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Ana Cristina Ferreira Mendes. Concluiu o(a) Doutoramento em Estudos de Cultura, Cultura Inglesa / Culture Studies, English Culture em 2011 pelo(a) Universidade de Lisboa Faculdade de Letras, Mestrado em Estudos Anglísticos, Cultura Inglesa em 2005 pelo(a) Universidade de Lisboa Faculdade de Letras e Licenciatura em Línguas e Literaturas Modernas, Estudos Portugueses e Ingleses em 1999 pelo(a) Universidade de Coimbra Faculdade de Letras. É Co-Principal Investigator, Research Group English Studies: Culture (RG2) no(a) Universidade de Lisboa Centro de Estudos Anglisticos, Full researcher - ULICES-University of Lisbon Center for English Studies (www.ulices.org) no(a) Universidade de Lisboa, Teacher trainer (Specific Didactics - English) no(a) Ministério da Educação e Collaborator - Postcolonial Studies Initiative (PCI) (www.postcolonialstudies.nl) no(a) Universiteit Utrecht. Publicou 9 artigos em revistas especializadas. Possui 26 capítulo(s) de livros e 13 livro(s). Recebeu 12 prémio(s) e/ou homenagens. Atua na(s) área(s) de Humanidades com ênfase em Línguas e Literaturas com ênfase em Literaturas Específicas. Nas suas atividades profissionais interagiu com 50 colaborador(es) em coautorias de trabalhos científicos. No seu currículo Ciência Vitae os termos mais frequentes na contextualização da produção científica, tecnológica e artístico-cultural são: India; Indian cinema; Cinema studies; Surrogacy; Biopolitics; Neoliberalism; Postcolonial studies; Cultural studies; Gender studies; Class relations; Rushdie, Salman; Orientalismo; Reorientalismo; Estudos culturais; Estudos pós-coloniais; Diferença cultural; Literatura britânica; Alteridade; Exotismo; Índia; Shakespeare, William. Macbeth; Bhardwaj, Vishal; Postcolonial cultural production; Postcolonial cinema; Film adaptation; Shakespearen adaptation; Intellectuals; Intellectual history; Fatwa; British literature; Indian Writing in English; Transnational cinemas; Borders; Nation-state; Migration studies; Dekker, Thomas; Teatro isabelino; Estudos de género; Literatura inglesa; Sexualidade; Rashid, Ian Iqbal; The Jungle Book; Kipling, Rudyard; British Empire; Queer studies; Dasgupta, Rana; Postcolonial nonfiction; Globalisation; Re-orientalism; Postcolonial literature; Orientalism; Kapur, Akash; Indian writing in India; Delhi; Imagined geographies; Literary geographies; Re-Orientalism; Bowie, David; Literatura pós-modernista; Revivalismo vitoriano; Narrativa; Portuguese colonialism; African decolonization; Migration; Cardoso, Dulce Maria; Figueiredo, Isabela; Hospitality; Return migration; Neo-Victorian studies; British television; Slumming; The Crimson Petal and the White; Faber, Michel; Victorian studies; Domesticity; Home; cultural studies; Worldliness; Adaptation; Audience; Cinema; Midnight’s Children; Screenplay; Indian writing in English; Hamid, Mohsin; Nair, Mira; Film studies; Adaptation studies; The Reluctant Fundamentalist; Pakistan; 9/11 cinema; Islamophobia; British cinema; Tess of the d’Urbervilles; Hardy, Thomas; Winterbottom, Michael; Trishna; Exoticism; Cinema heritage; Cultura do património; Representação; Passado; Inglaterra; Nostalgia; Tennyson, Alfred; Feminismo; “New Woman”; Travestismo; Disfarce; Identidade sexual; Reception studies; Nair, Mira. The Reluctant Fundamentalist; Translation studies; September 11 in literature; September 11 in cinema; Media studies; Adiga, Aravind; Roy, Arundhati; Ghosh, Amitav; Marketing; Sociology of literature; World literature; Migrancy; Borderscapes; Representation of borders; Transnational film production; State of exception; Security state; Palestinian cinema; Agamben, Giorgio; Governmentality; Abu-Assad, Hany; Separation wall; Palestine; British TV; Empire studies; Conflict; Rushdie, Salman. Fury; New York; Cyberpunk fiction; Dystopia; Postcolonialism; Poverty; Indústria do património; Turismo cultural; Byatt, A.S.; Fowles, John; Possession; The French Lieutenant's Woman; Reisz, Karel; LaBute, Neil; Vitorianismo; Estudos de
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Identificação

Identificação pessoal

Nome completo
Ana Cristina Ferreira Mendes

Nomes de citação

  • Mendes, Ana Cristina

Identificadores de autor

Ciência ID
D214-A7C9-8A02
ORCID iD
0000-0002-3596-0701
Researcher Id
K-9981-2015
Scopus Author Id
36161897400

Endereços de correio eletrónico

  • anafmendes@campus.ul.pt (Profissional)

Websites

Domínios de atuação

  • Humanidades - Línguas e Literaturas - Literaturas Específicas

Idiomas

Idioma Conversação Leitura Escrita Compreensão Peer-review
Inglês Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1)
Francês Utilizador elementar (A1) Utilizador independente (B1) Utilizador elementar (A1) Utilizador elementar (A1)
Formação
Grau Classificação
2011/07/15
Concluído
 Estudos de Cultura / Cultural Studies (Doutoramento)
Especialização em Cultura Inglesa / English Culture
Universidade de Lisboa Faculdade de Letras, Portugal
"A magpie tendency: Salman Rushdie and cultural brokerism" (TESE/DISSERTAÇÃO)
 Aprovado com Distinção e Louvor/summa cum laude
2011/07/15
Concluído
 Estudos de Cultura (Doutoramento)
Especialização em Especialidade: Cultura Inglesa
Universidade de Lisboa, Portugal
"A Magpie tendency". Salman Rushdie and Cultural Brokerism." (TESE/DISSERTAÇÃO)
2005
Concluído
 Estudos Anglísticos, Cultura Inglesa (Mestrado)
Universidade de Lisboa Faculdade de Letras, Portugal
"O Passado em Exibição: Leituras da Época Vitoriana em The French Lieutenant’s Woman e Possession / The Past on Display: Readings of the Victorian Age in The French Lieutenant's Woman and Possession" (TESE/DISSERTAÇÃO)
 Muito Bom/Very Good
1999
Concluído
 Línguas e Literaturas Modernas, Estudos Portugueses e Ingleses (Licenciatura)
Universidade de Coimbra Faculdade de Letras, Portugal
"n/a" (TESE/DISSERTAÇÃO)
 16/20
Percurso profissional

Docência no Ensino Superior

Categoria Profissional
Instituição de acolhimento 		Empregador
2017 - 2019 Professor Auxiliar (Docente Universitário) Universidade de Lisboa, Portugal
2017 - 2019 Professor Auxiliar (Docente Universitário) Universidade de Lisboa, Portugal

Outros

Categoria Profissional
Instituição de acolhimento 		Empregador
2014/10/14 - Atual Co-Principal Investigator, Research Group English Studies: Culture (RG2) Universidade de Lisboa Centro de Estudos Anglisticos, Portugal
2013/02/01 - Atual Collaborator - Postcolonial Studies Initiative (PCI) (www.postcolonialstudies.nl) Universiteit Utrecht, Países Baixos
2005/03/01 - Atual Full researcher - ULICES-University of Lisbon Center for English Studies (www.ulices.org) Universidade de Lisboa, Portugal
2001/09/01 - Atual Teacher trainer (Specific Didactics - English) Ministério da Educação, Portugal
2014/09/15 - 2017/02/28 Postdoctoral fellow (Ciência 2008 Investigator/"Investigadora Auxiliar") Universidade de Lisboa Centro de Estudos Anglisticos, Portugal
2016/05/01 - 2016/08/31 Affiliated member, The Centre for Postcolonial Studies (CPS), School of Advanced Study University of London, Reino Unido
2015/09/01 - 2016/08/31 Visiting Research Fellow, Amsterdam School of Cultural Analysis (ASCA) – Cultural and Social Critique research constellation – and Amsterdam Centre for Globalization Studies (ACGS) Universiteit van Amsterdam, Países Baixos
1998/09/01 - 2014/08/31 Secondary education teaching professional (English and Portuguese) Ministério da Educação, Portugal
2012/01/02 - 2012/02/29 Collaborator - Network for Migration and Culture (NMC) (http://migrationandculture.ku.dk) Københavns Universitet, Dinamarca
2011/10/03 - 2012/02/29 Guest Assistant Professor, Faculty of Letters Universidade de Coimbra, Portugal
2006/10/01 - 2010/08/31 Doctoral fellow Fundação para a Ciência e a Tecnologia, Portugal
Projetos

Bolsa

Designação Financiadores
2005/06 - 2010/06 "Not ´Goods From Foreign´ But Made in India"? Reconfigurações das Indústrias Culturais na Obra de Salman Rushdie
SFRH/BD/27385/2006
Bolseiro de Doutoramento
Universidade de Lisboa Faculdade de Letras, Portugal

Universidade de Lisboa Centro de Estudos Anglisticos, Portugal
Fundação para a Ciência e a Tecnologia
Concluído

Projeto

Designação Financiadores
2019/01 - 2022/10 International Network "Postcolonial Intellectuals and their European Publics”
IG.18.014
 Nederlandse Organisatie voor Wetenschappelijk Onderzoek
Em curso
Produções

