ OLIVEIRA.. 1999. JOÃO PEDRO PAIVA DE OLIVEIRA, TEORIA ANALÍTICA DA MÚSICA DO SÉCULO XX | REVISTA PORTUGUESA DE MUSICOLOGIA 9 (REVIEW ESSAY)". Review of TEORIA ANALÍTICA DA MÚSICA DO SÉCULO XX 9, (1999): 165-187. http://www.rpm-ns.pt/index.php/rpm/article/view/182.
    Published
Conference abstract
  1. Martins, José Oliveira; SANJA KIŠ ŽUVELA. "AURAL PERCEPTION OF BITONALITY COMPARED WITH AN ANALYSIS USING THE SCALAR DISSONANCE MODEL". Paper presented in First International Conference on Psychology and Music – Interdisciplinary Encounters, Belgrade, 2019.
    Published
  2. Martins, José Oliveira. "THE CREATION-ACTION PROCESS IN THE PORTUGUESE GUITAR MUSIC OF CARLOS PAREDES: ORAL TRADITION, PERFORMANCE STYLE, AND INTERPRETATIVE TRANSCRIPTIONS". Paper presented in Tracking the Creative Process in Music, Lisbon, 2019.
    Published
  3. Martins, José Oliveira; Paulo Soares. "INTERDEPENDENCIES BETWEEN ACTING PERFORMER, SOUNDING MUSIC AND INTERPRETATIVE ATTRIBUTIONS IN THE PORTUGUESE GUITAR MUSIC OF CARLOS PAREDES". Paper presented in International Congress: Hidden Archives, Hidden Practices, Aveiro, 2019.
  4. Martins, José Oliveira; Paulo Soares. "BECOMING A MUSIC SCORE: ORAL TRADITION, PERFORMANCE CONSCIOUSNESS, AND INTERPRETATIVE TECHNIQUES OF TRANSCRIPTION FOR THE PORTUGUESE GUITAR MUSIC OF CARLOS PAREDES". Paper presented in 21st International Conference Consciousness Reframed: Sentient States: Bio- mind and Techno-nature, Porto, 2019.
    Published
  5. Martins, José Oliveira. "DISCIPLINANDO A ANÁLISE MUSICAL: AUTONOMIA E SERVIÇO, TRADIÇÃO E GLOBALIDADE". Paper presented in ENCAPE 2019: Encontro Nacional de Composic¸a~o e Ana´lise Musical: Perpectivas Educacionais, Coimbra, 2019.
    Published
  6. Martins, José Oliveira; SANJA KIŠ ŽUVELA. "THE AURAL PERCEPTION OF SCALAR DISSONANCE: EXPERIMENTAL INSIGHTS ON AN ANALYTICAL MODEL FOR POLYTONALITY". Paper presented in Mu´sica Anali´tica 2019: International Symposium on The Analysis and Theory of Music, Porto, 2019.
    Published
  7. Martins, José Oliveira. "MULTILAYERED HARMONY, POLYMODALITY, AND SCALAR DISSONANCE IN EARLY-CENTURY MUSIC AND THEORETICAL ACCOUNTS". Paper presented in Journées d’Analyse Musicale, Aix-en-Provence, 2018.
    Published
  8. Martins, José Oliveira. "LUTOSLAWSKI’S TWELVE-NOTE CHORDS AND THE RENEWED EXPLORATION OF HARMONY IN THE TWENTIETH-CENTURY". Paper presented in NOVA CONTEMPORARY MUSIC MEETING: COMPOSING MUSIC TODAY, Lisbon, 2018.
    Published
  9. Martins, José Oliveira. "O IMPULSO POLIMODAL E A SUA MODELIZAÇÃO ANALÍTICA: ALGUNS ANDAMENTOS DAS SUITES ‘IN MEMORIAM BÉLA BARTÓK’ OP. 126 DE LOPES GRAÇA". Paper presented in ENIM8: Encontro de Investigação em Música, Porto, 2018.
    Published
  10. Martins, José Oliveira. "O IMPULSO POLIMODAL NAS SUITES ‘IN MEMORIAM BÉLA BARTÓK’ OP. 126 DE LOPES GRAÇA". Paper presented in Simpósio: Fernando Lopes-Graça em retrospectiva, Cascais, 2017.
    Published
  11. Martins, José Oliveira. "O DEBATE TEÓRICO SOBRE A POLITONALIDADE E A NOÇÃO DE DISSONÂNCIA ESCALAR". Paper presented in ENIM 7: Encontro de Investigação em Música, Braga, 2017.
    Published
  12. Martins, José Oliveira. "CASELLA'S 'MODULATION IN SIMULTANEITY,' BARTÓK'S. 'POLYMODAL CHROMATICISM', AND MY 'SCALAR DISSONANCE'". Paper presented in XIV Convegno Internazionale di Analisi e Teoria Musicale, Rimini, 2017.
    Published
  13. Martins, José Oliveira. "CONSTRUCTIONIST AND INTERPRETATIVE CLAIMS ON POLYTONALITY: REFRAMING THE THEORIZING ACTIVITY ON TWENTIETH-CENTURY MULTI-LAYERED HARMONY". Paper presented in IX Congreso Nacional de la Sociedad Española de Musicología, Madrid, 2016.
    Published
  14. Martins, José Oliveira. "ALTERED OCTAVES, KLANGFARBEN AND MISTUNING IN TWENTIETH-CENTURY MUSIC". Paper presented in XIII Convegno Internazionale di Analisi e Teoria Musicale, Rimini, 2016.
    Published
Conference paper
  1. "MARTINS, JOSÉ OLIVEIRA. 2021. BEYOND THE PITCH/PITCH-CLASS DICHOTOMY: REGISTER, ALTERED OCTAVES AND THE HARMONIC IMAGINATION IN TWENTIETH-CENTURY MODERNISM | X EUROPEAN MUSIC ANALYSIS CONFERENCE". Paper presented in 10TH EUROPEAN MUSIC ANALYSIS CONFERENCE, MOSCOW, 2021.
    Published
  2. "MARTINS, JOSÉ OLIVEIRA. 2021. TRANSCRIPTION AND GESTURE IN THE PORTUGUESE-GUITAR MUSIC OF CARLOS PAREDES | ANALYTICAL APPROACHES TO WORLD MUSIC". Paper presented in SIXTH INTERNATIONAL CONFERENCE ON ANALYTICAL APPROACHES TO WORLD MUSIC, PARIS, 2021.
    Published
  3. Martins, José Oliveira. "MARTINS, JOSÉ OLIVEIRA. 2017. REFRAMING MUSIC THEORIZING AND ANALYTICAL ACTS ON TWENTIETH-CENTURY MULTI-LAYERED HARMONY | IX EUROPEAN MUSIC ANALYSIS CONFERENCE". Paper presented in 9th European Music Analysis Conference, STRASBOURG, 2017.
    Published
  4. Martins, José Oliveira. "MARTINS, JOSÉ OLIVEIRA. 2017. CONSTRUCTIONIST AND INTERPRETATIVE CLAIMS ON POLYTONALITY: REFRAMING THE THEORIZING ACTIVITY ON TWENTIETH-CENTURY MULTI-LAYERED HARMONY | IX CONGRESO DE LA SOCIEDAD ESPAÑOLA DE MUSICOLOGIA [2016]". Paper presented in IX Congreso de la Sociedad Española de Musicologia, MADRID, 2017.
    Published
  5. Martins, José. "MARTINS, JOSÉ OLIVEIRA. 2013. THE TIME OF SPATIAL ANALYSIS: ON THE TEMPORAL DIMENSION OF SOME PITCH-­BASED ANALYTICAL MODELS". 2013.
    Published
  6. Martins, José Oliveira. "MARTINS, JOSÉ OLIVEIRA. 2011. PITCH-SPACE LATTICES: TONNETZE AND OTHER TRANSPOSITIONAL NETWORKS | BRIDGES 2011: MATHEMATICS, MUSIC, ART, ARCHITECTURE, CULTURE". Paper presented in BRIDGES 2011: MATHEMATICS, MUSIC, ART, ARCHITECTURE, CULTURE, coimbra, 2011.
    Published
  7. Martins, José Oliveira. "MARTINS, JOSÉ OLIVEIRA. 2007. O ESPAÇO GUIDONIANO E CROMATISMO POLIMODAL DO SÉCULO XX | PORTO: ENCONTRO MÚSICA E MATEMÁTICA - ACTAS". Paper presented in Encontro Música e Matemática-Actas, Porto, 2007.
    Published
Edited book
  1. Martins, José António; Mariana Montiel. Mathematics and Computation in Music. Lecture Notes in Computer Science. Springer. 2024.
    In press
  2. 10TH MEETING ON RESEARCH IN MUSIC. 2020-2021. PROGRAM AND ABSTRACTS. Coimbra, Portugal: SPIM | Sociedade Portuguesa de Investigação em Música. 2021.
    Published • Editor
  3. Martins, José Oliveira. MARTINS, JOSÉ OLIVEIRA (ED.) 2019. MÚSICA ANALÍTICA: INTERNATIONAL SYMPOSIUM ON THE ANALYSIS AND THEORY OF MUSIC | PORTO: UNIVERSIDADE CATÓLICA PORTUGUESA. Portugal: Universidade Católica Portuguesa. 2019.
    Published • Editor
  4. Martins, José Oliveira; Daniel Moreira; José Miguel Ribeiro-Pereira; Miguel Roig-Francolí; Jonathan Dunsby. MARTINS, JOSÉ OLIVEIRA (ED.). 2016. THEMATIC DOSSIER/DOSSIER TEMÁTICO: UNDERSTANDING AND FEELING MUSIC AND TIME IN LOURENÇO | PORTUGUESE JOURNAL OF MUSICOLOGY 3/1. Lisbon, Portugal: Portuguese Journal of Musicology/ Revista Portuguesa de Musicologia. 2016.
    Published • Editor
  5. Martins, José Oliveira. MARTINS, JOSÉ OLIVEIRA AND SOFIA LOURENÇO (EDS.) 2016. MUSICAL GESTURE AS CREATIVE INTERFACE. PORTO: UNIVERSIDADE CATÓLICA PORTUGUESA. PORTO, Portugal: UNIVERSIDADE CATÓLICA PORTUGUESA. 2016.
    Published • Editor
Journal article
  1. Silva, Ligia Borges; Phillips, Michelle; Martins, José Oliveira. "The influence of tonality, tempo, and musical sophistication on the listener's time-duration estimates". Quarterly Journal of Experimental Psychology (2023): http://dx.doi.org/10.1177/17470218231203459.
    10.1177/17470218231203459
  2. Martins, José Oliveira. "Lutoslawski's Mid-Century Harmony Reconceptualizing Chordal Space in the Five Illakowicz Songs". Journal of Music Theory 67 2 (2023): 209-249.
    Published • DOI 10.1215/00222909-10699703
  3. Martins, José Oliveira. "Multimodalidade expressiva e o impulso intercultural: apontamentos sobre a experiência do Fado em contexto Chinês". Revista Orientes do Português (2023): https://ojs.letras.up.pt/index.php/ori/index.
  4. Martins, José Oliveira (8A1A-8C2F-161B); Martins, José Oliveira. "MARTINS, JOSÉ OLIVEIRA. 2020. MATCHSTICKS, HARMONIC SPACE, AND TRANSPOSITIONAL NETWORKS IN THE FIRST MOVEMENT OF GYÖRGY KURTÁG¿S STRING QUARTET OP. 1 | PERSPECTIVES OF NEW MUSIC 58/1". Perspectives of New Music 58 1 (2020): 123-171. http://www.jstor.org/journal/persnewmusi.
    Published • 10.1353/pnm.2020.0004
  5. Martins, José Oliveira; Martins, José Oliveira. "MARTINS, JOSÉ OLIVEIRA. 2019. SCALAR DISSONANCE AND THE ANALYSIS OF POLYTONAL/MODAL MISMATCH IN TWENTIETH-CENTURY MUSIC | MUSURGIA 26/3-4". Musurgia 26 3 (2019): https://www.cairn.info/revue-musurgia-2019-3-page-49.htm.
    In press • doi.org/10.3917/musur.193.0049
  6. Martins, José. "MARTINS, JOSÉ OLIVEIRA. 2016. UNDERSTANDING AND FEELING MUSIC AND TIME IN LOURENÇO | PORTUGUESE JOURNAL OF MUSICOLOGY 3/1". Portuguese Journal of Musicology (2016): http://www.rpm-ns.pt/index.php/rpm/article/view/297.
  7. Martins, José; Jonathan Dunsby. "MARTINS, JOSÉ OLIVEIRA AND JONATHAN DUSNBY. 2016. WHAT WAS NEW MUSIC: ARRIGO AND BARTÓK IN LOURENÇO | PORTUGUESE JOURNAL OF MUSICOLOGY 3/1". Portuguese Journal of Musicology (2016): http://hdl.handle.net/10400.14/23234.
    Published
  8. Martins, J.O.. "MARTINS, JOSÉ OLIVEIRA. 2015. BARTÓK'S POLYMODALITY: THE DASIAN AND OTHER AFFINITY SPACES | JOURNAL OF MUSIC THEORY 59/2". Journal of Music Theory 59 2 (2015): 273-320. http://www.scopus.com/inward/record.url?eid=2-s2.0-84946832460&partnerID=MN8TOARS.
    10.1215/00222909-3136020
  9. Martins, José. "MARTINS, JOSÉ OLIVEIRA. 2006. STRAVINSKY'S DISCONTINUITIES, HARMONIC PRACTICE, AND THE GUIDONIAN SPACE IN THE "HYMNE" FROM THE SERENADE IN A | THEORY AND PRACTICE 31". Theory and Practice 31 (2006): http://www.jstor.org/stable/41054373.
    Published
Thesis / Dissertation
  1. Martins, José. "DASIAN, GUIDONIAN, AND AFFINITY SPACES IN TWENTIETH-CENTURY MUSIC". PhD, University of Chicago Department of Music, 2006. https://order.proquest.com/OA_HTML/pqdtibeCCtpItmDspRte.jsp?item=3206340&sitex=10020:22372:US&track=DxWeb&dlnow=1&rpath=http%3A%2F%2Fdissexpress.umi.com%2Fdxweb%2Fresults.html%3FQryTxt%3Daffinity%2Bdasian%26By%3Dmartins%26Title%3D%26pubnum%3D.

