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Paula works internationally, at the intersection of artistic and theoretical research in the expanded fields of choreography, performance, experimental cinema and critical archival practices, borrowing methodologies from feminist science and technology studies, combined with anticolonial perspectives of infrastructure and environmental media studies. She is integrated researcher at the Centre for Theatre Studies (CET), associated to the Institute for Contemporary History (IHC-UNL) and guest lecturer in the PhD and MD Programme in Theatre Studies at the School of Arts and Humanities of the University of Lisbon (FLUL). She holds a PhD in Philosophy (epistemology and aesthetics) from the University of Paris Nanterre (2010) and was a visiting scholar at the Performance Studies / Tisch School of the Arts, New York University (2018). Paula is currently developing practices of collective cine-fabulation as a situated mode of inquiry, to address the kinds of (im)material labour, resource extraction and socio-environmental damage implicated in the very production of history, knowledge, and artificial intelligence, as well as in the maintenance of their institutions, technologies and political fictions. She has been presenting work in several artistic and academic research venues across Europe, the USA and Australia since 2005, intertwining choreographic with discursive practices, experimenting research formats that merge dissimilar kinds of (un)knowing, and enhancing the collective dimensions of reading, translating, and editing. To emphasize the forms of life (and death) implicated in any circumstances of research and/or composition, as well as the particular dramaturgies of study, research and theory-making, Paula has founded T-Fi (Theory-Fiction) Cabinet, an exploratory work-field of underground attachments between fictional and theoretical practices. With theoreticians and artists Ivana Müller, Bojana Bauer and Joachim Hamou, she co-founded INSTITUT, a Parisian platform for critical thought within artistic practices (2014). Since 2013 Paula is part of the collective baldio|Performance Studies with Lisbon peers, with whom she co-curated an Experimental Course in Performance Studies, Taking Position | The Political and Place (2016). She is the author of Relations On Paper (2013), editor of The Page As a Dancing Site (2014) and Pièces Assemblées (2017), and is currently editing the book Expanded Practices All Over: Studying-Working-Living With/Out Performance (forthcoming 2024), which includes an audio-visual extension: With/Out the Museum.
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Identificação

Identificação pessoal

Nome completo
Paula Caspão

Nomes de citação

  • Caspão, Paula

Identificadores de autor

Ciência ID
C91C-0524-8BC3
Google Scholar ID
https://scholar.google.fr/scholar?lr=&q=paula+caspão&hl=fr&as_sdt=0,5

Websites

Domínios de atuação

  • Humanidades
  • Humanidades - Artes - Estudo das Artes da Representação (música, teatro e dramaturgia)

Idiomas

Idioma Conversação Leitura Escrita Compreensão Peer-review
Português (Idioma materno) Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1)
Alemão Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1)
Inglês Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1)
Francês Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1) Utilizador proficiente (C1)
Espanhol; Castelhano Utilizador independente (B1) Utilizador proficiente (C1) Utilizador independente (B1) Utilizador proficiente (C1)
Formação
Grau Classificação
2016/01/01 - 2019/04/30
Concluído
 Post-doctoral Research / Performance Studies. Centre for Theatre Studies, Lisbon University (Pós-doutoramento)
Universidade de Lisboa Faculdade de Letras, Portugal
2013/01/01 - 2015/12/31
Concluído
 Post-doctoral Research / Performance Studies. Centre for Theatre Studies, Lisbon University (Pós-doutoramento)
Universidade de Lisboa Faculdade de Letras, Portugal
2004 - 2010
Concluído
 PhD in Philosophy / Epistemology and Aesthetics, Université Paris Ouest Nanterre La Défense | With Mention: Summa Cum Laude (Doutoramento)
Université Paris-Nanterre, França
"Vis elastica de la sensation. Chorégraphies contemporaines" (TESE/DISSERTAÇÃO)
 Summa Cum Laude
2005 - 2005
Concluído
 Practical Training: Analysing Dance / Body-Mind Centering / Hatha-yoga / Creative Process - Tanzquartier, Vienna, Austria (Outros)
Tanzquartier Wien GmbH, Áustria
1997 - 1999
Concluído
 Junior Research Fellow, Philosophy Department, Vienna University. Culture Department, Arts Academy of Vienna (Outros)
Universität Wien, Áustria
1992 - 1998
Concluído
 M.A. German Studies (Aesthetics and Philosophy of Language). Lisbon University (Mestrado)
Universidade de Lisboa, Portugal
"O Corpo do Anjo. Para uma reflexão estética sobre a linguagem" (TESE/DISSERTAÇÃO)
 MUITO BOM
1995 - 1997
Concluído
 Junior Research Fellow / Visiting Student in the frame of the M.A., Romanic Philology Department, Free University of Berlin (Outros)
Freie Universität Berlin, Alemanha
1987 - 1992
Concluído
 B.A. in Germanic Culture, Linguistics, and Literature (5 years study with teaching training). (Licenciatura)
Universidade de Aveiro, Portugal
"Heart of Darkness and The Heart of the Matter: The Works of Joseph Conrad and Graham Greene" (TESE/DISSERTAÇÃO)
 15 valores
1991 - 1991
Concluído
 Erasmus Fellowship / Undergraduate Student, one semester. Bielefeld University, Germany. Faculty of Linguistic and Literary Sciences (Outros)
Universität Bielefeld, Alemanha
Percurso profissional

Ciência

Categoria Profissional
Instituição de acolhimento 		Empregador
2019/05/01 - Atual Investigador Contratado (Investigação) Universidade de Lisboa Faculdade de Letras, Portugal
2014/01/01 - Atual Investigador (Investigação) Associated researcher at Institute for Contemporary History, research cluster Economy and Society – State, Classes, Gender. , Portugal
Faculty of Human and social sciences / Universidade Nova de Lisboa, Portugal
2013/01/01 - Atual Investigador (Investigação) Centre for Theatre Studies. Research cluster Discursive Practices in Performing Arts, Portugal
Centre for Theatre Studies. Research cluster Discursive Practices in Performing Arts, Portugal
2013/01/01 - 2019/04/30 Pós-doutorado (Investigação) Fundação para a Ciência e a Tecnologia, Portugal
Universidade de Lisboa Faculdade de Letras, Portugal

Cargos e Funções

Categoria Profissional
Instituição de acolhimento 		Empregador
2018/02/01 - 2018/06/30 Visiting Scholar / Performance Studies Department New York University Tisch School of the Arts, Estados Unidos
2014/08/01 - 2016/06/30 Lecturer and Advisor to the Head of Choreography Danish National School of Performing Arts, Dinamarca

Outros

Categoria Profissional
Instituição de acolhimento 		Empregador
2015/01/01 - Atual Member, collective ‘baldio | Performance Studies’, Lisbon Collective baldio / Performance Studies, Portugal
2011/01/01 - Atual Member, “Annuaire international des chercheurs en danse et performance du MUSEE DE LA DANSE”, Choreographic Centre of Rennes, in cooperation with ARCHIVES DE LA CRITIQUE D’ART. Choreographic Centre of Rennes, França
Projetos

