Identification
Personal identification
- Full name
- Sara Alves Costa Magno
Citation names
- Magno, Sara
Author identifiers
- Ciência ID
- 3314-1DCE-8675
- ORCID iD
- 0000-0002-5550-4578
Email addresses
- smagno@ucp.pt (Professional)
- saramagnum@gmail.com (Personal)
Telephones
- Mobile phone
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- (+351) 914381377 (Personal)
Addresses
- Rua Dom Fuas Roupinho 20, 1esq., 1900-192, LISBOA, Lisboa, Portugal (Personal)
Knowledge fields
- Humanities - Other Humanities
Languages
Language | Speaking | Reading | Writing | Listening | Peer-review |
---|---|---|---|---|---|
Portuguese (Mother tongue) | |||||
English | Advanced (C1) | Advanced (C1) | Advanced (C1) | Advanced (C1) | Advanced (C1) |
Spanish; Castilian | Intermediate (B1) | Intermediate (B1) | Intermediate (B1) | Intermediate (B1) |
Education
Degree | Classification | |
---|---|---|
2023/03/29
Concluded
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Culture Studies (Doutoramento)
Universidade Católica Portuguesa Faculdade de Ciências Humanas, Portugal
"Documentality in Contemporary Art: Paraesthetic Strategies in the works of Salomé Lamas, Jeremy Shaw and Louis Henderson" (THESIS/DISSERTATION)
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19 - Summa cum laude |
2014
Concluded
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Comunication Sciences (Mestrado)
Major in Comunication and Art
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
"Imagem-documento. Refigurações do arquivo nos filmes de Filipa César, Hito Steyerl e Harun Farocki " (THESIS/DISSERTATION)
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17 |
2012/09/01 - 2013/07/01
Concluded
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Arte (Outros)
Maumaus: Independent Study Program, Portugal
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2012/01/01 - 2012/07/01
Concluded
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Photography (Outros)
Gerrit Rietveld Academie, Netherlands
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2009/09/01 - 2011/07/01
Concluded
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Photography (Outros)
Major in Level III
Ar.Co Centro de Arte e Comunicação Visual, Portugal
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2003/09/01 - 2007/07/01
Concluded
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História da Arte e Património (Licenciatura)
Universidade de Lisboa, Portugal
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Affiliation
Science
Category Host institution |
Employer | |
---|---|---|
2023/12/11 - Current | Science and Technology Management | Transform4Europe_Aliance of European Universities, Portugal |
Universidade Catolica Portuguesa Centro de Estudos de Comunicação e Cultura, Portugal | ||
2015/09/01 - Current | Researcher (Research) | Universidade Católica Portuguesa, Portugal |
Universidade Catolica Portuguesa Centro de Estudos de Comunicação e Cultura, Portugal | ||
2011/09/01 - 2014/07/01 | Researcher (Research) | Universidade Nova de Lisboa, Portugal |
Universidade Nova de Lisboa, Portugal |
Positions / Appointments
Category Host institution |
Employer | |
---|---|---|
2022/09/01 - 2023/12/01 | Assistant | Galeria Quadrado Azul, Portugal |
2014/10/01 - 2015/09/01 | Director's assistant | Universidade de Lisboa Faculdade de Belas-Artes, Portugal |
2008/03/01 - 2011/04/01 | Senior Technician on heritage management | Fundação Portuguesa das Comunicações, Portugal |
2007/10/01 - 2008/09/01 | Director's assistant | Museu Nacional de Arte Contemporânea (MNAC), Portugal |
Others
Category Host institution |
Employer | |
---|---|---|
2022/06/01 - 2022/12/31 | Editor | Hangar - Artistic Research Center, Portugal |
Hangar - Artistic Research Center, Portugal |
Projects
Grant
Designation | Funders | |
---|---|---|
2015/09/15 - 2022/03/11 | Documentality in Contemporary Art: Paraesthetic Strategies in the Works of Salomé Lamas, Jeremy Shaw and Louis Henderson
PD/BD/114373/2016
PhD Student Fellow
Universidade Católica Portuguesa, Portugal
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Fundação para a Ciência e a Tecnologia
Concluded
|
2007/05 - 2011/12 | FCT/UNL projecto de gestão no âmbito do Programa UTAustin-Portugal
Fundação Portuguesa das Comunicações, Portugal
|
Fundação para a Ciência e a Tecnologia |
Contract
Designation | Funders | |
---|---|---|
2019/01/01 - 2019/12/31 | Centro de Estudos de Comunicação e Cultura
UID/ELT/00126/2019
PhD Student Fellow
Universidade Católica Portuguesa, Portugal
Universidade Catolica Portuguesa Centro de Estudos de Comunicação e Cultura, Portugal |
Fundação para a Ciência e a Tecnologia
Concluded
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Outputs
Publications
Book |
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Book chapter |
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Journal article |
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Journal issue |
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Magazine article |
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Thesis / Dissertation |
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Artistic / Performance
Artistic exhibition |
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Curatorial / Museum exhibition |
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Other
Other output |
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Activities
Oral presentation
Presentation title | Event name Host (Event location) |
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---|---|---|
2024/09/09 | The Hearing: Reenactment Strategies in Documentary Film | Conjunctures of Hospitality: Conditions, Articulations, and Affects of Border Encounters
Faculty of Human Sciences (Lisboa, Portugal)