Publicações

Artigo em revista
  1. Elsa Gomis; Ana Cristina Mendes. "When the People Behind the Scenes Come to the Fore". Interventions (2023): https://doi.org/10.1080/1369801X.2023.2190912.
    10.1080/1369801X.2023.2190912
  2. Ana Cristina Mendes. "Visuality and Parresia: Ai Weiwei’s countervisual re-enactment of Alan Kurdi’s image". Visual Studies (2023): https://doi.org/10.1080/1472586X.2023.2181210.
    10.1080/1472586X.2023.2181210
  3. Mendes, Ana Cristina. "Visuality and Parresia: Ai Weiwei’s countervisual re-enactment of Alan Kurdi’s image". (2023): http://hdl.handle.net/10451/56794.
    https://doi.org/10.1080/1472586X.2023.2181210
  4. Gomis, Elsa; Mendes, Ana Cristina. "When the People Behind the Scenes Come to the Fore". (2023): http://hdl.handle.net/10451/57128.
    https://doi.org/10.1080/1369801X.2023.2190912
  5. Ana Cristina Mendes; Lisa Lau. "Hospitality and Amnesty: Aravind Adiga’s Narrative of Legal Liminality". Interventions (2022): https://doi.org/10.1080/1369801X.2022.2099940.
    10.1080/1369801X.2022.2099940
  6. Ana Mendes; Lisa Lau. "Wither the plurality of decolonising the curriculum? Safe spaces and identitarian politics in the arts and humanities classroom". Arts and Humanities in Higher Education (2022): https://doi.org/10.1177/14740222221100711.
    10.1177/14740222221100711
  7. Sandra Ponzanesi; Ana Cristina Mendes. "Screening postcolonial intellectuals: cinematic engagements and postcolonial activism". Transnational Screens (2022): https://doi.org/10.1080/25785273.2022.2094612.
    10.1080/25785273.2022.2094612
  8. Ana Cristina Mendes. "Documentary re-enactment in Raoul Peck’s Exterminate All the Brutes: countering the work of the imperial camera shutter". Transnational Screens 13 2 (2022): 111-128. https://doi.org/10.1080/25785273.2022.2076857.
    10.1080/25785273.2022.2076857
  9. Ana Cristina Mendes; Ai Weiwei. "The world as a readymade: a conversation with Ai Weiwei". Transnational Screens 13 2 (2022): 157-175. https://doi.org/10.1080/25785273.2022.2061143.
    10.1080/25785273.2022.2061143
  10. "Gendered Rage". Journal of Global Postcolonial Studies 9 1 (2022): http://dx.doi.org/10.5744/jgps.2021.0005.
    10.5744/jgps.2021.0005
  11. Lau, Lisa; Mendes, Ana Cristina. "Gendered Rage: A Postcolonial Reading of Commercial Gestational Surrogacy in India". (2022): http://hdl.handle.net/10451/52205.
    https://doi.org/10.5744/jgps.2021.0005
  12. Ponzanesi, Sandra; Mendes, Ana Cristina. "Screening postcolonial Intellectuals: cinematic engagements and postcolonial activism". (2022): http://hdl.handle.net/10451/53575.
    10.1080/25785273.2022.2094612
  13. Mendes, Ana Cristina. "The accentual dialogized heteroglossia of Shakespeare in India: Utpal Dutt’s legacy in Shakespeare Wallah and The Last Lear". (2022): http://hdl.handle.net/10451/51299.
    https://doi.org/10.1080/10462937.2022.2038794
  14. Mendes, Ana Cristina; Lau, Lisa. "Hospitality and Amnesty: Aravind Adiga’s Narrative of Legal Liminality". (2022): http://hdl.handle.net/10451/54049.
    https://doi.org/10.1080/1369801X.2022.2099940
  15. Mendes, Ana Cristina. "Documentary re-enactment in Raoul Peck’s Exterminate All the Brutes: countering the work of the imperial camera shutter". (2022): http://hdl.handle.net/10451/53071.
    https://doi.org/10.1080/25785273.2022.2076857
  16. Mendes, Ana Cristina; Lau, Lisa. "Wither the plurality of decolonising the curriculum? Safe spaces and identitarian politics in the arts and humanities classroom". (2022): http://hdl.handle.net/10451/52933.
    https://doi.org/10.1177/14740222221100711
  17. Mendes, Ana Cristina; Ai Weiwei. "The world as a readymade: a conversation with Ai Weiwei". (2022): http://hdl.handle.net/10451/52388.
    https://doi.org/10.1080/25785273.2022.2061143
  18. Mendes, Ana Cristina. "The accentual dialogized heteroglossia of Shakespeare in India: Utpal Dutt’s legacy in Shakespeare Wallah and The Last Lear". (2022): http://hdl.handle.net/10451/51299.
    https://doi.org/10.1080/10462937.2022.2038794
  19. Mendes, Ana Cristina. "The accentual dialogized heteroglossia of Shakespeare in India: Utpal Dutt’s legacy in Shakespeare Wallah and The Last Lear". (2022): http://hdl.handle.net/10451/51299.
    https://doi.org/10.1080/10462937.2022.2038794
  20. Ponzanesi, Sandra; Mendes, Ana Cristina. "Screening postcolonial Intellectuals: cinematic engagements and postcolonial activism". (2022): http://hdl.handle.net/10451/53575.
    10.1080/25785273.2022.2094612
  21. Mendes, Ana Cristina; Lau, Lisa. "Wither the plurality of decolonising the curriculum? Safe spaces and identitarian politics in the arts and humanities classroom". (2022): http://hdl.handle.net/10451/52933.
    https://doi.org/10.1177/14740222221100711
  22. Mendes, Ana Cristina; Lau, Lisa. "Hospitality and Amnesty: Aravind Adiga’s Narrative of Legal Liminality". (2022): http://hdl.handle.net/10451/54049.
    https://doi.org/10.1080/1369801X.2022.2099940
  23. Lau, Lisa; Mendes, Ana Cristina. "Gendered Rage: A Postcolonial Reading of Commercial Gestational Surrogacy in India". (2022): http://hdl.handle.net/10451/52205.
    https://doi.org/10.5744/jgps.2021.0005
  24. Mendes, Ana Cristina; Ai Weiwei. "The world as a readymade: a conversation with Ai Weiwei". (2022): http://hdl.handle.net/10451/52388.
    https://doi.org/10.1080/25785273.2022.2061143
  25. Mendes, Ana Cristina. "Documentary re-enactment in Raoul Peck’s Exterminate All the Brutes: countering the work of the imperial camera shutter". (2022): http://hdl.handle.net/10451/53071.
    https://doi.org/10.1080/25785273.2022.2076857
  26. Ana Cristina Mendes. "From “Crisis” to Imagination: Putting White Heroes Under Erasure Post-George Floyd". Cultural Studies ¿ Critical Methodologies (2021): 153270862110286-153270862110286. https://doi.org/10.1177/15327086211028677.
    10.1177/15327086211028677
  27. Ana Cristina Mendes; Julian Wacker. "The Louvre going APESHIT: audiovisual re-curation and intellectual labour in The Carters’ Afrosurrealist music video". Postcolonial Studies (2021): https://doi.org/10.1080/13688790.2021.1985245.
    10.1080/13688790.2021.1985245
  28. "The accentual dialogized heteroglossia of Shakespeare in India: Utpal Dutt’s legacy in Shakespeare Wallah and The Last Lear". Text and Performance Quarterly (2021): 1-17. http://dx.doi.org/10.1080/10462937.2022.2038794.
    10.1080/10462937.2022.2038794
  29. Mendes, Ana Cristina; Wacker, Julian. "The Louvre going APESHIT: audiovisual re-curation and intellectual labour in The Carters’ Afrosurrealist music video". (2021): http://hdl.handle.net/10451/50164.
    https://doi.org/10.1080/13688790.2021.1985245
  30. Espinoza Garrido, Felipe; Mendes, Ana Cristina. "The politics of museal hospitality : Sonia Boyce’s neo-Victorian takeover in Six Acts". (2021): http://hdl.handle.net/10451/46902.
    https://doi.org/10.1080/13825577.2020.1876595
  31. Mendes, Ana Cristina Ferreira; Lau, Lisa. "Twenty-First-Century Antigones : The Postcolonial Woman Shaped by 9/11 in Kamila Shamsie's Home Fire". (2021): http://hdl.handle.net/10451/47358.
  32. Mendes, Ana Cristina. "From "Crisis" to Imagination : Putting White Heroes Under Erasure Post-George Floyd". (2021): http://hdl.handle.net/10451/48873.
    https://doi.org/10.1177/15327086211028677
  33. Mendes, Ana Cristina; Wacker, Julian. "The Louvre going APESHIT: audiovisual re-curation and intellectual labour in The Carters’ Afrosurrealist music video". (2021): http://hdl.handle.net/10451/50164.
    https://doi.org/10.1080/13688790.2021.1985245
  34. Espinoza Garrido, Felipe; Mendes, Ana Cristina. "The politics of museal hospitality : Sonia Boyce’s neo-Victorian takeover in Six Acts". (2021): http://hdl.handle.net/10451/46902.
    https://doi.org/10.1080/13825577.2020.1876595
  35. Mendes, Ana Cristina. "From "Crisis" to Imagination : Putting White Heroes Under Erasure Post-George Floyd". (2021): http://hdl.handle.net/10451/48873.
    https://doi.org/10.1177/15327086211028677
  36. Mendes, Ana Cristina Ferreira; Lau, Lisa. "Twenty-First-Century Antigones : The Postcolonial Woman Shaped by 9/11 in Kamila Shamsie's Home Fire". (2021): http://hdl.handle.net/10451/47358.