Bolsa

Designação Financiadores
2016/01/01 - 2019/04/30 FCT Post-doctoral Fellowship. Research Project: Performances and Ecologies of the Museum /Archive: institution, history, preservation, curatorship, publication, as socio-choreographic practices. Centre for Theatre Studies, Lisbon University
SFRH/BPD/88211/2012
Bolseiro de Pós-Doutoramento
Fundação para a Ciência e a Tecnologia, Portugal
Concluído
2013/01/01 - 2015/12/31 FCT Post-doctoral fellowship. Research Project "Performance, Critique, Theory, Documentation, Archive: Exchanging Methodologies". Centre for Theatre Studies, Lisbon University
SFRH/BPD/88211/2012
Bolseiro de Pós-Doutoramento
Fundação para a Ciência e a Tecnologia, Portugal
2008/05/01 - 2008/05/10 Grant for scientific mobility, Calouste Gulbenkian Foundation. Sense Lab, Laboratory Into the Folds, Concordia University, Montréal.
no
Outra
Fundação Calouste Gulbenkian, Portugal
Concluído
2003/11/01 - 2007/10/31 FCT Doctoral Fellowship. Dissertation: "Vis elastica de la sensation. Chorégraphies contemporaines". Université Paris Ouest Nanterre La Défense Fundação para a Ciência e Tecnologia I.P. (Lisbon)
SFRH/BD/13655/2003
Bolseiro de Doutoramento
Fundação para a Ciência e a Tecnologia, Portugal
Concluído
2002/01/01 - 2002/08/31 Literary Creation Fellowship, IPLB / Fiction book: Anfi-biografias de Contágio
no
Outra
IPLB Portuguese Book and Libraries Institute, Lisbon. , Portugal
1997/09/01 - 1999/06/30 Austrian Science and Research Grant / ÖAD. Project: Contemporary art historiography and audio-visual culture
no number
Bolseiro de Investigação
ÖAD Austrian Science Fund, Áustria

Arts Academy, Vienna, Áustria
Concluído
1995/09/01 - 1997/06/30 Calouste Gulbenkian Foundation Grant. Performative Reflection on Language / Research in the frame of the M.A. program
no number
Bolseiro de Mestrado
Freie Universität Berlin, Alemanha

Fundação Calouste Gulbenkian, Portugal
Concluído
1991/02/15 - 1991/06/30 Erasmus Fellowship / Undergraduate Student, one semester. Bielefeld University, Germany.
no number
Outra
Bielefeld University, Germany. Faculty of Linguistic and Literary Sciences, Alemanha
Concluído

Projeto

Designação Financiadores
2023/02/01 - 2025/12/31 Institute of Rest(s): How to trouble productivity through dance and its spaces of communality
R&D
Bolseiro de Investigação
La Manufacture de Lausanne R&D , Suiça

HES-SO University of Applied Sciences and Arts Western Switzerland, Suiça
IRMAS - HES-SO University of Applied Sciences and Arts Western Switzerland
Em curso
2022/01/14 - 2025/01/13 Archiving Theatre
PTDC/ART-PER/1651/2021
10.54499/PTDC/ART-PER/1651/2021
Bolseiro de Investigação
Universidade Nova de Lisboa, Portugal

Universidade de Lisboa Centro de Estudos de Teatro, Portugal

ISCTE-Instituto Universitário de Lisboa, Portugal

Universidade de Lisboa Faculdade de Letras, Portugal

ISCTE-Instituto Universitário de Lisboa Centro de Investigação e Estudos de Sociologia, Portugal

Instituto de História Contemporânea, Portugal
Fundação para a Ciência e a Tecnologia
Em curso
2020/01/01 - 2022/08/30 Noa & Snow - a choreographic social experiment between curating, writing and choreography
AR 553
Co-Investigador Responsável (Co-IR)
Volkskundemuseum Wien – Wien Modern – Tanznacht Berlin – boîte de production – ICI-CCN de Montpellier – Occitanie supported by Le Farº Nyon – XING Bologna boîte de production is supported by The Creative Europe Programme of the European Union through, Áustria
Austrian Science Fund (FWF) via PEEK Programme for Arts-based Research, project AR 553
Concluído

Outro

Designação Financiadores
2018/02/01 - 2018/06/30 Visiting Scholar at the Department of Performance Studies, Tisch School of the Arts, New York University, USA. Research Project: "Gestures, Poetics, and Ecologies of the Museum / Archive"
no
Bolseiro de Cientista Convidado
New York University Tisch School of the Arts, Estados Unidos
Concluído
2016/09/15 - 2016/12/20 Experimental Course in Performance Studies The Political and Place. Co-curatorship with the collective baldio | Performance Studies, Lisbon
no
Outra
Polo Cultural das Gaivotas, Lisbon , Portugal

Republica Portuguesa Direção-Geral das Artes, Portugal
Republica Portuguesa Direção-Geral das Artes
Concluído
2014/04/01 - 2014/06/30 Artistic Research Editorial Project The Page As a Dancing Site
no
SSKS / KUV Copenhagen Artistic Research and Development Fund, Danish National School of Performing Arts, Copenhagen. , Dinamarca
Concluído
Produções