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2023/07/03 | Diffractions #6: Images in Movement |
Research Centre for Communication and Culture (CECC)
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2022/07/05 | Should we care? Giving voice to the perpetrator in Salomé Lamas' No Man's Land | European Summer School for Cultural Studies (ESSCS): 'Thinking (with) Care'
University of Amsterdam (Amsterdam/Leiden, Netherlands)
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2022/07/05 | Should we care? Giving voice to the perpetrator in Salomé Lamas' No Man's Land |
University of Amsterdam
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2022/06/22 | Contemporary Documentality: Reflexive Re-Turns in Documentary Filmmaking and Contemporary Art | InterCECCtions
CECC (Lisbon, Portugal)
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2021/06/22 | InterCECCtions | InterCECCtions
Research Centre for Communication and Culture (CECC) (Lisboa, Portugal)
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2019/10/24 | Diffractions #1: Suspicion |
Research Centre for Communication and Culture (CECC)
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2019/05/23 | O documental na arte contemporânea como experiência do pensamento | |
2019/05 | O documental na arte contemporânea como experiência do pensamento | Spring Seminar: On Cinema
Universidade Católica Portuguesa (Porto, Portugal)
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2019/03 | Guest Leture: Parafictions in Contemporary Art | Seminar After Fiction
University of Copenhagen (Copenhagen, Denmark)
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2018/09/06 | Museum Public Lecture: The documentality in Solomé Lamas' Work | Museum Public Lecture
National Museum of Contemporary Art (MNAC) (Lisbon, Portugal)
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2018/09/06 | The documentality in Solomé Lamas' Work |
National Museum of Contemporary Arte
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2018/05/01 | The psychedelic Ethnographer in Love with the World |
University of Tasmania
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2017/11/30 | Contamination and Decolonization: Revisiting the Guinean Liberation Movement Film Archive |
University of Copenhagen
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2017/11 | Contamination and decolonization: revisiting the Guinean Liberation Movement film archive | Cultural Studies Symposium
Pázmány Péter Catholic University (Budapeste, Hungary)
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2017/11 | Contamination and Decolonization: Revisiting the Guinean Liberation Movement Film Archive | Unfinished Histories: Conference on Art and Coloniality
University of Copenhagen (Copenhagen, Denmark)
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2017/11 | Contamination and Decolonization: Revisiting the Guinean Liberation Movement Film Archive |
Peter Pazmany Catholic University
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2017/08 | The 'failure of empathy' in Enjoy Poverty |
University of Bergen
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2017/05/18 | Replacing the Soul in Adolfo Bioy Casares’ ‘The Invention of Morel’ with the Bodies of digital placeholders in Ed Atkins’ ‘Safe Conduct’ |
Copenhagen Doctoral School in Cultural Studies and Text, Image, Sound, Space, Norwegian Researcher School in the Humanities
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2017/05 | Replacing the Soul in Adolfo Bioy Casares 'The Invention of Morel' with the Bodies of digital placeholders in Ed Atkins 'Safe Conduct' | Seminar_Old Media
University of Copenhagen (New York, United States)
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2017/01 | Documentality_ Documents Underwriting Artworks | European Summer School Culture Studies: Winter Seminar _Underwriting Culture / Cultures of Under-writing
Universidade Católica Portuguesa (LISBOA, Portugal)
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2016/11/24 | A failed attempt on the repetition and reenactment of Alan Kurdi's death | Graduate Student Conference _ Routes of Difference: Migration in Artistic, Academic and Media Discourses
Universidade Católica Portuguesa (LISBOA, Portugal)
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2016/11/24 | A failed attempt on the repetition and reenactment of Alan Kurdi's death |
Research Centre for Communication and Culture (CECC)
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2016/06/27 | Moving Compositions of the Real: Visuality and Materiality in Documentary Filmmaking | VI Lisbon Summer School for the Study of Culture, on Transvisuality
Universidade Católica Portuguesa (LISBOA, Portugal)
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2016/06/27 | Moving Compositions of the Real: Visuality and Materiality in Documentary Filmmaking | |
2016/01/25 | Documentality_ Documents Underwriting Artworks | ESSCS Winter Seminar
(Lisbon, Portugal)
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Event organisation
Event name Type of event (Role) |
Institution / Organization | |
---|---|---|
2024/10/22 - 2024/10/22 | T4EU Global Partnership Forum: A Catalyst for Global Partnerships and Sustainable Development (2024/10/22 - 2024/10/22)
Round table (Co-organisor)
|
Transform4Europe_Aliance of European Universities, Portugal |
2024/09/29 - 2024/09/29 | T4EU Science Café | "My Chatbot Is Always There for Me: The Ethical Dilemmas of Artificial Intelligence Assistants and Companions,"
held in Trieste during the Trieste Next Science and Research Festival, featured William Hasselberger, Professor of Politics
and Director of the Digital Ethics Lab at UCP, and Francesco Miele, Researcher in General Sociology at the University of Trieste.
