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Tomé Quadros (Porto, Portugal, 1979) holds a PhD degree with summa cum laude 19/20 in Science and Technology of the Arts, specializing in the field of Cinema and Audiovisual, at the School of Arts of the Portuguese Catholic University, thesis entitled Between Documentary and Fiction: Contemporary Chinese and Danish Cinemas. Tomé Quadros is an Assistant Professor at College of Arts and Design, Matosinhos – Portugal, researcher and research area coordinator in Multiscalar Design at ESAD-IDEA research center in Design and Arts; Visiting Professor at Faculty of Creative Industries, University of Saint Joseph, Special Administrative Region of Macau - China; as well as Higher School for Education (ESE), at the Viana do Castelo Polytechnic Institute (IPVC), Viana do Castelo - Portugal. His research has been addressed with special emphasis on conferences and presentations in Serralves Foundation (2012); Black & White Audiovisual Festival, Oporto (2013); FilmAsia - II Asian Conference on Film, Waseda University - Osaka (2014); Lisbon Consortium and School of Arts (Oporto), Catholic University of Portugal, (2014 -2016); ZKM, Center for Art and Media, Karlsruhe (2016); DIGICOM - IPCA, Barcelos (2019); Imagem no Pós-Milénio, Porto Design Biennale (2019). Early 2016, the book chapter entitled “Social Transformation in the Eyes of Contemporary Chinese Cinema and Dogme 95” co-authored by Tomé Quadros and Émilie Tran, was published in an edited book by Susana Gonçalves and Suzanne Majhanovich entitled “(Inter)cultural Dialogue Through Arts and Media”, published by Sense Publishers (The Netherlands).
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Identification

Personal identification

Full name
Antonio Tome Saldanha Quadros Dias Ferreira

Citation names

  • Saldanha Quadros, Tomé

Author identifiers

Ciência ID
4215-7356-9132
ORCID iD
0000-0002-1401-8549

Knowledge fields

  • Humanities - Arts - Studies on Film, Radio and Television

Languages

Language Speaking Reading Writing Listening Peer-review
Portuguese Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
English Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
French Intermediate (B1) Intermediate (B1) Intermediate (B1) Intermediate (B1)
Slovenian Intermediate (B1) Beginner (A1) Beginner (A1) Intermediate (B1)
Chinese Beginner (A1) Beginner (A1)
Education
Degree Classification
2016
Concluded
 Doutoramento em Ciência e Tecnologia das Artes (Doutoramento)
Universidade Católica Portuguesa Escola das Artes, Portugal
"Entre ficção e documentário: cinemas contemporâneos chinês e dinamarquês " (THESIS/DISSERTATION)
 19 (summa cum laude)
2010
Concluded
 Mestrado em Som e Imagem (Mestrado)
Universidade Católica Portuguesa Escola das Artes, Portugal
"Macau Music Box, O Eu e Outro no Filme Documentário, uma possibilidade de encontro dentre Oriente e Ociente" (THESIS/DISSERTATION)
 18 valores
2003
Concluded
 Som e Imagem (Licenciatura)
Universidade Católica Portuguesa Escola das Artes, Portugal
"n/a" (THESIS/DISSERTATION)
 14 valores
Affiliation

Teaching in Higher Education

Category
Host institution 		Employer
2018/01/10 - Current Invited Adjunct Teacher (Polytechnic Teacher) Instituto Politécnico de Viana do Castelo, Portugal
2017/10/01 - Current Adjunct Teacher (Polytechnic Teacher) Escola Superior de Artes e Design, Portugal
2017/10/01 - Current Invited Assistant Professor (University Teacher) University of Saint Joseph, Macau SAR China
2016/04/01 - 2017/09/30 Assistant Professor (University Teacher) University of Saint Joseph, Macau SAR China
2010/03/01 - 2016/03/31 Assistant (University Teacher) University of Saint Joseph, Macau SAR China
Outputs