Publicações

Artigo em conferência
  1. Caspão, Paula. ""Letters to Imagine Some Ends to This World". In Artistic Research Lab: on the notion of practice [E-book]. Copenhagen: Dansehallerne.". 2019.
    Publicado
Artigo em jornal
  1. Caspão, Paula. "Diálogos Arte/Filosofia. In Doc.LAB 8, Re.aL/João Fiadeiro", 2001
Artigo em revista
  1. Caspão, Paula. ""Rassemblages Pre-Lúdicas para Ensaiar Recusar", Coreia #5 [projeto editorial de carácter artístico, crítico e discursivo, editado por João dos Santos Martins], Associação Parasita & Circular Associação Cultural, Setembro 2021, pp.12-13. ISSN 2184-4461". (2021):
  2. Caspão, Paula. ""Let's Walk Around Here and call it study". (republication of a book chapter from 2017) Interact, review of Art, Culture, and Technology. http://interact.com.pt/author/paula-caspao/". (2018): http://interact.com.pt/author/paula-caspao/.
  3. Caspão, Paula. "“Sticky Tales for Affect”. Maska: The Performing Arts Journal Vol. 29 / Issue 161-162 (2014): 26- 43". Maska: The Performing Arts Journal 29 161-162 (2014): 26-43. http://www.intellectbooks.co.uk/journals/view-Article,id=18088.
    Publicado
  4. Caspão, Paula. "“Um workshop – Um plano de composic¸a~o para agir e pensar a partir do ‘meio’”. Sinais de Cena 21 (2014): 61-66". (2014):
  5. Caspão, Paula. "“Dramaturgies of Transplantation: Brief Document Across a Long Term Practice”. Critical Dialogues / Dance Dramaturgies (ed. Jodie McNeilly) / Sydney: Critical Path (2014): 16- 19". (2014):
  6. Caspão, Paula. "Implausible connections: on the uses of an (in)certain choreographic. SCORES n°1 Touché / Wien: Tanzquartier (2011): 52-59.". SCORES n°1 – touché, Wien, Tanzquartier 1 (2011): 52-59. http://www.tqw.at/sites/default/files/Scores_1_Kern_Web_FINAL.pdf.
    Publicado
  7. Burt, Ramsay; Noeth, Sandra; Kalem, Aylin; Bleeker, Maaike; Solomon, Noémie; Caspão, Paula. "“On the difficulty of producing an egg (a title I could not have produced myself)”. Research in Dance and Performance Series / Istanbul: Bimeras (2009): 58-65". Research in Dance and Performance Studies, Bogazici University / Bimeras, 2009 01 (2009): 58-65.
    Publicado
  8. Caspão, Paula. "“Stroboscopic Stutter: On the Not-Yet-Captured Ontological Condition of Limit-Attractions”, The Drama Review n°194 (2007): 136-156". The Drama Review [TDR], 51 : 2 T194 (2007): 136-156. http://muse.jhu.edu/journals/tdr/summary/v051/51.2caspao.html.
    Publicado
  9. Caspão, Paula. "“De toekomst van het theater II” [original title: “50 years to go: sounding, asking – on the future of the theatre”]. Etcetera: Dans, Theatre, Futurologie nr. 109 (2007): 33-36". Etcetera: Dans, Theatre, Futurologie 109 (2007): 33-36.
    Publicado
  10. Caspão, Paula. "“Big2 et micro-perceptions”. Mission Impossible n°01 (2006): 60-79". MISSION IMPOSSIBLE hiver / printemps 2006 01 (2006): 60-79. http://www.lmda.net/din/tit_lmda.php?Id=52414.
    Publicado
Artigo em revista (magazine)
  1. Caspão, Paula. "“Touch Tours: A short assemblage of homemade musicals”. In TO DO: Short Essays, edited by Johan Thelander, 16-26. Stockholm: möte09 c/o Hybris Konstproduktion, 2010", 2010, http://www.atelier-real.org/res/ImagensHOMEPAGE/jornal06_atelier_real.pdf.
  2. Caspão, Paula. "“Big Deal: Tourismus & Ästhetik”. SZENE Salzburg / août (2005): 38", Sommer ’05 SZENE Salzburg, 2005
  3. Caspão, Paula; Höller, Herwig G.. "Gehen bis nichts mehr geht: Bilder aus der österreichischen Protestbewegung gegen Schwarz-Blau, SPRINGERIN / Hefte für Gegenwartskunst", SPRINGERIN / Hefte für Gegenwartskunst, 2000, http://www.springerin.at/dyn/heft.php?id=11&pos=0&textid=0&lang=de.
Capítulo de livro
  1. Caspão, Paula; Caspão, Paula. ""Reencontrar Miquelina e Miguel / Tornar-se DJ de Arquivos Visuais" in Teatro e Imagem - O Potencial Dramatúrgico da Fotografia no Teatro e na Performance. Coordenação Raquel M. Raimundo. Lisboa: Ed. Centro de Estudos de Teatro". Lisbon, Portugal, 2024.
    Aceite para publicação
  2. Caspão, Paula. ""Atlas de Remedeio Vocabular". In Cadernos Reenact Now. Coordenação de Carlos Costa. Porto: Edições Afrontamento.". 2024.
  3. Caspão, Paula; Oliveira, Carlos; Caspão, Paula. "Glossariar: ensaio permanente¿. In Dança Não Dança. Coordenação de Ana Dinger, João S. Martins, Carlos OLIVEIRA, Ana Bigotte Vieira, Lisboa: Fundação Calouste Gulbenkian / Imprensa Nacional.". 2024.
    Aceite para publicação
  4. Caspão, Paula. ""Texturages: Vignettes Rassemblagées to Rehearse Re-fusal". In Noa & Snow: Poem#10 [a publication in the form of a thank you dance]. Edited by Alix Eynaudi and Goda Budvytyte, Berlin: Bom Dia Books, 2022. ISBN 978-3-96436-058-8". 2022.
  5. Caspão, Paula. "With Eynaudi, Alix; Pujol, Quim, "Institute of Rest(s). A Shady Dance". In Noa & Snow Snow: Poem#10 [a publication in the form of a thank you dance]. Edited by Alix Eynaudi and Goda Budvytyte, Berlin: Bom Dia Books, 2022.". 2022.
  6. Caspão, Paula. ""Fotonovela Replicante". In Artes Performativas e Cultura Digital. João Estevens, ed. Lisboa: Ed. Montanha & Rabbit Hole, 2021,188-197.". 2021.
  7. Caspão, Paula. "Dance's Posthumous Frequentations in Times of Compulsive Enlivenment". In Práticas de Arquivo em Artes Performativas. Editado por Cláudia Madeira, Fernando Matos Oliveira, Hélia Marçal. Imprensa da Universidade de Coimbra.". 149-170. Portugal, 2020.
    Publicado
  8. Caspão, Paula. ""Hiena" e "Taxidermia". In Práticas performativas em torno d'O Animal. Editado por Daniel Tércio. Lisboa: polo INET-MD, Faculdade de Motricidade Humana, Universidade de Lisboa, 2019. E-book. pp. 226-228 e 259-262, respectivamente. ISBN 978-972-735-238-8.". 2019.
  9. Caspão, Paula. ""Moments of" (with Cogne, Ingrid). In For and By Six Formats. Edited by Cogne, Ingrid. Vienna: Academy of Fine Arts.". 2018.
