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Andrew Snyder completed the Doctor of Philosophy in Ethnomusicology University of California Berkeley Department of Music.
Identification

Personal identification

Full name
Andrew Snyder

Citation names

  • Snyder, Andrew

Author identifiers

Ciência ID
3E16-021A-902E
ORCID iD
0000-0001-6914-4086

Websites

Knowledge fields

  • Humanities - Arts - Performing Arts Studies (Musicology, Theater Science, Dramaturgy)

Languages

Language Speaking Reading Writing Listening Peer-review
English (Mother tongue)
Portuguese Proficiency (C2) Proficiency (C2) Advanced (C1) Proficiency (C2)
French Proficiency (C2) Proficiency (C2) Advanced (C1) Proficiency (C2)
Spanish; Castilian Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
Education
Degree Classification
2012/08/19 - 2018/05/15
Concluded
 Ethnomusicology (Doctor of Philosophy)
University of California Berkeley Department of Music, United States
"Critical Brass: The Alternative Brass Movement and Street Carnival Revival of Olympic Rio de Janeiro" (THESIS/DISSERTATION)
2010/08/20 - 2012/05/15
Concluded
 Ethnomusicology (Master)
University of California, Berkeley, United States
2004/08/20 - 2007/05/15
Concluded
 French Literature-History (Bachelor)
Reed College, United States
"Musiciens du silence: Intersections between Poetry and Music in Mallarmé, Verlaine and Debussy" (THESIS/DISSERTATION)
Affiliation

Science

Category
Host institution 		Employer
2020/12/01 - Current Contracted Researcher (Research) Universidade Nova de Lisboa Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal
Universidade Nova de Lisboa Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal
2019/09/01 - 2020/08/30 Visiting Researcher (Research) University of California, Santa Cruz, United States
University of California, Santa Cruz, United States
2019/01/15 - 2020/05/15 Visiting Researcher (Research) University of California, Berkeley, United States

Teaching in Higher Education

Category
Host institution 		Employer
2019/09/01 - 2019/12/30 Lecturer (University Teacher) University of California, Davis, United States
2018/08/15 - 2019/05/11 Lecturer (University Teacher) University of the Pacific Conservatory of Music, United States
2019/01/10 - 2019/05/08 Visiting Professor (University Teacher) University of California Berkeley, United States
Projects

Contract

Designation Funders
2020/12/01 - 2026/12/01 Concurso Estímulo ao Emprego Científico Individual, segunda edição
N/A
Integration into Research Grant Fellow
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, United States
 Fundação para a Ciência e a Tecnologia
Ongoing
Outputs