  37. Felipe Espinoza Garrido; Ana Cristina Mendes. "The politics of museal hospitality: Sonia Boyce’s neo-Victorian takeover in Six Acts". European Journal of English Studies 24 3 (2020): 283-299. https://doi.org/10.1080/13825577.2020.1876595.
    10.1080/13825577.2020.1876595
  38. Mendes, A.C.; Lau, L.. "Urban redevelopment, the new logics of expulsion, and individual precarity in Kleber Mendonça Filho’s Aquarius and Aravind Adiga’s Last Man in Tower". Cultural Geographies 27 1 (2020): 117-132. http://www.scopus.com/inward/record.url?eid=2-s2.0-85072086858&partnerID=MN8TOARS.
    10.1177/1474474019871653
  39. Mendes, Ana Cristina; Lau, Lisa. "The conjunctural spaces of ‘new India’: imagined geographies of 2010s India in representations by returnee migrants". cultural geographies 26 1 (2019): 57-72. https://journals.sagepub.com/doi/abs/10.1177/1474474018786033.
    Publicado • 10.1177/1474474018786033
  40. Mendes, Ana Cristina Ferreira. "Romancing the Other: Arundhati Roy’s The Ministry of Utmost Happiness". Journal of Commonwealth Literature (2019):
    10.1177/0021989418820701
  41. Mendes, A.C.; Lau, L.. "The precarious lives of India’s Others: The creativity of precarity in Arundhati Roy’s The Ministry of Utmost Happiness". Journal of Postcolonial Writing (2019): http://www.scopus.com/inward/record.url?eid=2-s2.0-85076432918&partnerID=MN8TOARS.
    10.1080/17449855.2019.1683758
  42. Mendes, A.C.. "The liquidscape of Mare Nostrum: Manoel de Oliveira and Banksy’s Mediterranean crossings". Continuum 33 5 (2019): 565-579. http://www.scopus.com/inward/record.url?eid=2-s2.0-85075544449&partnerID=MN8TOARS.
    10.1080/10304312.2019.1642450
  43. Mendes, A.C.; Perrott, L.. "Introduction: Navigating with the Blackstar: the mediality of David Bowie". Celebrity Studies 10 1 (2019): 4-13. http://www.scopus.com/inward/record.url?eid=2-s2.0-85062760908&partnerID=MN8TOARS.
    10.1080/19392397.2018.1559959
  44. Mendes, A.C.. "The Eruption and Ruination of 'Rising India': Rana Dasgupta's Capital and the temporalities of Delhi in the 2010s". Modern Asian Studies 53 4 (2019): 979-1003. http://www.scopus.com/inward/record.url?eid=2-s2.0-85067351773&partnerID=MN8TOARS.
    10.1017/S0026749X1700464
  45. Mendes, Ana Cristina; Lau, Lisa. "The precarious lives of India’s Others: The creativity of precarity in Arundhati Roy’s The Ministry of Utmost Happiness". (2019): http://hdl.handle.net/10451/40509.
    10.1080/17449855.2019.1683758
  46. Mendes, Ana Cristina. "Introduction: Navigating with the Blackstar: the Mediality of David Bowie". (2019): http://hdl.handle.net/10451/37465.
    10.1080/19392397.2018.1559959
  47. Lau, Lisa; Mendes, Ana Cristina. "Romancing the other: Arundhati Roy’s The Ministry of Utmost Happiness". (2019): http://hdl.handle.net/10451/36659.
    10.1177/0021989418820701
  48. Mendes, Ana Cristina. "The liquidscape of Mare Nostrum: Manoel de Oliveira and Banksy’s Mediterranean crossings". (2019): http://hdl.handle.net/10451/39175.
    10.1080/10304312.2019.1642450
  49. Mendes, Ana Cristina Ferreira; Lau, Lisa. "Urban redevelopment, the new logics of expulsion, and individual precarity in Kleber Mendonça Filho’s Aquarius and Aravind Adiga’s Last Man in Tower". (2019): http://hdl.handle.net/10451/39395.
    10.1177/1474474019871653
  50. Ana Cristina Mendes; Lisa Lau. "A postcolonial framing of international commercial gestational surrogacy in India". Interventions (2018): 1-19. https://www.tandfonline.com/doi/full/10.1080/1369801X.2018.1558094.
    Publicado • 10.1080/1369801X.2018.1558094
  51. ANA CRISTINA MENDES; Mendes, Ana Cristina. "The Eruption and Ruination of ‘Rising India’: Rana Dasgupta's Capital and the temporalities of Delhi in the 2010s". Modern Asian Studies (2018): 1-25. https://doi.org/10.1017/S0026749X17000464.
    Publicado • 10.1017/S0026749X17000464
  52. Mendes, Ana Cristina. "Surviving The Jungle Book: Trans-temporal Ventriloquism in Ian Iqbal Rashid's Surviving Sabu". Journal of British Cinema and Television 15 4 (2018): 532-552. https://www.euppublishing.com/doi/abs/10.3366/jbctv.2018.0441.
    Publicado • 10.3366/jbctv.2018.0441
  53. Mendes, Ana Cristina. "Apetites e excreções em Blurt, Major Constable, or The Spaniard’s Night Walk de Thomas Dekker". Acta Scientiarum. Language and Culture 40 2 (2018): 364-367. http://dx.doi.org/10.4025/actascilangcult.v40i2.36457.
    Publicado • 10.4025/actascilangcult.v40i2.36457
  54. Lau, Lisa; Mendes, Ana Cristina. "Post-9/11 re-orientalism: Confrontation and conciliation in Mohsin Hamid’s and Mira Nair’s The Reluctant Fundamentalist". The Journal of Commonwealth Literature 53 1 (2018): 78-91. http://dx.doi.org/10.1177/0021989416631791.
    Publicado • 10.1177/0021989416631791
  55. Mendes, Ana Cristina; Lau, Lisa. "Hospitality and re-orientalist thresholds: Amit Chaudhuri writes back to India". South Asia: Journal of South Asian Studies 41 4 (2018): 1-18. https://www.tandfonline.com/doi/abs/10.1080/00856401.2018.1517638.
    Publicado • 10.1080/00856401.2018.1517638
  56. Mendes, Ana Cristina. "Surviving The Jungle Book: Trans-temporal ventriloquism in Ian Iqbal Rashid’s Surviving Sabu". (2018): http://hdl.handle.net/10451/34987.
    10.3366/jbctv.2018.0441
  57. Mendes, Ana Cristina. "The Eruption and Ruination of ‘Rising India’: Rana Dasgupta's Capital and the temporalities of Delhi in the 2010s". (2018): http://hdl.handle.net/10451/35711.
    10.1017/S0026749X17000464
  58. Mendes, Ana Cristina. "Apetites e Excreções em Blurt, Major Constable, or the Spaniard’s Night Walk de Thomas Dekker". (2018): http://hdl.handle.net/10451/34986.
    10.4025/actascilangcult.v40i2.36457
  59. Lau, Lisa; Mendes, Ana Cristina. "Hospitality and Re-Orientalist Thresholds: Amit Chaudhuri Writes Back to India". (2018): http://hdl.handle.net/10451/36658.
    10.1080/00856401.2018.1517638
  60. Mendes, Ana Cristina; Lau, Lisa. "The conjunctural spaces of ‘new India’: Imagined geographies of 2010s India in representations by returnee migrants". (2018): http://hdl.handle.net/10451/34156.
    10.1177/1474474018786033
  61. Mendes, Ana Cristina; Lau, Lisa. "A postcolonial framing of international commercial gestational surrogacy in India: Re-orientalisms and power differentials in Meera Syal’s The House of Hidden Mothers". (2018): http://hdl.handle.net/10451/36470.
    10.1080/1369801X.2018.1558094
  62. Mendes, Ana Cristina; Wesley, Charlie. "New Directions in Rushdie Studies (Editorial)". The Journal of Commonwealth Literature 52 3 (2017): 417-421. http://journals.sagepub.com/doi/full/10.1177/0021989416683544.
    Acesso aberto • Publicado • 10.1177/0021989416683544
  63. Mendes, Ana Cristina. "Neo-Victorian slumming on screen". Continuum 31 6 (2017): 912-922. http://www.tandfonline.com/doi/abs/10.1080/10304312.2017.1370537.
    Publicado • 10.1080/10304312.2017.1370537
  64. Mendes, Ana Cristina. "Remembering and fictionalizing inhospitable Europe: The experience of Portuguese retornados in Dulce Maria Cardoso’s The Return and Isabela Figueiredo’s Notebook of Colonial Memories". Journal of Postcolonial Writing 53 6 (2017): 729-742. http://www.tandfonline.com/doi/abs/10.1080/17449855.2017.1353538.
    Publicado • 10.1080/17449855.2017.1353538
  65. Mendes, Ana Cristina; Ramos, Iolanda. "Introduction: Victorians Like Us–Domesticity and Worldliness". Open Cultural Studies 1 1 (2017): 571-575. https://www.degruyter.com/downloadpdf/j/culture.2017.1.issue-1/culture-2017-0054/culture-2017-0054.pdf.
    Acesso aberto • Publicado • 10.1515/culture-2017-0054
  66. Mendes, Ana Cristina; Kuortti, Joel. "Padma or No Padma: Audience in the Adaptations of Midnight’s Children". The Journal of Commonwealth Literature 52 3 (2017): 501-518. http://journals.sagepub.com/doi/full/10.1177/0021989416671171.
    Publicado • 10.1177/0021989416671171
  67. Mendes, Ana Cristina. "A ficção pós-modernista inglesa e a busca das verdades possíveis – uma resenha teórica". Revista de Letras 57 1 (2017): 27-41. https://periodicos.fclar.unesp.br/letras/article/viewFile/10148/7573.
