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I’m a conservator-restorer with 18 years of professional experience in the field conservation and restoration, and with expertise in modern and contemporary art. I hold a recognized University degree in Conservation with a focus in Modern and Contemporary Art and Preventive Conservation. I have a large experience as Contemporary Art Conservation. Since march 2007 I have worked as a conservator-restorer in the "Conservation and Restoration Center La Venaria Reale (CCR)" - Turin (Italy), with special competence in Modern and Contemporary Art and Easel Painting. Since 2013, I am the Coordinator of Contemporary Art and Design Objects in the Conservation Laboratories, with a confirmed involvement within the research of industrial collections conservation. From 2012 I’m a teacher in the long cycle Master Degree in the subject of Contemporary Art Restauration at the University of Turin as well on the supervision of professional Master of Arts (M.A.) of Conservation and Restoration research. I developed skills in Contemporary Art, Museology, Art History, Cultural Heritage and Curatorship. I always achieved my research goals and presented my works in different conferences. Within my professional experience, I can highlight my work in museums of great national and international prestige, such as the Galleria Nazionale d'Arte Moderna (Roma), as well as internships in several Museums, Restoration Departments. I am a sensitive person, curious, respectful of other cultures, with a broad initiative in questions of new technologies and communication and with a strong passion for my profession. My studies and experience in different venues, in Spain, Italy and abroad, allowed me to pull out the best of myself, and to procced with a long life learning strategy towards a permanent update and training, which have helped me to grow as a professional and as a person.I consider myself a competent, interested and demanding person in professional practice, and with an enormous ability for learning and adaptation to new environments, fields of knowledge and work processes that I try to surpass all the challenges and to reach the objectives that I propose. I be able to develop and create new databases on software Filemaker pro 13 advance. I use other software as AutoCAD, Photoshop and Microsoft Office. I always have a good capacity to adapt myself to challenges and new situations and for interacting with interdisciplinary teams. As a result of my professional activity I developed specific knowledge and skills in material preservation such as: - Current museum practices of storage, handling, environmental monitoring and control. - Works of art and cultural goods assessment and condition considering loans, exhibition and act as courier when required. -- Planning and implement all preventive conservation measures for the growing collection, including proper storage methods. I am registered to INCCA (International Network in Conservation of Contemporary Art) and I’m a member of ACRE (Asociación de Conservadores y Restauradores Españoles) and GEIIC (Spanish Group of International Conservation Institute).
Identificação

Identificação pessoal

Nome completo
Sandra Vazquez Perez
Data de nascimento
1975/05/20
Género
Feminino

Nomes de citação

  • Sandra Vázquez Pérez
  • Sandra Vazquez
  • Sandra Vazquez-Perez
  • Sandra Vazquez Perez

Identificadores de autor

Ciência ID
DF18-4367-F160
ORCID iD
0000-0001-8566-6730

Domínios de atuação

  • Humanidades - Artes - Artes

Idiomas

Idioma Conversação Leitura Escrita Compreensão Peer-review
Espanhol; Castelhano (Idioma materno)
Italiano Utilizador proficiente (C2) Utilizador proficiente (C2) Utilizador proficiente (C2) Utilizador proficiente (C2)
Português Utilizador independente (B1) Utilizador proficiente (C1) Utilizador independente (B1) Utilizador independente (B1)
Inglês Utilizador independente (B1) Utilizador independente (B2) Utilizador independente (B1) Utilizador independente (B1) Utilizador independente (B1)
Formação
Grau Classificação
2018/07/17
Concluído
Graduada en Conservación y Restauración de Bienes Culturales (Graduado)
Especialização em Conservation Contemporary Art
Universidad de Sevilla Facultad de Bellas Artes, Espanha
"Nuevos sistemas de limpieza y consolidación de superficies polícromas sensibles al agua. " (TESE/DISSERTAÇÃO)
6,96. Tese: 10 sobresaliente con MH
2007/01/15
Concluído
4For- Formazione per Formatori (Postgraduate Certificate)
Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália
"n/a" (TESE/DISSERTAÇÃO)
26/30
2003/09
Concluído
Master in Conservazione e Restauro (Postgraduate Certificate)
Istituto per l'Arte e il Restauro Palazzo Spinelli, Itália
"n/a" (TESE/DISSERTAÇÃO)
97/100
2000/07
Concluído
Licenciada en Bellas Artes (Bachelor)
Especialização em Conservation and Restauration Heritage
Universidad de Sevilla Facultad de Bellas Artes, Espanha
"n/a" (TESE/DISSERTAÇÃO)
6,95/10
1998/06
Concluído
Licenciada en Bellas Artes (Bachelor)
Especialização em Sculpture
Universidad de Sevilla Facultad de Bellas Artes, Espanha
"n/a" (TESE/DISSERTAÇÃO)
6,83/10
Percurso profissional

Docência no Ensino Superior

2012/09/01 - 2018/09/30 Professor Associado (Docente Universitário)
Università degli Studi di Torino, Itália

Cargos e Funções

2013 - Atual Dirigente de laboratório, instituto, museu, centro ou observatório
Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália

