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Giulia Lamoni is an academic with a curatorial practice, who conducts research and teaches. She is a collaborating member of the Institute of Art History at Universidade Nova de Lisboa. Her research focuses on the relations between contemporary art and feminisms, contemporary artistic production and migratory processes, the histories of contemporary art in Latin America through the articulation of transnational perspectives, and the histories of the relations between artistic practices and experimental art education.
Identification

Personal identification

Full name
Giulia Lamoni

Citation names

  • Lamoni, Giulia

Author identifiers

Ciência ID
1C12-6C26-C214

Email addresses

  • giulialamoni@hotmail.com (Professional)

Websites

Knowledge fields

  • Humanities - Arts - Art history

Languages

Language Speaking Reading Writing Listening Peer-review
Italian (Mother tongue) Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
French Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
Portuguese Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
English Advanced (C1) Advanced (C1) Advanced (C1) Advanced (C1)
Affiliation

Teaching in Higher Education

Category
Host institution
Employer
2022/10 - 2023/01 Invited Assistant Professor (University Teacher) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2021/10 - 2022/01 Invited Assistant Professor (University Teacher) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2016/02/01 - 2018/06/30 Invited Assistant Professor (University Teacher) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal

Others

Category
Host institution
Employer
2016 - Current Independent Curator Giulia Lamoni, Portugal
2016/11/01 - 2022/01/31 FCT Researcher (Investigação Científica) Universidade Nova de Lisboa Instituto de História da Arte, Portugal
Universidade Nova de Lisboa Instituto de História da Arte, Portugal
2010/11/01 - 2016/11/01 Post-doctoral Researcher / FCT Fellow (Investigação Científica) Universidade Nova de Lisboa Instituto de História da Arte, Portugal
2010/01 - 2010/07 Assistant Curator / Chargée d'études (Sector cultural) Musée National d´art moderne / Centre Pompidou, France
2008/09 - 2009/06 Assistant Curator / Chargée d'études (Sector cultural) Musée National d´art moderne / Centre Pompidou, France
2004/09 - 2006/08 Lecturer: Italian (Docente Universitário) Université Charles de Gaulle Lille 3, France
Projects

Other

Designation Funders
2022/09/01 - 2023/06/01 Craft Thinking in the Arts
n/a
Co-Principal Investigator (Co-PI)
Trier Hochschule, Germany

Universidade Nova de Lisboa Instituto de História da Arte, Portugal
Trier Hochschule
Concluded
2018/11/01 - 2022/01/31 Artists and Radical Education in Latin America, 1960s-1970s
IF/00537/2015
Principal investigator
Universidade Nova de Lisboa, Portugal
FCT Portugal
Concluded
2018/01 - 2021/01 MODERNIDAD(ES) DESCENTRALIZADA(S): ARTE, POLITICA Y CONTRACULTURA EN EL EJE TRANSATLANTICO DURANTE LA GUERRA FRIA II MoDe(s)2
HAR2017-82755-P
Researcher
Universitat de Barcelona, Departamento de Artes Visuales y Diseño. Facutad de Bellas Artes, Spain
Gobierno de España
Concluded
2018 - 2021 Mulheres, artes e ditadura – os casos de Portugal, Brasil e dos países africanos de língua portuguesa
PTDC/ART-OUT/28051/2017
Researcher
Universidade do Minho Centro de Estudos Humanísticos, Portugal
FCT Portugal
Concluded
Outputs