    Acesso aberto • Publicado
  68. Ana Cristina Mendes. "Postmodernist fiction and the search for possible truths: a theoretical review". Revista de Letras (2017): https://publons.com/publon/13570317/.
  69. Mendes, Ana Cristina; Wesley, Charlie. "New Directions in Rushdie Studies". (2017): http://hdl.handle.net/10451/29911.
    10.1177/0021989416683544
  70. Mendes, Ana Cristina; Kuortti, Joel. "Padma or No Padma : Audience in the Adaptations of Midnight’s Children". (2017): http://hdl.handle.net/10451/29281.
    10.1177/0021989416671171
  71. Mendes, Ana Cristina. "Neo-Victorian slumming on screen". (2017): http://hdl.handle.net/10451/30011.
    10.1080/10304312.2017.1370537
  72. Mendes, Ana Cristina; Ramos, Iolanda. "Introduction: Victorians Like Us – Domesticity and Worldliness". (2017): http://hdl.handle.net/10451/30801.
    10.1515/culture-2017-0054
  73. Mendes, Ana Cristina. "Remembering and fictionalizing inhospitable Europe: The experience of Portuguese retornados in Dulce Maria Cardoso’s The Return and Isabela Figueiredo’s Notebook of Colonial Memories". (2017): http://hdl.handle.net/10451/30008.
    10.1080/17449855.2017.1353538
  74. Mendes, Ana Cristina. ""The man be more of woman, she of man" : Disfarce e Travestismo em The Princess de Alfred Tennyson". (2017): https://ojs.letras.up.pt/index.php/VP/article/view/3008.
  75. Mendes, Ana Cristina. "A ficção pós-modernista inglesa e a busca das verdades possíveis – uma resenha teórica". (2017): http://hdl.handle.net/10451/34999.
  76. Mendes, Ana Cristina. "‘From Carts to Jet Engines’: The Afterlife of Tess of the d’Urbervilles in Michael Winterbottom’s Trishna". Adaptation 9 2 (2016): 221-233. https://academic.oup.com/adaptation/article-abstract/9/2/221/2274781.
    Publicado • 10.1093/adaptation/apw010
  77. Mendes, Ana Cristina. "Cinema Heritage e Celebração Crítica do Passado na Pós-modernidade". Op. Cit: A Journal of Anglo-American Studies 2 5 (2016): 1-17. http://hdl.handle.net/10451/29135.
    Acesso aberto • Publicado
  78. Mendes, Ana Cristina. "‘The man be more of woman, she of man’: Disfarce e Travestismo em The Princess de Alfred Tennyson". Via Panorâmica: Revista Electrónica de Estudos Anglo-Americanos 3 5 (2016): 15-28. http://ler.letras.up.pt/uploads/ficheiros/14742.pdf.
    Publicado
  79. Mendes, Ana Cristina. "‘The man be more of woman, she of man’: Disfarce e Travestismo em The Princess de Alfred Tennyson". (2016): http://hdl.handle.net/10451/29134.
  80. Mendes, Ana Cristina. "‘From Carts to Jet Engines’: The Afterlife of Tess of the d’Urbervillesin Michael Winterbottom’s Trishna". (2016): http://hdl.handle.net/10451/29910.
    10.1093/adaptation/apw010
  81. Lau, Lisa; Mendes, Ana Cristina. "Post-9/11 re-orientalism: Confrontation and conciliation in Mohsin Hamid's and Mira Nair's The Reluctant Fundamentalist". (2016): http://hdl.handle.net/10451/30036.
    10.1177/0021989416631791
  82. Mendes, Ana Cristina. "Cinema Heritage e Celebração Crítica do Passado na Pós-modernidade". (2016): http://hdl.handle.net/10451/29135.
  83. Mendes, A.C.; Lau, L.. "India through re-Orientalist Lenses: Vicarious Indulgence and Vicarious Redemption". Interventions 17 5 (2015): 706-727. http://www.scopus.com/inward/record.url?eid=2-s2.0-84940581829&partnerID=MN8TOARS.
    10.1080/1369801X.2014.984619
  84. Mendes, Ana Cristina; Sundholm, John. "Walls and fortresses: borderscapes and the cinematic imaginary". (2015): http://hdl.handle.net/10451/29909.
    10.1080/20403526.2015.1073490
  85. Mendes, Ana Cristina. "Walled in/walled out in the West Bank: performing separation walls in Hany Abu-Assad’s Omar". (2015): http://hdl.handle.net/10451/29908.
    10.1080/20403526.2015.1084798
  86. Mendes, Ana Cristina; Lau, Lisa. "India through re-Orientalist Lenses". (2014): http://hdl.handle.net/10451/29907.
    10.1080/1369801X.2014.984619
  87. Ana Cristina Mendes. "Music and the Brown Culture Industry". Salman Rushdie in the Cultural Marketplace (2013): https://publons.com/publon/13570322/.
  88. Ana Cristina Mendes. "Salman Rushdie in the Cultural Marketplace Introduction". Salman Rushdie in the Cultural Marketplace (2013): https://publons.com/publon/13570318/.
  89. Ana Cristina Mendes. "Rushdie as Gatekeeper". Salman Rushdie in the Cultural Marketplace (2013): https://publons.com/publon/13570319/.
  90. Ana Cristina Mendes. "Exploding the Canon". Salman Rushdie in the Cultural Marketplace (2013): https://publons.com/publon/13570320/.
  91. Ana Cristina Mendes. "Rushdie, the Public Intellectual". Salman Rushdie in the Cultural Marketplace (2013): https://publons.com/publon/13570323/.
  92. Ana Cristina Mendes. "Film and Television: Showcasing Pictures of India". Salman Rushdie in the Cultural Marketplace (2013): https://publons.com/publon/13570321/.
  93. Ana Cristina Mendes. "Salman Rushdie in the Cultural Marketplace Conclusion". Salman Rushdie in the Cultural Marketplace (2013): https://publons.com/publon/13570325/.
  94. Mendes, Ana Cristina; Lau, Lisa. "Authorities of representation : speaking to and speaking for. A response to Barbara Korte". (2013): http://hdl.handle.net/10451/29280.
  95. "Revisitar o passado em Valha-me Deus: A ambivalencia na representação da alteridade étnica". Caleidoscópio (2011): http://revistas.ulusofona.pt/index.php/caleidoscopio/article/view/2315.
  96. Mendes, Ana Cristina Ferreira; Mendes, Ana Cristina. "Salman Rushdie Superstar: The Making of Postcolonial Literary Stardom". (2010): http://hdl.handle.net/10451/30211.
    10.1163/9789042032279_015
  97. Mendes, Ana Cristina. "Showcasing India Unshining: Film Tourism in Danny Boyle’s Slumdog Millionaire". (2010): http://hdl.handle.net/10451/29906.
    10.1080/09528822.2010.491379
  98. Mendes, Ana Cristina. "Mira Nair at the Bazaar: Selling the Exotic Erotic in Kama Sutra". (2010): http://hdl.handle.net/10451/29904.
  99. Mendes, Ana Cristina Ferreira, 1975-. "Triangulating Birmingham, Blackpool, Bombay: Gurinder Chadha’s "Bhaji on the Beach"". (2010): http://hdl.handle.net/10451/5590.
  100. Mendes, Ana Cristina. "Exciting Tales of Exotic Dark India: Aravind Adiga’s The White Tiger". (2010): http://hdl.handle.net/10451/29905.
    10.1177/0021989410366896
  101. Ana Cristina Mendes. ""Artworks, Unlike Terrorists, Change Nothing": Salman Rushdie and September 11". FROM SOLIDARITY TO SCHISMS: 9/11 AND AFTER IN FICTION AND FILM FROM OUTSIDE THE US (2009): https://publons.com/publon/10671373/.
  102. "‘The Thing Itself’’: A Indústria do Património em England, England de Julian Barnes". Op. Cit: A Journal of Anglo-American Studies (2008):
  103. Mendes, Ana Cristina. ""The Thing Itself": A Indústria do Património em England, England de Julian Barnes". (2008): http://hdl.handle.net/10451/30331.
  104. Mendes, Ana Cristina. "Revisitar o Passado em Valha-me Deus: A Ambivalência na Representação da Alteridade Étnica". (2008): http://hdl.handle.net/10451/29834.
  105. "‘The Bone of Contention’: Prazeres-Desejos do Corpo em The Handmaid’s Tale de Margaret Atwood". Anglo Saxonica (2007): http://repositorio.ul.pt/bitstream/10451/29830/1/Mendes%2C%20The%20Bone%20of%20Contention.pdf.
  106. "Do Literário ao Fílmico: A Adaptação na Perspectiva dos Estudos Culturais". Vértice: Revista de Cultura e Arte (2007):
  107. Mendes, Ana Cristina. "Do Literário ao Fílmico: A Adaptação na Perspectiva dos Estudos Culturais". (2007): http://hdl.handle.net/10451/30321.
  108. Mendes, Ana Cristina. "The brown culture industry: Theodor Adorno meets Talvin Singh". (2007): http://hdl.handle.net/10451/29832.
  109. Mendes, Ana Cristina. "'The Bone of Contention’: Prazeres-Desejos do Corpo em The Handmaid’s Tale de Margaret Atwood". (2007): http://hdl.handle.net/10451/29830.
  110. Mendes, Ana Cristina. "“A techno state of mind": Salman Rushdie and technophilia". (2006): http://hdl.handle.net/10451/30178.
  111. Mendes, Ana Cristina. "Teaching (with) British film: Sally Potter’s Orlando". (2005): http://hdl.handle.net/10451/30323.
  112. Mendes, Ana Cristina. "“Out of the huts of history’s shame I rise": Maya Angelou’s "Names" in the English classroom". (2002): http://hdl.handle.net/10451/30043.