  10. Caspão, Paula. "A sense of Place: Re-membering PEPCC". In My Background is now: memories and processes of a contemporary dance training program. Edited by Tonguz, S.; Canarim, C.; Salaroli, J.; Teles Grilo, V. Lisbon: (Re)union.". 2018.
  11. Caspão, Paula. ""Let's Walk Around Here and call it study: diaries of an outdoor-study-practice". In Calling Out of Context: Reading Manual. Edited by Joachim Hamou. Paris: Paraguay Press, 2017, pp. 95-120.". 95-120. Paris, França, 2017.
    Publicado
  12. Caspão, Paula; Fiadeiro, João. "O Fim dos Princípios: Correspondência entre João Fiadeiro e Paula Caspão". In Tubo de Ensaio: Composição [Intervenções + Intersecções]. Edited by Jussara Xavier, Sandra Meyer, and Vera Torres. Florianópolis: Fundação Cultural de Florianópolis.". 0-0. Brasil: Fundação Cultural de Florianópolis, 2016.
    Publicado
  13. Caspão, Paula. ""INVERTIR INCLINACIONES ¿hay vida en el hacer teórico?". In Ejercicios de Ocupacion: Afectos, Vida y Trabajo, edited by Ixiar Rozas and Quim Pujol. Barcelona: Mercat de les Flors, Institut del Teatre, Ediciones Polígrafa [Col. Cuerpo de Letra / #5 Danza y Pensamiento].". 124-150. Barcelona, Espanha: Mercat de les Flors, 2015.
    Publicado
  14. Caspão, Paula. "A collection of Poems. In Let’s poem back, edited by Alice Chauchat (with: Alix Eynaudi, Valentina Desideri, Denise Ferreira da Silva, Keith Hennessy, Jennifer Lacey, Rasmus Olme, Angela Schubot), 7, 11, 13, 17, 19, 29, 31, 41, 43, 46. Lisbon: Ghost editions, 2014". 2014.
  15. Caspão, Paula; Laermans, Rudi; De Baecque, Antoine; T'Jonck, Pieter; Peeters, Jeroen; Ploebst, Helmut; Vande Veire, Frank; Baudelot, Alexandra & Superamas; Van Campenhout, Elke. "“Big Bestiary of Blending”/ “Le Grand bestiaire des mélanges”. In SUPERAMAS: Big 3 episodes [art/discourse], edited by Superamas & Jeroen Peeters (bilingual), 9-12 ; 27-28 ; 47-49 ; 73-74 ; 111-113 ; 131-132 ; 153-154 ; 171-172 ; 191-193. Paris: Les Presses du Réel, 2010". 9-193. Dijon, França: Presses du Réel, 2010.
    Publicado
  16. Sloterdijk, Peter; Kwan, SanSan; Mitra, Royona; Joy, Jenn; Gil, José; Manning, Erin; Caspão, Paula; et al. "“Stroboscopic Stutter: On the Not-Yet-Captured Ontological Condition of Limit-Attractions”. In Planes of Composition: Dance, Theory and the Global, edited by André Lepecki & Jenn Joy, 123-159. London/New York/Calcutta: Seagull Books, 2009. Originally published in TDR n°194 (New York: MIT Press, 2007)". In Planes of Composition: Dance, Theory and the Global, 123-159. London / New York / Calcutta, Estados Unidos: Seagull Books, 2009.
    Publicado
  17. Zabaleta, Idoia; Francisco, Filipa; Lepecki, André; Caspão, Paula; Lima, Dani; Conde-Salazar, Jaime; Rozas, Ixiar; Fabião, Eleonora. "“Foggy Silk Senses”. In Bicho eres un bicho, edited by Idoia Zabaleta & Filipa Francisco, 41-44. Costa da Caparica/Lasierra: Moare Danza, 2009". 41-44. Costa da Caparica & Lasierra, Portugal: Moare Danza, 2009.
    Publicado
  18. Lefebvre, Henri; Hewitt, Andrew; Caspão, Paula; Badiou, Alain; Virtanen, Akseli; Bel, Jérôme; Massumi, Brian; et al. "“Get High: On aerobic politics and other highly cinematic genres”. In The Swedish Dance History I, 134-139. Stockholm: Danshögskolan University College of Dance/Inpex/Konstnärsnämnden, 2009". 134-139. Stockholm, Suécia: Danshögskolan University College of Dance/Inpex/Konstnärsnämnden, 2009.
    Publicado
Edição de livro
  1. Caspão, Paula. Pièces Assemblées. Geneva, Bern & Bienne: HEAD & HEAB.. Geneva, Suiça: HEAD. 2017.
  2. Caspão, Paula. The Page as a Dancing Site. Lisbon: Ghost Editions.. Lisbon / Copenhagen, Portugal: Ghost. 2014.
Edição de número de revista
  1. Caspão, Paula. "Vicente, Gustavo (ed.), Dossier temático "A Prática como Investigação (Practice As Research)", Sinais de Cena. Série II n°4 2020, pp.9-61. ISSN 1646-0715/ e-ISSN 2184-9552.". (2020):
    Publicado
Livro
  1. Caspão, Paula. Relations on paper. Lisbon: Ghost Editions.. Lisbon, Portugal: Ghost. 2013.
    Publicado
Prefácio / Posfácio
  1. Caspão, Paula. "Experimentações Prefatórias. In VIEIRA, Ana B. (ed.) - Histórias do Experimental. Lisboa: Sistema Solar.". 2024.
    Aceite para publicação
Recurso online
  1. Caspão, Paula; Caspão, Paula. "Conferência-Performance". In Condomínio: Um Léxico para as Artes Performativas em Portugal (1960-2020) [Website]. Cláudia Madeira (ICNOVA-NOVA/FCSH), Fernando Matos Oliveira (CEIS20-UC), Mickael de Oliveira (CET-INET), org.. 2022.
Tradução
  1. Van Imschoot, Myriam. Translation / Van Imschoot, Myriam. “Rests in Pieces: Sobre partituras, notações e traços em dança”. Jornal Atelier Real / Ciclo Restos, Rastos e Traços: Práticas de Documentação na Criação Contemporânea (2011). Lisboa, Portugal: Jornal Atelier Real. Ciclo Restos, Rastos e Traços. 2011.
  2. Grand Magasin. Several articles for the journal Cairon – Revista de estudios de danza n° 14 / To be continued. 10 textos en cadena y unas páginas en blanco (ed. Victoria Perez Royo & Cuqui Jerez). Universidad de Alcalá: Madrid, 2010. Madrid, Espanha: CAIRON – Revista de estudios de danza (Victoria Perez Royo & Cuqui Jerez dir.), n° 14. 2010.
  3. Caspão, Paula. Several articles for the journal Cairon n°12 / Cuerpo y arquitectura (ed. Fernando Quesada & Amparo Ecija). Universidad de Alcalá: Madrid, 2009. 2009.
  4. Caspão, Paula. Several articles for the journal Cairon n°11 / Cuerpo y cinematografía (ed. José A. Sanchez, Isabel de Naverán). Universidad de Alcalá: Madrid, 2008. 2008.
  5. Nancy, Jean-Luc; Fabbri, Veronique. With Petra Sabisch: Nancy, Jean-Luc. “Ich weiss sehr wohl, dass ich nie gut getanzt habe: Ein Gespräch mit Véronique Fabbri” [original title: “Entretien avec Jean-Luc Nancy, par Véronique Fabbri”, Rue Descartes / Penser la danse contemporaine, n° 44 / Collège International de philosophie/PUF (2004): 62-78]; CORPUS Internet Magazin für Tanz, Choregrafie, Performance, 2006. Austria, Áustria: CORPUS Internet Magazin für Tanz, Choregrafie, Performance, 2006. 2006.