Publications

Book
  1. Lamoni, Giulia; Autor: Camille Morineau, em colaboração com Giulia Lamoni. Artistes Femmes de 1905 à nos jours (by Camille Morineau in collaboration with Giulia Lamoni). Paris, France: Centre Pompidou. 2010.
    Published
Book chapter
  1. Lamoni, Giulia. "Inventing a Language of Her Own. Writing in Teresinha Soares' Artistic Practice". In Women, Art and Dictatorship in the Portuguese Speaking Context, edited by Macedo, Ana Gabriela. Berlin, Germany: De Gruyter, 2024.
    Under revision
  2. Lamoni, Giulia; Badagliacca, Vanessa. "Earthkeeping / Earthshaking: Art, Feminisms and Ecology (reprint)". In Feminisms-Museums-Surveys: Exhibition Curating 2005-2022, edited by Hilary Robinson; Lara Perry. Hoboken, United States: Wiley-Blackwell, 2024.
    Accepted
  3. Lamoni, Giulia. "Through Mineral Skins On Some Ceramic Sculptures by Lucía Pizzani". In Ceramic Seams: Thinking Through Making, edited by Lamoni, Giulia; Sarah Weisman, 128-139. Trier, Germany: Trier Hochschule, 2023.
    Published
  4. Giulia Lamoni; Sarah Weisman. "Shaping collaborative futures: a conversation between Sarah Weisman and Giulia Lamoni". In Ceramic Seams: Thinking Through Making, 45-49. Trier, Germany: Trier Hochschule, 2023.
    Published
  5. Lamoni, Giulia. "Following the traces of Yemanjá: Pop art, cultura popular and printmaking in Brazil". In Pop Art and Beyond: Gender, Race and Class in the Global Sixties, edited by Kalliopi Minioudaki; Mona Hadler, 153-173. Londres, United Kingdom: Bloomsbury, 2022.
    Published
  6. Lamoni, Giulia; Alves, Margarida Brito. "Through Walls and Windows: Irene Buarque's work in the 1970s". In Transnational Belonging and Female Agency in the Arts, edited by Basia Sliwinska; Catherine Dormor, 141-160. London, United Kingdom: Bloomsbury, 2022.
    Published
  7. Lamoni, Giulia. Corresponding author: Lamoni, Giulia. "Take a Walk on Less Travelled Routes. Exploring the Berardo Collection in Lisbon with Feminisms on Our Minds". In The Berardo Collection 1909-2019, edited by Pedro Lapa, 75-79. Lisbon, Portugal: The Berardo Collection, 2022.
    Published
  8. Lamoni, Giulia. "Trás-Montes, Pompeia. Malas pretas e outras obras de Túlia Saldanha". In Túlia Saldanha, Uma hora vi (exhibition catalogue), 25-31. Bragança, Portugal: Centro de Arte Contemporânea Graça Morais, 2021.
    Published
  9. Lamoni, Giulia; Badagliacca, Vanessa. "Earthkeeping / Earthshaking: Arte, Feminismos e Ecologia". In Earthkeeping / Earthshaking: Arte, Feminismos e Ecologia (exhibition catalogue), edited by Lamoni, Giulia; Vanessa Badagliacca, 8-16. Lisbon, Portugal: EGEAC / Galerias Municipais, 2021.
    Published
  10. Lamoni, Giulia; Badagliacca, Vanessa. "Entrevistas com artistas / Jane Logemann, Janet Culbertson, Merle Temkin, Patricia Johanson, Phyllis Janto, Sabra Moore, Sandy Gellis, Shirley Fuerst em conversa com as Curadoras". In Earthkeeping / Earthshaking: Arte, Feminismos e Ecologia (exhibition catalogue), edited by Lamoni, Giulia; Vanessa Badagliacca, 73-82. Lisbon, Portugal: Galerias Municipais / EGEAC, 2021.
    Published
  11. Lamoni, Giulia; Alves, Margarida Brito. "The margin as a space of connection: Amélia Toledo, Mira Schendel and Salette Tavares in Lisbon". In Arrival Cities. Migrating Artists and New Metropolitan Topographies, edited by Burcu Dogramaci, 177-191. Leuven, Belgium: Leuven University Press, 2020.
    Published
  12. Lamoni, Giulia; Alves, Margarida Brito. "A fragile form of resistance: some thoughts on the work of Paola Anziché". In La Terra Suona, Paola Anziché, 9-14. Roma, Italy: Viaindustriae, 2019.
    Published
  13. Lamoni, Giulia; Alves, Margarida Brito; Filomena Serra. "O Problema da co-habitação". In Co-habitar (cat. exp.), edited by Lamoni, Giulia; Margarida Brito Alves; Filomena Serra, 11-18. Lisboa: Documenta, 2018.
  14. Lamoni, Giulia. "Eugénia Mussa: Meridiano Pacífico". In Eugénia Mussa: Meridiano Pacífico (cat. exp.), 9-15. Lisboa, Portugal: EGEAC, 2017.
    Published
  15. Lamoni, Giulia. "Baralhando as cartas e multiplicando as imagens. Algumas notas acerca da obra de Cybele Varela". In Cybèle Varela. Tropicalismo Remixed (cat. exp.), 19-27. Milano, Italy: Silvana Editore, 2017.
    Published
  16. Lamoni, Giulia; Margarida Brito Alves. "The Shell and the Oyster: On Making Domestic Space Public". In Flâneur: New Urban Narratives, 16-24. Lisboa, Portugal: Procur.arte, 2016.
    Published
  17. Lamoni, Giulia. "'com imensas razões e um grande abraço´: Amplexos, abraços e outros enlaces no trabalho de José Escada". In Eu não evoluo, viajo. José Escada Retrospectiva (cat. exp.), 18-23. Lisboa, Portugal: Centro de Arte Moderna da Fundação Calouste Gulbenkian, 2016.
    Published
  18. Lamoni, Giulia. "Philomela as Metaphor. Sexuality, Pornography and Seduction in the Textile Work of Tracey Emin and Ghada Amer (reprint)". In Contemporary Art and Classical Myth, edited by Isabelle Loring Wallace; Jennifer Hirsh, 175-197. London, United Kingdom: Routledge, 2016.
    Published
  19. Lamoni, Giulia. "Unfolding the present: some notes on Brazilian ´pop'". In The World Goes Pop (cat.exp.), 59-71. London, United Kingdom: Tate Publishing, 2015.
    Published
  20. Lamoni, Giulia. "Texto / Imagem: um percurso excêntrico". In Salette Tavares (cat. exp.), 37-47. Lisboa, Portugal: Fundação Calouste Gulbenkian, 2014.
    Published
  21. Lamoni, Giulia. "'Ti darei un bacio': algumas considerações acerca de utopia e convivio em 'Autoritratto' de Carla Lonzi". In Arte & Utopia (actas do colóquio), 150-157. Lisboa, Portugal: Instituto de Historia da Arte / Estudos de Arte Contemporânea, 2013.
    Published
  22. Lamoni, Giulia. "Domesticity Disrupted: Space and Gender in Ana Vieira's work of the 1970s". In Estética, cultura material e Diálogos intersemióticos (Actas do XIII Colóquio de Outono), 35-47. Vila Nova de Famalicão, Portugal: CEHUM/ Edições HUMUS, 2012.
    Published
  23. Lamoni, Giulia. "'Are you pro-porn or anti-porn?' Estratégias de apropriação, exploração critica e desvio do pornografico no trabalho de Cosey Fanni Tutti e Annie Sprinkle". In Arte & Erotismo (Actas do colóquio), 295-311. Lisboa, Portugal: Instituto de Historia da Arte / Estudos de Arte Contemporânea, 2012.
    Published
  24. Lamoni, Giulia; Annalisa Rimmaudo. "Entrevista a Mirtha Dermisache por Annalisa Rimmaudo y Giulia Lamoni". In Mirtha Dermisache: Publicaciones y dispositivos editoriales (cat. exp.), 8-16. Buenos Aires, Argentina: Editorial de la Universidad Católica Argentina, 2011.
    Published
  25. Lamoni, Giulia. "Linea Mentis: Irma Blank, Eva Sorensen, Gaspare". In Linea Mentis (cat. exp.), 5-6. Torino, Italy: Galleria Raffaella De Chirico, 2011.
    Published
  26. Lamoni, Giulia. "Philomela as Metaphor. Sexuality, Pornography and Seduction in the Textile Work of Tracey Emin and Ghada Amer". In Contemporary Art and Classical Myth (reprinted by Routledge in 2016), edited by Isabelle Loring Wallace; Jennifer Hirsh, 175-197. London, United Kingdom: Ashgate, 2011.
    Published
Book review
  1. Lamoni, Giulia. "Helena de Freitas e Bruno Marchand, org. – Tudo o que eu quero. Artistas Portuguesas de 1900 a 2020 [Exposição e catálogo]". Review of Tudo o que eu quero. Artistas Portuguesas de 1900 a 2020 (2023): https://journals.openedition.org/midas/4585.
    Published
  2. Lamoni, Giulia; Alves, Margarida Brito. "Paula Rego: The Art of Story - By Deryn Rees-Jones". Review of Paula Rego: The Art of Story 42, 1 (2021): 63-64.
    Published
Dictionary entry
  1. Lamoni, Giulia. "“Adriana Varejão”, “Joana Vasconcelos”, “Sandra Vasquez de la Horra”, “Cybèle Varela”, “Jac Leirner”, “Helen Chadwick”, “Yolanda Penteado"". In Dictionnaire des créatrices. Editions Des Femmes, 2013.
    Published
Edited book
  1. Lamoni, Giulia; Sarah Weisman. Ceramic Seams: Thinking Through Making. Trier, Germany: Trier Hochschule. 2023.
    Published • Editor