Artigo em revista (magazine)
  1. Ana Cristina Mendes. "Unlearning Imperialism Through Artistic Remediation: A Critical Pedagogy Approach", 2024
    10.1080/02560046.2024.2312434
Capítulo de livro
  1. Mendes, Ana Cristina. ""Not 'Goods From Foreign' But Made in India": As Indústrias Culturais na Obra de Salman Rushdie". Portugal: Universidade de Lisboa, Centro de Estudos Anglísticos,
  2. Mendes, Ana Cristina. "“Beware Behalfies!": Contradictory Affiliations in Salman Rushdie’s Step Across This Line". Portugal: Intellect,
  3. Mendes, Ana Cristina. "Heritage Revisited: The Cultural Politics of Heritage in Goodness Gracious Me". Portugal: Cambridge Scholars Publishing,
  4. Mendes, Ana Cristina. "Bride & Prejudice and the (Post-)national Cinema Debate". Portugal: Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas,
  5. Mendes, Ana Cristina. "Introduction". Portugal: Cambridge Scholars Publishing,
  6. Mendes, Ana Cristina. "Forging identities in the ‘New World’: a Study of Salman Rushdie’s Fury". Portugal: Cambridge Scholars Publishing,
  7. Mendes, Ana Cristina. "A taste of the “Spicy Subcontinent" : Chitra Banerjee Divakaruni’s The Mistress of Spices". Portugal: Universidade de Lisboa, Centro de Estudos Anglísticos,
  8. Mendes, Ana Cristina. "(Read)dressing the Victorian past in the filmic adaptation of A. S. Byatt’s Possession". Portugal: Universidade de Lisboa, Centro de Estudos Anglísticos,
  9. Mendes, Ana Cristina. "Salman Rushdie’s ‘Epico-Mythico-Tragico-Comico-Super-Sexy-High-Masala-Art,’ or Considerations on Undisciplining Boundaries". Portugal: Taylor & Francis,
  10. Mendes, Ana Cristina. ""Bombay/ ‘Wombay": Refracting the Postcolonial Cityscape in The Ground Beneath Her Feet". Portugal: Taylor & Francis,
  11. Mendes, Ana Cristina. "Cultural Warfare Redux: Salman Rushdie’s Knighthood". Portugal: Cambridge Scholars Publishing,
  12. Ana Cristina Mendes. "Concluding Notes". 2023.
    10.1007/978-3-031-20286-5_8
  13. Ana Cristina Mendes. "Interrupting How the Literary Canon Is Taught". 2023.
    10.1007/978-3-031-20286-5_4
  14. Ana Cristina Mendes. "Adaptation Case Studies: Wuthering Heights and Home Fire". 2023.
    10.1007/978-3-031-20286-5_6
  15. Ana Cristina Mendes. "Beyond Stasis: Intertextuality, Spreadability, and Fandom". 2023.
    10.1007/978-3-031-20286-5_5
  16. Ana Cristina Mendes. "Course Descriptions: English Literature (Eighteenth and Nineteenth Centuries) and English Literature (Twentieth and Twenty-First Centuries)". 2023.
    10.1007/978-3-031-20286-5_7
  17. Ana Cristina Mendes. "Introduction". 2023.
    10.1007/978-3-031-20286-5_1
  18. Ana Cristina Mendes. "Decolonising the University: A Turn, Shift, or Fix?". 2023.
    10.1007/978-3-031-20286-5_2
  19. Ana Cristina Mendes. "Excavating the Imperial History of English Studies". 2023.
    10.1007/978-3-031-20286-5_3
  20. Mendes, Ana Cristina. "Adaptation and epistemic redress : the 1857 indian uprising in Junoon". Edinburgh University Press, 2023.
  21. Mendes, Ana Cristina. "Salman Rushdie and Visual Art and Culture". Cambridge University Press, 2023.
  22. Mendes, Ana Cristina. "Salman Rushdie and Visual Art and Culture". Cambridge University Press, 2023.
  23. Mendes, Ana Cristina. "Adaptation and epistemic redress : the 1857 indian uprising in Junoon". Edinburgh University Press, 2023.
  24. "Decolonising Wuthering Heights in the Semi-peripheral Classroom". 115-132. Reino Unido: Springer International Publishing, 2022.
    10.1007/978-3-030-91289-5_7
  25. Ana Cristina Mendes. "Precarity as a Mode of Enquiry". 33-48. Springer International Publishing, 2022.
    10.1007/978-3-031-06817-1_2
  26. Mendes, Ana Cristina. "Violence Framed: Remediating Images of Racialized Violence in Film". Palgrave Macmillan, 2022.
    http://doi.org/10.1007/978-3-031-05390-0_15
  27. Mendes, Ana Cristina. "Mona Montages". Hatje Cantz, 2022.
  28. Mendes, Ana Cristina. "Decolonising Wuthering Heights in the Semi-peripheral Classroom". Palgrave Macmillan, 2022.
    https://doi.org/10.1007/978-3-030-91289-5_7
  29. Lau, Lisa; Mendes, Ana Cristina. "Precarity as a Mode of Enquiry". Palgrave Macmillan, 2022.
    10.1007/978-3-031-06817-1_2
  30. Mendes, Ana Cristina. "Decolonising Wuthering Heights in the Semi-peripheral Classroom". Palgrave Macmillan, 2022.
    https://doi.org/10.1007/978-3-030-91289-5_7
  31. Mendes, Ana Cristina. "Mona Montages". Hatje Cantz, 2022.
  32. Mendes, Ana Cristina. "Violence Framed: Remediating Images of Racialized Violence in Film". Palgrave Macmillan, 2022.
    http://doi.org/10.1007/978-3-031-05390-0_15
  33. Lau, Lisa; Mendes, Ana Cristina. "Precarity as a Mode of Enquiry". Palgrave Macmillan, 2022.
    10.1007/978-3-031-06817-1_2
  34. Mendes, Ana Cristina. "The Cumulative Victorian and Neo-Victorian Fandoms of Penny Dreadful". WVT – Wissenschaftlicher Verlag Trier, 2021.
  35. Mendes, Ana Cristina. "Sunjeev Sahota’s fictions of failed cosmopolitan conviviality". In Cosmopolitanism and Belonging in Contemporary Literature, editado por Aleksandar Stevic; Philip Tsang. New York, Estados Unidos: Routledge, 2019.
    Publicado
  36. Mendes, Ana Cristina. "Disposability and ordinariness in the New Europe of Damjan Kozole’s Spare Parts". Brill Academic Publishers, 2019.
    10.1163/9789004406742_004
  37. Mendes, Ana Cristina. "Sunjeev Sahota’s fictions of failed cosmopolitan conviviality". Taylor & Francis, 2019.
    10.4324/9780429030666-4
  38. Mendes, Ana Cristina. "Indie crowdfunded narratives of commercial surrogacy, or the contested bodies of neoliberalism: Onir’s “I Am Afia” and Arpita Kumar’s Sita". In Indian Cinema Beyond Bollywood: The New Independent Cinema Revolution, editado por Ashvin Devasundaram, 78-99. London, Reino Unido: Taylor & Francis, 2018.
    Publicado
  39. Mendes, Ana Cristina. "Cumplicidades reorientalistas, reconfigurações identitárias: Salman Rushdie no mercado cultural global". In Identidades em Trânsito, editado por Fernanda Mota Alves; Gerd Hammer ; Patrícia Lourenço, 105-120. Lisboa, Portugal: Húmus, 2018.
    Publicado
  40. Mendes, Ana Cristina; Newns, Lucinda; Ilott, Sarah. "Introduction: New Directions, New Approaches". In New Directions in Diaspora Studies: Cultural and Literary Approaches, editado por Ana Cristina Mendes; Sarah Ilott; Lucinda Newns, xix-xxxiii. London, Reino Unido: Rowman & Littlefield, 2018.
    Publicado
  41. Mendes, Ana Cristina; Sundholm, John. "Introduction: Transnational cinema at the borders: borderscapes and the cinematic imaginary". In Transnational Cinema at the Borders, editado por Mendes, Ana Cristina; Sundholm, John, 1-7. London, Reino Unido: Routledge, 2018.
    Publicado
  42. Mendes, Ana Cristina Ferreira; Mendes, Ana Cristina. "Salman Rushdie: The Accidental Intellectual in the Mediascape". In Postcolonial Intellectuals in Europe: Academics, Artists, Activists and their Publics, editado por Sandra Ponzanesi ; Adriano José Habed, 143-157. London, Reino Unido: Rowman & Littlefield, 2018.
    Publicado
  43. Mendes, Ana Cristina. "Transculturating Shakespeare: Vishal Bhardwaj’s Mumbai Macbeth". In Where is Adaptation? Mapping cultures, texts, and contexts, editado por Casie Hermansson ; Janet Zepernick, 165-180. Amsterdam, Países Baixos: John Benjamins Publishing, 2018.
    Publicado • https://doi.org/10.1075/fillm.9.10men
  44. "Salman Rushdie: The Accidental Intellectual in the Mediascape". Reino Unido, 2018.
  45. "Transculturating Shakespeare: Vishal Bhardwaj’s Mumbai Macbeth". Países Baixos, 2018.
  46. Mendes, Ana Cristina; Sundholm, John. "Introduction: Transnational cinema at the borders: borderscapes and the cinematic imaginary". Taylor & Francis, 2018.
  47. Mendes, Ana Cristina; Newns, Lucinda; Ilott, Sarah. "Introduction: New Directions, New Approaches". Rowman & Littlefield, 2018.
  48. Mendes, Ana Cristina. "Salman Rushdie: The Accidental Intellectual in the Mediascape". Rowman & Littlefield, 2018.
  49. Mendes, Ana Cristina. "Cumplicidades reorientalistas, reconfigurações identitárias: Salman Rushdie no mercado cultural global". Húmus, 2018.