Artística / Interpretação

Arte visual
  1. Caspão, Paula; Caspão, Paula. MOUTHS FULL, unaccomplished cine-fabulations. Programme SECUENCIA#2 About the Performative, Fabra i Coats Contemporary Art Centre Barcelona. 2023.
Coreografia
  1. 2011. Dramaturgical collaboration (text and composition). “Don Kiewicz & Sancho Waniec”, by Agata Maszkiewicz (PL/F). Theatre Brut, Vienna, Austria.
  2. 2010. Drama (De)vices” (with Valentina Desideri). Artistic Documentation Cycle: “Leftovers, Tracks and Traces”, curated by David-Alexandre Guéniot, Atelier Real, Lisbon, Portugal.
  3. 2010. IT HAPPENED IN THE ISLES OF SCILLY AT EXACTLY 6 - Cycle Scores #1 - Touché. Tanzquartier Wien, Austria.
  4. 2010. IT HAPPENED IN PRAIRIE DU CHIEN AT EXACTLY 7 (#2). Journeys on Performance “La utilidad de lo inútil”, ARTIUM / Basque Contemporary Art Museum, Vitoria, Spain.
  5. 2009. IT HAPPENED IN PRAIRIE DU CHIEN AT EXACTLY 7 (#1). Dance Festival La porta, Barcelona, Spain.
  6. 2009. Artistic collaboration. “Long Long Short Long Short”, by Alix Eynaudi and Agata Maszkiewicz (PL/F). Festival Fresh Buda, Courtrai, Belgium.
  7. 2008. Artistic colaboration with João Fiadeiro: ESTE CORPO QUE ME OCUPA. Théâtre de la Bastille, Paris (2008), Mousonturm, Frankfurt (2008), Casa de Teatro de Sintra (2008), Filanda Teatro, Forli, Itália (2009).
  8. 2008. Dramaturgical support. “Komposition”, by Anne Juren, with Alix Eynaudi, Marianne Baillot, Agata Maszkiewicz. Tanzquartier, Vienna, Austria.
  9. 2008. THE REMAKING OF - Video-choreography. Festival de Dança In-Presentables, La Casa Encendida, Madrid, Espanha.
  10. 2007. Dramaturgical research. “Super Natural”, by Alix Eynaudi. Festival Fresh, BUDA Theatre, Courtrai, Bélgica.
  11. 2002. Translation and Vocalization of scores. “Cartographics”, by Petra Sabisch. Festival Danças na Cidade, Lisbon.
  12. 2001. Dramaturgy. “Aicnêtsixe”, by João Fiadeiro. Re.al, Lisbonne / Teatro Campo Alegre, Porto.
  13. 2000. COMPOSICÃO EM TEMPO REAL / Lecture-Demonstration with João Fiadeiro, Festival Montpellier Danse, França.
  14. 2000. Artistic collaboration and performance. “O que eu sou não fui sozinho”, by João Fiadeiro. Espaço da Capital, Lisbon.
Gravação vídeo
  1. Caspão, Paula. 2020. Iconographic Critical Poem. Volkskundemuseum, Vienna. Showcased by Noa&Snow “Poem#1”. Artistic Research Project / Alix Eynaudi. PEEK Austrian Science Fund..
Gravação áudio
  1. Caspão, Paula. 2016. "Horizontal Speculations: across Archival In(trans)formations. Sound Object. Festival Dias Da Dança, A.D. / Dancing Archive, Teatro Rivoli, Porto, Portugal.".
  2. Caspão, Paula. 2015. "Inter(in)animated Docu-Speculations. Sound Lecture in the frame of Studio Practice: The Personal is Political, by Valentina Desideri. Skogen / Performing Arts, Göteborg, Sweden.".
  3. Caspão, Paula. 2014. "Co-writing and voicing. “From Afar. By the River, ERREKAN – a sound book”, with June Crespo, Elena Aitzkoa, Isabel de Navera´n, Itziar Okariz, Marion Cruza Le Bihan, Miren Jaio, Cristina Redondo, Idoia Zabaleta, Ixiar Rozas. Recording and Design web: Rafael Marti´nez del Pozo. Azala, Lasierra, Spain".
Interpretação artística
  1. 2017. Guest Artist [research and dramaturgy], with DD Dorvillier. “We Are Dancers”, a Concert, by Fanclub dance collective, Copenhagen. Inspiration Room at Bora Bora, Aarhus; Dansehallerne / Koncertkirken, Copenhagen, Denmark.
  2. 2017. Co-writing and Installation. “Notes” [on the Gestures of Reading and Writing], by Ivana Müller. With Bojana Kunst, Paz Rojo, David Weber-Krebs, Ant Hampton, Jonas Rutgeerts. Freiburg City Theatre / Heritage Depot Project, Freiburg, Germany.
  3. 2017. Guest Artist from a distance (with Rebecka Stillman). “SELECTION-REDO: Remote Sensing/Cinematic Montage”, by Sara Gebran & Rodrigo Sobarzo. Dansehallerne, Copenhagen.
  4. 2016. Inter(in)animated Archives. Performative Reading. Opening Event of Taking Position | The Political and Place, Experimental Course in Performance Studies, curated by baldio | Performance Studies. Polo Cultural das Gaivotas, Lisbon..
  5. 2016. Dramaturgical support. “TUTUGURI”, by Flora Detraz. Alkantara Studios and Festival Materiais Diversos, Minde, Portugal.
  6. 2014. The Page as a Dancing Site. Book Launch Performance. The Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation / Danish National School of Performing Arts, Copenhagen, Danemark..
  7. 2014. PRÁCTICAS FANTASMAGÓRICAS. La Fuller como espacio de especulación. At the Exhibition Intermitencias del Asombro / Escenarios del cuerpo. Las metamorfosis de Loïe Fuller, curated by Ana Buitrago. La Casa Encendida, Madrid, Spain..
  8. 2013. Guest artist (with Valentina Desideri and Stefan Tiron). LIFE / “So What” (Episode II: “I Sottaceti”), by Zoe¨ Poluch. Festival Anno Solare E` primavera! / Santarcangelo di Romagna, Bolonha, Italy.
  9. 2012. “T-Fi (Théorie-Fiction). Objet sonore sur les aspects ficcionnels de la connaissance et vice-versa”. Festival CRITIQUES / Centre Chorégraphique d’Angers / CNDC, Angers, France.
Atividades