Outros

2013/03/27 - Atual Coordinator of the Modern and Contemporary Art Department. Restauration of work of art: "Il Muro, (Rome),"(1969) by Cy Twombly and other artwork by artist like Carol Rama, Giuseppe Penone, ect.
Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália
2007/03/01 - Atual Easel painting and Contemporary Art Conservator. Supervisor of different phases of documentation and non-invasive diagnosis and analytical tests conducted in the artworks before treatments.
Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália
2017/10/01 - 2020/04 Director of the Bachelor Thesis at the Degree for Conservation-Restauration Cultural Heritage: "Et la terra temble encore" by Anselm kiefer. Terrae Motus Collection. Caserta Royal Palace (Naples). St
Università degli Studi di Torino, Itália
2015/10/01 - 2019/07/30 Advisor Thesis Graduation in Conservation. Orientador Tese Graduação em Conservação
Università degli Studi di Torino, Itália
2016/10/01 - 2019/04/15 Director Bachelor Thesis:"Conservative issues and restauration of the Fluxus Costellation by Ben Patterson. Identification and removal of an adhesive from transfer prints of nylon and new tensioning m
Università degli Studi di Torino, Itália
2012/09/01 - 2018/09/30 Teacher of Restoration in the History and Techniques IV: Modern and Contemporary Art Conservation, at the Graduation Degree for Restoration and Conservation of Cultural Heritage”.
Università degli Studi di Torino, Itália
2016/10/01 - 2017/09/30 Director of the Bachelor Thesis:"Love Me: A sculpture in paper machè and acrylic resin by Sarah Lucas. Research and Treatment". Sandretto Re Rebaudengo Foundation (Turin). Student: Fabiola Rocco.(110/
Università degli Studi di Torino, Itália
2015/10/01 - 2017/09/30 Director of the Bachelor Thesis: The recovery of the legibility of three contemporary art works of Matheus Rocha Pitta in cement and newspaper". (Private collection). Student: Sara Stoisa (110/110 wit
Università degli Studi di Torino, Itália
2009/09/01 - 2012/03/15 COLLECTION COMPASSO D'ORO-ADI : Project Coordinator. COLEÇÃO ADI COMPASSO D'ORO: Coordenador do projeto
Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália
2005/07/01 - 2006/02/01 Easel Paintings Conservator
Museo de Belas Artes da Coruña, Espanha
2004/03/01 - 2004/09/01 Photography conservator (Leonardo da Vinci European Program) Cooperation in the field of the conservation and restoration negatives glass plate on the gelatin silver bromide (1888- 1894).
Araldo de Luca, s.a.s. fotografie ed archivio d’arte., Itália
2004/03/01 - 2004/04/30 Professional update Course in Contemporany Art
Istituto Superiore per la Conservazione ed il Restauro, Itália
2003/10/01 - 2003/12/31 Conservator-restorer on the Conservation Department Museum
Museo Etnolóxico Ribadavia, Espanha
2003/07/03 - 2003/09/10 Contemporary Art Conservator-restorer internship on the Conservation-Restoration department.
Museu d'Art Contemporani de Barcelona, Espanha
2002/06/02 - 2002/10/03 Contemporary Art conservator-restorer -Internship on the Conservation Restoration Department, Intervention in some artworks of the collection (photographic documentation, collections care, design exh
Centro Galego de Arte Contemporaneo, Espanha
2001/05/01 - 2002/05/01 Conservation and Restoration different altarpieces and wooden polychrome sculptures from the 17- 18th Centuries Churches.
CBC Conservación de Bienes Culturales, Espanha
2001/04/15 - 2001/06/15 Conservation and restoration of three paintings by Julio Gutierrez Mas for the exhibition: “Roma. Nuevos caminos de la Pintura: pintores de la academia 1975-1990”.
Gobierno de Espana Ministerio de Educación Cultura y Deporte, Espanha
2001/01/08 - 2001/04/15 Contemporary Art Conservation Internship-Restauration Department.Treatment of some artworks from collection; condition report and assessing the condition of works for loan and exhibitions; planning an
Museo Nacional Centro de Arte Reina Sofía, Espanha
2000/06/01 - 2000/10/15 Conservation and Restoration of Two Paintings for the Exhibition: “Master Pieces in particularly Collections”, taking place at “Hostal Reyes Católicos” (Santiago De Compostela)
SAGA Gallery of Arts and Antiquities, Espanha
2000/02/23 - 2000/06/25 Practical training period on paintings and sculptures conservation.
SERBAL, Espanha
Projetos

Projeto

Designação Financiadores
2009 - 2014 ADI COMPASSO D'ORO COLLECTION
0
Desenvolvimento técnico
Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália

Fondazione ADI Collezione Compasso d'Oro, Itália
Miroglio Group
Produções

Publicações

Artigo em conferência
  1. Sandra Vázquez Pérez; Eduarda Maria Martins Moreira da Silva Vieira. "What happened with the new Museum for the Compasso d'Oro Colelction Award?". Trabalho apresentado em The Plastics Heritage Congress 2019, Lisboa, 2019.
    Publicado
  2. Sandra Vázquez Pérez; Alessandra Scarano. "Iniezione Endotela de Scaccabarozzi. El caso de una limpieza por inmersión de un tejido muletón con elementos policromos en acrílico". Trabalho apresentado em 19ª Jornada de Conservación de Arte Contemporáneo, Madrid, 2018.
    Publicado
  3. Sara Stoisa; Sandra Vazquez ; Oscar Chiantore; Francesca Comisso; Anna Picirillo; Antonio Mirabile; Tommaso Poli; Francesca Zenucchini. "Il recupero della leggibilitá di tre opere di Matheus Rocha Pitta in cemento armato e carta di giornale". Trabalho apresentado em Congresso nazionale Lo Stato dell'Arte 15, Bari, 2017.
    Publicado
  4. Sara Stoisa; Sandra Vazquez ; Oscar Chiantore; Francesca Comisso; Anna Picirillo; Antonio Mirabile; Tommaso Poli; Francesca Zenucchini. "Il recupero della leggibilitá di un un'opera di Matheus Rocha Pitta in cemento e carta da giornale.". Trabalho apresentado em APLAR 6-Applicazioni Laser nel restauro, Florence, 2017.
    Publicado
  5. Sandra Vázquez Pérez; Antonio Rava; Sara Aveni; Giulia Dilecce; Bianca Ferrarato; Valentina Gucciardi; Serena Mansi; et al. "Strada: Restauración de una obra polimatérica en papel de lija y alquitrán de Luigi Stoisa: una experiencia formativa en la Restauración de Arte Contemporáneo". Trabalho apresentado em 17ª Jornada de Conservación de Arte Contemporáneo, Madrid, 2016.
    Publicado
  6. Antonio Rava; Sandra Vazquez ; Sara Aveni; Giulia Delecce; Bianca Ferrarato; Valentina Gucciardi; Serena Mansi; et al. "Il recupero di un cartone preparatorio di Mario Sironi offuscato da uno spesso strato vinilico". Trabalho apresentado em Congresso nazionale Lo Stato dell'Arte 13, Turin, 2015.
    Publicado
  7. Sandra Vázquez Pérez. "La creación y desarrollo de un software para la gestión de exposciones temporales". Trabalho apresentado em 15ª Jornada de Conservación de Arte Contemporáneo, Madrid, 2014.
    Publicado
  8. Elena Bozzo; Giuseppe Cutolo; Enrico Morteo; Sandra Vazquez-Perez. "The historical collection of the ADI Compasso d’Oro. Two case studies". Trabalho apresentado em Future Talks 013: Lectures and Workshops on Technology and Conservation of Modern Materials in Design, Munich, 2013.
    Publicado
  9. Sandra Vázquez Pérez; Elena Biondi; Alessandro Bovero. "La Colección Histórica del Compasso d’Oro: Un nuevo enfoque para la conservación y restauración de objetos de design". Trabalho apresentado em 13ª Jornada de Conservación de Arte Contemporáneo, Madrid, 2012.
    Publicado
  10. Sara Abram; Oscar Chiantore; Laura Degani; Tommaso Poli; Antonio Rava; Sandra Vazquez. "Antiluna di Pinot Gallizio. Il recupero di un’opera divisa". Trabalho apresentado em Congreso Nazionale Lo Stato dell'Arte 8, 2010.
    Publicado
  11. Antonio Rava; Maria Teresa Roberto; Sandra Vázquez Pérez. "Antiluna de Pinot Gallizio. La restauración de una obra dividida". Trabalho apresentado em 11ª Jornada de Conservación de Arte Contemporáneo, Madrid, 2010.
    Publicado
Artigo em revista
  1. Sandra Vazquez Perez; Francesca Bianco; Vito Ferrante; Martina Quadrelli; Anna Piccirillo; Tommaso Poli.. "L’impero di M. Sironi. Un'esperienza formativa di restauro d'arte contemporanea al CCR La Venaria Reale.". Kermes. Fascicolo Monografico L'Arte Contemporanea. Nardini Editore XXVIII 98 (2016): 41-45.
    Publicado
Capítulo de livro
  1. Sandra Vazquez Perez. "Scheda Tecnica e stato di conservazione della Poltrona Qualis, (1991) di E. Ambasz". In In Opera. Conservare e restaurare l’arte contemporanea, 285-286. Milan, Itália: Marsilio Editori, 2015.
    Publicado
  2. Sandra Vazquez. "The creation of database for design objects.". In The Conservation of Design, editado por Allemandi, 46-47. Turin, Itália: Allemandi, 2014.
    Publicado
  3. Anna Picirillo; Tommaso Poli; Sandra Vazquez. "The characterization of Materials and Research Opportunities". In The Conservation of Design, editado por Allemandi, 59-61. Turin, Itália: Allemandi, 2014.