Artistic / Performance

Artistic performance
  1. 2017. 2017. Performance (Portuguese Guitar). 2017. Performance (Portuguese Guitar) and participation in the round table discussion “Em torno da G.
  2. 1991. 1987/91. Chamber music:. 1987/91. Chamber music: Festival da Primavera, Guimarães, Portugal; Festival de la Musica de Denia,.
Program / Show
  1. Martins, José Oliveira. 2013. "2013. Program notes. CD: Chuva Oblíqua. Miguel Amaral, Guitarra Portuguesa. Works by: Dimitris Andrikopoulos. Mário Laginha, Daniel Moreira, Miguel Amaral, e Igor Silva. Onc Produções Culturais, Lda. Porto". 2013. Program notes. CD: Chuva Oblíqua. Miguel Amaral, Guitarra Portuguesa..
Activities

Oral presentation

Presentation title Event name
Host (Event location)
2023/04/20 Imaginación armónica y relaciones de registro en la música del siglo XX: octavas alteradas y modelado de las cualidades tono-espaciales I Congreso Internacional SATMUS: Una aproximación pedagógica e interdisciplinary al análisis y a la teoria musical
Universidad Autónoma de Madrid y Real Conservatorio Superior de Música de Madrid (Madrid, Spain)
2023/04/06 Harmonic imagination and register relations in twentieth-century music: altered octaves and the modelling of pitch-space qualities Monthly Colloquium Series
Society for Music Analysis (United Kingdom)
2023/02/16 Multimodalidade expressiva e o impulso intercultural: apontamentos sobre a experiência do Fado em contexto Chinês Seminário | Paisagens Semiótica-culturais: Diálogos China-Portugal
2022/11/10 Imaginação harmónica e registo acústico no modernismo do século XX: questionando a dicotomia analítica entre altura e classe-de-altura EnIM 2022 – Encontro de Investigação em Música
Universidade de Aveiro (Aveiro, Portugal)
2022/10/20 Physical Pleasure, Intellectual Pleasure: Reconsidering Rosen’s Thoughts on Musical Understanding Bilateral International Conference Portugal/Italy: The Blue Knight: Charles Rosen 1927-2012
Fundação Eng. António de Almeida (Porto, Portugal)
2021/09/20 Beyond the pitch/pitch-class dichotomy: register, altered octaves and the harmonic imagination in twentieth-century modernism EuroMAC 10: European Music Analysis Conference
(Moscovo, Russia)
2021/09/20 The role of scalar assimilation and texture in the perception of bitonality EuroMAC 10: European Music Analysis Conference
(Moscovo, Russia)
2021/05/27 VOZ, CORPO E MODULAÇÃO INTERNA NO TOM TRÁGICO, MAIS VIOLENTO QUE SENTIMENTAL, DA MÚSICA DE CARLOS PAREDES DIÁLOGOS DA TEORIA - CICLO EM DIÁLOGO COM RIBEIRO-PEREIRA
INSTITUTO POLITÉCNICO DO PORTO (PORTO, Portugal)
2020/11/24 CONCEPTUAL REPRESENTATIONS AND EXPERIENCE OF HARMONIC DISTANCE IN MULTILAYERED MUSIC REPRESENTACIONES CONCEPTUALES Y EXPERIENCIA DE LA DISTANCIA ARMÓNICA EN LA MÚSICA MULTIESTRATOS Análisis musical: la práctica y metodología
Universidad Complutense de Madrid, Departamento de Musicología, Facultad de Geografía e Historia (MADRID, Spain)
2020/06/24 Transcription and Gesture in the Portuguese Guitar Music of Carlos Paredes SIXTH INTERNATIONAL CONFERENCE ON ANALYTICAL APPROACHES TO WORLD MUSIC
Musée de l’Homme (Paris)
2019/12 KEYNOTE SPEAKER: LAYERING AND DIFFERENTIATION OF PITCH SPACE IN THE WRITING FOR PIANO IN TWENTIETH-CENTURY MUSIC MODERNISM IV International Contemporary Piano Meeting
Instituto Politécnico do Porto; CESEM (Porto, Portugal)
2019/11 KEYNOTE SPEAKER: MUSIC AS ANALYSIS, ANALYSIS AS MUSIC: CLAIMING MUSIC AS ONE’S OWN IX ENIM: Encontro de Investigac¸a~o em Mu´sica,
Universidade Nova de Lisboa, FCSH, 14–16 Novembro (Lisbon, Portugal)
2019/10 KIŠ ŽUVELA, SANJA, and MARTINS, JOSÉ OLIVEIRA. 2019. “Aural perception of bitonality compared with an analysis using the scalar dissonance model”, First International Conference on Psychology and Music – Interdisciplinary Encounters, University of Arts in Belgrade)24–26 October) https://psychologyandmusicconference2019.wordpress.com/ First International Conference on Psychology and Music – Interdisciplinary Encounters
University of Arts in Belgrade (Belgrade, Serbia)
2019/10 FEATURE TABLE: NON-OCTAVE TONAL FRAMEWORKS: MISTUNING, PITCH FIELDS, AND TRANSPOSITIONAL NETWORKS TeMA–MusMat: III Congresso da Associac¸a~o Brasileira de Teoria e Ana´lise Musical (TeMA) & IV Congresso Internacional de Mu´sica e Matema´tica
Associação Brasileira de Teoria e Análise Musical (Rio de Janeiro, Brazil)
2019/10 KEYNOTE SPEAKER: SCALAR DISSONANCE AND THE POLYTONAL/ MODAL IMPULSE IN TWENTIETH-CENTURY MUSIC TeMA–MusMat: III Congresso da Associac¸a~o Brasileira de Teoria e Ana´lise Musical (TeMA) & IV Congresso Internacional de Mu´sica e Matema´tica
Associação Brasileira de Teoria e Análise Musical (TeMA) (Rio de Janeiro, Brazil)
2019 MARTINS, JOSÉ OLIVEIRA and SOARES, PAULO. 2019. The creation-action process in the Portuguese guitar music of Carlos Paredes: oral tradition, performance style, and interpretative transcriptions”, Tracking the Creative Process in Music, FCSH Universidade Nova Lisboa, 9–11 October. http://tcpm2019.fcsh.unl.pt/ Tracking the Creative Process in Music
2019 MARTINS, JOSÉ OLIVEIRA and SOARES, PAULO. 2019. “Becoming a music score: oral tradition, performance consciousness, and interpretative techniques of transcription for the Portuguese guitar music of Carlos Paredes.” 21st International Conference Consciousness Reframed: Sentient States: Bio- mind and Techno-nature, Universidade Cato´lica Portuguesa, Jun 6–8. http://artes.porto.ucp.pt/en/consciousnessreframed
2019 MARTINS, JOSÉ OLIVEIRA. 2019. “Disciplinando a análise musical: autonomia e serviço, tradição e globalidade.” ENCAPE 2019: Encontro Nacional de Composic¸a~o e Ana´lise Musical: Perpectivas Educacionais, Cons. Coimbra, 26-27 Jun. https://plataforma9.com/congressos/encape- 2019-encontro-nacional-de-composicao-e-analise-musical-perspectivas- educacionais.htm
2019 MARTINS, JOSÉ OLIVEIRA and SOARES, PAULO. 2019. “Interdependencies between acting performer, sounding music and interpretative attributions in the Portuguese guitar music of Carlos Paredes.” International Congress: Hidden Archives, Hidden Practices, University of Aveiro, Jun 28- 30. http://hahp2019.web.ua.pt
2019 KIŠ ŽUVELA, SANJA, and MARTINS, JOSÉ OLIVEIRA. 2019. “The Aural Perception of Scalar Dissonance: Experimental Insights on an Analytical Model for Polytonality.” Mu´sica Anali´tica 2019: International Symposium on The Analysis and Theory of Music, Universidade Cato´lica Portuguesa, Porto (March 23).
2018 MARTINS, JOSÉ OLIVEIRA. 2018. “Multilayered Harmony, Polymodality, and Scalar Dissonance in Early-Century Music and Theoretical Accounts.” Journées d’Analyse Musicale, Aix-en-Provence, Conservatoire Darius-Milhaud, France (Nov. 23-24). http://www.sfam.org/JAM18livret?d4dad6935f632ac35975e3001dc7bbe8=6a66e020170b3f0ee1876adecabd88fd
2018 MARTINS, JOSÉ OLIVEIRA. 2018. “Lutoslawski’s Twelve-Note Chords and the Renewed Exploration of Harmony in the Twentieth-century.” Nova Contemporary Music Meeting: Composing Music Today. FCSH/ESML, Portugal (Nov. 21–23). http://fabricadesites.fcsh.unl.pt/ncmm/program/
2018 MARTINS, JOSÉ OLIVEIRA. 2018. “O impulso polimodal e a sua modelização analítica: alguns andamentos das Suites ‘In Memoriam Béla Bartók’ op. 126 de Lopes Graça.” ENIM8: Encontro de Investigação em Música, Escola Superior de Educação, Instituto Politécnico do Porto, Porto, Portugal (Nov. 8–10). http://www.spimusica.pt/programa-program-4/
2017/07 KEYNOTE SPEAKER: ANALYSIS AS MUSICAL EXPERIENCE: BETWEEN CONCEPTUAL REPRESENTATIONS OF MUSIC MODELS AND THE EXPERIENCE OF THE MOMENT EurSAX17: The Future is (t)here. Informed And/Or/Vs. Intuitive Historical Performances
Casa da Música - Porto (Porto, Portugal)
2017 Conceptualização e representação de espaços musicais: perspectivas da teoria da música matematicamente informada Ciência’16: Encontro com a Ciência e Tecnologia em Portugal
Fundação para a Ciência e a Tecnologia (Lisbon, Portugal)
2017 MARTINS, JOSÉ OLIVEIRA. 2017. “O impulso polimodal nas suites ‘In Memoriam Béla Bartók’ op. 126 de Lopes Graça.” Simpósio: Fernando Lopes-Graça em retrospectiva. Centro Cultural de Cascais, Portugal (Dec 15-16). https://simposio-flg-20174.webnode.pt/programa/
2017 MARTINS, JOSÉ OLIVEIRA. 2017. “O debate teórico sobre a politonalidade e a noção de dissonância escalar.” ENIM 7: Encontro de Investigação em Música, Universidade do Minho, Braga, Portugal (9–11 Nov). http://www.spimusica.pt/programa-program/
2017 MARTINS, JOSÉ OLIVEIRA. 2017. “Casella’s ‘modulation in simultaneity,’ Bartók’s ‘polymodal chromaticism,’ and my ‘scalar dissonance.’” XIV Convegno Internazionale di Analisi e Teoria Musicale, Rimini, Italy (Sep 28–Oct 1).
2017 MARTINS, JOSÉ OLIVEIRA. 2017. “Reframing Music Theorizing and Analytical Acts on Twentieth-Century Multi-Layered Harmony.” EuroMAC 9: European Music Analysis Conference, Strasbourg, France (Jun 28–Jul 1).
2016/07 Análise (no) Superior ENCAPE 2016: Encontro Nacional de Composição e Análise Musical Perspectivas Educacionais
Conservatório de Coimbra (Coimbra, Portugal)
2016 MARTINS, JOSÉ OLIVEIRA. 2016. “Constructionist and interpretative claims on polytonality: reframing the theorizing activity on twentieth-century multi-layered harmony.” IX Congreso Nacional de la Sociedad Española de Musicología, Universidad Autónoma de Madrid-CSIPM, Madrid, España (16–19 Nov).
2016 MARTINS, JOSÉ OLIVEIRA. 2016. “Altered octaves, Klangfarben and mistuning in twentieth-century music. XIII Convegno Internazionale di Analisi e Teoria Musicale. Rimini, Italy (Sep 29–Oct 2).