Apresentação oral de trabalho

Título da apresentação Nome do evento
Anfitrião (Local do evento)
2022/11/25 Keynote "In Terms of (Un)Freedom" / Wording Performance
Curated by Christa Spatt, Tanzquartier, Vienna.
2022/02/25 Keynote: Ecologies of Reading in Artistic Research. XVI Jornadas CIAC - Practice-based Research in the Arts and Communication
Algarve University (Faro, Portugal)
2021/06 Essay film presentation: MUTE POEM for Entangled Reading. Journées Etudes 'En lisant, en dansant: formes et pratiques de la lecture en danse (enseignement, création et représentation)'.
IHNA - Institut National dHistoire de lArt, Paris. Centre National de la Danse. Org. Centre National de la Danse; CRAL - Centre de Recherches sur les Arts et le Langage EHESS/CNRS. (Paris, França)
2019 Keynote: All Together in Practice As Research As Improvisation: 3 Letters to Imagine Some Ends to This World. Lecture Performance. Summer School UNFINISHED: Practice as Research / Transdisciplinary Knowledge.
Armazém 22, Vila Nova de Gaia
2019 Keynote: Letters to Imagine / All Together-Feedback Now-Total Access Inc. Artistic Research Lab and Conference: On the notion of practice. Part of FUTURITIES, Artistic Research Seminars and Labs in the Nordic countries, bridging artistic practice and academic research in the field of choreography, 2018-2020.
Dansehallerne, Copenhagen.
2019 Essay film presentation: All Together - Feedback Now - Total Access Inc. / Iconographic Critical Poem. International Conference Whats love got to do with it: Performance, Affectivity, Intimacy.
Culturgest, IHA, ICNOVA, CEIS20-UC, FLUC. Lisbon
2018/01 Communication (with Ingrid Cogne): Diagramming censorship(s) across research-in-writing. Paper given in card-play format (#2). Intersections Conference
Royal Central School of Speech & Drama, University of London, UK
2018 Keynote: The personal is/as Historical. Danish Dance Histories, Symposium and Residency (May 5-June 15)
Copenhagen University and Ringkobing West-Jutlands Folk High School, Danemark
2017 Lecture-Performance: Petit Glossaire de Performativités Galopantes / morceaux choisis. Walking-Talking Performance. Seminar series Performer la Recherche, curated by Laurent Pichaud for the MA and PhD in Dance.
Centre National Chorégraphique de Montpellier, University Paul Valéry, Départment Danse Université Paris-8, Laboratoires dAubervilliers, Paris.
2017 Pequeno diagrama de performatividade(s) galopante(s) no pensamento do arquivo em dança. Flying-paper Lecture. International Conference Práticas de Arquivo nas Artes Performativas.
Coimbra University, TNSJ, Coimbra and Porto.
2017 Open doors: Six Formats format Lecture-performance: Public presentation in the form of a card-play (#1) with Ingrid Cogne, Julia Hölzl, and Tobias Pilz. Meeting an audience Practical (dramaturgical) knowledge at play.
Centre for Theatre Studies (CET). Lisbon University.
2017 Keynote into pieces International seminar Artists at Work.
Dansehallerne, Copenhagen
2017 Collective Lecture-Performance On the Lecture-performance as a format of communication of art-related knowledge. With Ingrid Cogne, Noémie Solomon and K.G. Gutmann. Artistic Research Project FWF | PEEK Project 6 FORMATS OF MEETING. SITUATION, PRESENCE, AND PERFORMATIVITY, curated by Felicitas Thun-Hohenstein & Ingrid Cogne, Academy of Fine Arts, Vienna.
Artexte / Arts Organization, Montreal, Quebec.
2016 Paper: Performances do Museu/Arquivo: da preservação como prática socio-coreográfica. Annual FCT Post-doc Researchers Seminar, ESPI/IHC.
Institute for Contemporary History, FCSH/UNL, Lisbon.
2016 Keynote (with Bojana Bauer / CARD READING: across (self)choreographies of remediation. International Conference Choreographing the self.
Cultural Studies / Leuven University & Art Centre STUK House for Dance, Image & Sound, Leuven, Belgium.
2015 Research Affects: an inter-choreographic perspective. Paper. AFFECT THEORY CONFERENCE / Wordlings, Tensions, Futures / Panel #8 ¿ Affect Theory and Arts-Based Research: The Event of Poïesis.
Millersville University, Lancaster USA
2015 Documentation affects. Paper. International Symposium ¿On Reflection¿.
Danish National School of Performing Arts / Royal Danish Academy of Fine Arts, Copenhagen
2015 Keynote: Art-Making Affects: interdependencies, (in)adequate confrontations, (trans)local implications. Lecture Performance. Opening of Urban Lab 4: Art, Big Data and Activism.
Urban Heat Opening, Munich, Germany.
2015 Performances e Ecologias da Teoria, da Documentação e do Arquivo. Annual FCT Post-doc Researchers Seminar, ESPI/IHC.
Institute for Contemporary History, FCSH/UNL, Lisbon.
2015 Movimentos Afectivos do Pensamento. Lecture Performance. Ciclo O Poder dos Afectos, Curated by Ana Pais.
Culturgest, Lisbon
2014 ORALITY, ARTICULATION, ACTIVATION. Talk with Marcus Steinberg. ORALITY, ARTICULATION, ACTIVATION. Curated by Ingrid Cogne.
DANSBAREN. Valand Academy, Gothenburg University (Performance / Performativity ¿ Cross Faculty Group), Sweden
2013 The Way Things Take Place: Situating our practices again and again. Lecture Performance. International Symposium SEAM 2013 / Authorship, Audience, Curation
Critical Path / Centre for Choreographic Research, Sydney, Australia
2013 The way things take place: Situating our practices again and again, Working Table. Indirecções Generativas, Performance Studies / PSi Cluster
Espaço do Tempo, Montemor o Novo, Portugal
2012 Audio Tales for Choreography: 3 Episodes of Situated Thought Outbreak lecture series.
Danish National School of Performing Arts, Copenhagen.
2011 In Other Words / Lecture Performance with soundtrack Glossary / Forms of informal knowledge
BULEGOA Z/B. Office for Art and Knowledge, Bilbao, Spain (Bilbao, Espanha)
2007 Short Fictions for Choreography / A Very Square Lecture PSi #13 Performance Studies International. Biennial of Visual Art and Performance
Department of Performance Studies, Tisch School of the Arts, New York University (New York , Estados Unidos)
2007 On The Difficulty of Producing an Egg. Lecture Performance (featuring Valentina Desideri) Dance Festival Symposium iDANS
University Bogaziçi, Istanbul, Turkey (Istambul, Turquia)
2005 Chorégraphies amphibies: Tout ce qu'on peut faire en mangeant des clémentines, Lecture Performance with sound interferences by DD Dorvillier Colloque La Danse Comme Ecriture, L'Ecriture De La Danse, Festival de Dança Lignes de Corps.
Espace Pier Paolo Pasolini & Théâtre Phénix (Valenciennes, França)

Orientação

Título / Tema
Papel desempenhado 		Curso (Tipo)
Instituição / Organização
2024/01/01 - Atual Anne Juren (FR/A), "Choreotherapy" - postdoctoral project. Supervisor at the Centre for Theatre Studies Teatro (FLUL): Paula Caspão; Supervisor at Universidade Federal do Rio de Janeiro: Eleonora Fabião. Project funded by the Swedish Research Council.
Coorientador
 Postdoctoral (Outra)
Centre for Theatre Studies FLUL, Portugal

Universidade Federal do Rio de Janeiro, Brasil
2023/12/01 - Atual Francisca Meleiro, “A memória do trabalho de uma artista: Lúcia Sigalho”, Dissertação de Mestrado, Programa em Estudos de Teatro, Faculdade de Letras da Universidade de Lisboa. Supervision: Paula Caspão. [ONGOING].
Orientador de Francisca Meleiro
Centre for Theatre Studies FLUL, Portugal
2023/02/01 - Atual Soledad Rodriguez, "Re-vocalizar a ECO: construcción de narrativas feministas corpo-vocales a partir del pensamiento y la práctica pos humanista". Supervision Paula Caspão. Co-supervision: José Maria Vieira Mendes. FCT Fellowship, Ref. 2023.00720.BD. [ONGOING]
Orientador de Soledad Figueroa Rodríguez
Centre for Theatre Studies FLUL, Portugal

Fundação para a Ciência e a Tecnologia, Portugal
2022/06/01 - Atual Joana Oliveira, "Sem Raízes", Tese de Doutoramento, Programa em Artes Performativas e da Imagem em Movimento, Faculdade de Belas Artes da Universidade de Lisboa. Orientação de Paula Caspão. [ONGOING].
Orientador
Faculdade de Belas Artes da Universidade de Lisboa., Portugal
2022/06/01 - Atual Lida Bonakdar, "Backfiring Female Bodies /Performances of the Iranian Revolution" (título provisório), Tese de Doutoramento, Programa em Estudos de Teatro, Faculdade de Letras da Universidade de Lisboa. Orientação de Paula Caspão. FCT Fellowship, Ref. 2023.03524.BD [ONGOING].
Orientador de Lida Bonakdar
Centre for Theatre Studies FLUL, Portugal