    Publicado
  4. Sandra Vazquez. "The Conservation work of “Mobil System” by Antonio Citterio & Glen Oliver Low For Kartell. Compasso d’Oro Award, 1994.". In The Conservation of Design, 85-87. Turin, Itália: Allemandi, 2014.
    Publicado
  5. Anna Laganá; Sandra Vazquez. "The conservation work of “K 1340 Chair” by Marco Zanuso and Richard Sapper for Kartell. Compasso d’Oro Award, 1964.". In The Conservation of design, editado por Allemandi, 110-111. Itália: Allemandi, 2014.
    Publicado
  6. Sandra Vazquez. "The conservation work of The Soriana Airmchair by Afra & Tobia Scarpa for Cassina Spa. Compasso d’Oro Award, 1970.". In The Conservation of design, 113-117. Itália: Allemandi, 2014.
    Publicado
  7. Marco Demmelbauer; Sandra Vazquez. "The conservation work of Spinamatic by Achille and Pier Giacomo Castiglioni for Poretti Spa, Compasso d’Oro Award,1964.". In The Conservation of Design, 127-131. Itália: Allemandi, 2014.
    Publicado
  8. Anna Laganá; Sandra Vazquez. "The conservation work of “Moscardino” by Giulio Iacchetti and Matteo Ragni for Pandora Design, Compasso d’Oro Award,2001.". In The Conservation of Design, 133-135. Itália: Allemandi, 2014.
    Publicado
  9. Sandra Vazquez. "The conservation work of Sfericlok by Rodolfo Bonetto for Borletti Spa, Compasso d’Oro Award, 1964". In The Conservation of Design, 137-139. Itália: Allemandi, 2014.
    Publicado
  10. Anna Laganá; Sandra Vazquez. "The Conservation work of Lemon Squeezer Ks 1481 by Gino Colombini for Kartell, Compasso d’Oro Award, 1959.". In The Conservation of Design, 141-143. Itália: Allemandi, 2014.
    Publicado
  11. Marco Demmelbauer; Sandra Vazquez. "The Conservation work of Laser Evolution by A.Colombo, P.Erzegovesi, A.Pesenti For Cinelli Spa. Compasso d’Oro Award ,1991.". In The Conservation of Design, 149-153. Turin, Itália: Allemandi, 2014.
    Publicado
Poster em conferência
  1. Sandra Vazquez-Perez; Eduarda Maria Martins Moreira da Silva Vieira. "What happened with the new Museum for the Compasso d'Oro Colelction Award?". Trabalho apresentado em Plastics Heritage Congress 2019: History, Limits and Possibilities, 2019.
  2. Sandra Vázquez Pérez; Alessandra Scarano. "Iniezione Endotela de Scaccabarozzi. El caso de una limpieza por inmersión de un tejido muletón con elementos policromos en acrílico". Trabalho apresentado em 19ª Jornada de Conservación de Arte Contemporáneo, 2018.
  3. Sara Stoisa; Sandra Vazquez ; Oscar Chiantore; Francesca Comisso; Anna Piccirillo; Antonio Mirabile; Tommaso Poli; Francesca Zenucchini. "Il recupero della leggibilitá di un un'opera di Matheus Rocha Pitta in cemento e carta da giornale.". Trabalho apresentado em APLAR 6-Applicazioni Laser nel restauro, 2017.
  4. Antonio Rava; Sandra Vazquez ; Sara Aveni; Giulia Dilecce; Bianca Ferrarato; Valentina Gucciardi; Serena Mansi; et al. "Il restauro di un'opera polimaterica in catrame e cartavetro "Strada" di Luigi Stoisa". Trabalho apresentado em Congresso nazionale Lo Stato dell'Arte 13, 2015.
  5. Perez, Sandra; Sandra Vázquez Pérez. "La creación y desarrollo de un software para la gestión de exposiciones temporales". Trabalho apresentado em 15ª Jornada de Conservación de Arte Contemporáneo, 2014.
  6. Sara Abram; Oscar Chiantore; Laura Degani; Tommaso Poli; Antonio Rava; Sandra Vazquez. "Antiluna di Pinot Gallizio. Il recupero di un’opera divisa". Trabalho apresentado em Congreso Nazionale Lo Stato dell'Arte 8, 2010.
  7. Sara Abram; Oscar Chiantore; Laura Degani; Tommaso Poli; Thierry Radelet; Antonio Rava; Sandra Vazquez. "The recovery of a divided work: Antiluna by Pinot Gallizio". Trabalho apresentado em Symposium Contemporary Art WHO CARES II, 2010.
  8. Sandra Vázquez Pérez; Antonio Rava; Maria Teresa Roberto. "Antiluna de Pinot Gallizio. La restauración de una obra dividida". Trabalho apresentado em 11ª Jornada de Conservación de Arte Contemporáneo, 2010.
Recurso online
  1. Sandra Vázquez Pérez. Conservare, archiviare, digitalizzare. Cosa resta del contemporaneo (I). 2017. https:// www.artribune.com/arti-visive/arte-contemporanea/2017/11/conservare-archiviare-digitalizzare/.
Atividades