2015 MARTINS, JOSÉ OLIVEIRA. 2015. “Musical pitch maps: contexts, outcomes and motivations for recent speculative theories of pitch space.” ENIM5: Encontro de Investigação em Música, Universidade de Évora, Portugal (12–14 Nov). http://www.spimusica.pt/enim-2015/
2015 MARTINS, JOSÉ OLIVEIRA. 2015. “Constructionist and interpretative claims on polytonality: reframing the theorizing activity on twentieth-century multi-layered harmony.” Thirty-sixth annual meeting of the Society for Music Theory, Saint Louis, MS, USA (Oct 29–Nov 1).
2015 MARTINS, JOSÉ OLIVEIRA. 2015. “Multi-Layered Harmony and Scalar Dissonance in Twentieth-Century Music.” XII Convegno Internazionale di Analisi e Teoria Musicale. Rimini, Italy (Sept 24–27).
2015 MARTINS, JOSÉ OLIVEIRA. 2015. “Constructionist and interpretative claims on polytonality: reframing the theorizing activity on twentieth-century multi-layered harmony.” Society for Music Analysis–KeeleMAC, Keele, UK (Jul 8–10).
2015 MARTINS, JOSÉ OLIVEIRA. 2015. “Constructionist and interpretative claims on polytonality: reframing the theorizing activity on twentieth-century multi-layered harmony.” Intertextuality in Music since 1900. CESEM/FCSH, Universidade Nova de Lisboa; Institut fu¨r Musikwissenschaft, Leopold-Franzens-Universität Innsbruck; U. Nova Lisboa, Portugal (Mar 6-7). https://intertextualityinmusicsince1900.weebly.com/
2014 MARTINS, JOSÉ OLIVEIRA. 2014. “Polymodality, Harmonic Plasticity, and Affinity Spaces.” EuroMAC 8: European Music Analysis Conference, Leuven, Belgium (Sep 17–21). http://www.euromac2014.eu/programme
2013 The time of spatial analysis: on the temporal dimension of some pitch-based analytical models ETAM III: Encontro Internacional de Teoria e Análise Musical
ETAM III: Encontro Internacional de Teoria e Análise Musical (São Paulo, Brazil)
2013 Lutoslawski’s chromatic modality in works of the 1950s Mellon Humanities Corridor Lutoslawski Centenary Celebration: “Lutoslawski and Instrumental Drama – Calamity in Postwar Music
Cornell University, Department of Music (Cornell, United States)
2013 MARTINS, JOSÉ OLIVEIRA. 2013. “Scalar Dissonance: Mismatch, Porosity, and Reorientation in Twentieth-Century Polymodality.” Thirty-fourth annual meeting of the Society for Music Theory, Charlotte, NC, USA (Oct 30–Nov 3).
2013 MARTINS, JOSÉ OLIVEIRA. 2013. “Polymodality, Harmonic Syntax, and Affinity Spaces.” ENIM 3: Encontro Nacional de Investigação em Música, Cascais, Portugal, (Nov 1–3).
2012 Scalar Dissonance: Mismatch, Porosity, and Reorientation in Polymodality John Clough Memorial Conference
Yale University (New Haven, United States)
2012 Neo-Riemannian Theory and other Geometrical Representations of Pitch Space Seminar
INESC, University of Porto (Porto, Portugal)
2012 Affinity Spaces and Geometrical Representations for Twentieth-century Music Seminário Arte e Signo
Universidade Católica Portuguesa, Escola das Artes (Porto, Portugal)
2011 MARTINS, JOSÉ OLIVEIRA. 2011. “Kurtág’s Syntax and Bartók’s Vocabulary in the ‘Quartetto per archi,’ Op. 1.” SMT 32: Annual meeting of the Society for Music Theory, Minneapolis, MN, USA (Oct 27–30).
2011 MARTINS, JOSÉ OLIVEIRA. 2011. “Interval Cycles, Affinity Spaces, and Transpositional Networks. MCM 3: International Conference on Mathematics and Computation in Music, IRCAM, Paris, France (Jun 15–17).
2011 MARTINS, JOSÉ OLIVEIRA. 2011. “Pitch-space Lattices: Tonnetze and other Transpositional Networks.” Fourteenth annual Bridges Conference, Coimbra, Portugal (Jul 27–31).
2011 MARTINS, JOSÉ OLIVEIRA. 2010. Lutoslawski Harmony and Affinity Spaces in Works of the 1950s. Joint meeting of the American Musicological Society and the Society of Music Theory, Indianapolis, IN, USA (Nov 4–7).
2010 MARTINS, JOSÉ OLIVEIRA. 2010. Lutoslawski Harmony and Affinity Spaces in Works of the 1950s. Annual meeting of the Music Theory Society of New York State, John Jay College of Criminal Justice, NY, USA (Apr 10–11).
2009 Espaços de Afinidade: Relevância de Concepções Medievais para a Teoria e Análise de Música do Séc. XX Colloquium A Música Discute-se
CESEM: Centro de Estudos de Sociologia e Estética Musical, Universidade Nova de Lisboa, Portugal (Lisbon, Portugal)
2009 MARTINS, JOSÉ OLIVEIRA. 2009. Harmonic modulation and periodic pitch space in Lutoslawski’s works from the second half of the 1950s. Polish Music since 1945. Canterbury Christ Church University, UK (Apr 30¬–May 2).
2008/09 Bartók’s Vocabulary and Kurtág’s Syntax Symposium: Bartók’s String Quartets: Tradition and Legacy
University of Victoria, Canada (Victoria, Canada)
2008/04 Musical Expression of ‘saudade’ in Portuguese Fado Conference/exhibit Encompassing the Globe: Portuguese Contact, Exchange, and Heritage
University of Iowa (Iowa City, United States)
2008 MARTINS, JOSÉ OLIVEIRA. 2008. “Affinity Spaces: Medieval Conceptions in the Analysis of Twentieth-century Music.” Twenty-eighth annual meeting of the Society for Music Theory, Baltimore, ML, USA (Nov 15–18).
2007/02 Affinity Spaces: Medieval Conceptions in the Analysis of Twentieth-century Music Seminar
Yale University Department of Music (New Haven, United States)
2007 MARTINS, JOSÉ OLIVEIRA. 2007. “Affinity Spaces: Medieval Conceptions in the Analysis of Twentieth-century Music.” EuroMAC 6: Sixth International European Music Analysis Conference, Freiburg, Germany (Oct 10–14).
2007 MARTINS, JOSÉ OLIVEIRA. 2007. “Non-octave species, and voice leading.” First International Conference of the Society for Mathematics and Computation in Music, Berlin, Germany (May 18–20).
2007 MARTINS, JOSÉ OLIVEIRA. 2007. “Intervallic reorientation in dual-organization spaces: interpreting polymodality in works by Milhaud.” Annual conference of the Music Theory Society of New York State, Fordham University NY, USA (Apr 14–15).
2006/06 Pitch Space and Pitch Mutation in Twentieth-century Modal Chromaticism Seminar
Institute of Musicology, Jagiellonian University, Krakow, Poland (Krakow, Poland)
2006/03 Affinity Spaces and Pitch Mutation in Twentieth-century Modal Chromaticism Seminar
University of Washington, WA (Seattle, United States)
2006 MARTINS, JOSÉ OLIVEIRA. 2006. “Espaços de Afinidade e o Cromatismo Polimodal do Séc. 20.” Mathematics and Music Conference, Department of Mathematics, University of Porto and Casa da Música, Porto, Portugal (Oct. 6–7).
2006 MARTINS, JOSÉ OLIVEIRA. 2006. “Reevaluating the tonal-atonal split in Bartók’s analytical reception.” Bartók’s Orbit: The Context and Sphere of Influence of His Work, Institute of Musicology of the Hungarian Academy of Sciences, Budapest, Hungary (Mar 22 – 24).
2005/03 Modality, scordatura and the harmonic syntax of mistuned spaces in Bartók’s String Quartets Seminar
University of Iowa (Iowa City, United States)
2005 MARTINS, JOSÉ OLIVEIRA. 2005. “Modality, Scordatura and Mistuned Spaces in Bartók’s String Quartets.” Dublin International Conference on Music Analysis, Dublin, Ireland (Jun 23–25).
2005 MARTINS, JOSÉ OLIVEIRA. 2005. “Modality, Scordatura and Cyclic Spaces in Bartók’s String Quartets.” Twenty-sixth annual conference of the Society for Music Theory, Boston, MA, USA (Nov 10–13).
2004/07 Discontinuidade, politonalidade e progressão harmónica na Serenata em Lá para piano de Stravinsky Seminar
Instituto Politécnico do Porto, Escola Superior de Música e Artes do Espectáculo, Portugal (Porto, Portugal)
2004 The Dasian Space in Post-tonal Music Semianr
Escola Superior de Música de Catalunya (Barcelona, Spain)
2004 Pitch Transformations in Hybrid Spaces for Post-tonal Diatonic Music Seminar
College-Conservatory of Music, University of Cincinnati, OH, USA (Cincinnati, United States)
2004 Polymodality in Bartók’s String Quartets.” Symposium on Bartók’s String Quartets, Indiana University, IN, USA (Feb 12).
Indiana University, IN, USA (Bloomington, United States)
2004 MARTINS, JOSÉ OLIVEIRA. 2004. “Stravinsky’s Harmonic Practice and the Guidonian Space.” Fifteenth annual conference of Music Theory Midwest society, Kansas City, University of Missouri, MS, USA (May 16–17).
2004 MARTINS, JOSÉ OLIVEIRA. 2004. “Stravinsky’s Harmonic Practice and the Guidonian Space.” Annual conference of the Music Theory Society of New York State, Eastman School of Music, University of Rochester, NY, USA (Apr 3–4).
2003 MARTINS, JOSÉ OLIVEIRA. 2003. “Bartók’s Polymodal Chromaticism and the Dasian System.” Twenty-fourth annual conference of the Society for Music Theory, Madison, WI, USA (Nov 5–9).
2003 MARTINS, JOSÉ OLIVEIRA. 2003. “Bartók’s Polymodal Chromaticism and the Dasian System.” Joint conference of the Music Theory Society of New York State/New England Conference of Music Theorists, New Haven, CT, USA (Apr 26–27).
2003 MARTINS, JOSÉ OLIVEIRA. 2003. “Octave Partitionings, Hybrid Spaces and TICK Operations in Post-Tonal Diatonic Music.” Fourteenth annual conference of Music Theory Midwest Society, Indiana University, Bloomington, IN, USA (May 16–17).
2002 MARTINS, JOSÉ OLIVEIRA. 2002. “Bartók’s Polymodal Chromaticism and the Dasian System.” Thirteenth annual meeting of Music Theory Midwest society, University of Minnesota, Minneapolis, MN, USA (May 17–18).
2002 MARTINS, JOSÉ OLIVEIRA. 2002. “Bartók’s Polymodal Chromaticism and the Dasian System.” Annual meeting of West Coast Music Theory and Analysis, University of Victoria, BC, Canada (Apr 26–28).
2002 MARTINS, JOSÉ OLIVEIRA. 2002. “Bartók’s Polymodal Chromaticism and the Dasian System.” Midwest Graduate Music Consortium, University of Wisconsin, Madison, WI, USA.
1996 MARTINS, JOSÉ OLIVEIRA. 1996. “Force-Counterforce: Accentual Balance in the Music of the Classical Period.” Seventh annual meeting of Music Theory Midwest Society, Western Michigan University, Kalamazoo, MI, USA (May 17–19).