Fundação para a Ciência e a Tecnologia, Portugal
2022/04/01 - Atual Joana Santos "Inhabiting damaged ecologies: Artistic practices for livable futures", Tese de Doutoramento, Programa em Artes Performativas e da Imagem em Movimento, Faculdade de Belas Artes da Universidade de Lisboa. Supervision: Paula Caspão. FCT Fellowship, Ref. 2022.09575.BD [ONGOING].
Orientador
Faculdade de Belas Artes da Universidade de Lisboa., Portugal

Fundação para a Ciência e a Tecnologia, Portugal

Centre for Theatre Studies FLUL, Portugal
2022/01/01 - Atual Dárida Rodrigues, “Oráculo: Onírico-partituras e Insurgência ”, Tese de Doutoramento, Programa em Artes Performativas e da Imagem em Movimento, Faculdade de Belas Artes da Universidade de Lisboa. Supervision: Paula Caspão; co-supervision: Gustavo Vicente. FCT Fellowship, Ref. 2023.04522.BD [ONGOING].
Orientador
Faculdade de Belas Artes da Universidade de Lisboa., Portugal

Centre for Theatre Studies FLUL, Portugal

Fundação para a Ciência e a Tecnologia, Portugal
2021/03/01 - Atual Bruno Ramos, "A perda, o luto e as narrativas de fim de mundo na construção de um futuro emancipado: uma experiência de cinema em comunidade", Tese de Doutoramento, Programa em Artes Performativas e da Imagem em Movimento, Faculdade de Belas Artes da Universidade de Lisboa. Supervision: Paula Caspão; co-supervision: Gustavo Vicente. [ONGOING].
Orientador
Faculdade de Belas Artes da Universidade de Lisboa., Portugal
2021/01/11 - Atual Gustavo Colombini, "Práticas de Conferência", Dissertação de Mestrado, Programa em Estudos de Teatro, Faculdade de Letras da Universidade de Lisboa. Orientação de Paula Caspão. [ONGOING].
Orientador
Universidade de Lisboa, Portugal
2021/01/01 - Atual Raquel André, “Encontrar Pessoas: Práticas de Encontro, Práticas de Investigação, Investigação como Prática”, Tese de Doutoramento, Programa em Estudos de Teatro, Faculdade de Letras da Universidade de Lisboa. Orientação de Paula Caspão. FCT Fellowship, Ref. UI/BD/150814/2021 [ONGOING].
Orientador
Centre for Theatre Studies FLUL, Portugal

Fundação para a Ciência e a Tecnologia, Portugal
2021/11/01 - 2023/03/15 Nathalie Cassis, "Reenactment: entre arquivo e criação", Dissertação de Mestrado, Programa em Estudos de Teatro, Faculdade de Letras da Universidade de Lisboa. Orientação de Paula Caspão. Co-orientação de Vera San Payo de Lemos. [CONCLUDED, 18 september 2023].
Orientador
Centre for Theatre Studies FLUL, Portugal
2021/04/01 - 2023/03/08 Laura Rozas, "Formas Coreográficas de Reflexão Histórica: 'Para uma Timeline a Haver. Genealogias da dança enquanto prática artística em Portugal'”, Dissertação de Mestrado, Programa em Estudos de Teatro, Faculdade de Letras da Universidade de Lisboa. Orientação de Paula Caspão. [CONCLUDED, 8 March 2023].
Orientador
Centre for Theatre Studies FLUL, Portugal

Organização de evento

Nome do evento
Tipo de evento (Tipo de participação) 		Instituição / Organização
2024/01/22 - 2024/01/26 RAIA residency at Espaço Alkantara, PhD candidates in Artistic research present and discuss their current theoretical and artistic experimentations. (2024/01/22 - 2024/01/26)
Encontro (Presidente da Comissão Organizadora)
 Centre for Theatre Studies. Research cluster Discursive Practices in Performing Arts, Portugal

Espaço Alkantara, Portugal
2023/10/03 - 2023/10/06 Artistic Research Lab Poetry without Poets #2 | Choreo-somatics of Resting Dissidence at Forum Dança, Lisbon. A collaboration and partnership between Expanded Practices All Over (Paula Caspão) and R&D project Institut of Rest(s) (Alix Eynaudi) (2023/10/03 - 2023/10/06)
Oficina (workshop) (Coorganizador)
 Forum Dança, Portugal

La Manufacture de Lausanne R&D , Suiça

Centre for Theatre Studies. Research cluster Discursive Practices in Performing Arts, Portugal
2023/03/27 - 2023/03/27 Co-curator. Public seminar: "Conversing with leaves and listening to ghosts" by Uriel Orlow, in the frame of a collaboration with the cycle (Un)safe Conversations (org. Gustavo Vicente & Maíra Santos). Espaço Alkantara, Lisbon. (2023/03/27 - 2023/03/27)
Seminário (Coorganizador)
 Espaço Alkantara, Portugal

Centre for Theatre Studies. Research cluster Discursive Practices in Performing Arts, Portugal
2022/04/13 - 2022/04/13 Curator. EXPANDED PRACTICES All Over with Shannon Jackson (UC Berkeley). Lecture at TBA: Pandemic Aesthetics and Post Pandemic Infrastructures. Workshop at C.E.M. (2022/04/13 - 2022/04/13)
Oficina (workshop) (Presidente da Comissão Organizadora)
 Universidade de Lisboa Centro de Estudos de Teatro, Portugal

University of California Berkeley, Estados Unidos

C.E.M, Portugal
2021/10/25 - 2021/10/31 Organização da Primeira Residência da RAIA – Rede de Apoio à Investigação Artística (rede lançada em 12 de Janeiro por cinco investigadores do CET). Apresentação pública de cinco processos de investigação, de estudantes a desenvolver Doutoramento e Mestrado no Programa de Estudos de Teatro ou associados ao Centro de Estudos de Teatro via Perphoto Lab [URL]. Produção: Paula Caspão / CET-FLUL e Espaço Alkantara, Lisboa. (2021)
Encontro (Presidente da Comissão Organizadora)
 Centre for Theatre Studies. Research cluster Discursive Practices in Performing Arts, Portugal
2021/07/07 - 2021/07/07 Curator. EXPANDED PRACTICES All Over with Fred Moten (NYU, EUA). Lecture Online: A Defense of Two-Dimensionality. Scientific Committee: Paula Caspão & Valentina Desideri (University of British Columbia, CA). (2021/07/07)
Conferência (Presidente da Comissão Organizadora)
 Centre for Theatre Studies. Research cluster Discursive Practices in Performing Arts, Portugal

TBA Theatre, Portugal

New York University Tisch School of the Arts, Estados Unidos
2020/04 - 2020/04 Curator. EXPANDED PRACTICES All Over with Fred Moten (NYU, USA) & Alix Eynaudi (PEEK/FWF Austria). International Encounter in format Residency-Workshop-Talk. POSTPONED due to pandemia. (2020) Centre for Theatre Studies. Research cluster Discursive Practices in Performing Arts, Portugal

TBA Theatre, Portugal

Espaço Alkantara, Portugal

Casa Atelier Vieira da Silva, Portugal
2019/11 - 2019/11 Curator. EXPANDED PRACTICES All Over with Shannon Jackson (UC Berkeley, USA). Workshop at Polo das Gaivotas: Public Service and Public (Re)Assembly. Lecture at TBA: Public Servants: Art and the Crisis of the Common Good. Performing Publics in the Age of Neo-liberalism (2019)
Conferência (Presidente da Comissão Organizadora)
 Centre for Theatre Studies. Research cluster Discursive Practices in Performing Arts, Portugal