The event centered on the ethical reflections surrounding AI companies and the humanization of conversations with chatbots. (2024/09/29 - 2024/09/29)
Other (Co-organisor)
|
Transform4Europe_Aliance of European Universities, Portugal |
2024/07/22 - 2024/07/22 | The T4EU Science Café: "Can War Be Repaired by Culture?" featuring Isabel Capeloa Gil (UCP) and Cristiane Solte-Gresser (University
of Saarland), explored whether culture has the power to mend the effects of war. This central question was the focus of the
first edition of Transform4Europe's Science Café, held at the Gulbenkian Foundation alongside the 14th Lisbon Summer School
for the Study of Culture.
(2024/07/22 - 2024/07/22)
Round table (Member of the Organising Committee)
|
Transform4Europe_Aliance of European Universities, Portugal |
2020/02 - 2020/02 | Workshop _ Research Methods in Film Studies within the Field of Culture Studies and Culture Analysis. Keynotes: Adriana Martins
(UCP-Lisboa), Alice Dusapin (Independent Curator), Daniel Ribas (UCP-Porto), Giovanbattista Tusa (IFLNova), Margarida Mendes
(Goldsmiths), Sérgio Dias Branco (UCoimbra). (2020/02 - 2020/02)
Workshop (Co-organisor)
|
Universidade Católica Portuguesa, Portugal |
2016 - 2020 | Reading Group - Politics od Surroundings (2016/05/01 - 2020/05/01)
Other (Co-organisor)
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Universidade Catolica Portuguesa Centro de Estudos de Comunicação e Cultura, Portugal |
2019/03 - 2019/03 | Workshop _ Donald Trump's Political Reality: The Politics of Fakery and the Fakery of Politics.
This workshop on politics in the time of Donald Trump’s presidency is organized by PhD students from the Lisbon Consortium.
The aim is to think about and discuss the notion of an emerging political field that can perhaps be characterized by the prevalence
of claims of inauthenticity, fakeness, lies, semblance, virtuality and error. (2019/03 - 2019/03)
Workshop (Co-organisor)
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Universidade Católica Portuguesa, Portugal |
2017 - 2019 | Reading Grup - The Politics of Surroundings (2016 - 2020)
Other (Co-organisor)
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Universidade Católica Portuguesa, Portugal |
2018/12/06 - 2018/12/07 | VIII Graduate Conference in Culture Studies (2018/12/06 - 2018/12/07)
Conference (Other)
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2018/12 - 2018/12 | Conference _ Replacement and Replaceability in Contemporary Culture.