Supervision

Thesis Title
Role 		Degree Subject (Type)
Institution / Organization
2022 - Current Heavy Metal e Música Clássica
Supervisor of David Miguel
 Estudos Artísticos
Universidade de Coimbra Faculdade de Letras, Portugal
2022 - Current Colaboração, Virtuosismo e Vinculação em Música
Co-supervisor of Ana Ferraz
 Estudos Artísticos (PhD)
Universidade de Coimbra Faculdade de Letras, Portugal
2022 - Current Produção e promoção musical para crianças (6-10 anos), na Escola Básica de Jovim
Supervisor of Fernanda Cabral
 Estudos Artísticos (Master)
Universidade de Coimbra Faculdade de Letras, Portugal
2021 - Current Estética não-aristotélica e sensibilidade poética: leitura analítico-performativa de Claude Debussy à luz da estética modernista de Álvaro de Campos
Co-supervisor of Maria Ana Guimarães
 Estudos Artísticos (PhD)
Universidade de Coimbra Faculdade de Letras, Portugal
2021 - Current Analogias Interdimensionais na Música
Supervisor of Nuno André Pinheiro Trocado da Costa
 Estudos Artísticos (PhD)
Universidade de Coimbra Faculdade de Letras, Portugal
2021 - Current Cartografias Harmónicas e a Conceptualização do Movimento Musical: Uma Sintaxe para a Música Atonal no Espaço de Fourier
Co-supervisor of Samuel Pereira
 Media Digitais (PhD)
Universidade do Porto Faculdade de Engenharia, Portugal
2021 - Current Análise e Interpretação da obra para piano, eletrônica e audiovisual de Paulo C. Chagas
Co-supervisor of Márcia Cattaruzzi
 Arte Contemporânea (PhD)
Universidade de Coimbra Colégio das Artes, Portugal
2019 - Current MODELOS DE ANÁLISE DO DISCURSO EM KEITH JARRETT: IDENTIFICAÇÃO DE UMA FILIAÇÃO ESTÉTICA NO PIANO JAZZ EM PORTUGAL
Supervisor
 Estudos Artísticos (PhD)
Universidade de Coimbra Faculdade de Letras, Portugal
2019 - Current Listening to Musical Durations: Empirical Research and the Analysis of Time Perception in Music
Co-supervisor of Lígia Borges Silva
 Estudos Artísticos (PhD)
Universidade de Coimbra Faculdade de Letras, Portugal
2019 - Current A Corporalidade do Silêncio Tímbrico: Um Modelo Expressivo-Composicional
Supervisor of Diogo Novo Carvalho
 Estudos Artísticos (PhD)
Universidade de Coimbra Faculdade de Letras, Portugal
2019 - Current De Colónia a Portugal: Subsídio para a Busca de uma Genealogia do Piano Jazz Contemporâneo em Portugal
Supervisor of Rui Paulo Simões
 Estudos Artísticos (PhD)
Universidade de Coimbra Faculdade de Letras, Portugal
2018 - Current Uso de uma aplicação móvel digital para a evolução da regularidade do estudo instrumental
Supervisor
 Ensino de Música (Master)
Universidade Católica Portuguesa Escola das Artes, Portugal
2015 - Current A importância da consciência corporal na prática do Acordeão
Co-supervisor of Liliana Aparício
 Estudos Contemporâneos (PhD)
Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal
2023 - 2025 IIMPAQCT - Integrated Interdisciplinary Music Practice And Quantum Computing Technologies (Marie Sklodowska-Curie Actions 2022, post-doctoral fellowship. European Commission)
Supervisor
Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal
2021 - 2023 Para uma reflexão crítica sobre as práticas colaborativas de Carlos Paredes – o caso de Invenções Livres
Supervisor of Simão Ribeiro de Sá Mota
 Estudos Artísticos (Master)
Universidade de Coimbra Faculdade de Letras, Portugal
2021 - 2022 A indústria musical na era digital: relatório de estágio no Jazz ao centro clube / salão Brazil
Co-supervisor of Beatriz Monteiro
 Estudos Artísticos (Master)
Universidade de Coimbra Faculdade de Letras, Portugal
2021 - 2022 A Formação do Significado Através de uma Abordagem Culturalmente Distante ao Canto do Fado: Um estudo de caso exploratório entre os ouvintes Chineses
Co-supervisor of Yang Chen
 Estudos Artísticos (Master)
Universidade de Coimbra Faculdade de Letras, Portugal
2018 - 2022 Novas categorias teóricas para a análise de dissonâncias métricas em obras musicais dos séculos XX e XXI
Co-supervisor of Leandro Gumboski
 Música (PhD)
Universidade de São Paulo Escola de Comunicações e Artes, Brazil
2018 - 2019 Implementação de exercícios técnicos diários na aprendizagem instrumental da guitarra no 2º ciclo: vantagens e desvantagens.
Supervisor
 Ensino de Música (Master)
Universidade Católica Portuguesa Escola das Artes, Portugal
2014 - 2017 Twentieth Century Compositional Techniques Applied to Jazz
Co-supervisor
 jazz (PhD)
University of Rochester Eastman School of Music, United States
2012 - 2015 Music and Religion in a Postmodern Culture: conceptual integration in Compositions by Adams, Glass, Golijov, and Reich
Co-supervisor
 MUSIC THEORY (PhD)
University of Rochester Eastman School of Music, United States
2012 - 2014 Compositional Applications of Generalized Lead Structures
Co-supervisor
 Music Composition (PhD)
University of Rochester Eastman School of Music, United States
2011 - 2013 Musical Compositions, Games, and Creative Interpretation in György Kurtág’s Játékok
Supervisor
 music theory (Degree)
University of Rochester Eastman School of Music, United States
2010 - 2013 Rhythm in the Polyphonic Conductus: A Computational Model and Its Implications
Co-supervisor
 music theory (PhD)
University of Rochester Eastman School of Music, United States
2000 - 2013 On Row-Class Equivalence Classes
Co-supervisor
 Music Theory (PhD)
University of Rochester Eastman School of Music, United States
2009 - 2012 A Theory of Voice-leading Sets for Post-tonal Music
Co-supervisor
 music theory (PhD)
University of Rochester Eastman School of Music, United States
2008 - 2010 Canonical Procedures in Dallapiccola's Liriche Greche
Supervisor
 music theory (Degree)
University of Rochester Eastman School of Music, United States
2006 - 2009 The dynamics of physical force in the modelling of tonal melodic motion
Supervisor
 music theory (PhD)
The University of Iowa, United States

Event organisation

Event name
Type of event (Role) 		Institution / Organization
2023 - Current AXES OF INTERDISCIPLINARY KNOWLEDGE - Ciclo de Palestras do CEIS20 e do Doutoramento Estudos Contemporâneos (2023) Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal
2024 - 2024 9th INTERNATIONAL CONGRESS MATHEMATICS AND COMPUTATION IN MUSIC. Congress of the Society for Mathematics and Computation in Music (2024/06/18 - 2024/06/21)
Congress
 Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal

Universidade de Coimbra Centro de Informatica e Sistemas, Portugal
2023/10/12 - 2023/10/14 MÚSICA ANALÍTICA: INTERDISCIPLINARY APPROACHES TO MUSICAL TIME (2023/10/12 - 2023/10/14)
Congress (Co-organisor)
 Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal

Universidade de Coimbra Faculdade de Letras, Portugal
2023 - 2023 Coimbra International Symposium INTERDISCIPLINING KNOWLEDGE: HUMANITIES, SCIENCE AND CULTURE (2023 - 2023)
Symposium (Co-organisor)
 Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal
2023 - 2023 Colóquio "CEIS20: 25 ANOS: HISTÓRIA, PERSPECTIVAS E PRÁTICAS NA INTERDISCIPLINARIDADE" (2023 - 2023)
Congress (Co-organisor)
 Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal
2022 - 2022 Que Investigação (Faz) Falta à SPIM – Sociedade Portuguesa de Investigação em Música? – EnIM 2022 – ENCONTRO DE INVESTIGAÇÃO EM MÚSICA (2022 - 2022)
Meeting (Member of the Organising Committee)
 SOCIEDADE PORTUGUESA DE INVESTIGAÇÃO EM MÚSICA, Portugal
2022 - 2022 ESCOLA DE VERÃO CEIS20: PATRIMÓNIO CULTURAL: DOS LEGADOS CULTURAIS AOS ENCONTROS INTERCULTURAIS (2022 - 2022) Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal
2021/11/11 - 2021/11/13 10TH MEETING ON RESEARCH IN MUSIC | X ENIM (2020-2021) ENCONTRO DE INVESTIGAÇÃO EM MÚSICA (2021/11/11 - 2021/11/13)
Conference (Co-organisor)
 SOCIEDADE PORTUGUESA DE INVESTIGAÇÃO EM MÚSICA, Portugal
2018 - 2019 Coordinator, Research line: Som & Música (responsible for the coordination of activities for 28 researchers in Sound and Music studies at Centro de Investigação em Ciência e Tecnologia das Artes, Universidade Católica Portuguesa. (2018 - 2019)
Other (Other)
 Universidade Católica Portuguesa Centro de Investigação em Ciência e Tecnologia das Artes, Portugal
2018/09 - 2018/09 Jornadas de Som & Música. 19–21 Sep. Centro de Investigação em Ciência e Tecnologia das Artes, Escola das Artes, Universidade Católica Portuguesa (2018/09 - 2018/09)
Symposium
 Universidade Católica Portuguesa Centro de Investigação em Ciência e Tecnologia das Artes, Portugal
2016 - 2018 Coordinator, Research Line: Digital Creativity (responsible for the coordination of activities for 63 researchers in Sound and Music, New Media Art, and Cinema at Centro de Investigação em Ciência e Tecnologia das Artes, Universidade Católica Portuguesa. (2016 - 2018)
Other (Other)
 Universidade Católica Portuguesa Centro de Investigação em Ciência e Tecnologia das Artes, Portugal
2017 - 2017 Conceptual and analytical representations of musical systems: transformational and geometrical modelling in recent music theory (2017)
Workshop (Co-organisor)
 Conservatorio Giuseppe Verdi di Como, Italy
2017 - 2017 Conceptual and analytical representations of musical systems: transformational and geometrical modelling in recent music theory (2017)
Workshop
2016 - 2016 MÚSICA ANALÍTICA 2019: INTERNATIONAL SYMPOSIUM ON THE ANALYSIS AND THEORY OF MUSIC (2019 - 2019)
Conference (President of the Organising Committee)
 Universidade Católica Portuguesa Centro de Investigação em Ciência e Tecnologia das Artes, Portugal
2016 - 2016 PORTO INTERNATIONAL CONFERENCE ON MUSICAL GESTURE AS CREATIVE INTERFACE. (2016 - 2016)
Conference (Co-organisor)
 Universidade Católica Portuguesa Centro de Investigação em Ciência e Tecnologia das Artes, Portugal
2014/03 - 2014/03 Coordinator. II Seminário de Teoria e Música. Março 13. Centro de Investigação em Ciência e Tecnologia das Artes, Escola das Artes, Universidade Católica Portuguesa. (2014 - 2014)
Symposium (President of the Organising Committee)
 Universidade Católica Portuguesa Centro de Investigação em Ciência e Tecnologia das Artes, Portugal

Event participation

Activity description
Type of event 		Event name
Institution / Organization
2023 - Current THINKING THE TWENTIETH CENTURY. PERSPECTIVES FROM THE TWENTY-FIRST CENTURY. Organização Centro de Estudos Interdisciplinares - https://ucpages.uc.pt/centro-de-estudos-interdisciplinares-ceis20/pensar-o-seculo-xx/
Congress
2022 - Current EXPOSIÇÃO/MOSTRA NO COIMBRA SHOPPING: "O que se Investiga na UC?" Organização: Centro de Estudos Interdisciplinares; Instituto de Investigação Interdisciplinar - https://www.uc.pt/iii/atividades-o-que-se-investiga-na-uc/3-o-que-se-investiga-na-uc-cnc-e-ceis20/
Exhibition
2022 - Current ENCONTRO LUÍS REIS TORGAL - UM PERCURSO DE VIDA. Organização Centro de Estudos Interdisciplinares e Círculo de Leitores - https://www.uc.pt/iii/ceis20/article?key=a-9b003b3472
Meeting
2022 - Current I SEMINÁRIO INTERNACIONAL DE EDUCAÇÃO NO ENSINO SUPERIOR, Universidade Aberta - https://eventos.uab.pt/siees/programa/
Seminar
2022 - Current ESCOLA DE VERÃO CEIS20: PATRIMÓNIO CULTURAL: DOS LEGADOS CULTURAIS AOS ENCONTROS INTERCULTURAIS. Idanha-a-Velha - https://ucpages.uc.pt/centro-de-estudos-interdisciplinares-ceis20/escola-verao-2022/
Other
2022 - Current III CONGRESSO INTERNACIONAL TERRITÓRIOS, COMUNIDADES EDUCADORAS E DESENVOLVIMENTO SUSTENTÁVEL. Organização Centro de Estudos Interdisciplinares - https://www.uc.pt/iii/ceis20/article?key=a-f3e86eda6e
Congress
2022 - Current Mesa de Abertura: Mordecai Paldiel, "ABOUT THE CONSCIENCE AND THE COURAGE TO TRY TO 'SAVE ALL THOSE PEOPLE': The Righteous Among the Nations and Aristides de Sousa Mendes", palestra promovida pela Yad Vashem and Sousa Mendes Foundation – US, que teve lugar na Faculdade de Letras da Universidade de Coimbra
Other
2022 - Current DAR ASAS AO SABER DIÁLOGOS MULTI, INTER E TRANSDISCIPLINARES - Painel Plenário: A interdisciplinaridade como o ponto de partida: o que diz a investigação? Instituto Politécnico de Setúbal - https://projetos.ese.ips.pt/cief2022/index.php/programa/
Seminar
2022 - Current JORNALISMO E A HISTÓRIA: HOMENAGEM A ISABEL NOBRE VARGUES. Faculdade de Letras da Universidade de Coimbra - https://noticias.uc.pt/artigos/jornalismo-e-a-historia-homenagem-a-isabel-nobre-vargues/
Other
2022 - Current CONGRESSO JORNALISMO, CIDADANIA E DEMOCRACIAS SUSTENTÁVEIS NOS PAÍSES DE LÍNGUA PORTUGUESA. Centro de Estudos Interdisciplinares - https://www.jornalismocidadaniaplp.com
Congress
2021 - Current II DIÁLOGOS & INVESTIGAÇÃO SOBRE CULTURA, EDUCAÇÃO E SOCIEDADE DIGITAL. Centro de Estudos Interdisciplinares - https://www.uc.pt/iii/ceis20/culturedudigital2021
Other
2021 - Current COLÓQUIO INTERNACIONAL “COIMBRA 30-2030”. Auditório da Reitoria da Universidade de Coimbra - https://www.uc.pt/iii/ceis20/Congressos/coimbra20-2030
Other
2021 - Current ESCOLA DE VERÃO – SUMMER SCHOOL “ANTISSEMITISMO, HOLOCAUSTO E REFUGIADOS” Centro de Estudos Interdisciplinares - https://www.uc.pt/iii/ceis20/summerschool/escolaverao_antissemitismo
Other
2020 - Current I JORNADAS INTERNACIONAIS DA REDE VCC: VISÕES SOBRE A CONTEMPORANEIDADE VCC Rede de investigação/Rede interdisciplinar de Estudos: Visões Cruzadas sobre a Contemporaneidade - https://noticias.uc.pt/artigos/ceis20-promove-jornadas-internacionais-visoes-sobre-a-contemporaneidade/
Other
2020 - Current I DIÁLOGOS & INVESTIGAÇÃO SOBRE CULTURA, EDUCAÇÃO E SOCIEDADE DIGITAL. Centro de Estudos Interdisciplinares - https://www.uc.pt/openscience/noticias/uc-promove-dialogos-e-investigacao-sobre-cultura-educacao-e-sociedade-digital/
Other
2015 - Current Chair/Moderator. Encontro Nacional de Investigação em Música, Évora 12–14 Novembro. http://www.spimusica.pt/enim-2015/
2015 - Current Chair/Moderator, “Rethinking Enharmonicism.” Society for Music Analysis, Keele Mac, July 8–10. http://www.sma.ac.uk/2014/10/keelemac-2015-call-for-papers/
2015 - Current Chair/Moderator. Intertextuality in Music since 1900. CESEM/FCSH, Universidade Nova de Lisboa; Institut fu¨r Musikwissenschaft, Leopold-Franzens-Universität Innsbruck; U. Nova Lisboa, Portugal (Mar 6-7). https://intertextualityinmusicsince1900.weebly.com/
2014 - Current Panel convener (refereed): “Harmonic Plasticity and The Modeling of Musical Motion In Tonal, Post-Tonal and Jazz Idioms.” European Music Analysis Conference, Leuven, Belgium, Sep. 17–21. http://www.euromac2014.eu/
2013 - Current Panel convener, “Plasticidade Harmónica: três perspectivas teóricas originais sobre movimento harmónico na música tonal, pós-tonal e atonal no contexto de recentes teorias norte-americanas.” Terceiro Encontro de Investigação em Música: Cascais, Portugal, Nov 1–3. http://www.spimusica.pt/enim-2013/resumos/
2008 - Current Chair/moderator, “Bartók.” Twenty-ninth annual meeting of the Society for Music Theory (joint meeting with the American Musicological Society), Nashville, TN, Nov 6 - 9. https://societymusictheory.org/files/past_meetings/2008-Nashville.pdf
2001 - Current Chair/Moderator, “The Theorist Tool Box.” Midwest Graduate Music Consortium, Chicago, IL.
2019/10/18 - 2019/10/18 Palestra para a Lição Inaugural do Programa Doutoral em Música do Departamento Comunicação e Arte (DECA) da Universidade de Aveiro
Other
 Lição Inaugural do Doutoramento em Música na Universidade Aveiro
Instituto de Etnomusicologia Centro de Estudos em Musica e Danca - polo Universidade de Aveiro DeCA, Portugal
2015 - 2015 Panel Convener. “Networks of knowledge in music theory: contemporary interactions and tensions between speculative, practical, and analytical paradigms.” Encontro Nacional de Investigação em Música, Évora 12–14 Nov. http://www.spimusica.pt/livro-de-resumos-2/
Conference
 Encontro Nacional de Investigação em Música, Universidade de Évora 12–14 Nov. http://www.spimusica.pt/livro-de-resumos-2/