  2. Lamoni, Giulia; Margarida Brito Alves; Pedro Costa; José Luis Saldanha; Ana Isabel Soares; Miriam Tavares. Flaneûr: New Urban Narratives. Lisboa, Portugal: Procur.arte. 2016.
  3. Lopes, Rui Oliveira; Lamoni, Giulia; Alves, Margarida Brito. Global trends in modern and contemporary islamic art. Portugal: Centro de Investigação e Estudos em Belas-Artes (CIEBA) da Faculdade de Belas-Artes da Universidade de Lisboa. 2015.
Exhibition catalog
  1. Lamoni, Giulia; Badagliacca, Vanessa. Earthkeeping / Earthshaking: Arte, Feminismos e Ecologia. EGEAC / Galerias Municipais, 2021.
  2. Lamoni, Giulia; Alves, Margarida Brito; Filomena Serra. Co-Habitar. Documenta, 2018.
  3. Lamoni, Giulia. Eugénia Mussa: Meridiano Pacífico. EGEAC / Galerias Municipais, 2017.
Journal article
  1. Lamoni, Giulia. "A ambas as extremidades da cadeia: Algumas reflexões sobre as relações entre artes plásticas e feminismos nos anos setenta em Portugal". MODOS: Revista de História da Arte 7 2 (2023): 493-517. http://dx.doi.org/10.20396/modos.v7i2.8672673.
    10.20396/modos.v7i2.8672673
  2. Lamoni, Giulia. "Learning from the (Imagined) Archive: Narrative of Women's Contributions to Experimental Art Education in Latin America". Latin American and Latinx Visual Culture 5 2 (2023): 130-139. http://dx.doi.org/10.1525/lavc.2023.5.2.130.
    10.1525/lavc.2023.5.2.130
  3. Lamoni, Giulia. "Dobras da terra: esculturas em cerâmica de Lucia Pizzani". Cultura, Revista de História e Teoria das Ideias (2023):
    Submitted
  4. Alves, Margarida Brito; Lamoni, Giulia. "Fragmentos de acções pedagógicas: arte, educação e curadoria". PORTO ARTE: Revista de Artes Visuais 25 43 (2020): http://dx.doi.org/10.22456/2179-8001.108107.
    Open access • Published • 10.22456/2179-8001.108107
  5. Lamoni, Giulia. "Para fazer uma obra de arte, é preciso construir uma casa? Algumas reflexões acerca da obra de Maria José Oliveira". Faces de Eva. Estudos sobre a Mulher extra 2019 (2019): 193-205.
    Published
  6. Lamoni, Giulia. "Diario de Vida, Cecilia Vicuña's Artistic practice in London (1972-1975) (A letter to Carla Macchiavello)". Revista de Estudios Globales & Arte Contemporáneo 5 2018 (2018): 87-119. http://revistes.ub.edu/index.php/REGAC/article/view/27417?fbclid=IwAR0y-5Yu8OO3GaCXA14Cbtg6B0_sdLfLesKTwEHIRiptWf74qogfllhJUH4.
    Published • 10.1344/reg.2018.1.87-119
  7. Lamoni, Giulia; Alves, Margarida Brito. "Conexões Radicais: Feminismos, Curadoria e Colaboração". Faces de Eva. Estudos sobre a mulher 38 (2017): 39-55.
    Open access • Published
  8. Lamoni, Giulia. "Ti darei un bacio: Notes on utopia and conviviality in Autoritratto by Carla Lonzi". n.paradoxa international feminist art journal 35 (2015): 76-83. http://www.ktpress.co.uk/nparadoxa-volume-details.asp?volumeid=35.
    Published
  9. Lamoni, Giulia. "Seeing Through. Migration, Home-making and Friendship in Lourdes Castro's Work of the 1960s and 1970s". Third Text 29 135-136 (2015): 266-286.
    Published • 10.1080/09528822.2016.1163870
  10. Lamoni, Giulia. "cartazes para o museu do homem do nordeste by Jonathas de Andrade". Manifesta Journal: Around Curatorial Practices 17 (2014): 70-76. http://www.manifestajournal.org/issues/futures-cohabitation-0#page-issuesfuturescohabitationcartazesparaomuseudohomemdonordestejonathasdeandrade.
    Published
  11. Lamoni, Giulia; Francesca Zappia. "Weaving the Spaces We Still Call Home". fkw journal: Zeitschrift für Geschlechterforschung und visuelle Kultur 57 (2014): 75-85. http://www.fkw-journal.de/index.php/fkw/article/view/1310.
    Published
  12. Lamoni, Giulia. "Autobiografia de todos: algumas notas sobre livros de artista(s)". MARTE 5 (2014): 73-85.
    Published
  13. Lamoni, Giulia. "African masks, family photographs and open suitcases: Rosana Paulino, Mónica de Miranda and Maimuna Adam". N.paradoxa international feminist art journal / “Africa and its diasporas” 31 (2013): 5-14. http://www.ktpress.co.uk/nparadoxa-volume-details.asp?volumeid=31.
    Published
  14. Lamoni, Giulia. "(Domestic) Spaces of resistance: three artworks by Anna Maria Maiolino, Letícia Parente and Anna Bella Geiger". Artelogie, Recherches sur les arts, le patrimoine et la littérature d’Amérique Latine 5 (2013): na-na. http://www.red-redial.net/referencia-bibliografica-69538.html.
    Published
  15. Lamoni, Giulia. "Célia Domingues (Entrevista)". Faces de Eva, Estudos sobre a mulher 28 (2012): 153-160.
    Published
  16. Lamoni, Giulia. "Dé-couvrir. Ecriture et couture dans le discours autofictionnel de Tracey Emin". Image & Narrative, Online Magazine of the Visual Narrative 9 22 (2008): n/a-n/a. http://www.imageandnarrative.be/inarchive/autofiction2/lamoni.html.
    Published
  17. Lamoni, Giulia. "Les Eigenschriften d¿Irma Blank. Le texte comme texture". Textimage: revue d'étude du dialogue texte-image Varia 1 (2007): n/a-n/a. http://www.revue-textimage.com/02_varia/lamoni1.htm.
    Published
  18. Lamoni, Giulia. "Sophie Podolski. Le Pays où tout est permis ou l'invention d'un nouveau langage". Luna Park (nouvelle série) 3 (2006): 105-117.
    Published
  19. Lamoni, Giulia. "Miti di un fare comune. Costruzione di un dialogo tra poesia e arti visive". Contemporanea. Rivista di studi sulla letteratura e sulla comunicazione 2 (2004): 95-109.
    Published
Journal issue
  1. Lamoni, Giulia; Brito Alves, Margarida. "Dossie Mujeres, feminismos y educación artística experimental en América Latina". CAIANA, Revista de Historia del Arte y Cultura Visual del Centro Argentino de Investigadores de Arte 18 (2021): http://caiana.caia.org.ar/template/caiana.php?pag=articles/article_2.php&obj=399&vol=18.
    Published • Coeditor
  2. Lamoni, Giulia; Sirois, Katherine; Brito Alves, Margarida. "Revista de História da Arte nº 12, CRISE". Revista de História da Arte 12 (2015):
    Published • Coeditor
Magazine article
  1. Lamoni, Giulia. Corresponding author: Lamoni, Giulia. "Na Minha Casca Dura / On My Hard Shell (Curadorial dossier)", Umbigo, 2022
  2. Lamoni, Giulia. "“Beyond the ‘Global Dream’: Transnational Challenges in the Modern and Contemporary art Museum", Wrong Wrong, 2017, http://wrongwrong.net/artigo/beyond-the-global-dream-transnational-challenges-in-the-modern-and-contemporary-art-museum.
  3. Lamoni, Giulia; Margarida Brito Alves. ""Dentro e fora de uma colecção" interview with Pedro Lapa", Revista 4, 2014
Online resource
  1. Lamoni, Giulia. Becoming a Foreigner: Notes on the work of Joanna Steindorf. 2024. https://still-here-sometimes-there.com.
  2. Lamoni, Giulia. "Algarve, entre Minho e Ribatejo" (Acerca do trabalho de Emília Nadal). 2020. https://gulbenkian.pt/museu/novas-leituras/algarve-entre-minho-e-ribatejo/?fbclid=IwAR2zqUesxAcUmMk8AnjQ2MwFVDVL-ZHuZj6ymk4Whgha4ud8gy00g4RwyUU.
Preface / Postscript
  1. Lamoni, Giulia; Alves, Margarida Brito. "Mujeres, feminismos y educación artística experimental en América Latina". Preface to Caiana Revista de Historia del Arte y Cultura Visual del Centro Argentino de Investigadores de Arte. Buenos Aires, Argentina: CAIA. 2021.
    Published
  2. Lamoni, Giulia; Margarida Brito Alves; Miriam Tavares; Pedro Costa; José Luis Saldanha; Ana Isabel Soares. ""Introduction: New Urban Narratives of Flânerie?"". Lisboa, Portugal: Procurarte. 2016.
    Published
  3. Lamoni, Giulia; Margarida Brito Alves; Rui Oliveira Lopes. ""Foreword: Global trends in Modern and Contemporary "Islamic" Art"". Lisboa, Portugal: FBAUL. 2015.
    Published
  4. Lamoni, Giulia; Margarida Brito Alves; Katherine Sirois. ""Editorial: Crise"". Preface to Revista de História da Arte. Lisboa, Portugal: IHA FCSH UNL. 2015.
Translation
  1. Lamoni, Giulia; Margarida Brito Alves. "Museu". Porto, Portugal: Galeria Quadrado Azul. 2014.
  2. Lamoni, Giulia. L'Angelo Muto. Alessandria, Italy: Edizioni dell'Orso. 2011.
Working paper
  1. Oliveira, Márcia; Lamoni, Giulia. 2022. "Passos Partilhados / Shared Footprints - text for the exhibition Passos Partilhados, with Irene Buarque and Joanne Grüne-Yanoff, Galeria Diferença, Lisboa".