Apresentação oral de trabalho

Título da apresentação Nome do evento
Anfitrião (Local do evento)
2020/02/27 Fluxus Constellation de Ben Patterson: Desde el proyecto a la intervención. Estudio, investigación y restauración de una instalación site-specific multimatérica 21ª Jornada de Conservación de Arte Contemporáneo
Departamento de Conservación-Restauración del Museo Reina Sofía/Grupo Español IIC (Madrid, Espanha)
2018/06/27 Nuevos sistemas de limpieza de obras de arte. Programa seminarios proyecto innovación docente Grado C+R
Universidad de Sevilla, Facultad de Bellas Artes (Sevilla, Espanha)
2018/01/09 La conservación y restauración del Arte Contemporánea. Presentación de casos de estudio. Seminario Erasmus Teaching Staff
Escola Superior de Conservación e Restauración de Bens Culturais de Galicia (Pontevedra, Espanha)
2017/10/14 Il recupero della leggibilitá di tre opere di Matheus Rocha Pitta in cemento armato e carta di giornale Congresso nazionale Lo Stato dell'Arte 15
Centro Conservazione e Restauro La Venaria Reale (Venaria Reale, Itália)
2016/12/11 Nuevos materiales y nuevas metodologias de intervencion. Desafios y retos de la restauración de arte contemporáneo. COMPLEMENTARY TRAINING CONFERENCES (JFC 2016)
Escuela de Conservacion de Bienes Culturales/ FUESCYL (Erasmus Training+) (Valladolid, Espanha)
2016/02/26 Strada. Restauración de una obra polimatérica en papel de lija y alquitrán de Luigi Stoisa: Una experiencia formativa en la restauración de arte contemporáneo. 19°Jornada de Conservación y Restauración de Arte Contemporáneo
Museo Nacional Centro de Arte Reina Sofia (Madrid, Espanha)
2015/10/23 Il recupero di un cartone preparatorio di Mario Sironi offuscato da uno spesso strato vinilico Congresso nazionale Lo Stato dell'Arte 13
Centro Conservazione e Restauro La Venaria Reale (Venaria Reale, Itália)
2015/05/21 Conservation, analysis of materials of plastics materials used in work of art. Studies cases of Compasso d'Oro objects. I Jornada Restaura-Ciencia: Conservación de materiales plásticos
Museo Nacional de Ciencias e Tecnologias de Madrid (National Museum of Science and Technology -MUNCYT). (Alcobendas, Madrid, Espanha)
2015/03/30 The history of design is relatively short, but the variety of materials, their aging, the complexity with which they are used soon made the problems of the restoration of modern objects topical: what criteria should be adopted, which guidelines are born from the experiences, first of all that carried out on the objects of the historical collection of Compasso d'Oro ADI from the Center Conservation and Restoration of La Venaria Reale of Turin? Il restauro del moderno. Conservazione, manutenzione, restauro e recupero dei manufatti della modernità
Ordine degli Architetti, Pianificatori, Paesaggisti e Conservatori della Provincia di Milano (Milan, Itália)
2014/12/12 L'Intervento conservativo sul cartone preparatorio, L'Impero di M.Sironi. Un'esperienza formativa di restauro dell'arte contemproanea al CCR La Venaria Reale Workshop Restaurare l'Arte Contemporanea
Fondazione BML (Lucca, Itália)
2014/10/10 Il restauro dell'arte contemporanea e il design: progetti al centro conservazione e restauro La Venaria Reale. Operae, Independent Design Festival 2014.
Circolo del Design (Turin, Itália)
2013/10/25 The Historical Collection of the ADI Compasso d'Oro. Two Case Studies. FUTURE TALKS 013. Lectures and Workshops on Technology and Conservation of Modern Materials in Design
Die Neue Sammlung-Pinakothek Der Moderne Munich (Munich, Alemanha)
2012/02/17 La Colección Histórica del Compasso d'Oro: Un nuevo enfoque para la conservación y restauración de objetos de Design. 13° Jornada de Conservación y Restauración de Arte Contemporáneo
Museo Nacional Centro de Arte Reina Sofia (Madrid, Espanha)
2010/09/17 Antiluna di Pinot Gallizio. Il Recupero di un'opera divisa. Lo Stato dell'Arte 8
Palazzo Ducale (Venecia, Itália)

Orientação

Título / Tema
Papel desempenhado
Curso (Tipo)
Instituição / Organização
2018/09 - 2020/04 Anselm Kiefer – Et la terre tremble encore, d’avoir vu la fuite des géants (1982)
Orientador de Valentina Bellantomi
Laurea Magistrake in Conservazione e Restauro dei Beni Culturali (Licenciatura/Bacharelato)
Università degli Studi di Torino, Itália
2017/09 - 2019/04 Conservative issues and restauration of the Fluxus Costellation by Ben Patterson. Identification and removal of an adhesive from transfer prints of nylon and new tensioning method.
Orientador
Laboratorio di Tesi. Laurea in Conservazione e Restauro dei Beni Culturali. (Licenciatura/Bacharelato)
Università degli Studi di Torino, Itália

Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália
2015/09 - 2017/04/26 The recovery of the legibility of three contemporary art works of Matheus Rocha Pitta in cement and newspaper
Orientador
Laboratorio di Tesi. Laurea Magistrale in Conservazione e restauro dei Beni Culturali. (Licenciatura/Bacharelato)
Università degli Studi di Torino, Itália

Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália
2016/01 - 2017/04/04 Love Me: A sculpture in paper machè and acrylic resin by Sarah Lucas . Research and Treatment
Orientador
Laboratorio di Tesi. Laurea Magistrale in Conservazione e Restauro La Venaria Reale. (Licenciatura/Bacharelato)
Università degli Studi di Torino, Itália

Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália

Participação em evento

Descrição da atividade
Tipo de evento
Nome do evento
Instituição / Organização
2019/11/13 - 2019/11/15 New advances and methods of intervention in the Conservation and Restoration of mural painting.
Encontro
IX Encontro de Conservacion e Restauración
Museo de Pontevedra, Espanha
2019/09/12 - 2019/09/14 Advance Course for Cleaning polychrome work of arts with Paolo Cremonesi.
Outro
Corso Avanzato di pulitura di opere policrome
Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália
2019/05/27 - 2019/05/29 Congreso Plastics Heritage Congress 2019. History, Limits and Possibilities.
Congresso
PLASTICS HERITAGE CONGRESS 2019. History, Limits and Possibilities.
Centro Interuniversitário de História das Ciências e da Tecnologia, Portugal
2018/06/13 - 2018/06/15 The use of nano technologies: research and applications on cultural heritage. Workshop: Deacidification and consolidation of cellulose-based works thanks to the use of nano-structured materials. Teacher: Giovanna Poggi, PhD
Oficina (workshop)
Congreso NANOSISTEMI: ricerche e applicazioni sul patrimonio culturale.
Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália

Consorzio Interuniversatario per lo Sviluppo dei Sistemi a Grande Interfase, Itália
2018/02/02 - 2018/02/02 The role of the conservator- restorer in the transport of contemporary works of art.
Seminário
Il ruolo del restauratore nel trasporto di opere d'arte contemporanea.
Italian Gruop of the International Institute of Conservation, Itália
2017/12/01 - 2017/12/01 Polymer frosts in the preservation of cultural heritage: scientific studies and restoration experiences in comparison.
Seminário
I geli polimerici nella conservazione dei beni culturali:studi scientifici e esperienze di restauro a confronto
Università degli Studi di Torino, Itália

Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália
2017/10/12 - 2017/10/14 Conservation and restoration of contemporary art and design objects
Congresso
Congreso Future Talks 017. Lectures and workshops on technology and conservation of modern materials in design
Die Neue Sammlung, Alemanha
2017/05/10 - 2017/05/12 Conference and Workshops on Nanomaterials. European Nanorestart Project.
Congresso
NANOSISTEMI: RICERCHE E APPLICAZIONI SUL PATRIMONIO CULTURALE.
Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália

Italian Gruop of the International Institute of Conservation, Itália
2017/02/16 - 2017/02/17 Beyond the Framework: Forms and experiments of the 1960s. Production, conservation and transmission of the Italian art of the ‘900
Congresso
Linee di Energia, oltre il Quadro: Forme e sperimentazioni degli anni Sessanta. Produzione, conservazione e trasmissione dell’arte Italiana del ‘900
Italian Gruop of the International Institute of Conservation, Itália
2016/10/27 - 2016/10/29 The preservation of plastic materials used in modern and contemporary art
Simpósio
Symposium Plastics Heritage
Hochschule für Technik und Wirtschaft Berlin Fachbereich 1 Energie und Information, Alemanha
2016/02/27 - 2016/02/28 New materials and methodologies for contemporary art conservation.
Oficina (workshop)
Nuevos Materiales tecnicas y conservación de arte contemporáneo.
ECRA Servicios Integrales de Arte SL, Espanha
2016/02/25 - 2016/02/26 These two days conferences of Contemporary Art Conservation organized by the Restoration Department of the Reina Sofía Museum, has as main objectives to share information, discuss and open up avenues of study on the conservation and restoration of contemporary artistic heritage. In addition, it seeks to reflect on the institutional management of conservation and the professional practice of the restorer.
Congresso
17ª JORNADA DE CONSERVACIÓN DE ARTE CONTEMPORÁNEO
Museo Nacional Centro de Arte Reina Sofía, Espanha
2015/11/12 - 2015/11/14 The conference, entirely dedicated to the preservation of contemporary art, has seen speakers of national and international fame, belonging to the most prestigious research centers in the field of the preservation of cultural heritage. A summary of the most recent studies and interventions on works of the late '800 - early '900, to questions concerning more recent manufactured products made with synthetic materials, plastic and design objects.
Congresso
7 Congresso Internazionale Colore e Conservazione: Dall'olio all'acrilico, dall'impressionismo all'arte contemporanea
Cesmar 7, Itália
2014/06/05 - 2014/06/05 Objective of the Conference day is to take stock of the situation on the experiences, the experimentations and the researches carried out in recent years in Italian territory on the Aquazol material and its possible declinations of use. The authors of the research will be invited to present their experiences through oral exhibitions and the presentation of Poster, with a view to establishing a fruitful dialogue with the audience. Chairman of the study day will be Professor Richard wolbers.
Encontro
Nuove prospettive ed approfondimenti per l'uso di Poliossazoline (Aquazols)
Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália
2013/01 - 2013/06 Training course on scientific photography, digitization and 3D modeling. The course provides expertise in the field of new technologies and new investigation techniques with applications ranging from cultural heritage to industrial design and the realization of a professional digital product through the use of innovative methodologies and low-level equipment cost. During the training the participants had developed a digital product of their own interest.
Oficina (workshop)
Computational photography: dalla fotografia scientifica alla terza dimensione
Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália
2012/09/26 - 2012/09/28 The course aimed to deepen the technical knowledge of the materials and methods of dry cleaning of works of art, the use, the potential advantages and disadvantages and their limitations.
Oficina (workshop)
Masterclass: Dry cleaning. Pulitura a secco di quadri moderni non verniciati
Cesmar 7, Itália

Università degli Studi di Pavia, Itália
2012/02/26 - 2012/02/27 This congress brought together a considerable number of scientific theoretical and case studies that have analysed different aspects of the contemporary art conservation and restoration environment. At this conference, special emphasis was placed on the current situation of education and training in the conservation and restoration of works of art in the Spanish context, a topic discussed at a round table discussion.
Encontro
13ª Jornada de conservación de arte contemporáneo
Museo Nacional Centro de Arte Reina Sofía, Espanha
2012/02/10 - 2012/02/11 The conference explores how research on the restoration of contemporary art has developed twenty-five years since the first international conference organized by Castello di Rivoli.
Conferência
Cosa cambia. Teorie e pratiche del restauro nell’arte contemporanea.
Castello di Rivoli Museo d'Arte Contemporanea, Itália
2011/02/14 - 2011/02/15 This congress has favored the reflection, discussion and sharing of issues related to the problems of the conservation and restoration of the current Artistic Heritage, which is characterized by its new dimension, materials and formats. The Twelfth Conference, has proposed in two intensive sessions dedicated to the new supports used in contemporary art.
Encontro
12ª Jornada de conservación de arte contemporáneo
Museo Nacional Centro de Arte Reina Sofía, Espanha
2010/05/26 - 2010/05/28 This conference focuses on: •The chemistry of drying and film formation (tempera, oils, acryilics, alkyds …) •The effects of residual solvents on the mechanical properties of paint films •The effects of solvent leaching in the mechanical properties of paint films •The chemical alterations of paint films, •The effects of cleaning and the impact of the environment, •Aesthetics (patinas, methodologies…) •Conservation treatments with special emphasis in cleaning issues, boundaries and challenges.. •Cleaning softwares … •Others …
Congresso
New insights into the cleaning of paintings” (CLEANING 2010)
Parque Científico de la Universidad Politécnica de Valencia, Espanha