Publications

Book
  1. Saldanha Quadros, Tomé. Nadir 16.11.00. Porto, Portugal: Afrontamento. 2014.
    Published
Book chapter
  1. Quadros, Tomé Saldanha; Tran, Émilie. "Social Transformation in the Eyes of Contemporary Chinese Cinema and Dogme 95". In Comparative and International Education, 113-127. Netherlands: SensePublishers, 2016.
    Published • 10.1007/978-94-6300-423-7_8
Conference abstract
  1. Saldanha Quadros, Tomé. "In the eyes of Li Yang’s Blind Shaft, gazing disposable people or depicting blurred reality". Paper presented in Digicom - 4th International Conference on Digital Design and Communication, 2019.
    Published
  2. Saldanha Quadros, Tomé. "Reframing social narratives in contemporary Chinese cinema, the manipulation of the real and the reproduction of reality". Paper presented in The Real of Reality – International Conference on Philosophy and Film, Centre for Arts and Media (ZKM), Karlsrhue, Alemanha., Karlsrhue, 2016.
    Published
  3. Saldanha Quadros, Tomé. "Metafiction and Western mermaid fairy tale in the eyes of Lou Ye’s Suzhou Rive". Paper presented in The V Lisbon Consortium, Faculdade de Ciências Sociais e Humanas, Universidade Católica Portuguesa, Lisboa (Portugal), Lisboa, 2015.
    Published
Conference poster
  1. Saldanha Quadros, Tomé. "The society transformation in urban China, buidling contemporary Chinese cinema today". Paper presented in FilmAsia – II Asian Conference on Film, International Academic Forum, Waseda University, Osaka, Japão, 2013.
Journal article
  1. Saldanha Quadros, Tomé. "Jia Zhangke’s 24 City in the Spotlight of the New Urban Cinema, Rethinking a State of Transition in Today China". Diálogos com a Arte 4 (2014): 17-22. https://9c6a2e0d-453e-40c4-aed1-da121f257c31.filesusr.com/ugd/6d6107_df6c75ffd7ac439590451cbc2e3c506b.pdf.
    Published

Artistic / Performance

Video recording
  1. Saldanha Quadros, Tomé; Tomé Quadros (Producer); Tomé Quadros (Director). 2016. Reframe Macau, Bi-City Biennale de Urbanismo e Arquitectura, Shenzhen, República Popular da China.
  2. Saldanha Quadros, Tomé; Tomé Quadros (Producer); Tomé Quadros (Director). 2006. Nam Van Square, Habitar Portugal, 10ª Mostra Internacional de Arquitectura da Bienal de Veneza, Itália.
Activities

Oral presentation

Presentation title Event name
Host (Event location)
2019 In the eyes of Li Yang’s Blind Shaft, gazing disposable people or depicting blurred reality Digicom - 4th International Conference on Digital Design and Communication
Escola Superior de Design do Instituto Politécnico do Cávado e do Ave. (Barcelos, Portugal)
2016 Reframing social narratives in contemporary Chinese cinema, the manipulation of the real and the reproduction of reality The Real of Reality – International Conference on Philosophy and Film, Centre for Arts and Media
Centre for Arts and Media (ZKM), Karlsrhue, Alemanha (Karlsrhue, Germany)
2015 Metafiction and Western mermaid fairy tale in the eyes of Lou Ye’s Suzhou River The V Lisbon Consortium
Faculdade de Ciências Sociais e Humanas, Universidade Católica Portuguesa (Lisboa, Portugal)
2014 Jia Zhangke’s 24 City in the spotlight of the new urban cinema, rethinking a state of transition in today China Avanca International Conference Cinema
Avanca International Conference Cinema (Avanca, Portugal)
2013 The society transformation in urban China, buidling contemporary Chinese cinema today FilmAsia – II Asian Conference on Film
International Academic Forum, Waseda University (Osaka, Japan)