Publications

Book
  1. Snyder, Andrew. Critical Brass: Street Carnival and Musical Activism in Olympic Rio de Janeiro. Middletown, CT, United States: Wesleyan University Press. 2022.
    Accepted
Book chapter
  1. Snyder, Andrew. "L’Inclusion et le handicap dans le Carnaval de Rio de Janeiro". In Faire carnaval, faire politique ?, 117-132. Charleroi, Belgium: L’Université Ouverte, 2022.
    Published
  2. Snyder, Andrew. "Musical Eclecticism, Cultural Appropriation, and Whiteness in Mission Delirium and HONK!". In HONK! A Street Band Renaissance of Music and Activism, 77-88. New York, NY, United States: Routledge, 2020.
    Published
  3. Snyder, Andrew; Reebee Garofalo; Erin T. Allen. "Introduction". In HONK! A Street Band Renaissance of Music and Activism. New York, NY, United States: Routledge, 2020.
    Published
  4. Snyder, Andrew. "Cuivres critiques : la musique comme tactique d'action directe dans la baie de San Francisco". In Politiques des musiques populaires au XXIe siècle, edited by Jedediah Sklower, 211-232. Paris, France: Éd. Mélanie Seteun, 2015.
    Published
Book review
  1. Snyder, Andrew. "Review of Barbara Browning's Caetano Veloso's A Foreign Sound". 6, 1 (2019): 108-110. https://doi.org/10.1558/jwpm.37596.
    Published
Conference paper
  1. Snyder, Andrew. "A Diplomacia Musical e Ativista nas Comemorações do Bicentenário da Independência do Brasil em Lisboa". Paper presented in Associação de Brasilianistas na Europa, Lisboa, 2023.
  2. Andrew Snyder. "Traditional Associativism as a Socio-Economic Foundation for the Untraditional Ventures of a Portuguese Brass Band". Paper presented in International Council of Traditional Music, Accra, Legon, 2023.
  3. Snyder, Andrew. "“Postcolonial Intimacies and Citations in the Brazilian Street Carnival of Lisbon, Portugal,”". Paper presented in British Forum for Ethnomusicology, April 13-16, University of Edinburgh., Edinburgh, 2023.
    Published
  4. Snyder, Andrew. "Expat migration and baby music classes in an internationalizing Lisbon". Paper presented in "Toddlers/Children's Songs - The Popular Music of the Youngest?" Klaus Kuhnke Institute for Popular Music at the Bremen University of the Arts, Bremen (online), 2022.
  5. Snyder, Andrew. "Les fanfares du carnaval de la Nouvelle-Orléans et de Rio de Janeiro : le déshéritage, la blanchité alternative et l’éclectisme musical". Paper presented in Les fêtes dans les Amériques : histoire et dynamiques contemporaines, INALCO, Paris, 2022.
  6. Snyder, Andrew. "Postcolonial intimacies and citations in the Brazilian Street Carnival of Lisbon". Paper presented in European Seminar in Ethnomusicology, 2022.
  7. Snyder, Andrew. "Baby Music Classes, Cultural Infrastructure, and Expatriate Immigration in an Internationalizing Lisbon". Paper presented in Music, Migration, and Mobility, 2022.
  8. Snyder, Andrew. "The Interdependence of Professionals and Amateurs in Propagating Rio de Janeiro’s Street Carnival". Paper presented in British Forum for Ethnomusicology, Milton Keynes, 2022.
  9. Andrew Snyder. "Contraculture: Bird Names and the Degendering of Contra Dance". Paper presented in International Council for Traditional Music, Lisbon, Portugal, 2022.
  10. Snyder, Andrew. "Inclusão, Folia e Deficiência no Carnaval de Rua do Rio de Janeiro". Paper presented in Encontro Internacional sobre A CIDADE, O CORPO E O SOM, Lisbon, 2022.
    Published
  11. Snyder, Andrew. "L'Inclusion et la féstivité des comunautés handicapées dans le carnaval de rue de Rio de Janeiro". Paper presented in C’est Carnaval! The Politics and Policy of Carnival, Charleroi, 2022.
  12. Snyder, Andrew. "Consensus Process in the Decision Making of an Alternative Brass Band". Paper presented in Rethinking Participatory Processes Through Music, British Academy and University of Huddersfield, Virtual Conference, Huddersfield, 2022.
  13. Snyder, Andrew. ""Music and Social Justice in Quarantimes" in Roundtable "New Paths for Justice-Oriented Ethnomusicological Research"". virtual, 2021.
  14. Snyder, Andrew. "Carnaval em casa: Inversões ativistas no carnaval de rua do Rio de Janeiro". Paper presented in Associação de Brasilianistas na Europa, Virtual, 2021.
  15. Snyder, Andrew. "Carnaval em casa: Activist Inversions in Rio de Janeiro's Street Carnival during the COVID-19 Pandemic". Paper presented in 2nd Annual International Symposium on Festival Culture, Festival Culture Research and Education, Virtual, 2021.
  16. Snyder, Andrew. "Activist Frictions at the Global HONK!United Virtual Festival". Paper presented in International Association for the Study of Popular Music-US, Virtual, 2021.
  17. Snyder, Andrew. "Carnival Brass Bands in New Orleans and Rio de Janeiro: Disinheritance, Alternative Whiteness, and Musical Eclecticism". Paper presented in Society for Ethnomusicology, Virtual, 2020.
  18. Snyder, Andrew. "Larks and Ravens: The Degendering of Contra Dance". Paper presented in Society for Ethnomusicology, Bloomington, IN, 2019.
  19. Snyder, Andrew. "Rio de Janeiro's Neofanfarrismo Movement: Carnival as a Theory of Activism". Paper presented in Pre-Conference Symposium, Heritage and the Politics of Inclusion in Latin American Brass Bands, Society for Ethnomusicology, Bloomington, IN, 2019.