Artistic / Performance

Curatorial / Museum exhibition
  1. 2025. "Túlia Saldanha, Con-vivências, at Sala da Cidade, Coimbra".
  2. 2024. "O Poder com que saltamos juntas: Mulheres artistas entre a ditadura e a democracia em Espanha e Portugal, at IVAM, Valencia, and Gulbenkian Foundation, Lisbon (co-curator)".
  3. 2024. "Amor, I Love you, at Pavilhão 31, Lisbon (co-curated with Margarida Brito Alves)".
  4. 2020. "Earthkeeping / Earthshaking: arte, feminismos e ecologia, at Galeria Quadrum, Lisbon (co-curated with Vanessa Badagliacca)".
  5. 2019. "I hope you will drop by someday, unannounced, a project by Rabbya Naseer, at Livraria Sistema Solar, Lisbon (co-curated with Margarida Brito Alves)".
  6. 2017. "Meridiano Pacífico, by Eugénia Mussa, at Galeria Quadrum, Lisboa".
  7. 2016. "Co-Habitar, at, Casa das Galeotas (Casa da América Latina, UCCLA), Lisbon (co-curated with Margarida Brito Alves and Filomena Serra)".
  8. 2008. "Aperçus avant impressions, at Bétonsalon, Paris (co-curator)".
  9. 2008. "Performance event: Tania Mouraud / Momentum: Back from India / at Bétonsalon, Paris (co-curator)".
Activities