  50. Mendes, Ana Cristina. "Transculturating Shakespeare: Vishal Bhardwaj’s Mumbai Macbeth". John Benjamins Publishing, 2018.
    https://doi.org/10.1075/fillm.9.10men
  51. Mendes, Ana Cristina. "Indie crowdfunded narratives of commercial surrogacy, or the contested bodies of neoliberalism: Onir’s “I Am Afia” and Arpita Kumar’s Sita". Taylor & Francis, 2018.
  52. Mendes, Ana Cristina. "Bride & Prejudice and the (Post-)National Cinema Debate". In South Asian Diasporic Cinema and Theatre: Re-visiting Stage and Screen in the New Millennium, editado por Ajay K. Chaubey ; Ashvin Devasundaram. Jaipur, Índia: Rawat, 2017.
    Publicado
  53. Mendes, Ana Cristina; Bennett, Karen. "Refracting Fundamentalism in Mira Nair’s The Reluctant Fundamentalist". In American Cinema in the Shadow of 9/11, editado por Terence McSweeney, 109-124. Edinburgh, Reino Unido: Edinburgh University Press, 2016.
    Publicado
  54. Mendes, Ana Cristina. "Cultural Warfare Redux: Salman Rushdie’s Knighthood". In Salman Rushdie: An Anthology of 21st-century Criticism, editado por Ajay K. Chaubey, 3-19. New Delhi, Índia: Atlantic, 2016.
    Publicado
  55. Mendes, Ana Cristina. "The Marketing of Postcolonial Literature". In Postcolonial Studies Meets Media Studies, editado por Lucia Krämer ; Kai Merten, 215-231. Bielefeld, Alemanha: transcript Verlag, 2016.
    Publicado • 10.14361/9783839432945-012
  56. Mendes, Ana Cristina. "The Marketing of Postcolonial Literature". Columbia University Press, 2016.
  57. Mendes, Ana Cristina; Bennett, Karen. "Refracting Fundamentalism in Mira Nair’s The Reluctant Fundamentalist". Edinburgh University Press, 2016.
  58. Mendes, Ana Cristina. "Forging identities in the ‘New World’: a Study of Salman Rushdie’s Fury". Cambridge Scholars Publishing, 2014.
  59. Mendes, Ana Cristina. "Race in the Marketplace: Postmodern Passing and Ali G". State University of New York Press, 2014.
  60. Mendes, Ana Cristina. "Introduction". Cambridge Scholars Publishing, 2014.
  61. Mendes, Ana Cristina. "A taste of the “Spicy Subcontinent" : Chitra Banerjee Divakaruni’s The Mistress of Spices". Universidade de Lisboa, Centro de Estudos Anglísticos, 2013.
  62. Mendes, Ana Cristina. "(Read)dressing the Victorian past in the filmic adaptation of A. S. Byatt’s Possession". Universidade de Lisboa, Centro de Estudos Anglísticos, 2013.
  63. Mendes, Ana Cristina. "Salman Rushdie’s ‘Epico-Mythico-Tragico-Comico-Super-Sexy-High-Masala-Art,’ or Considerations on Undisciplining Boundaries". Taylor & Francis, 2012.
  64. Mendes, Ana Cristina. ""Bombay/ ‘Wombay": Refracting the Postcolonial Cityscape in The Ground Beneath Her Feet". Taylor & Francis, 2012.
  65. Mendes, Ana Cristina Ferreira; Lau, Lisa; Mendes, Ana Cristina. "Introducing Re-Orientalism: A New Manifestation of Orientalism". Reino Unido: Taylor & Francis, 2011.
  66. Mendes, Ana Cristina Ferreira; Mendes, Ana Cristina. "Re-Orientalism is on TV: From Salman Rushdie’s The Aliens Show to The Kumars at No. 42". Reino Unido: Routledge, 2011.
  67. Lau, Lisa; Mendes, Ana Cristina. "Introducing Re-Orientalism: A New Manifestation of Orientalism". Taylor & Francis, 2011.
  68. Mendes, Ana Cristina. ""Not 'Goods From Foreign' But Made in India": As Indústrias Culturais na Obra de Salman Rushdie". Universidade de Lisboa, Centro de Estudos Anglísticos, 2011.
  69. Mendes, Ana Cristina. "Re-Orientalism is on TV: From Salman Rushdie’s The Aliens Show to The Kumars at No. 42". Routledge, 2011.
  70. Mendes, Ana Cristina. "“Beware Behalfies!": Contradictory Affiliations in Salman Rushdie’s Step Across This Line". Intellect, 2011.
  71. Mendes, Ana Cristina. "Cultural Warfare Redux: Salman Rushdie’s Knighthood". Cambridge Scholars Publishing, 2010.
  72. Mendes, Ana Cristina Ferreira; Mendes, Ana Cristina. "Prizing Sameness? Kiran Desai and the Booker Prize". Índia: Atlantic, 2009.
  73. Mendes, Ana Cristina Ferreira. "Whites in Disguise: Postmodern Blackface and Ali G". Portugal, 2009.
  74. Mendes, Ana Cristina. "Prizing Sameness? Kiran Desai and the Booker Prize". Atlantic, 2009.
  75. Mendes, Ana Cristina. "Heritage Revisited: The Cultural Politics of Heritage in Goodness Gracious Me". Cambridge Scholars Publishing, 2008.
  76. Mendes, Ana Cristina. "Bride & Prejudice and the (Post-)national Cinema Debate". Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, 2007.
Edição de livro
  1. David Bowie and Transmedia Stardom. Reino Unido. 2019.
  2. Mendes, Ana Cristina Ferreira; Sundholm, John. Transnational Cinema at the Borders: Borderscapes and the cinematic imaginary. London, Reino Unido: Routledge. 2018.
    Publicado • Editor
  3. Mendes, Ana Cristina; Ilott, Sarah; Newns, Lucinda. New Directions in Diaspora Studies: Cultural and Literary Approaches. London, Reino Unido: Rowman and Littlefield. 2018.
    Publicado • Editor
Edição de número de revista
  1. Mendes, Ana Cristina; Wesley, Charlie. "New Directions in Rushdie Studies". Journal of Commonwealth Literature 52 3 (2017): http://journals.sagepub.com/toc/jcla/52/3.
    Publicado • 10.1177/0021989416683544 • Co-editor
  2. Mendes, Ana Cristina; Ramos, Iolanda. "Victorians Like Us: Domesticity and Worldliness". Open Cultural Studies 1 1 (2017): https://www.degruyter.com/page/1457.
    Publicado • Co-editor
Livro
  1. Ana Cristina Mendes. Decolonising English Studies from the Semi-Periphery. 2023.
    10.1007/978-3-031-20286-5
  2. Mendes, Ana Cristina. Decolonising English Studies from the Semi-Periphery. Palgrave Macmillan. 2023.
    http://doi.org/10.1007/978-3-031-20286-5
  3. Mendes, Ana Cristina. Decolonising English Studies from the Semi-Periphery. Palgrave Macmillan. 2023.
    http://doi.org/10.1007/978-3-031-20286-5
  4. Mendes, Ana Cristina. Decolonising English Studies from the Semi-Periphery. Palgrave Macmillan. 2023.
    http://doi.org/10.1007/978-3-031-20286-5
  5. Mendes, Ana Cristina; Perrott, Lisa. David Bowie and Transmedia Stardom. Taylor & Francis. 2020.
  6. Mendes, A.C.. Disposability and Ordinariness in the New Europe of Damjan Kozole's Spare Parts. 2019.
    10.1163/9789004406742_004
  7. Mendes, A.C.. Race in the marketplace: Postmodern passing and Ali G. 2014.
  8. Mendes, Ana Cristina Ferreira. Reviewing Imperial Conflicts. Reino Unido: Cambridge Scholars Publisher. 2014.
  9. Mendes, A.C.; Mendes, Ana Cristina. Salman Rushdie in the cultural marketplace. Portugal: Ashgate Publishing. 2013.
    10.4324/9781315607542
  10. Mendes, Ana Cristina Ferreira; Mendes, Ana Cristina. O Passado em Exibição: Leituras Pós-modernistas da Época Vitoriana. Portugal: Cosmos. 2013.
  11. Mendes, Ana Cristina. O Passado em Exibição: Leituras Pós-modernistas da Época Vitoriana. Cosmos. 2013.
  12. Mendes, Ana Cristina. Salman Rushdie in the Cultural Marketplace. Ashgate Publishing. 2013.
  13. Mendes, Ana Cristina Ferreira. Salman Rushdie and Visual Culture: Celebrating Impurity, Disrupting Borders. Reino Unido. 2012.
  14. Lau, L.; Mendes, A.C.. Re-Orientalism and South Asian identity politics: The oriental other within. 2012.
    10.4324/9780203814543
  15. Mendes, A.C.. Salman Rushdie’s “epico-mythico-tragico-comico-super-sexy-high-masala-art,” or considerations on undisciplining boundaries. 2012.
    10.4324/9780203183069
  16. Mendes, A.C.. Bombay/‘wombay’: Refracting the postcolonial cityscape in The Ground Beneath Her Feet. 2012.
  17. Mendes, A.C.. Re-Orientalism is on TV: From Salman Rushdies: The Aliens Show to The Kumars at No. 42. 2012.
  18. Lau, L.; Mendes, A.C.. Introducing re-Orientalism: A new manifestation of Orientalism. 2012.
  19. Serras, Adelaide Meira, 1955-; Faria, Luísa Leal de, 1948-; Baptista, Cristina; Gomes, Carla Larouco; Malafaia, Maria Teresa; Mendes, Ana Cristina; Ramos, Iolanda; et al. Empire Building and Modernity. Portugal: Centro de Estudos Anglísticos da Universidade de Lisboa. 2011.
  20. Mendes, Ana Cristina Ferreira. Orpheus and Eurydice as Indian Rock-and-Roll Superstars: Salman Rushdie's The Ground Beneath Her Feet. 2011.