Jury of academic degree

Topic
Role 		Candidate name (Type of degree)
Institution / Organization
2023 Acústicas virtuais na obra sinfónica de Marc-André Dalbavie: De Color a La source d'un regard
(Thesis) Main arguer
 Ernesto Donoso Collado (PhD)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2023 The consciousness of musical improvisation: A psycho-phenomenological perspective
(Thesis) Arguer
 Nadja Catarina Ferreira Gonçalves (Master)
Universidade de Coimbra Faculdade de Psicologia e de Ciências da Educação, Portugal
2022 Os 'autos com barcas' de Gil Vicente enquanto ópera: Análise de propriedades significantes nos Auto da barca do inferno (1944) e Auto da barca da glória (1970) de Ruy Coelho e na Trilogia das barcas (1969) de Joly Braga Santos
(Thesis) Arguer
 Edward Valeriano De Luiz Gonçalves Ayres de Abreu (PhD)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2022 Inside the Practice Room: A Philosophical Study on Musical Performance
(Thesis) Arguer
 Margarida Alexandra Teixeira Neves (PhD)
Universidade de Coimbra Faculdade de Letras, Portugal
2022 Indeterminação na música brasileira: análises de obras do repertório violinístico compostas na segunda metade do século XX
(Thesis) Arguer
 Ana Leticia Crozetta Zomer (PhD)
Universidade de São Paulo Escola de Comunicações e Artes, Brazil
2022 O Timing na Comédia. A Construção do Risível na Performance Cómica
President of the jury
 Sofia Alexandra Ferreira Bernardo (Other)
Universidade de Coimbra Faculdade de Letras, Portugal
2021 A música enquanto recurso dinamizador do ensino-aprendizagem na aula de história: um estudo de caso com alunos do 7º ano do 3º CEB
(Thesis) Arguer
 Leonardo Manuel Rocha Ferreira (Master)
Universidade de Coimbra Faculdade de Letras, Portugal
2021 Ensino da guitarra através do conto como elemento motivacional
(Thesis) Arguer
 Luís Daniel Areias Vareiro (Master)
Universidade Católica Portuguesa Escola das Artes, Portugal
2020/07/03 KU LEUVEN: THE CONCEPT OF MUSICAL SILENCE IN 20TH-CENTURY MUSIC: THEORETICAL APPROACHES, ANALYTICAL METHODS AND CASE STUDY ON WEBERN'S OP. 27
(Thesis) Main arguer
 Bohdan Syroyid (PhD)
Katholieke Universiteit Leuven Faculteit Letteren, Belgium
2020 'Incolor' Argumento Original e Comentário
President of the jury
 Luís Manuel Lemos Freitas (Master)
Universidade de Coimbra Faculdade de Letras, Portugal
2019/03/29 Perspectivas da pesquisa em Análise Musical e sua relação com a Performance Musical: abordagem crítica de procedimentos analíticos na resolução de problemas relacionados à performance musical
(Thesis) Main arguer
 Renata Coutinho de Barros Correia (PhD)
Universidade de São Paulo Escola de Comunicações e Artes, Brazil
2018/06/14 Augmented Interactive Sonic Environments
(Thesis) Main arguer
 Rui Dias (PhD)
Universidade do Porto Faculdade de Engenharia, Portugal
2018/06/14 Expressiveness and interaction in live electroacoustic improvisation
(Thesis) Main arguer
 Gustavo Costa (PhD)
Universidade do Porto Faculdade de Engenharia, Portugal
2017/03/23 Inter-relações entre diferentes períodos estéticos da obra de Olivier Messiaen em três peças para piano
(Thesis) Main arguer
 Aline da Silva Alves (PhD)
Universidade de São Paulo Escola de Comunicações e Artes, Brazil
2016/07/16 Alexander Scriabin: Definition of a New Sound Space in the Crisis of Tonality
(Thesis) Main arguer
 Miguel Borges Coelho (PhD)
Universidade de Évora Escola de Artes, Portugal
2016/05/03 La Intertextualidad en las Obras Corales de Miguel Ángel Roig-Francolí (2005-2007)
(Thesis) Arguer
 Paula Bonet Riera (PhD)
Universitat Autònoma de Barcelona, Spain
2016/02/25 Syncopation as transformation
(Thesis) Main arguer
 Georgios Sioros (PhD)
Universidade do Porto Faculdade de Engenharia, Portugal

Association member

Society Organization name Role
2013 - Current 2013/pres. SPIM: Sociedade Portuguesa de Investigação em Música
2013 - Current 2013/pres. SPIM: Sociedade Portuguesa de Investigação em Música
2004 - Current 2004/pres. American Musicological Society
2004 - Current 2004/2015. College Music Society
2001 - Current 2001/2004. Midwest Graduate Music Consortium
2000 - Current 2000/2015. Music Theory Society of New York State
1998 - Current 1998/pres. Society for Music Theory.
1994 - Current 1994/04. Music Theory Midwest Society

Committee member

Activity description
Role 		Institution / Organization
2018 - Current Universidade Católica Portuguesa, CITAR—Centro de Investigação em Ciência e Tecnologia das Artes Scientific Council member/ Vice-Director.
2018 - Current 2018/pres. EuroT&AM (European Network of Societies for Music Theory and Analysis) Permanent Founding Committee.
2014 - Current 2014/2018 Society for Music Theory, Permanent Committee on diversity.
2024 - 2024 EUROPEAN RESEARCH COUNCIL - ERC (Established by the European Commission), ERC Consolidator Grant 2022, SH8 - Studies of Cultures and Arts. Appointed
Member
2020 - 2023 FUNDAÇÃO PARA A CIÊNCIA E A TECNOLOGIA - FCT. Avaliador, Comissão de Avaliação de Relatórios Científicos Finais na área de Artes
Other
 Fundação para a Ciência e a Tecnologia, Portugal
2022 - 2022 EUROPEAN RESEARCH COUNCIL - ERC (Established by the European Commission), ERC Consolidator Grant 2022, SH5 - Cultures, and Cultural Production.
Member
2022 - 2022 SCIENCE FUND OF THE REPUBLIC OF SERBIA
Other
 Fond za nauku Republike Srbije, Serbia
2021 - 2021 EUROPEAN RESEARCH COUNCIL - ERC (Established by the European Commission), ERC Starting Grant 2021, SH5 - Cultures, and Cultural Production
Other

Conference scientific committee

Conference name Conference host
2020 - Current Encontro Nacional de Investigação em Música, Sociedade Portuguesa de Investigação em Música Universidade de Coimbra
2018 - Current Nova Contemporary Music Meeting: Composing Music Today. FCSH/ESML, Portugal (Nov. 21–23).
2010 - Current Scientific Committee. ANPPOM, Associação Nacional de Pesquisa e Pós-Graduação em Música, Brasil.
2005 - Current Music Theory Midwest Sixteenth Annual Conference. Oberlin Conservatory, Oberlin OH, May 21–22. https://www.mtmw.org/index.php/conferences/upcoming-past
2001 - Current Midwest Graduate Music Consortium, Evanston, IL, USA.
2001 - Current Midwest Graduate Music Consortium, Chicago, IL, USA.
2023/05/03 - 2023/05/05 NCMM | NOVA CONTEMPORARY MUSIC MEETING Lisboa
2023/04/20 - 2023/04/22 SATMUS | SOCIEDAD DE ANÁLISIS Y TEORIA MUSICAL Madrid
2022/10/20 - 2022/10/22 THE BLUE NIGHT: CHARLES ROSEN 1927-2012 International Bilateral Colloquium Italy-Portugal Porto: Fundação Eng. António de Almeida
2021/11/11 - 2021/11/13 ENIM X – ENCONTRO DE INVESTIGAÇÃO EM MÚSICA - Sociedade Portuguesa de Investigação em Música Universidade de Coimbra, Faculdade de Letras
2021/09/20 - 2021/09/25 EuroMAC 10: European Music Analysis Conference Moscovo
2021/05/05 - 2021/05/07 NCMM - NOVA CONTEMPORARY MUSIC MEETING. Music Performance as Creation Universidade Nova de Lisboa
2020/11/26 - 2020/11/29 GATM - GRUPPO ANALISI E TEORIA MUSICALE. 17th International Conference on Music Analysis and Theory Rimini, Italy
2018 - 2018 Encontro Nacional de Investigação em Música, Sociedade Portuguesa de Investigação em Música ESE-Instituto Politécnico do Porto http://www.spimusica.pt/programa-program-4/
2017 - 2017 Encontro Nacional de Investigação em Música, Sociedade Portuguesa de Investigação em Música Universidade do Minho http://www.spimusica.pt/programa-program/