  20. Snyder, Andrew. "Carnival Brass Bands in New Orleans: Disinheritance, Alternative Whiteness, and Musical Eclecticism". Paper presented in Society for American Music, New Orleans, LA, 2019.
  21. Snyder, Andrew. "Globalized Brass Bands: Musical Eclecticism and Cultural Appropriation in Mission Delirium and the Honk Movement". Paper presented in International Association for the Study of Popular Music-US, New Orleans, LA, 2019.
  22. Snyder, Andrew. "In Carnival You Can Do Anything: Contesting the Politics of Representation of Rio's Satirical Carnival March". Paper presented in Society for Ethnomusicology, Albuquerque, NM, 2018.
  23. Snyder, Andrew. "Carnival Brass Bands in New Orleans and Rio de Janeiro: Disinheritance, Alternative Whiteness, and Musical Eclecticism". Paper presented in Invited Talk at Instituto de Etnomusicologia, Lisboa, Lisbon, 2018.
  24. Snyder, Andrew. "Politicizing Carnival Brass Bands in Olympic Rio de Janeiro: Instrumental Protest and Musical Repertoires of Contention". Paper presented in Latin American Studies Association, Barcelona, 2018.
  25. Snyder, Andrew. "Politicizing Carnival Brass Bands in Olympic Rio de Janeiro: Instrumental Protest and Musical Repertoires of Contention". Paper presented in International Association for the Study of Popular Music-US, Nashville, TN, 2018.
  26. Snyder, Andrew. "Brass and the Revival of Street Carnival in Rio de Janeiro: From Nationalist Rescue to Internationalist Cannibalism". Paper presented in Society For Ethnomusicology, Denver, CO, 2017.
  27. Snyder, Andrew. "Brass and the Revival of Street Carnival in Rio de Janeiro: From Cultural Nationalism to Internationalist Cannibalism". Paper presented in Northern California Society for Ethnomusicology, Palo Alto, CA, 2017.
  28. Snyder, Andrew. "The Capitalist Industry of Participatory Music Education in Rio de Janeiro's Oficinas". Paper presented in Northern California Society for Ethnomusicology, Davis, CA, 2017.
  29. Snyder, Andrew. "Ideologies of Listening: A Reception Study of Ali Akbar Khan in the US from 1963-1973". Paper presented in South Asia by the Bay Conference, Palo Alto, CA, 2012.
Edited book
  1. Snyder, Andrew. Festival Activism. Bloomington, IN, United States: Indiana University Press. 2023.
    Accepted • Editor
  2. Snyder, Andrew. At the Crossroads of Music and Social Justice. Bloomington, IN, United States: Indiana University Press. 2022.
    Accepted • Editor
  3. Snyder, Andrew. HONK! A Street Band Renaissance of Music and Activism. New York, United States: Routledge. 2020.
    10.4324/9780429020209 • Editor
Journal article
  1. Andrew Snyder. "Consensus process in the decision-making of a North American alternative brass band". Ethnomusicology Forum 32 1 (2023): 28-51. https://doi.org/10.1080/17411912.2022.2161591.
    10.1080/17411912.2022.2161591
  2. Snyder, Andrew. "Revelry, Inclusion, and Disability in the Street Carnival of Rio de Janeiro". Journal of Festival Culture Inquiry and Analysis 1 (2022): 94-109.
    Published
  3. Andrew Snyder; Erin T. Allen; Reebee Garofalo. "HONK!United: A Virtual Global Festival of Activist Brass Bands during the COVID-19 Pandemic". Music and Politics 16 1 (2022): 1-28.
    Published
  4. Snyder, Andrew. "Carnaval em casa: Activist Inversions in Rio de Janeiro's Street Carnival during the COVID-19 Pandemic". Journal of Festive Studies 3 1 (2022): 17-46. http://dx.doi.org/10.33823/jfs.2021.3.1.93.
    Published • 10.33823/jfs.2021.3.1.93
  5. Snyder, Andrew. "Carnival Brass Bands in New Orleans and Rio de Janeiro: Disinheritance, Alternative Whiteness, and Musical Eclecticism.". Ethnomusicology 65 3 (2021): 519-548. https://www.jstor.org/stable/10.5406/ethnomusicology.65.3.0519.
    Published
  6. Snyder, Andrew. "Politicizing Carnival Brass Bands in Olympic Rio de Janeiro: Instrumental Protest and Musical Repertoires of Contention". Latin American Music Review 41 1 (2020): 27-58. http://dx.doi.org/10.7560/lamr41102.
    Published • 10.7560/lamr41102
  7. SNYDER, ANDREW. "Contraculture: Bird Names and the Degendering of Contra Dance". Yearbook for Traditional Music 51 (2019): 187-215. http://dx.doi.org/10.1017/ytm.2019.3.
    Published • 10.1017/ytm.2019.3
  8. Snyder, Andrew. "Playing the System: The Capitalist Industry of Participatory Music Education in Rio de Janeiro's Oficinas". Journal of Popular Music Studies 31 3 (2019): 119-144. http://dx.doi.org/10.1525/jpms.2019.313011.
    Published • 10.1525/jpms.2019.313011
  9. Snyder, Andrew. "From Nationalist Rescue to Internationalist Cannibalism: The Alternative Carnivaslesque, Brass, and the Revival of Street Carnival in Rio de Janeiro". Luso-Brazilian Review 56 1 (2019): 106-129. http://dx.doi.org/10.3368/lbr.56.1.106.
    Published • 10.3368/lbr.56.1.106
Thesis / Dissertation
  1. Snyder, Andrew. "Critical Brass: The Alternative Brass Movement and Street Carnival Revival of Olympic Rio de Janeiro". PhD, University of California Berkeley Department of Music, 2018.
Activities