Smithsonian Institution, Estados Unidos
2010/02/19 - 2010/02/20 In this conference on the conservation of contemporary art was held the workshop of interviews with artists, exhibitions of new business products, the presentation and explanation of posters and conferences by speakers from museum institutions, universities, institutes, companies and conservation and restoration professionals, encouraging the exchange of knowledge.
Encontro
11ª Jornada de conservación de arte contemporáneo
Museo Nacional Centro de Arte Reina Sofía, Espanha
2009/06/24 - 2009/06/26 Conservation and restoration of contemporary works
Congresso
Art d’arjourd’hui patrimoine de demain. Conservation e restauration des oeuvres contemporaines
Institut National du Patrimoine, França
2009/02/12 - 2009/02/13 Contemporary Art Conservation. Case studies.
Encontro
10ª Jornada de Conservación de Arte Contemporáneo
Museo Nacional Centro de Arte Reina Sofía, Espanha
2008/12/01 - 2008/12/04 The masterclass Plastics aims to acquaint object and sculpture conservators with the current state of knowledge regarding identification, degradation, curative and preventive conservation of plastics, rubbers and composite materials. This four days course is split between theoretical and practical sessions. Develop practical experience in conservation treatments such as: cleaning and adhering plastics and creating an anoxic environment for rubber objects. Moreover one day of the masterclass has been especially dedicated to the consolidation of PUR.
Oficina (workshop)
Masterclass of Plastics 2008
Instituut Collectie Nederland, Países Baixos
2008/11/22 - 2008/11/23 Analysis in-depth of the problems arising from the delicate topic of consolidation (materials, operational practice, the contribution of science, the use of models to exemplify the real case.
Congresso
IV Congresso Internazionale COLORE E CONSERVAZIONE 2008. L’attenzione alle superfici pittoriche. Materiali e metodi per il consolidamento, e metodi scientifici per valutarne l’efficacia.
Cesmar 7, Itália
2008/04/01 - 2008/06/27 New Information and Communication Technologies are already part of our daily lives. The main objective of the course is to provide the basic knowledge needed to apply Information Technologies to the usual processes of museums and, in this way, to optimize them. In addition, participants will know the technological tools to facilitate the management and dissemination of the exhibition centres.
Outro
Nuevas tecnologías para la gestión de museos
Fundación Germán Sánchez Ruipérez, Espanha
2007/04/01 - 2007/05/18 Professional update course on new materials and methodologies in the field of paintings on canvas and table: Presentation of research and case studies. Workshop of new method for cleaning and consolidation of paintings.
Oficina (workshop)
La didattica del restauro. Esperienze sul campo
Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália
2007/02/14 - 2007/02/15 Contemporary art conservation. Case Studies.
Encontro
9ª Jornada de Conservación de arte contemporáneo.
Museo Nacional Centro de Arte Reina Sofía, Espanha
2004/02 - 2004/02/13 Cultural management
Congresso
Sector público cultural. Ferramentas para unha xestión de calidade
Xunta de Galicia Consellería de Cultura Educacion e Ordenación Universitaria, Espanha
2002/10/09 - 2002/10/11 Preservation and restoration of photographic materials.
Congresso
Perspectivas actuales en la conservación-restauración de materiales fotográficos
Fundación Centro Ordóñez-Falcón de Fotografía-COFF, Espanha
2002/07/01 - 2002/07/05 Image and documentation, digital image processing, techniques of analysis and recovery, image, culture and technology.
Conferência
1º Jornadas sobre imagen, cultura y tecnología
Universidad Carlos III de Madrid, Espanha
2000/10/18 - 2000/10/22 Dissemination of the latest studies on the preservation of cultural heritage.
Congresso
XIII Congreso de Conservación y Restauración de Bienes Culturales
Universitat de Lleida, Espanha
2000/06/08 - 2000/06/08 Organization of preparatory visits to the Museum, especially for teachers to prepare their visit.
Encontro
Curso la Preparación de la Visita Escolar al Museo Nacional de Ciencias Naturales III
Colegio Oficial de Biólogos de la Universidad de Madrid, Espanha
2000/05/17 - 2000/05/19 Conservation and restoration criteria of current art.
Seminário
Criterios de intervención en el patrimonio: la conservación restauración de arte contemporáneo
Instituto Andaluz del Patrimonio Histórico, Espanha
2000/03/01 - 2000/03/03 Budgeting for conservation restoration of cultural heritage: theory and application.
Oficina (workshop)
Elaboración de presupuestos para la conservación restauración de bienes muebles: teoría y aplicación
Instituto Andaluz del Patrimonio Histórico, Espanha
1999/05/29 - 1999/06/23 Course on textil conservation - restoration. Theory and application.
Outro
Conservación - restauración de tejidos
Instituto Andaluz del Patrimonio Histórico, Espanha
1999/05/26 - 1999/05/27 Lectures on the conservator ’s profession.
Conferência
III ciclo de conferencias el conservador - restaurador de bienes muebles
Universidad de Sevilla, Espanha
1999/03/08 - 1999/03/10 Conference on the creation of cultural companies.
Conferência
I Conference on the creation of cultural enterprises
1999/01/20 - 1999/03/07 The Certificate of Pedagogical Aptitude (CAP) was the prerequisite in Spain for graduates, engineers, architects or equivalent to be able to pursue secondary education in accordance with Organic Law 1/1990 of 3 October, of the General Education System (LOGSE).
Outro
Certificado de Aptitud Pedagógica (CAP)
Universidad de Sevilla Facultad de Ciencias de la Educación, Espanha
1998/10/22 - 1998/10/24 Research in the plastic and visual arts
Congresso
Congreso INARS. La investigación en artes plásticas y visuales.
Universidad de Sevilla, Espanha