Course / Discipline taught

Academic session Degree Subject (Type) Institution / Organization
2023 - Current UNIVERSITY OF COIMBRA FACULTY ARTS AND HUMANITIES: Escuta, Análise e Imaginação
2023 - Current CEIS20/IIIUC - DOUTORAMENTO ESTUDOS CONTEMPORÂNEOS: Metodologias de Investigação e Interdisciplinaridade em Artes, Humanidades e Ciências Sociais
2023 - Current CEIS20/IIIUC - DOUTORAMENTO ESTUDOS CONTEMPORÂNEOS: Seminário de Acompanhamento e Desenvolvimento Científico I
2023 - Current CEIS20/IIIUC - DOUTORAMENTO ESTUDOS CONTEMPORÂNEOS: Seminário de Acompanhamento e Desenvolvimento Científico II
2023 - Current CEIS20/IIIUC - DOUTORAMENTO ESTUDOS CONTEMPORÂNEOS: Seminário de Acompanhamento e Desenvolvimento Científico III
2021 - Current UNIVERSITY OF COIMBRA FACULTY ARTS AND HUMANITIES: SEMINÁRIO DE ESTUDOS ARTÍSTICOS | MÚSICA (Licenciatura) Universidade de Coimbra Faculdade de Letras, Portugal
2021 - Current UNIVERSITY OF COIMBRA FACULTY ARTS AND HUMANITIES: TEORIA E PRÁTICAS COMPOSICIONAIS Universidade de Coimbra Faculdade de Letras, Portugal
2021 - Current UNIVERSITY OF COIMBRA FACULTY ARTS AND HUMANITIES: Seminário I
2021 - Current UNIVERSITY OF COIMBRA FACULTY ARTS AND HUMANITIES: Seminário II
2020 - Current UNIVERSITY OF COIMBRA FACULTY ARTS AND HUMANITIES: CRÍTICA E ESTÉTICA MUSICAL. HISTORICAL STUDY OF THE MAIN AESTHETIC PERSPECTIVES ON MUSIC AND THE WORKSHOP ON CRITICISM OF MULTIPLE MUSICAL PRACTICES. (Licenciatura) Universidade de Coimbra Faculdade de Letras, Portugal
2020 - Current UNIVERSITY OF COIMBRA FACULTY ARTS AND HUMANITIES: OFICINA DE MÚSICA. GENERAL COURSE ON THE STUDY AND ENGAGEMENT OF MUSICAL PRACTICES. (Licenciatura) Universidade de Coimbra Faculdade de Letras, Portugal
2020 - Current UNIVERSITY OF COIMBRA FACULTY ARTS AND HUMANITIES: PRÁTICAS ARTÍSTICAS E INVESTIGAÇÃO EM ARTES (Mestrado) Universidade de Coimbra Faculdade de Letras, Portugal
2020 - Current UNIVERSITY OF COIMBRA FACULTY ARTS AND HUMANITIES: HIBRIDISMO E TRANSDISCIPLINARIDADE NAS ARTES (Doutoramento) Universidade de Coimbra Faculdade de Letras, Portugal
2020 - Current UNIVERSITY OF COIMBRA FACULTY ARTS AND HUMANITIES: METODOLOGIAS DE INVESTIGAÇÃO EM ESTUDOS ARTÍSTICOS (Doutoramento) Universidade de Coimbra Faculdade de Letras, Portugal
2019 - Current INTRODUÇÃO AOS ESTUDOS MUSICAIS. GENERAL INTRODUCTION TO MUSIC METHODOLOGIES/PERSPECTIVES SUCH AS HISTORY, THEORY, ETHNOMUSICOLOGY, SOCIOLOGY, PSYCHOLOGY OF MUSIC. (Licenciatura) Universidade de Coimbra Faculdade de Letras, Portugal
2019 - Current UNIVERSITY OF COIMBRA FACULTY ARTS AND HUMANITIES: MÚSICA PORTUGUESA. HISTORICAL, ANALYTICAL AND CRITICAL OVERVIEW OF ASPECTS OF MUSIC IN PORTUGAL (FOCUS ON THE TWENTY AND TWENTY-FIRST CENTURIES). (Licenciatura) Universidade de Coimbra Faculdade de Letras, Portugal
2008 - Current EASTMAN SCHOOL OF MUSIC/UNIVERSITY OF ROCHESTER 2008–2015 TH 513. Theory and Analysis of Twentieth-century Music. Ph.D. level. Graduate core seminar designed for Ph.D. students in musicology and music theory. [c. 14 students/semester].
2008 - Current EASTMAN SCHOOL OF MUSIC/UNIVERSITY OF ROCHESTER 2008–2015, TH 581. Seminar: Twentieth-Century “Modalities.” Ph.D. and D.M.A. level. Semester-long doctoral seminar on theoretical and analytical models for twentieth-century music in the scalar tradition. [c. 12 students/semester].
2008 - Current EASTMAN SCHOOL OF MUSIC/UNIVERSITY OF ROCHESTER 2008–2015 TH 402. Topics in 20th- and 21st-century music. Ph.D., D.M.A. and M.M level. Intensive and core course for Doctoral students. Historical context analysis, and theory of the twentieth- and twenty-first century music. [c. 10-14 students/semester].
2008 - Current EASTMAN SCHOOL OF MUSIC/UNIVERSITY OF ROCHESTER 2008–2015 TH 401. Topics in Tonal Music. Ph.D., D.M.A. and M.M level. Intensive, core course for doctoral students. Historical context, analysis, and theory of tonal and chromatic music. [c. 10-14 students/semester].
2008 - Current EASTMAN SCHOOL OF MUSIC/UNIVERSITY OF ROCHESTER 2008–2015 TH 400. Survey of Analytical Techniques. M.M. level. Graduate course designed for Master’s Performance students: history, analysis of chromatic harmony, form, and introduction to post-tonal music of the twentieth-century. [c. 10 – 14 students/semester].
2008 - Current EASTMAN SCHOOL OF MUSIC/UNIVERSITY OF ROCHESTER 2008–2015 TH 205. Model Composition and Non-Tonal Analysis. B.M. level. Undergraduate core class on the history, theory and analysis of post-tonal music. Also, includes an Aural Skills component. Requires the coordination of 4 Teaching Assistants (Ph.D. students in the Music Theory department). [c. 60 undergraduate students in Performance, Composition, History and Theory/semester].
2008 - Current EASTMAN SCHOOL OF MUSIC/UNIVERSITY OF ROCHESTER 2008–2015 TH 202h. Honors: Model Composition and Post-Tonal Analysis. B.M. level. Undergraduate-Honors Class. Intensive history, theory, and analysis of twentieth-century music. [10-15 students].
2007 - Current ESCOLA SUPERIOR DE MÚSICA E ARTES DO ESPECTÁCULO, INSTITUTO POLITÉCNICO DO PORTO (intensive 20-hour seminars during late Spring, 2007–2016) M3. Theory and Analysis for the Music of the 20th and 21st centuries. M.M. level. Graduate intensive seminar designed for Composition and Theory Master’s students. [4-8 students/semester].
2007 - Current ESCOLA SUPERIOR DE MÚSICA E ARTES DO ESPECTÁCULO, INSTITUTO POLITÉCNICO DO PORTO (intensive 20-hour seminars during late Spring, 2007–2016) L3. Teorias e Sistemas. B.M. level. Undergraduate intensive seminar for Composition students on compositional and speculative theory and analysis. [4-8 students/semester].
2006 - Current UNIVERSITY OF IOWA 2006–2008 MUS 256. Special Topics: Analytical Approaches to the Music of Béla Bartók. Ph.D. and D.M.A level. Doctoral seminar for in the theory, analysis, and history of the music of Béla Bartók. [12 students].
2006 - Current UNIVERSITY OF IOWA 2006–2008 MUS 311. Advanced Post-tonal Theory and Analysis. Ph.D., D.M.A. and M.M level. Graduate core class. [10–15 students/semester].
2006 - Current UNIVERSITY OF IOWA 2006–2008 MUS 312. Advanced Tonal Theory and Analysis. Ph.D., D.M.A. and M.M level. Graduate core class. [10–15 students/semester].
2006 - Current UNIVERSITY OF IOWA 2006–2008 MUS 246. Analysis of Music literature 1890-present. M.M. level. Introductory graduate class to the history and analysis of late 19th and 20th c music. [15 students/semester].
2006 - Current UNIVERSITY OF IOWA 2006–2008 MUS 240. Analytical Techniques. M.M. level. Remedial graduate class on basic tonal and atonal analytic approaches. [10–15 students/semester].

Evaluation committee

Activity description
Role 		Institution / Organization Funding entity
2022 - Current ERC - EUROPEAN RESEARCH COUNCIL | CONSOLIDATOR GRANT PANEL - CULTURES AND CULTURAL PRODUCTION | EUROPEAN COMMISSION BRUSSELS
Member
 European Research Council, Belgium European Research Council
2022 - 2024 SOCIETY FOR MUSIC THEORY - PUBLICATIONS AWARDS COMMITTEE (PANEL MEMBER)
Member
 University of Chicago Society for Music Theory, United States University of Chicago Society for Music Theory
2022 - 2023 AGÊNCIA PARA A ACREDITAÇÃO E AVALIAÇÃO DO ENSINO SUPERIOR - A3ES. Presidente, CAE, Comissão de Avaliação Externa (MÚSICA)
Evaluator
 A3ES. AGÊNCIA DE ACREDITAÇÃO E AVALIAÇÃO DO ENSINO SUPERIOR, Portugal
2022 - 2023 AGÊNCIA PARA A ACREDITAÇÃO E AVALIAÇÃO DO ENSINO SUPERIOR – A3ES. Presidente, CAE, Comissão de Avaliação Externa (MÚSICA)
President
 A3ES. AGÊNCIA DE ACREDITAÇÃO E AVALIAÇÃO DO ENSINO SUPERIOR, Portugal
2022 - 2023 PUBLICATION AWARDS COMMITTEE: Multi-Author/Citation of Special Merit Committee of the Society for Music Theory (USA).
Other
2022 - 2023 THREE-MINUTE THESIS, Instituto de Investigação Interdisciplinar, Universidade de Coimbra Universidade de Coimbra Instituto de Investigação Interdisciplinar, Portugal
2021 - 2023 PROJETOS SEMENTE DE INVESTIGAÇÃO, Instituto de Investigação Interdisciplinar, Universidade de Coimbra Universidade de Coimbra Instituto de Investigação Interdisciplinar, Portugal
2021 - 2023 PRÉMIO JOAQUIM DE VASCONCELOS (prémio à melhor apresentação de estudante), Sociedade Portuguesa de Investigação em Música (SPIM) SOCIEDADE PORTUGUESA DE INVESTIGAÇÃO EM MÚSICA, Portugal
2021 - 2023 Prémio EDMUNDO BETTENCOURT CANÇÃO DE COIMBRA, Câmara Municipal de Coimbra Câmara Municipal de Coimbra, Portugal
2020 - 2023 FUNDAÇÃO PARA A CIÊNCIA E A TECNOLOGIA - FCT. Avaliador, Comissão de Avaliação de Relatórios Científicos Finais na área de Artes
Evaluator
 Fundação para a Ciência e a Tecnologia, Portugal
2019 - 2022 FCT EVALUATION COMMITTEE IN THE ARTS | FINAL SCIENTIFIC REPORTS IC&DT PROJECTS [2019 - 2022] | 13 EVALUATED IC&DT PROJECTS
Evaluator
 Fundação para a Ciência e a Tecnologia, Portugal Fundação para a Ciência e a Tecnologia
2021 - 2021 ERC - EUROPEAN RESEARCH COUNCIL | STARTING GRANT 2021 REMOTE REFEREE - CULTURES AND CULTURAL PRODUCTION | EUROPEAN COMMISSION BRUSSELS
Evaluator
 European Research Council, Belgium European Research Council
2017 - 2019 A3ES, CAE: EXTERNAL EVALUATION COMMITTEE, Music, 2017-19. UNIVERSIDADE NOVA DE LISBOA. FACULDADE DE CIÊNCIAS SOCIAIS E HUMANAS. DEPARTAMENTO CIÊNCIAS MUSICAIS ACEF 2014/2015
Evaluator
 Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal A3ES. AGÊNCIA DE ACREDITAÇÃO E AVALIAÇÃO DO ENSINO SUPERIOR
2017 - 2019 A3ES, CAE: EXTERNAL EVALUATION COMMITTEE, Music, 2017-19. INSTITUTO POLITÉCNICO DO PORTO. ESCOLA SUPERIOR DE MÚSICA E ARTES DO ESPECTÁCULO ACEF 2014/2015
Evaluator
 Instituto Politécnico do Porto Escola Superior de Música e Artes do Espetáculo, Portugal A3ES. AGÊNCIA DE ACREDITAÇÃO E AVALIAÇÃO DO ENSINO SUPERIOR
2017 - 2019 A3ES, CAE: EXTERNAL EVALUATION COMMITTEE, Music, 2017-19. UNIVERSIDADE DE ÉVORA. ESCOLA DE ARTES. ACEF 2014/2015
Evaluator
 Universidade de Évora Escola de Artes, Portugal A3ES. AGÊNCIA DE ACREDITAÇÃO E AVALIAÇÃO DO ENSINO SUPERIOR
2017 - 2019 A3ES, CAE: EXTERNAL EVALUATION COMMITTEE, Music, 2017-19. INSTITUTO POLITÉCNICO DE CASTELO BRANCO. ESCOLA SUPERIOR DE ARTES APLICADAS ACEF 2014/2015
Evaluator
 Instituto Politécnico de Castelo Branco Escola Superior de Artes Aplicadas, Portugal A3ES. AGÊNCIA DE ACREDITAÇÃO E AVALIAÇÃO DO ENSINO SUPERIOR
2017 - 2019 A3ES, CAE: EXTERNAL EVALUATION COMMITTEE , Music, 2017-19. ACADEMIA NACIONAL SUPERIOR DE ORQUESTRA ACEF 2014/2015
Evaluator
 Academia Nacional Superior de Orquestra, Portugal A3ES. AGÊNCIA DE ACREDITAÇÃO E AVALIAÇÃO DO ENSINO SUPERIOR
2017 - 2019 A3ES, CAE: EXTERNAL EVALUATION COMMITTEE, Music, 2017-19. CONSERVATÓRIO SUPERIOR DE MÚSICA DE GAIA ACEF 2014/2015
Evaluator
 Conservatório Superior de Música de Gaia, Portugal A3ES. AGÊNCIA DE ACREDITAÇÃO E AVALIAÇÃO DO ENSINO SUPERIOR