Supervision

Thesis Title
Role 		Degree Subject (Type)
Institution / Organization
2022/05/01 - Current Canção é fogo que arde sem se ver: A música popular portuguesa e as crises de 2011
Supervisor
 Ethnomusicology (Master)
Universidade Nova de Lisboa, Portugal
2021/01/15 - Current Improvisação livre: Processos de interação e negociação da identidade musical
Supervisor
 Ethnomusicology (PhD)
Universidade Nova de Lisboa, Portugal
2021/10/01 - 2023/07/24 Lisboa Soa: A festival at the crossroads between sound art, ecology, and environmental sustainability
Supervisor
 MA in Ethnomusicology (Master)

Event organisation

Event name
Type of event (Role) 		Institution / Organization
2022/02/19 - Current Organization of meeting of Northern California Chapter of the Society of Ethnomusicology (NCCSEM), as President of NCCSEM, University of the Pacific, February 19. (2022/02/19)
Conference (President of the Organising Committee)
2020/02/29 - Current Organization of meeting of Northern California Chapter of the Society of Ethnomusicology (NCCSEM), as President of NCCSEM, UC Berkeley, February 29. (2020/02/29)
Conference (President of the Organising Committee)
2021/10/02 - 2021/10/03 Organization of Symposium on the Music of Carnival, with Sean Bellaviti featuring keynote speaker Gage Averill jointly hosted virtually by the Instituto de Etnomusicologia at Universidade Nova de Lisboa, Ryerson University, and Social Science and Humanities Research Council of Canada, October 2-3. (2021/10/02 - 2021/10/03)
Conference (President of the Organising Committee)