Oral presentation

Presentation title Event name
Host (Event location)
2023/01/24 Imagined Histories of Ceramics Project Craft Thinking in the Arts
Hochschule Trier (Trier, Germany)
2022/05/16 Presentation of "Altri Venti: Ostro", by Bruna Esposito. Conversation with Bruna Esposito, Giovanni Tusa and Giulia Lamoni "Altri Venti: Ostro", by Bruna Esposito
Carpinterias de São Lázaro (Lisboa, Portugal)
2022/04/27 A Liberating Impulse? The Exhibition “Liberation: 14 American Artists” in Lisbon in 1977 Conference: Hot Art, Cold War: US Art and Portugal, 1945-1990
Gulbenkian Foundation (Lisbon, Portugal)
2022/03/08 “A Barrier to Hold Back the Ocean” - Two books by Etel Adnan and a Painting by Lorna Selim in Portugal Art and Feminisms of the Middle East, International Colloquium
Gulbenkian Foundation (Lisbon, Portugal)
2022/03/04 Conversa com Irene e Buarque e Giulia Lamoni
Museu Nogueira da Silva (Braga, Portugal)
2021/04/05 Podcast O Tempo das Cerejas 2021, Episodio 3 (Giulia Lamoni & Costanza Givone) O Tempo das Cerejas
Festival Materiais Diversos (Portugal)
2020/02/15 "Portuguese Pop: A Feminist Reading" TRANSNATIONAL FEMINISMS The Feminist Art Project Day of Panels at the College Art Association Conference 2020
College Art Association 108th Conference (Chicago, United States)
2020/01/15 "Arte 'pop', cultura popolare e politica in Brasile: una prospettiva femminista" Ciclo di conferenze del Dottorato di ricerca in Storia dell'arte 2019-2020
Università La Sapienza (Roma)
2019/12/19 “Conversa sobre dois trabalhos audiovisuais da artista Anna Bella Geiger” Galeria Zé dos Bois
Galeria Zé dos Bois (Lisboa, Portugal)
2019/09/30 “How do we work together?” Conference Global Museum: Where do we go from here?
Hamburger Bahnhof (Berlin, Germany)
2019/07/01 “Dobras da terra: esculturas e outras obras de Lucia Pizzani” Colóquio Internacional Corpo, Sonho e Vida Afetiva
Univerisidade Portucalense (Porto, Portugal)
2019/04/03 "Ler e reler Tício Escobar, desde Portugal" Dia do Paraguay
FSCH UNL (LISBOA, Portugal)
2019/02/01 "Artistas e educação radical na América Latina (1960-1970): Ecos na Atualidade" Laboratório de crítica
Centro Cultural Banco do Brasil (São Paulo, Brazil)
2019/01/31 "Artists and Radical Education in Latin America, 1960s-1970s: Presentation of the research project" "Artists and Radical Education in Latin America, 1960s-1970s": Presentation of the research project
Ateliê 397 (São Paulo, Brazil)
2019/01/09 "Who were our mothers in 1968? Historical traces, art and feminism" Spectres of others ’68: Aesthetic Genealogies and Global Activism
University of Barcelona (Barcelona, Spain)
2018/12/13 "Artists an Radical Education in Latin America: 1960s-1970s" Public Presentation of the Project ARTISTS AND RADICAL EDUCATION IN LATIN AMERICA, 1960S—1970S
Academy of Fine Arts Vienna
2018/11/30 "The Margin as a Space of Connection: Mira Schendel, Amélia Toledo and Salette Tavares in Lisbon" Arrival Cities: Migrating Artists and New Metropolitan Topographies
University of Munich (Munich, Germany)
2018/11/08 "Alicia Barney’s ‘Diario Objecto’ or Sculpture as a Trace” RETHINKING THE PAST International Conference Memory / Archive / Document – Arts and Architecture
Fundação Calouste Gulbenkian (Portugal)
2018/10/26 "As artistas brasileiras e a gravura: cultura popular e política nos anos 60 e 70" Ciclo de seminários Womanart #2
CEHUM (Braga, Portugal)
2018/09/13 "Uma curadoria feminista?" Aula no Curso de Verão "Curadoria e outra(s) história(s): disputas, narrativas e produção de conhecimento", com Margarida Brito Alves Curso de Verão "Curadoria e outra(s) história(s): disputas, narrativas e produção de conhecimento"
FCSH UNL (Lisboa, Portugal)
2018/09/05 "Tearing an Object: Exploring the Tension Between Abstraction and Reality in Amelia Toledo’s Works on Paper" 6th International EAM Conference
University of Munster (Munster, Germany)
2018/07/06 “´A community of creation´: Anna Bella Geiger´s art courses at MAM RJ" Decolonizing Third World Feminism: Latin American Women Artists (1960-1980)
Haus der Kunst Munich (Munich, Germany)
2018/06/09 "Artists as Radical Educators in Latin America (1960s-1970s): A research project in progress" PRATIQUER, (SE) FORMER (AUX), (RE)PENSER ET QUESTIONNER LES PÉDAGOGIES ÉMANCIPATRICES – ACTUALITÉS & DÉBATS
ESPE Paris (Paris, France)
2018/05/25 Latin American Studies Association Conference / Discussant for the panel: Cuerpos Explícitos: Desire and Violence in Latin American and Latinx Performance Art, 1970 to the present (PART I) Panel Cuerpos Explícitos: Desire and Violence in Latin American and Latinx Performance Art, 1970 to the present (PART I)
Latin American Studies Association (Barcelona, Spain)
2018/04/17 Conversas na Biblioteca Conversas na Biblioteca
Biblioteca da Fundação Calouste Gulbenkian (Lisboa, Portugal)
2017/12/02 Narrativas e ´contra-narrativas´ da arte dos anos 70, a partir da América Latina: participação na mesa redonda Exposição Potência de Adversidade: Arte da América Latina nas coleções em Portugal
Pavilhão Branco (Lisboa, Portugal)
2017/10/27 “Para fazer uma obra de arte, é necessário habitar uma casa? Diálogos entre arte e feminismo em Portugal” Colóquio Género na arte
Universidade Nova de Lisboa (Portugal)
2017/09/19 “‘dear Marc, ... ici un travail fou s´annonce...’: Al Berto nos arquivos da revista Luna Park” Colóquio ‘O que vejo já não se pode cantar – Al Berto’
Casa Fernando Pessoa (Lisboa, Portugal)
2017/04/19 “Arte e politica na América Latina nos anos 1960-1970: centros ex-cêntricos” ciclo de debates "É a guerra mas não tem de ser"
Museu du Aljube (Lisboa, Portugal)
2017/04/07 “A Community of Creation: Anna Bella Geiger´s art courses at MAM RJ” Association of Art Historians Annual Conference
University of Loughborough (Loughborough, United Kingdom)
2017/03/16 “Leonor Antunes’ ‘Research Imagination’” Conference Transnational Portuguese Women Artists
Universidade de Oxford (Oxford, United Kingdom)