  21. Serras, Adelaide Meira, 1955-; Faria, Luísa Leal de, 1948-; Baptista, Cristina; Gomes, Carla Larouco; Malafaia, Maria Teresa; Mendes, Ana Cristina; Ramos, Iolanda; et al. Empire Building and Modernity. Centro de Estudos Anglísticos da Universidade de Lisboa. 2011.
  22. Faria, Luísa Leal de; Ferreira, J. Carlos Viana; Silva, Elisabete Mendes; Levkovych, Oksana; Serras, Adelaide Meira; Ferreira, Isabel Simões; Gomes, Carla Larouco; et al. The British Empire. Ideology, Perspectives, Perceptions. Portugal: Centro de Estudos Anglísticos da Universidade de Lisboa (CEAUL/ULICES). 2010.
  23. Mendes, A.C.. “Beware behalfies!” Contradictory affiliations in Salman Rushdie’s step across this line. 2010.
  24. Mendes, Ana Cristina Ferreira. Cultural Warfare Redux: Salman Rushdie's Knighthood. 2010.
  25. Faria, Luísa Leal de; Paisana, Joanne; Serras, Adelaide Meira; Ramos, Iolanda Freitas; Mendes, Ana Cristina; Malafaia, Maria Teresa; Wootton, David; et al. A Tangled Web: ideas, images, symbols. Portugal: Centro de Estudos Anglísticos da Universidade de Lisboa (CEAUL/ULICES). 2007.
Recurso online
  1. Nalini Malani: Utopia!? – Nalini Malani’s Art of Quotation as Activism [Nalini Malani: Utopia!? – Nalini Malani: A Arte da Citação Enquanto Ativismo]. 2021.
    10.13140/RG.2.2.31174.19523
  2. Mendes, Ana Cristina. Domesticity and Worldliness in the Victorian Period from the Cultural Studies Perspective. 2018. https://oc.hypotheses.org/868.
Revisão de livro
  1. Mendes, Ana Cristina. "Salman Rushdie and Translation". http://hdl.handle.net/10451/30223.
    10.1080/0950236X.2015.1023509
  2. Mendes, Ana Cristina. "Salman Rushdie and Translation". http://hdl.handle.net/10451/30223.
    10.1080/0950236X.2015.1023509
  3. Mendes, Ana Cristina. "Re-Orientalism and Indian writing in English". http://hdl.handle.net/10451/30224.
    10.1080/17449855.2015.1110368
  4. Mendes, Ana Cristina. "David Bowie: Critical Perspectives (book review)". http://hdl.handle.net/10451/31446.
  5. Mendes, Ana Cristina. "David Bowie: Critical Perspectives". Revisão de David Bowie: Critical Perspectives 57, 3 (2018): 188-192. https://doi.org/10.1353/cj.2018.0044.
    Publicado • https://doi.org/10.1353/cj.2018.0044
  6. Mendes, Ana Cristina. "Re-Orientalism and Indian writing in English". Revisão de Re-Orientalism and Indian Writing in English 53, 5 (2017): 620-621. https://doi.org/10.1080/17449855.2015.1110368.
    Publicado • 10.1080/17449855.2015.1110368
Tese / Dissertação
  1. Abrahão, Tatiana Carrion. "Estratégias de localização da Netflix num mercado televisivo global". Mestrado, 2023. http://hdl.handle.net/10451/57700.
  2. Silva, Gustavo César da. "Relatório de tendências socioculturais 2023 : narrativas alternativas". Mestrado, 2023. http://hdl.handle.net/10451/57950.
  3. Maia, Andressa Nayara de Lima. "O pensamento anticolonial na arte contemporânea : práticas e estratégias de resistência e ressignificação". Mestrado, 2023. http://hdl.handle.net/10451/61871.
  4. Baranda, Francisco Camilo. "As british as me : victorian practices of (dis)union in contemporary Britain". Mestrado, 2023. http://hdl.handle.net/10451/56721.
  5. Silva, Gustavo César da. "Relatório de tendências socioculturais 2023 : narrativas alternativas". Mestrado, 2023. http://hdl.handle.net/10451/57950.
  6. Baranda, Francisco Camilo. "As british as me : victorian practices of (dis)union in contemporary Britain". Mestrado, 2023. http://hdl.handle.net/10451/56721.
  7. Abrahão, Tatiana Carrion. "Estratégias de localização da Netflix num mercado televisivo global". Mestrado, 2023. http://hdl.handle.net/10451/57700.
  8. Maia, Andressa Nayara de Lima. "O pensamento anticolonial na arte contemporânea : práticas e estratégias de resistência e ressignificação". Mestrado, 2023. http://hdl.handle.net/10451/61871.
  9. Pina, Filipa Andreia da Silva. "A Pandemia de COVID-19 e a desigualdade: o papel do associativismo sociocultural no combate à desigualdade social". Mestrado, 2022. http://hdl.handle.net/10451/54831.
  10. Torquato, Vinicius Scoralick de Almeida. "Absurdismo grotesco e possibilidade de emancipação na pós-modernidade em The Eric Andre Show". Mestrado, 2022. http://hdl.handle.net/10451/55857.
  11. Torquato, Vinicius Scoralick de Almeida. "Absurdismo grotesco e possibilidade de emancipação na pós-modernidade em The Eric Andre Show". Mestrado, 2022. http://hdl.handle.net/10451/55857.
  12. Carvalho, Rita Ribeiro de. "Women’s freedom of movement : from walking to solo travel narratives". Mestrado, 2022. http://hdl.handle.net/10451/61241.
  13. Solórzano Giraldo, Elizabeth Mirella. "Flora Tristán and transnational feminism". Mestrado, 2022. http://hdl.handle.net/10451/56547.
  14. Santos, Gabriela Orestes dos. "Novas telas, novas narrativas : televisão e identidade na era pós-rede". Mestrado, 2022. http://hdl.handle.net/10451/58841.
  15. Marques, Ana Cláudia Arinto. "O cinema infanto-juvenil da Disney : um portal para o activismo e representatividade racial". Mestrado, 2022. http://hdl.handle.net/10451/57964.
  16. Lourenço, Rita Mariana Gomes. "“Something yet remains…”: symbols of witchcraft, religion, and womanhood in Penny Dreadful". Mestrado, 2022. http://hdl.handle.net/10451/56622.
  17. Rodrigues, Adriana Sixel. "O papel da revitalização do espaço público na geração de novos afetos urbanos: o conceito de "cidade feliz" aplicado a um "não-lugar" do Bairro do Cais do Sodré e Santos". Mestrado, 2021. http://hdl.handle.net/10451/51281.
  18. Silva, Carlos Jael Soares da. "A cultura do jornalismo em desertos de notícias: um sistema em crises, uma presença distante". Mestrado, 2021. http://hdl.handle.net/10451/51080.
  19. Bastos, Pâmela Fonseca Alves. "A erotização feminina no carnaval do Rio de Janeiro como exercício de soft power : um estudo de caso da personagem “globeleza” da rede globo". Mestrado, 2021. http://hdl.handle.net/10451/48926.
  20. Oliveira, Hugo Mendes de. "An Empire of Delusion: The Process of Alienation as Expressed by Robert W. Chambers’ “The Repairer of Reputations”". Mestrado, 2021. http://hdl.handle.net/10451/50744.
  21. Fidalgo, Micael Alexandre Lopes. "Urbanização do Bom Sucesso : a fénix resortiana da Costa de Prata". Mestrado, 2020. http://hdl.handle.net/10451/43833.
  22. Cunha, Mariana Bicudo Castelo Branco. "I have no place that I may claim - Intersecting race, gender and class : an analysis of Amma Asante's Belle". Mestrado, 2019. http://hdl.handle.net/10451/39573.
  23. Mendes, Ana Cristina; Kaleli, Ayse Irmak. "The self within the other : The ambivalent discourse of the female travel writer in the Freya Stark's Baghdad Sketches and The Valleys of the Assassins". Mestrado, Universidade de Lisboa Faculdade de Letras, 2018. http://hdl.handle.net/10451/34791.
  24. Kaleli, Ayse Irmak. "The self within the other : The ambivalent discourse of the female travel writer in the Freya Stark's Baghdad Sketches and The Valleys of the Assassins". Mestrado, 2018. http://hdl.handle.net/10451/34791.
  25. Mendes, Ana Cristina Ferreira; Krebber, Mirijam. "A strategic approach to the implementation of a tour in the marginalized neighbourhoods of antiga Curraleira and Picheleira". Mestrado, Universidade de Lisboa Faculdade de Letras, 2017. http://hdl.handle.net/10451/28729.
  26. Krebber, Mirijam. "A strategic approach to the implementation of a tour in the marginalized neighbourhoods of antiga Curraleira and Picheleira". Mestrado, 2017. http://hdl.handle.net/10451/28729.
  27. Mendes, Ana Cristina Ferreira; Nascimento, Andrezza Pinto. "O lisboeta e a sua percepção sobre o lixo na cidade : uma análise cultural". Mestrado, Universidade de Lisboa Faculdade de Letras, 2016. http://hdl.handle.net/10451/25953.
  28. Nascimento, Andrezza Pinto. "O lisboeta e a sua percepção sobre o lixo na cidade : uma análise cultural". Mestrado, 2016. http://hdl.handle.net/10451/25953.
  29. Malafaia, Maria Teresa, 1951-; Faria, Luísa Leal de, 1948-; Mendes, Ana Cristina Ferreira, 1975-. ""A magpie tendency" : Salman Rushdie and cultural brokerism". Doutoramento, 2010. http://hdl.handle.net/10451/3812.
  30. Mendes, Ana Cristina Ferreira. ""A magpie tendency" : Salman Rushdie and cultural brokerism". Doutoramento, 2010. http://hdl.handle.net/10451/3812.