Curso / Disciplina lecionado

Disciplina Curso (Tipo) Instituição / Organização
2017/09 - 2018/06 The student will be able to face the conservation of different kinds of artifacts, with the necessary knowledge to approach the conservation problems of each artifacts. Contemporary Art uses new materials and techniques, very different from the ones used in the past (i.e: use of plastics and materials coming from everyday life). The student will be able to recognize the decay in different materials, drafting intervention projects for the solution of complex problems. The course will be in line with the most recent researches in the field. Storia e tecniche di esecuzione IV: manufatti in materiali sintetici lavorati assemblati e/o dipinti (Laurea Magistrale) Università degli Studi di Torino, Itália
2017/06/01 - 2017/09/20 Complementary educational activities in museums and galleries. Tutoraggio tirocinio curriculare-pfp2 canale b- storia e tecniche di esecuzione iv: manufatti in materiali sintetici lavorati assemblati e/o dipinti (Laurea Magistrale) Università degli Studi di Torino, Itália

Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália
2016/09 - 2017/06 The student will be able to face the conservation of different kinds of artifacts, with the necessary knoledges to approach the conservation problems of each artifacts. Contemporary Art uses new materials and techniques, very different from the ones used in the past (i.e: use of plastics and materials coming from everyday life). The student will be able to recognize the decay in different materials, drafting intervention projects for the solution of complex problems. The course will be in line with the most recent researches in the field. Storia e tecniche di esecuzione IV: manufatti in materiali sintetici lavorati assemblati e/o dipinti (Laurea Magistrale) Università degli Studi di Torino, Itália

Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália
2015/09 - 2016/06 Contemporary Art Preservation and Restoration Workshop. History and execution techniques: artefacts made of synthetic, assembled and/or painted materials . Storia e tecniche di esecuzione IV: manufatti in materiali sintetici lavorati assemblati e/o dipinti. i (Laurea Magistrale) Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália

Università degli Studi di Torino, Itália
2014/09 - 2015/06 Contemporary Art Preservation and Restoration Workshop. History and execution techniques IV: artefacts made of synthetic, assembled and/or painted materials Storia e tecniche di esecuzione IV: Manufatti scolpiti in legno; Arredi e strutture lignee; Manufatti in materiali sintetici lavorati, assemblati e/o dipinti (Laurea Magistrale) Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália

Università degli Studi di Torino, Itália
2013/09 - 2014/06 Contemporary Art Restoration The first need is the evaluation of artistic intentionality, obtained through meeting and debate with the artist. Methodological approach will bring into a theory of restoration every special intervention, with the identification of a peculiarity of a non durable art in opposition to the traditional long lasting one. Restoration procedures will develope in consolidation, cleaning, inpainting and aesthetic presentation, with a special interest to the transmission of the correct artistic message. Storia e tecniche di esecuzione IV: Manufatti scolpiti in legno; Arredi e strutture lignee; Manufatti in materiali sintetici lavorati, assemblati e/o dipinti (Laurea Magistrale) Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália

Università degli Studi di Torino, Itália
2012/09 - 2013/06 Acquire knowledge relating to the production, the constituent materials and the technology of the pictorial artefacts realized on textile support in different contexts and times. Observe and recognize the deterioration phenomena which can be found on manufactured articles painted on a textile backing, also with the aid of scientific analysis. Refine the design skills and manuals to intervene directly on’work with conservation and restoration operations. Be able to assess the problems of the individual case studies proposed. Storia e tecniche di esecuzione II: manufatti dipinti su supporto ligneo e tessile (Laurea Magistrale) Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália

Università degli Studi di Torino, Itália
2011/09 - 2012/05 The aim of the course is to train a superior technician who is able to manage, in all its parts, the preservation of modern furniture. Tecnico superiore per la conservazione del mobile moderno (Postgraduate Certificate) Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália
2010/02/01 - 2010/06/30 The aim of the course is to train a superior technician who is able to manage, in all its parts, the preservation of modern furniture. Tecnico superiore per la conservazione del mobile moderno (Postgraduate Certificate) Centro per la conservazione e per il restauro dei beni culturali 'La Venaria Reale', Itália

Facoltà di Architettura del Politecnico , Itália

Scuole San Carlo , Itália
Distinções

Outra distinção

2008 Beca de Profesionales de la Cultura 2008
Gobierno de Espana Ministerio de Educación Cultura y Deporte, Espanha
2005 Beca MAECI
Governo Italiano Ministero degli Affari Esteri, Itália
2004 Soggiorno di studio ISCR
Italia Ministero dei beni e delle attività culturali e del turismo, Itália
2004 Becas ARGO para prácticas en empresas de Europa
Fundación General Universidad de Salamanca, Espanha
2002 Beca Fundación Caixa Galicia para realizar estudios de Postgrado en Centros de Gran Prestigio Internacional
Fundación Novacaixagalicia, Espanha