2017/03/09 "Transnational challenges in the modern and contemporary art museum" Museum Reader
Museu do Chiado, Universidade Nova de Lisboa (Lisboa, Portugal)
2016/05/19 “Exploring Cecilia Vicuña´s Ruca Abstracta (1974) and A Journal of Objects for the Chilean Resistance (1973- 1974): Space, Places and Processes of Migration” Penetrable / Traversable / Habitable: Exploring spatial environments by women artists in the 1960s and 1970s
Fundação Calouste Gulbenkian (Lisboa, Portugal)
2016/04/28 "Exploring the role of friendship in transnational artistic networks: Lourdes Castro in Paris (1960s-1970s)" International Conference Global Art Challenges
University of Barcelona / MACBA (Barcelona, Spain)
2016/04/16 "We do not come from the same place...How come we speak the same language?" Symposium Feminisms and Curatorial Collaborations
Middlesex University, ICA (London, United Kingdom)
2016/01/28 "Mapeando Redes Artísticas Transnacionais: Mulheres, Artes e Migrações" Itinerâncias Críticas #28 / ciclo de conferências em estudos pós-coloniais e de género
CEHUM (Braga, Portugal)
2015/11/26 “Drawing transnational networks: feminist perspectives on contemporary art in Portugal, Brazil, and beyond” Workshop “The ´discovery´of queerness. Intricate trails of a travelling concept” (org. Melanie Klein)
Haus Kulturen der Welt (Berlin, Germany)
2015/06/13 “Maria Helena Vieira da Silva numa perspectiva transnacional” Olhares sobre Maria Helena Vieira da Silva
Fundação Árpád Szenes-Vieira da Silva (Lisboa, Portugal)
2015/05/22 “Objects/Resistance: Envisioning Responsibility in Cecilia Vicuña’s Work” Graduate conference Social Responsibility and Art since the 1960s,
Essex University (Colchester, United Kingdom)
2015/05/16 “O Brasil de Tropicália, da música às artes visuais” seminário A imaginação do Brasil: nação, cultura e política,
UNIPOP, Teatro A Barraca (Lisboa, Portugal)
2015/05/05 “Auto-retrato colectivo” Gender Trouble / conferência de Giulia Lamoni e Francesca Rayner
Teatro Maria Matos (Lisboa, Portugal)
2014/11/13 “Objects / Resistance: Political dimensions of Cecília Vicuña’s work” XVI Colóquio de Outono
CEHUM (Barga, Portugal)
2014/09/22 "The trans-figurative power of shadows: home and/as theatre in Lourdes Castro´s work" Trans-Figurations: Feminism, Art and Global Futures
New Walk Museum (Leicester, United Kingdom)
2014/08/30 “I would give you a kiss. Notes on utopia and conviviality in Autoritratto by Carla Lonzi” 4th EAM International Conference
Helsinki University (Helsinki, Finland)
2014/06/20 Talk, Mira Schendel exhibition Mira Schendel exhibition
Serralves Museum (Porto, Portugal)
2014/02/15 "Weaving the spaces we still call home: Textiles, location, gender (and beyond)" Lecture Series Art – Research – Gender
Universität für angewandte Kunst Wien (Vienna, Austria)
2014/02/12 “Lourdes Castro: a transnational cartography” College Art Association 102nd conference
College Art Association (Chicago, United States)
2013/10/03 "'Ti darei un bacio': Algumas considerações sobre utopia e convivio em 'Autoritratto' de Carla Lonzi" Coloquio internacional Arte & Utopia
FCSH UNL (Lisboa, Portugal)
2013/07/08 “Casas moveis, transparentes, abertas, com multiplas localizações... Notas sobre o 'habitar' no trabalho de algumas artistas contemporâneas” III Summer School CEHUM
CEHUM (Braga, Portugal)
2013/03/28 “Looking inland /looking at the sea” Art Connect Panel Discussion: Women Artists from Africa and its diaspora
Tiwani gallery (Londres, United Kingdom)
2013/03/14 “Babies, Boxes and Militaries: Brazilian female artists and Pop in the sixties" GLOBAL Pop Symposium
Tate Modern (Londres, United Kingdom)
2013/01/24 “Mulheres artistas no Brasil: algumas perspectivas criticas” Seminarios de doutoramento CEHUM/Literatura, Itinerários criticos
CEHUM (Braga, Portugal)
2012/11/09 "Brazilian Babies Suck Coca-Cola', Women Artists and Brazilian New Figuration in the Late Sixties" Third Annual Feminist Art History Conference
American University Washington (Washington DC, United States)
2012/05/16 “Spaces of resistance: space, gender and political dissent in the work of Brazilian artists Anna Maria Maiolino, Anna Bella Geiger, and Letícia Parente" X Jornadas Internacionales de la Mujer / Negotiating Gendered Spaces
Universidade Complutense (Madrid, Spain)
2012/03/02 “Speaking in silence: women making art under conditions of political oppression, Portugal / Brazil 1960-80" Sarah Lawrence's Annual Women History Conference / Women, the Arts and Activism
Sarah Lawrence College (New York, United States)
2012/01/12 “Desenhar a ilegibilidade: grafías e livros de artistas de Irma Blank e Mirtha Dermisache” Seminarios de Doutoramento em Historia da Arte
FSCH UNL (Lisboa, Portugal)
2011/11/17 “Domestic Peace Disrupted: gender and space in Ana Vieira's work" XIII Colóquio de Outono: Estética, cultura material e Diálogos intersemióticos
CEHUM (Braga, Portugal)
2011/06/15 “Feminine, Feminist, Political? Women Artists and Textile Materials in the U.S. and Portugal since the end of the 1990s" International Conference Women and the Arts: Dialogues in female creativity in the U.S. and beyond
Universidade de Lisboa (Lisboa, Portugal)
2011/05/13 “Are you pro-porn or anti-porn?' Estratégias de apropriação e desvio do pornográfico na obra de Cosey Fanni Tutti e Annie Sprinkle" Colóquio Arte e Erotismo
FCSH UNL (Lisboa, Portugal)
2008/06/13 "Livres ouverts / Ouvrir les livres : le livre d’artiste selon Irma Blank" Journée d’études Publications d’artistes : travaux en cours
Université de Rennes II (Rennes, France)
2007/02/26 “Ur-buch ovvero Romanzo blu. La collaboration entre Irma Blank et Marosia Castaldi" International Conference Quand les écrivains se font critiques des autres arts
UMB de Strasbourg, France
2006/07/08 “Grafting Images on the Text. The Creative Dialogue between poet Edoardo Sanguineti and artist Carol Rama” Postgraduate Conference Incorporation in Literature
Edinburgh University (Edinburgh, United Kingdom)