Keynotes: Naomi Segal, Birkbeck, University of London, United Kingdom; Nanna Bonde Thylstrup, Aarhus University, Denmark;
Niall Martin, University of Amsterdam, The Netherlands; and Diana Gonçalves, Universidade Católica Portuguesa, Portugal. (2018/12 - 2018/12)
Conference (Co-organisor)
|
Universidade Católica Portuguesa, Portugal |
2018/04/30 - 2018/04/30 | Donald Trump’s Political Reality: The Politics of Fakery and the Fakery of Politics (2022/04/30)
Workshop (Other)
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Event participation
Activity description Type of event |
Event name Institution / Organization |
|
---|---|---|
2023/10/13 - 2023/10/14 | Oregon Surveillance Studies Workshop
Workshop
|
Media, Information, and Surveillance
Surveilance Studies Network, United Kingdom
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2023/10/13 - 2023/10/14 | Oregon Surveillance Studies Workshop
Workshop
|
Oregon Surveillance Studies Workshop |
2022/07/07 - 2022/07/08 | Imalogy/Ontology:
Conference organized by the research group 'Thinking Documentary Film' and Maumaus - Independent study program
Conference
|
Imalogy/Ontology
Universidade Nova de Lisboa Instituto de Filosofia, Portugal
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2022/07/05 - 2022/07/07 | Image, Imalogy, and the Real_Workshop organzed by the Research group 'Thinking Documentary Film'
Workshop
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Image, Imalogy, and the Real
Universidade Nova de Lisboa Instituto de Filosofia, Portugal
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2022/05/23 - 2022/05/24 | Aesthetics of Real Abstraction_ Conference organized by the research group 'Thinking Documentary Film'
Conference
|
Aesthetics of Real Abstraction
Universidade Nova de Lisboa Instituto de Filosofia, Portugal
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2019/12/18 - 2019/12/19 | O Cinema na Fronteira: Passagens entre Ficção e Documentário.
Seminar organized by the research group 'Thinking Documentary Film'
Seminar
|
O Cinema na Fronteira: Passagens entre Ficção e Documentário
Universidade Nova de Lisboa Instituto de Filosofia, Portugal
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2018/09 - 2018/09 | The Machine of the World
Doc's Kingdom, International Seminar on Documentary Film
Seminar
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The Machine of the World
Apordoc, Portugal
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2017/09 - 2017/09 | Surfacing Trouble
Doc's Kingdom, International Seminar on Documentary Film
Seminar
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Apordoc, Portugal
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2017/06 - 2017/06 | Global Translations
VII Summer School for the Study of Culture
Conference
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Global Translations
Universidade Católica Portuguesa, Portugal
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2016/11 - 2016/11 | Dead or Alive! Conference on the Animation of Matter in Art and Visual Culture
Conference
|
Dead or Alive! Conference on the Animation of Matter in Art and Visual Culture
Københavns Universitet, Denmark
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2016/11 - 2016/11 | Seminar _ Uncertain Archives, Adapting Cultural Theories of the Archive to Understand the Risks and Potentials of Big Data
Seminar
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Uncertain Archives, Adapting Cultural Theories of the Archive to Understand the Risks and Potentials of Big Data
Københavns Universitet, Denmark
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2016/09 - 2016/09 | The End of Nature?
Doc's Kingdom _ International Seminar on Documentary Film
Seminar
|
The End of Nature?
Apordoc, Portugal
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Committee member
Activity description Role |
Institution / Organization | |
---|---|---|
2024/07/04 - Current | The Science and Technology of the Arts Collection is an Open-Access Books Collection published by UCP Press that aims to present
the research conducted at the Research Center for Science and Technology of the Arts (CITAR), a research unit from the School
of Arts, Universidade Católica Portuguesa. This collection aims to publish manuscripts that form the academic, artistic and
practice-based research outputs of the Center.
Advisor / Consultant
|
CITAR UCP Press, Portugal |
Conference scientific committee
Conference name | Conference host | |
---|---|---|
2024/12/11 - 2024/12/12 | "Response(ability)" - II Graduate Conference on Science and Technology of the Arts | CITAR - Research Centre for Science and Technology of the Arts |
Course / Discipline taught
Academic session | Degree Subject (Type) | Institution / Organization | |
---|---|---|---|
2019/03 - 2019/03 | Guest Lecturer _ After Fiction | Culture Studies (Master) | Københavns Universitet, Denmark |
2018/05/01 - 2018/05/31 | Guest Lecturer _ The psychedelic Ethnographer in Love with the World | Art and Media (Master) | University of Tasmania, Australia |
2018/04/09 - 2018/04/13 | Guest Lecturer _ Documentary and documentality: theory and practice of documentary filmmaking | Culture Studies (Mestrado) | Universidade Católica Portuguesa, Portugal |
Interview (newspaper / magazine)
Activity description | Newspaper / Forum | |
---|---|---|
2023/03/30 | Porquê voltar a falar de bruxas ? | NO·NO |
Journal scientific committee
Journal title (ISSN) | Publisher | |
---|---|---|
2022 - Current | Diffractions (2nd edition) (2183-2188) | Universidade Católica Portuguesa |
2023/07/03 - 2023/07/03 | Diffractions (2183-2188) | Universidade Católica Portuguesa |
2016 - 2023 | Diffractions |
Distinctions
Award
2015 | FCT-International Ph.D. Scholarship
Fundação para a Ciência e a Tecnologia, Portugal
|