Ad Hoc journal article review

Journal title (ISSN) Publisher
2020/10/01 - Current Estudios bandísticos/Wind Band Studies
2022/05/01 - 2022/08/01 International Journal of Urban and Regional Research Wiley-Blackwell
2019/10/01 - 2019/11/01 Luso-Brazilian Review University of Wisconsin Press

Committee member

Activity description
Role 		Institution / Organization
2021/09/25 - Current Questioner of Maria Teresa Lacerda for PhD thesis proposal
Advisor / Consultant
 Universidade Nova de Lisboa, Portugal

Course / Discipline taught

Academic session Degree Subject (Type) Institution / Organization
2019/09/01 - 2019/12/31 Musics of the World Fall 2019 Musics of the World (Bachelor) University of California, Davis, United States
2019/01/15 - 2019/05/15 Berkeley Connect (undergraduate mentorship class with individual advising component) Spring 2019 Berkeley Connect (undergraduate mentorship class with individual advising component) University of California, Berkeley, United States
2018/08/11 - 2019/05/05 Music of the World's Peoples 5 sections in Fall/Spring 2018-19 Music (Bachelor) University of the Pacific Conservatory of Music, United States
2018/06/30 - 2018/08/14 Music in Brazil (Bachelor)
2018/01/15 - 2018/05/15 Music Now (As TA) spring 2018 Music Now (As TA)
2017/08/20 - 2017/12/20 Music in American Cultures (as TA) Fall 2017 Music in American Cultures (as TA) (Bachelor)
2016/05/15 - 2016/07/05 Carnival: Music and Subversion (Bachelor) University of California Berkeley Department of Music, United States
2014/01/14 - 2014/05/15 Music in the Caribbean (As TA/reader) spring 2014 Music in the Caribbean (As TA/reader) (Bachelor) University of California, Berkeley, United States
2013/01/15 - 2013/12/19 Basic Musicianship Spring 2013 Basic Musicianship (Bachelor)
2013/01/09 - 2013/05/25 Introduction to Music Theory Spring 2013 Introduction to Music Theory (Bachelor) University of California Berkeley Department of Music, United States
2013/01/15 - 2013/05/15 Music in American Cultures (as TA) Spring 2013 Music in American Cultures (as TA) (Bachelor)
2012/08/20 - 2012/12/20 Basic Musicianship Basic Musicianship (Bachelor)
2012/01/15 - 2012/05/15 Introduction to Western Music (As TA) spring 2012 (Bachelor) University of California, Berkeley, United States
2011/08/20 - 2011/12/20 Music in American Cultures (as TA) Fall 2011 Music in American Cultures (as TA) (Bachelor) University of California, Berkeley, United States
Distinctions

Award

2022 AMS 75 PAYS Fund of the American Musicological Society
American Musicological Society Inc, United States
2021 Richard Waterman Article Award
2018 Laurene Wu McClain & Charles J. McClain Award
University of California Berkeley Department of Music, United States
2018 Crossroads Music and Social Justice Prize for 2018 Presentation at Society for Ethnomusicology, “In Carnival You Can Do Anything”
2018 Portuguese Studies Program Research Grant
University of California, Berkeley, United States
2016 Foreign Language and Areas Studies Scholarship (FLAS) for study of Portuguese
Foreign Language and Areas Studies Scholarship (FLAS) , United States
2014 John L. Simpson Memorial Research Fellowship in International and Comparative Studies
University of California Berkeley College of Letters and Science, United States

Title

2020 Contracted Researcher as recipient of Concurso Estímulo ao Emprego Científico Individual
Fundação para a Ciência e a Tecnologia, Portugal

Other distinction

2007 Phi Beta Kappa