Supervision

Thesis Title
Role
Degree Subject (Type)
Institution / Organization
2022/09 - Current A representação da violência nas obras de performance de mulheres artistas latinoamericanas (1960-1980)
Supervisor of Maria Hoff
Mestrado em História da Arte (Master)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2020 - Current Imaginar um corpo livre: notas sobre o estigma do aborto, artivismos feministas contemporâneos e transgressão
Co-supervisor of Teresa Melo
Mestrado em Estudos sobre as Mulheres (Master)
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2018 - Current "A imagem intangível: os usos da fotografia projetada na arte contemporânea"
Co-supervisor of Maura Castanheira Grimaldi
Comunicações e Artes (PhD)
Universidade Nova de Lisboa, Portugal
2017 - Current "Os Poderes do Abjeto na obra de três artistas latino-americanas"
Supervisor of Margarida Firmino Vala Silva
Mestrado em História da Arte (Master)
IHA/FCSH, Portugal
2016 - Current Declinações do vegetal na arte contemporânea, a partir de 1960: percepção, contexto e ecologia
Supervisor of Catarina Marto
Doutoramento em Estudos Artísticos (PhD)
Universidade Nova de Lisboa, Portugal
2015 - Current Territórios de fronteira: interação palavra-imagem na arte contemporânea portuguesa
Co-supervisor of Mariana Marin Barbosa Gaspar
Doutoramento em História da Arte (PhD)
Universidade Nova de Lisboa, Portugal
2014 - Current A transgressão na contemporaneidade artística: performance e emancipação nos espaços artísticos e sociais
Supervisor of Andreia Borges de Sá
Doutoramento em Estudos Artísticos (PhD)
Universidade Nova de Lisboa, Portugal
2023/05/02 - 2023/07/31 Visiting PhD, CIUDAD, ARTE Y SOSTENIBILIDAD. Propuestas y prácticas artísticas desde la ética del cuidado en el arte contemporáneo del periodo 2000-2020.
Co-supervisor
Art History (PhD)
Universitat Politècnica de València, Spain
2022 - 2023 A 'descontração' das artes. Uma cartografia transfronteiriça das redes portuguesas de artistas conceituais, 1960s-1980s
Supervisor of Pablo Santa Olalla
Post-doc (Other)
Universidade Nova de Lisboa Instituto de História da Arte, Portugal

Event organisation

Event name
Type of event (Role)
Institution / Organization
2022/10 - 2023/01 Craft Thinking in the Arts. In the context of this research project at Hochschule Trier, co-organization of 3 lectures (by Lucia Pesapane, Basia Sliwinska and myself) and 2 workshops (with artists Flávia Vieira and Maya Escher) with Prof. Sarah Weisman (2022/10 - 2023/01)
Conference (Co-organisor)
2021/10/21 - 2022/01/17 Hey Teacher! Art, Education and Politics. Zoom conversations with artists Mónica Mayer (21/10/2021), Faith Wilding (08/11/2021), Maren Hassinger (15/11/2021) and Ângela Ferreira (17/1/2022). Co-organizer, with Margarida Brito Alves. (2021/10/21 - 2022/01/17)
Seminar (Co-organisor)
Universidade Nova de Lisboa Instituto de História da Arte, Portugal
2020/12/13 - 2020/12/13 Panel "Women and Experimental Art Education in Latin America", College Art Association 108th Annual Conference (2020/02/12 - 2020/02/15)
Conference (Co-organisor)
College Art Association, United States
2019/12/13 - 2019/12/13 Simposio Arte e Feminismo em Portugal e em Espanha (2019) Biblioteca de Arte da Fundação Calouste Gulbenkian, Portugal
2019/10 - 2019/11 Ciclo de 3 encontros "Artists and Radical Education in Latin America" (Conferências de Hilary Robinson, Stephanie Weber e Cristiana Tejo) (2019/10 - 2019/11)
Conference (Co-organisor)
IHA/FCSH, Portugal
2019/02/18 - 2019/02/19 What has love got to do with it? Performance Intimidade, Afetividade (2019/02/18 - 2019/02/19)
Conference (Co-organisor)
Universidade Nova de Lisboa, Portugal

Culturgest, Portugal

Universidade de Coimbra, Portugal
2017/11/27 - 2017/11/28 Através, Desde, Para a América Latina: Redes, circulações e trânsitos artísticos dos anos 1960 à actualidade (2017/11/27 - 2017/11/28)
Congress (Co-organisor)
Lisboa 2017 Capital Iberoamericana da Cultura / FCSH-UNL / CIEBA-FBAUL, Portugal
2017/03/29 - 2017/03/29 Beyond the “global dream”: Exploring transnational ways of working together (2017/03/29)
Meeting (Co-organisor)
Delfina Foundation, United Kingdom
2016/05/19 - 2016/05/20 Penetrable / Traversable / Habitable: Exploring spatial environments by women artists in the 1960s and 1970s (2016/05/19 - 2016/05/20)
Conference (Co-organisor)
IHA / AWARE / CAM FCSG, Portugal
2016 - 2016 Programação paralela da exposição "Co-habitar"
Meeting (Other)
Casa da America Latina, UCCLA, Portugal
2015/05/12 - 2015/05/13 Flâneur, New Urban Narratives International Conference (2015/05/12 - 2015/05/13)
Conference (Co-organisor)
Teatro São Luiz, Portugal
2014/11/19 - 2014/11/21 Global Trends in Contemporary Islamic Art (2014/11/19 - 2014/11/21)
Meeting (Co-organisor)
IHA FCSH / CIEBA FBAUL, Portugal
2014/08/29 - 2014/08/31 Panel Utopia as Dislocation, 4th EAM International Conference (2014/08/29 - 2014/08/31)
Congress (Co-organisor)
European Network of Avant-garde and Modernism Studies, Germany
2013/04/23 - 2013/04/23 Sur Les Traces de Lygia Clark... de Paola Anziché e Irene Dionisio: projecção do filme e mesa redonda (2013/04/23 - 2013/04/23)
Meeting (Co-organisor)
Istituto Italiano de Cultura / Museu Berardo / IHA, Portugal

Event participation

Activity description
Type of event
Event name
Institution / Organization
2022/11/04 - 2022/11/04 Presentation of Umbigo # 82 "Patriarchy"
Round table
Artissima Art Fair, Torino