Journal scientific committee

Journal title (ISSN) Publisher
2022 - Current SUMULA - REVISTA DE TEORÍA E ANÁLISIS MUSICAL (2952-5993)
2019 - Current MUSMAT - JOURNAL OF MUSIC AND MATHEMATICS (2526-3757)
2018/01 - Current Rivista di Analisi e Teoria Musicale (RATM) (1724-238X) GATM
2017 - Current Journal of Music Theory (1941-7497) Duke University Press
2017 - Current Music Theory and Analysis (MTA) (2295-5917) Leuven University Press
2015/01 - Current Musica Theorica (2525-5541) Associação Brasileira de Teoria e Análise Musical – TeMA
2011 - Current Opus (1517-7017) ANNPOM
2018/12 - 2019/12 Journal of Science and Technology of the Arts (1646-9798) "Escola das Artes, Universidade Catolica Portuguesa"
2017 - 2017 Music Theory Online (1067-3040) Society for Music Theory
2016/01 - 2016/06 Revista Portuguesa de Musicologia / Portuguese Journal of Musicology (2183-8410) FCSH, Universidade Nova de Lisboa, Portugal,
2011/01 - 2015/12 Music Theory Spectrum (1533-8339) Oxford University Press
2012/01 - 2015/06 Theory and Practice Music Theory Society of New York State

Mentoring / Tutoring

Topic Student name
2013 - 2014 Sound character and structure in George Crumb’s Makrokosmos Vol. 1 SONG, HYE-BIN
2012 - 2014 The Russian Oboe: Pedagogical, Playing and Compositional Traditions in Russian Oboe Playing in the 19th and 20th Centuries SHATALOVA, ALEXANDRA
2011 - 2013 Performance and resistance in Galina Ustvolskaya’s Duet for violin and piano (1964) VIRTANEN, SINI
2011 - 2013 Shaking Expression: The Tremolo in the Solo Viola Works of Luciano Berio and Salvatore Sciarrino UNGAR, DANIEL FELIX
2011 - 2013 Mysterious Morning: Three Saxophone Works by Fuminori Tanada ESPINOZA, DANNEL
2008 - 2010 Folk-Jazz Dada: Compositional trends in Erwin Schulhoff’s ‘Concertino’ LEMOINE, CARMEN
2008 - 2010 Performative and historical issues in Vilmos Montag’s Sonata in E-minor for Double Bass and Piano SCHULMAN, JULIA
2008 - 2009 Continuity and Discontinuity in Prokofiev’s Third Piano Concerto LUK, SIU YAN
2008 - 2009 Performance and Form in Schwantner’s ‘Velocities’ WITTEN, MATTHEW
2008 - 2008 Folk influences in Bartók’s Viola Concerto YATES, WENDY
2007 - 2007 Degree Lecture; Piano Performance. TSANGARI, VICTORIA

Other jury / evaluation

Activity description Institution / Organization
2022 - 2022 Integrou o Painel de Avaliação (Vogal efectivo) do Concurso documental para preenchimento de uma vaga de Professor Adjunto do mapa de pessoal da ESMAE - Escola Superior de música e Artes do Espectáculo, Instituto Politécnico do Porto, na área disciplinar de Música/ Análise Musical, Composição e Estética. Edital nº 1430/2022, Diário da República, 2ª Série, nº 190, de 30 setembro. Instituto Politécnico do Porto Escola Superior de Música e Artes do Espetáculo, Portugal
2022 - 2022 Integrou o Painel de Avaliação (Vogal efectivo) do Aviso n.º 18615/2022. Procedimento concursal de âmbito internacional para ocupação de um posto de trabalho de investigador/a doutorado/a equiparado/a à categoria de investigador principal. CEEC - Institucional, Universidade de Coimbra, Centro de Estudos Interdisciplinares. Referência: IT057-22-12024. Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal
2022 - 2022 Integrou o Painel de Avaliação (Presidente) para Concurso financiamento atribuído ao projeto Verão com Ciência aprovado pela FCT, em 28/6/2022, no âmbito do Apoio especial para atividades de investigação científica e tecnológica em unidades de I&D com vista à valorização da capacidade científica e tecnológica e a sua relação com a o ensino superior e a sociedade.
2020 - 2022 Integrou o Painel de Avaliação (Presidente) para Concurso para atribuição de bolsas de investigação para Doutoramento - Financiamento Programático Unidades I&D (CEIS20 / UIDP/00460/2020). Regulamento de Bolsas de Investigação da FCT (RBI) e do Estatuto do Bolseiro de Investigação (EBI).
2020 - 2020 Integrou o Painel de Avaliação (Presidente) do Aviso n.º 17902/2020. Procedimento concursal de âmbito internacional para ocupação de um posto de trabalho de investigador/a doutorado/a de nível inicial, em regime de contrato de trabalho em funções públicas a termo resolutivo certo. Universidade de Coimbra, Centro de Estudos Interdisciplinares. Referência do concurso: IT057-20-10241. Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal
2020 - 2020 Integrou o Painel de Avaliação (Presidente) para o procedimento concursal comum para ocupação de 1 posto de trabalho da categoria de Técnico Superior, na modalidade de contrato de trabalho em funções públicas, a termo resolutivo certo do mapa de pessoal da Universidade de Coimbra, Centro de Estudos Interdisciplinares do Século XX (CEIS20). Projeto UIDB/00460/2020. Referência do procedimento - P048-21-10549. Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal
2020 - 2020 Integrou o Painel de Avaliação (Presidente) para o procedimento concursal comum para ocupação de 1 posto de trabalho da categoria de Técnico Superior, na modalidade de contrato de trabalho em funções públicas, a termo resolutivo certo do mapa de pessoal da Universidade de Coimbra, Centro de Estudos Interdisciplinares do Século XX (CEIS20). Projeto UIDB/00460/2020. Referência do procedimento P048-21-10550. Universidade de Coimbra - Centro de Estudos Interdisciplinares (CEIS20), Portugal
Distinctions

Award

2022 OUTSTANDING MULTI-AUTHOR PUBLICATION AWARD
University of Chicago Society for Music Theory, United States
2019 + WINNER OF THE MUSURGIA PRIZE FOR MUSIC ANALYSIS | SOCIÉTÉ FRANÇAISE D'ANALYSE MUSICALE
SFAM - Société Française d'Analyse Musicale, France
2011 POST-DOCTORAL FELLOWSHIP | FUNDAÇÃO PARA A CIÊNCIA E A TECNOLOGIA
Fundação para a Ciência e a Tecnologia, Portugal
2007 OLD GOLD SUMMER FELLOWSHIP AWARD | THE UNIVERSITY OF IOWA
The University of Iowa, United States
2006 + WINNER OF THE PATRICIA CARPENTER EMERGING SCHOLAR AWARD | MUSIC THEORY SOCIETY OF NEW YORK STATE
MUSIC THEORY SOCIETY OF NEW YORK STATE, United States
2004 + WINNER OF THE ARTHUR J. KOMAR SCHOLAR AWARD | MUSIC THEORY MIDWEST SOCIETY
MUSIC THEORY MIDWEST SOCIETY, United States
2004 LOWELL C. WADMOND FELLOWSHIP | THE UNIVERSITY OF CHICAGO
University of Chicago Department of Music, United States
2003 DOOLITTLE DISSERTATION FELLOWSHIP AWARD | THE UNIVERSITY OF CHICAGO
University of Chicago Department of Music, United States
2001 PAULINE KASCHENS DISSERTATION FELLOWSHIP | THE UNIVERSITY OF CHICAGO
University of Chicago Department of Music, United States
1996 PH.D SCHOLARSHIP | FUNDAÇÃO PARA A CIÊNCIA E A TECNOLOGIA
Fundação para a Ciência e a Tecnologia, Portugal

Title

2014 INVESTIGADOR FCT - CONSOLIDATOR LEVEL | FUNDAÇÃO PARA A CIÊNCIA E A TECNOLOGIA
Fundação para a Ciência e a Tecnologia, Portugal
2001 RESIDENT ACADEMIC FELLOW | LAKE FOREST COLLEGE
Lake Forest College, United States

Other distinction

2022 KEYNOTE SPEAKER | THE BLUE KNIGHT: CHARLES ROSEN 1927-2012 INTERNATIONAL BILATERAL COLLOQUIUM ITALY-PORTUGAL
2021 KEYNOTE SPEAKER: BEYOND THE PITCH/PITCH-CLASS DICHOTOMY: REGISTER, ALTERED OCTAVES AND THE HARMONIC IMAGINATION IN TWENTIETH-CENTURY MODERNISM | EUROPEAN MUSIC ANALYSIS CONFERENCE
2019 KEYNOTE SPEAKER: LAYERING AND DIFFERENTIATION OF PITCH SPACE IN THE WRITING FOR PIANO IN TWENTIETH-CENTURY MUSIC MODERNISM | IV INTERNATIONAL CONTEMPORARY PIANO MEETING
2019 KEYNOTE SPEAKER: MUSIC AS ANALYSIS, ANALYSIS AS MUSIC: CLAIMING MUSIC AS ONE'S OWN | PORTUGUESE SOCIETY FOR MUSIC RESEARCH
SOCIEDADE PORTUGUESA DE INVESTIGAÇÃO EM MÚSICA, Portugal
2019 KEYNOTE SPEAKER: SCALAR DISSONANCE AND THE POLYTONAL/MODAL IMPULSE IN TWENTIETH-CENTURY MUSIC | ASSOCIAÇÃO BRASILEIRA DE TEORIA E ANÁLISE MUSICAL
Associac¸a~o Brasileira de Teoria e Ana´lise Musical , Brazil
2017 KEYNOTE SPEAKER: ANALYSIS AS MUSICAL EXPERIENCE: BETWEEN CONCEPTUAL REPRESENTATIONS OF MUSIC MODELS AND THE EXPERIENCE OF THE MOMENT | EurSAX17: The Future is (t)here. Informed And/Or/Vs. Intuitive Historical Performances.
2013 KEYNOTE SPEAKER: THE TIME OF SPATIAL ANALYSIS: ON THE TEMPORAL DIMENSION OF SOME PITCH-BASED ANALYTICAL MODELS | ETAM III: ENCONTRO INTERNACIONAL DE TEORIA E ANÁLISE MUSICAL
2012 FELLOW, JOHN CLOUGH MEMORIAL SYMPOSIUM | YALE UNIVERSITY
Yale University Department of Music, United States
2011 FELLOW, RESEARCH SCHOLAR | PRINCETON UNIVERSITY
Princeton University Department of Music, United States
2006 FELLOW, MANNES INSTITUTE FOR ADVANCED STUDIES IN MUSIC THEORY | YALE UNIVERSITY
Yale University Department of Music, United States
2006 FELLOW, JOHN CLOUGH MEMORIAL SYMPOSIUM | THE UNIVERSITY OF CHICAGO
University of Chicago Department of Music, United States
2003 FELLOW, ORPHEUS INSTITUTE FOR MUSIC THEORY
ORPHEUS INSTITUTE, Belgium