Supervision

Thesis Title
Role 		Degree Subject (Type)
Institution / Organization
2018/10/01 - 2020/03/01 Yatta! Um jogo de cartas para aprender japonês. Com o principal objetivo de criar uma ferramenta visual, nomeadamente um jogo de cartas, que funcionasse como uma estratégia de motivação para o ensino e aprendizagem de línguas asiáticas, em particular o japonês, o presente projeto de investigação teve como principal intuito analisar e contemplar as seguintes áreas: Ensino, Design de Comunicação, Design de Interação e Jogos. Palavras-chave: Design de Comunicação; Jogo de cartas; Ensino; Língua Japonesa
Co-supervisor
 Mestrado em Comunicação (Master)
Escola Superior de Artes e Design, Portugal
2017/10/01 - 2020/01/16 A educação e as práticas artísticas na valorização do património cultural da Cidade Velha, Cabo Verde
Supervisor
 Mestrado em Educação Artística (Master)
Instituto Politécnico de Viana do Castelo, Portugal

Jury of academic degree

Topic
Role 		Candidate name (Type of degree)
Institution / Organization
2017/09/05 Semiotic Multimodality: A Filmic Analysis of Wong Kar-Wai's In the Mood for Love
(Thesis) Arguer
 Bernard Tan Chee Seng (PhD)
University of Saint Joseph, Macau SAR China

Committee member

Activity description
Role 		Institution / Organization
2018/10/01 - Current Membro do conselho pedagógico da Escola Superior de Artes e Design, Matosinhos, Portugal.
Member
 Escola Superior de Artes e Design, Portugal
2016/09/01 - 2017/09/01 Membro do conselho científico da Faculdade de Indústrias Criativas, Universidade de São José, Região Administrativa Especial de Macau, República Popular da China.
Member
 University of Saint Joseph, Macau SAR China
2016/03/01 - 2017/09/01 Membro do conselho pedagógico da Faculdade de Indústrias Criativas, Universidade de São José, Região Administrativa Especial de Macau, República Popular da China.
Member
 University of Saint Joseph, Macau SAR China

Course / Discipline taught

Academic session Degree Subject (Type) Institution / Organization
2018/10/01 - Current History of Asian Cinema LDC 2018 Digital Cinema - Faculty of Creative Industries (Bachelor) University of Saint Joseph, Macau SAR China
2018/10/01 - Current Projeto Artístico (3º ano - anual), Cine-Vídeo II (2º ano - semestral) Artes Plásticas e Tecnologias Artísticas (Licenciatura) Instituto Politécnico de Viana do Castelo, Portugal
2017/10/01 - Current História dos Média (2° ano, anual), Estudos Artísticos (2° ano, anual), Análise e Crítica dos Média Contemporâneos (3° ano, anual), Narrativas Multimédia (3° ano, anual) Artes Digitais e Multimédia (Licenciatura) Escola Superior de Artes e Design, Portugal
2016/09/01 - Current Audiovisual Media Production MCM 101 Mestrado em Comunicação e Média (Master) University of Saint Joseph, Macau SAR China

Interview (tv / radio show)

Program Topic
2012 - Current "Não Linear" Não Linear | Série 5 | Episódio 1 - Tomé Quadros - "Macau Music Box"

Other jury / evaluation

Activity description Institution / Organization
2019/06/17 - Current Evaluation Panel: ARTS AND HUMANITIES – Arts and Design, Artistic and Musical Development R&D Unit: esad idea, investigação em design e arte (esadidea) Escola Superior de Artes e Design, Portugal
2013 - Current 10° Festival Internacional Black & White Tomé Quadros integrou o júri, presidido pelo realizador Lauro António, de atribuição dos prémios aos filmes finalistas do 10° Festival Internacional Black & White, Escola das Artes da Universidade Católica Portuguesa, Porto. Universidade Católica Portuguesa Escola das Artes, Portugal