Jury of academic degree

Topic
Role
Candidate name (Type of degree)
Institution / Organization
2021/01/28 ”Conceptualismos en el espacio sud-atlántico: Redes de relaciones entre España y Latinoamérica, 1972-1982”,
Thesis Member
Pablo Santa Olalla (PhD)
Universitat de Barcelona Facultat de Geografia i Història, Spain
2018 "O Feminino e o Fotografico" Nicoli Braga (Master)
Universidade de Lisboa, Portugal
2016 Organic Materiality in 20th Century Art Vanessa Badagliacca (PhD)
Universidade Nova de Lisboa, Portugal
2016 O Corpo é o Zero, Experimentalismo e participação. Os anos 90 da Arte Portuguesa Mafalda Marcos Silva (Master)
Universidade Nova de Lisboa, Portugal
2016 Poses, Figurações, Poéticas e Metáforas do Corpo. O Caso Singular da Mulher Reclinada Teresa Meruje (PhD)
Universidade Nova de Lisboa, Portugal
2015 “Imagens Interditas? Limites e Rupturas em Representações Explícitas do Sexo no Pós-25 de Abril” LUÍS HERBERTO NUNES (PhD)
2014 A Teia de Penélope - Encontros e Desencontros entre a Arte e o Artesanato na Época Contemporânea Inês Pereira Jorge (Master)
2012 Pintura de paisagem em Portugal no século XX Henrique Coelho (Master)
2011 Julião Sarmento dentro do texto: reflexões sobre encontros e desencontros da critica com a sua obra Bruno Marques (PhD)
2011 O Espaço na criação artistica do século XX. Heterogeneidade, Tridimensionalidade, Performatividade Margarida Brito Alves (PhD)

Association member

Society Organization name Role
2019/05/02 - Current College Art Association Membro
2017/07 - Current LASA: Latin American Studies Association
2017/03 - Current AAH: Association for Art History
2015/12 - Current Research Network Critical Transcultural Perspectives
2013/04 - Current GAPS CEHUM

Committee member

Activity description
Role
Institution / Organization
2024/02/01 - Current CAA Committee on Research and Scholarship
Member
College Art Association, United States
2021 - 2021 Committee for the selection of the Portuguese national representation at the 2022 Biennale di Venezia
Member
Republica Portuguesa Direção-Geral das Artes, Portugal
2017 - 2017 Género na Arte de Países Lusófonos: Corpo, Sexualidade, Identidade, Resistência, 2017 Museu do Chiado, CHAIA-UE, CICS.NOVA, Portugal

Conference scientific committee

Conference name Conference host
2020/02/12 - 2020/02/15 Panel "Women and Experimental Art Education in Latin America", College Art Association 108th Annual Conference CAA, Chicago
2019/02/18 - 2019/02/19 What has love got to do with it? Performance Intimidade, Afetividade Culturgest, Lisboa
2017/11/27 - 2017/11/28 Através, Desde, Para a América Latina: Redes, circulações e trânsitos artísticos dos anos 1960 à actualidade FCSH UNL
2016/05/19 - 2016/05/20 Penetrable / Traversable / Habitable: Exploring spatial environments by women artists in the 1960s and 1970s Fundação Calouste Gulbenkian, Lisboa
2015/05/12 - 2015/05/13 International Conference Flâneur Teatro São Luiz, Lisboa
2014/07/03 - 2014/07/05 Lisbon Street Art & Urban Creativity 2014 International Conference FBAUL, Lisboa

Course / Discipline taught

Academic session Degree Subject (Type) Institution / Organization
2022/10 - 2023/01 Imagens das Mulheres na Arte Contemporânea Mestrado de Estudos sobre as Mulheres (Mestrado) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2021/10 - 2022/01 Imagens da Mulher na Arte Contemporânea Mestrado de Estudos sobre as Mulheres (Mestrado) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2018/02 - 2018/06 Historia das Artes Não Ocidentais Licenciatura em História da Arte (Licenciatura) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
2017/02 - 2017/06 Sociologia da Arte (leccionada com Bruno Marques) Licenciatura em História da Arte (Licenciatura) Universidade Nova de Lisboa, Portugal
2017/02 - 2017/06 Historia das Artes Não Ocidentais (leccionada com Ana Balona de Oliveira) Licenciatura em História da Arte (Licenciatura) Universidade Nova de Lisboa, Portugal
2015/02 - 2017/01 Contemporary Art in Latin America: Transnational Perspectives (leccionada com Margarida Brito Alves) Mestrado (opção Livre proposta pelo IHA FCSH UNL) (Mestrado) Universidade Nova de Lisboa, Portugal
2016/02 - 2016/06 Sociologia da Arte Licenciatura em História da Arte (Licenciatura) Universidade Nova de Lisboa, Portugal

Journal scientific committee

Journal title (ISSN) Publisher
2023/03 - 2023/04 Midas: Museus e Estudos Interdisciplinares
2020/03/01 - 2020/04/15 Diacrítica (2183-9174) University of Minho
2019/08/01 - 2019/09/30 Revista Historia Autónoma (2254-8726) Servicio de Publicaciones de la Universidad Autónoma de Madrid
2019/02/01 - 2019/03/01 Revista de História de Arte IHA
2018/04/25 - 2018/06/25 Artl@s Bulletin École normale supérieure, CNRS
2016/08/30 - 2016/10/31 Visual Resources Taylor & Francis
2014/12/18 - 2015/12/18 Revista de História da Arte - Nº12: Crise / Crisis Instituto de História da Arte
2015/09/01 - 2015/10/15 Cadernos de Arte e Antropologia
2015/08/10 - 2015/09/01 TATE Papers TATE
2015/04/01 - 2015/08/10 RIHA journal RIHA
Distinctions

Other distinction

2020 Terra Foundation Research Travel Grant to the United States
2017 Brooks International Fellow
Delfina Foundation / Tate Modern Curatorial, Portugal
2015 Bourse de recherche à Paris 2015 / Travel Grant
Institut National d'Histoire de l´Art (INHA), Paris, Portugal
2014 Auxilio de Pesquisa nos Acervos do Museu de Arte Contemporânea na USP
Universidade de São Paulo (Brasil), Portugal
2014 Bolsa Paper USA
Fundação Luso-Americana, Portugal
2012 Bolsa Paper USA
Fundação Luso-Americana, Portugal
2010 Post-Doctoral Fellowship
FCT Portugal, Portugal