Outros

Outra produção
  1. Nalini Malani: Utopia!? – Nalini Malani’s Art of Quotation as Activism. ‘Nalini Malani: Utopia!?’, a retrospective of Nalini Malani’s animation artworks at the Serralves Museum (19 December 2020–29 August 2021), follows the development of Malani’s artistic path through a continued investment in ‘resonance’.1 As a retrospective, the exhibition includes works from the Indian artist’s first experimental colour stop-motion 8 mm animation film, Dream Houses (1969), produce. 2021. Mendes, Ana Cristina. http://hdl.handle.net/10451/49574.
  2. Introduction: Victorians Like Us—Domesticity and Worldliness. 2017. Ramos, Iolanda Cristina de Freitas; Mendes, Ana Cristina. https://www.degruyter.com/view/j/culture.2017.1.issue-1/culture-2017-0054/culture-2017-0054.xml.
  3. Walled in/walled out in the West Bank: performing separation walls in Hany Abu-Assad’s Omar. Techniques of colonial governmentality, such as the conjointly reinforcing institutions and practices of the military court system and the network of military checkpoints and other devices, continuously act to undermine (and concurrently reinforce) the disputed sovereignty of Palestine. Bearing a striking resemblance to practices of governance developed in colonial settings, a ‘new military urbani. 2015. Mendes, Ana Cristina. http://hdl.handle.net/10451/29908.
    10.1080/20403526.2015.1084798
  4. Walls and fortresses: borderscapes and the cinematic imaginary. In tandem with a postnational imaginary nurtured by an ever-present promise of deterritorialized mobility and burgeoning migratory fluxes, walls and fences separating nation states multiply. This is a burning issue: even though nation states at the centre of the global order increasingly present themselves as postnational, calls for tighter border security (prompted by traumatic events such as the. 2015. Mendes, Ana Cristina; Sundholm, John. http://hdl.handle.net/10451/29909.
    10.1080/20403526.2015.1073490
  5. Authorities of representation : speaking to and speaking for. A response to Barbara Korte. This article is a response to Barbara Korte’s article “Can the Indigent Speak? Poverty Studies, the Postcolonial and Global Appeal of Q & A and The White Tiger”, in which the author discusses the narrative voice which endows the indigent with agency, articulation and assertiveness.. 2013. Mendes, Ana Cristina; Lau, Lisa. http://hdl.handle.net/10451/29280.
  6. Showcasing India Unshining: Film Tourism in Danny Boyle’s Slumdog Millionaire. Cinematic representations of Indian poverty have been by and large open to allegations of aestheticising and showcasing squalor for artistic and/or commercial purposes. The purpose of this article is not to reiterate these in relation to Danny Boyle’s Slumdog Millionaire, but to attempt a critical analysis of the film that reaches beyond the supposedly romanticised images of photogenic and picture. 2010. Mendes, Ana Cristina. http://hdl.handle.net/10451/29906.
    10.1080/09528822.2010.491379
  7. Exciting Tales of Exotic Dark India: Aravind Adiga’s The White Tiger. A revamped portrayal of a Dark India garnered an unparalleled visibility in 2008 with the award of the coveted Man Booker Prize for Fiction to Aravind Adiga’s debut novel The White Tiger.This article examines Adiga’s staging of a Dark India as a new-fangled object of exoticist discourses. It begins by considering The White Tiger as an ironic uncovering of the subsumption of a Dark India into the g. 2010. Mendes, Ana Cristina. http://hdl.handle.net/10451/29905.
    10.1177/0021989410366896
  8. Mira Nair at the Bazaar: Selling the Exotic Erotic in Kama Sutra. Since the release of the film Kama Sutra: A Tale of Love in 1996, critics have almost unanimously accused diasporic Indian filmmaker Mira Nair of marketing India for western audiences. The general tone of the heavy criticism the film has received is put forth by Roger Ebert when he bluntly states that “[n]othing in [Nair’s] previous work […] prepared [him] for this exercise in exotic eroticism.” T. 2010. Mendes, Ana Cristina. http://hdl.handle.net/10451/29904.
  9. Triangulating Birmingham, Blackpool, Bombay: Gurinder Chadha’s "Bhaji on the Beach". "Bhaji on the Beach" is a 1994 road film, directed by Gurinder Chadha, centred on female characters who struggle in conflicts of gender, ethnicity and generational differences. Appropriating themselves of the public space of the English seaside resort Blackpool, each of these women reaches some sort of crossroads. Through the acknowledgment that identity is the outcome of negotiating difference, t. 2010. Mendes, Ana Cristina Ferreira, 1975-. http://hdl.handle.net/10451/5590.
  10. “Artworks, unlike terrorists, change nothing": Salman Rushdie and September 11. This essay sets out to demonstrate that rather than being an instance of fission, Rushdie’s most recent literary journalism as well as his latest novels, in particular Shalimar the Clown (2005), are the ultimate product of fusion, in the way that they result from the synthetic encounter – not disintegration – of contradictory states of affiliation. Any critical engagement with the global brand “Ru. 2009. Mendes, Ana Cristina. http://hdl.handle.net/10451/30207.
  11. Revisitar o Passado em Valha-me Deus: A Ambivalência na Representação da Alteridade Étnica. A presença cada vez mais frequente de representações da alteridade étnica nos media, ainda que por ora limitada, tem propiciado a criação de narrativas de resistência pelas minorias. Uma das motivações deste artigo é indagar sobre as efectivas possibilidades de fundamentar com sucesso um campo de acção política que permita uma autoformação cultural e uma mudança colectiva, numa área de representaç. 2008. Mendes, Ana Cristina; Universidade Lusófona de Humanidades e Tecnologias. http://hdl.handle.net/10451/29834.
  12. "The Thing Itself": A Indústria do Património em England, England de Julian Barnes. Usando como pano de fundo uma fantasia distópica situada temporalmente algures no início do terceiro milénio, a obra de Barnes partilha com muitos romances britânicos recentes, bem como com trabalhos das áreas da história cultural e da crítica literária (Easthope), a atracção pela anglicidade, ou melhor, pelos mitos, tradições e atitudes consideradas “tipicamente” inglesas. Sátira à indústria do p. 2008. Mendes, Ana Cristina. http://hdl.handle.net/10451/30331.
  13. 'The Bone of Contention’: Prazeres-Desejos do Corpo em The Handmaid’s Tale de Margaret Atwood. Assumindo à partida que aquilo que é entendido como sexual varia entre comunidades, este artigo pretende avaliar a aplicabilidade no projecto narrativo de Atwood da noção de um poder que opera não através da proibição do desejo, mas ao nível da produção dos prazeres-desejos do corpo, bem como as consequências da desigualdade de acesso ao poder na estruturação desses prazeres-desejos. Numa base bio. 2007. Mendes, Ana Cristina. http://hdl.handle.net/10451/29830.
  14. Do Literário ao Fílmico: A Adaptação na Perspectiva dos Estudos Culturais. A permanente interacção estabelecida entre a literatura e o cinema tem dado origem a numerosos estudos e a uma quantidade substancial de debates críticos. Independentemente das diversas conclusões teóricas que resultam da aproximação entre os dois media, é reconhecido que o cinema, desde cedo, se serviu de romances como fonte de inspiração, a nível diegético, e de forma continuada como suporte est. 2007. Mendes, Ana Cristina. http://hdl.handle.net/10451/30321.
  15. The brown culture industry: Theodor Adorno meets Talvin Singh. As theorised by Theodor Adorno, the “culture industry” is a pervasive structure that produces cultural commodities for the mass audience, while supporting dominant political and economic imperatives. What interests me here is not so much to focus on an apparent Adornian tendency to unify the culture industry, but to underscore the dynamic and conflictual makeup of the cultural industries. In an at. 2007. Mendes, Ana Cristina. http://hdl.handle.net/10451/29832.
  16. “A techno state of mind": Salman Rushdie and technophilia. Rushdie writes, “Life is fury. Fury – sexual, Oedipal, political, magical, brutal – drives us to our finest heights and coarsest depths” (20). Does Solanka’s fury, materialised in the web site PlanetGalileo.com, allow for renewed forms of subjectivity, collectivity or globality? Or does it underscore the shortcomings of postcolonial ambiguities in the face of neocolonial power structures? I will t. 2006. Mendes, Ana Cristina. http://hdl.handle.net/10451/30178.
  17. Teaching (with) British film: Sally Potter’s Orlando. Films in the English classroom can be regarded as the ambivalent products of both art and skill since they offer a variety of angles to explore the plot, characters, and conflicts stated or merely implied. Adapted from Virginia Woolf's 1928 novel by British filmmaker Sally Potter in 1993, Orlando can be an excellent resource for both language and culture in the English classroom. Living through fo. 2005. Mendes, Ana Cristina. http://hdl.handle.net/10451/30323.
  18. “Out of the huts of history’s shame I rise": Maya Angelou’s "Names" in the English classroom. In raising the issues of power and otherness, Maya Angelou’s short story “Names” has perceptive things to say about American society, its values, and its history. The main character of the short story has to deal with the problems that came with being black, female, and in the South individually, as well as collectively. Its provocative meaning (if we have open enough minds and hearts to let it in. 2002. Mendes, Ana Cristina. http://hdl.handle.net/10451/30043.
Distinções

Outra distinção

2017 Invited participant "Marie S. Curie IF Event 2017", School of Languages and Translation Studies, Department of English, University of Turku, Finland
Turun Yliopisto, Finlândia
2017 Bolsa de Pós-Doutoramento - projeto “India in the global imaginary: Investigating new temporalities of modernity in 2010s narratives of return and hospitality”
Fundação para a Ciência e a Tecnologia, Portugal
2016 Erasmus+ Staff Mobility for Teaching
Universiteit van Amsterdam, Países Baixos

Amsterdam University College, Países Baixos

Netherlands Institute for Cultural Analysis, Países Baixos

Amsterdam School of Cultural Analysis, Países Baixos
2016 Invited participant, symposium “Social Transformation, Cultural Expressions, Cross Cultural Connections and Dialogue," Gurgaon, India (EU-India Platform for the Social Sciences and Humanities (EqUIP) (Plataforma Euro-Indiana em CS e Humanidades)
Arts and Humanities Research Council, Reino Unido

Fundação para a Ciência e a Tecnologia, Portugal
2015 Visiting Scholar grant
Keele University Department of Geography Geology and the Environment, Reino Unido
2014 FACC (support for organization of scientific events) for “Salman Rushdie in the 21st Century” Conference
Fundação para a Ciência e a Tecnologia, Portugal
2014 Book Awards for Junior Scholars, Cultural Studies in English - Shortlisted
European Society for the Study of English, Reino Unido
2011 Grant for participation in the ESF Early Career Researchers Forum Humanities Spring 2011: Changing Publication Cultures in the Humanities
European Science Foundation, França
2008 Fernando de Mello Moser Literary Essay Prize
2006 Doctoral fellowship
Fundação para a Ciência e a Tecnologia, Portugal
2006 Grant for conference presentation (University of Toulouse-Le Mirail, France)
Fundação Calouste Gulbenkian, Portugal
2006 Grant for conference presentation (University of California, Irvine, USA)
Fundação Luso-Americana, Portugal