TBA Theatre, Portugal

Fundação Luso-Americana para o Desenvolvimento, Portugal

Casa Atelier Vieira da Silva, Portugal

Polo Cultural das Gaivotas, Lisbon , Portugal
2019/04 - 2019/04 Curator. EXPANDED PRACTICES All Over | re-practicing multispecies story-telling and story-sounding in times of neoliberal performance. International Encounter in format Residency-Workshop-Talk, with guests Myriam van Imschoot & Marcus Bergner (B / AU) (2019 - 2019)
Encontro (Presidente da Comissão Organizadora)
 Centre for Theatre Studies. Research cluster Discursive Practices in Performing Arts, Portugal

Espaço Alkantara, Portugal

Casa Atelier Vieira da Silva, Portugal
2018 - 2018 Open doors studio work: Writing-Reading Institute (In Performance). Large Table Conversations, Department of Performance Studies (2018 - 2018)
Encontro (Presidente da Comissão Organizadora)
 New York University Tisch School of the Arts, Estados Unidos

Fundação para a Ciência e a Tecnologia, Portugal
2015/11 - 2015/11 Curator. Expanded Practices: Choreography | Archive | Publication, International Encounter with guests Petra Sabisch, Ghost Editions, Myriam Van Imschoot, Joachim Hamou, Ana Pais, Claire Buisson. (2015 - 2015)
Conferência (Presidente da Comissão Organizadora)
 Centre for Theatre Studies. Research cluster Discursive Practices in Performing Arts, Portugal
2014 - 2014 Invited Curator. Cine-choreographic perspectives from and through Loie Fuller / INTERMITENCIAS DEL ASOMBRO. Exhibition Escenarios del cuerpo. Las metamorfosis de Loie Fuller / INTERMITENCIA HACIA LA INTERMEDIALIDAD. ENTRE EFECTO Y AFECTO (2014 - 2014) La Casa Encendida Madrid, Espanha

Participação em evento

Descrição da atividade
Tipo de evento 		Nome do evento
Instituição / Organização
2022/11/01 - 2023/04/05 “Practices of Translation”, organized by Mette Edvardsen (with guests Olivia Fairweather, Kate Briggs, Pascal Poyet, Laia Argüelles, Quim Pujol, Victoria Perez Royo, Léa Poiré), Laboratoires d’Aubervilliers Paris, 2022 and 2023. Pratiques de traductrice
Laboratoires d¿Aubervilliers Paris, França
2023/02/07 - 2023/02/11 Artistic Research Lab “Poetry without Poets #1 | Choreo-somatics of Resting Dissidence” Tanzquartier Vienna, in the frame of the R&D project Institute of Rest(s) (PI Alix Eynaudi, Manufacture de Lausanne).
Oficina (workshop)
 Choreo-somatics of Resting Dissidence
Tanzquartier Vienna, Áustria

La Manufacture de Lausanne R&D , Suiça
2019 - 2019 Guest speaker at PARTITURAS PARA IR / Performative Walk and Long Table. (Quase) Teatro do Bairro Alto
Outro
 Project ¿Matéria para escavação futura¿. Curated by Joana Braga and Ana Jara.
TBA Theatre, Portugal

CAB centro coreográfico, Portugal
2019 - 2019 Guest speaker at AFTER PERFORMANCE
Conferência
 International Seminar ARCHIVING PERFORMANCE. Org. Ana Dinger and Sophie Pinto.
Universidade Católica Portuguesa, Portugal

Espaço Alkantara, Portugal
2019 - 2019 Are you dancing now? (about pedestrian movements). Culturgest, Lisbon
Exposição
 Cycle of Conversations ¿Four Lectures around Paxton. Exhibition Draftting Interior Techniques, curated by Romain Bigé and João Fiadeiro
Culturgest Fundação Caixa Geral de Depósitos, Portugal
2017 - 2017 Para uma Timeline a Haver: genealogias da dança como prática artística em Portugal. Talk with João Fiadeiro and A. Bigotte Vieira Nova/Velha Dança, curated by João dos Santos Martins
Teatro Sá da Bandeira, Portugal
2016 - 2016 Invited documentarist Fiction / Reality: Aesthetic Practice and the Sense of Common Sense, Round Table, Symposium
Dansehallerne, Copenhagen, Dinamarca
2015 - 2015 Co-Moderation / Roundtable (with Ana Pais and guests) Dramaturgias Fora de Si¿. Festival End / Encontros de Novas Dramaturgias
Universidade de Coimbra Teatro Académico de Gil Vicente, Portugal
2015 - 2015 CARD-talk with Bojana Kunst for the audience of the event Choreographic Practices: on the affirmation of choreography practices and procedures Gibanica Dance Biennal, Ljubljana, Slovenia
2014 - 2014 Speculating with Improbability. Public talk with Bojana Cvejic
Simpósio
 Lures of Speculation. Artistic-Theoretical Parcours about the Choreographies of the Speculative¿
Tanzquartier Vienna, Áustria
2009/03 - 2009/03 Invited co-curator (with Valentina Desideri). Conservas Resort / Audiovisual device to produce encounters and discursive experimentations across artistic events.
Festival
 LAPORTA Dance Festival, Barcelona

Júri de grau académico

Tema
Tipo de participação 		Nome do candidato (Tipo de grau)
Instituição / Organização
2022/06/06 Vanessa Montesi. PhD: Moving Across Page, Stage, Canvas: Theatrical Dance as a Form of Intermedial Translation. Literature and Culture / Comparatist Studies, Lisbon University.
Arguente
 Vanessa Montesi (Doutoramento)
Comparatist Studies, FLUL, Portugal

Fundação para a Ciência e a Tecnologia, Portugal
2022/05/10 Rita Maria Neves Baeta Neves. MD: O Corpo como Arquivo da Guerra Colonial. Investigação artística. Espectáculo Corpo Suspenso. Programa em Estudos de Teatro, Faculdade de Letras, Universidade de Lisboa.
Presidente do júri
 Rita Maria Neves Baeta Neves (Mestrado)
Centre for Theatre Studies FLUL, Portugal
2021/11/29 Ignacio de Antonio Antón. PhD: Fugitive Dancers. Supervision: José A. Sanchéz, co-supervision: André Lepecki. Programa de Doctorado em Investigación em Humanidades, Artes y Educación, Universidad de Castilla-la-Mancha, Cuenca, Espanha.
Arguente
 Ignacio de Antonio Antón (Doutoramento)
Universidad de Castilla-la-Mancha, Cuenca, Espanha, Espanha
2021/11/26 Anne Juren. PhD: Studies On Fantasmical Anatomies. Supervision: André Lepecki (NYU, USA); co-supervision: Sandra Noeth (Inter-University Centre for Dance, Berlin HZT). Programme Performative and Media-Based Practices. Stockholm University of the Arts
Arguente
 Anne Juren (Doutoramento)
Stockholms konstnärliga högskola, Suécia
2019/12/06 Cecilie Ullerup Schmidt. PhD: Everybody Counts. Aesthetics of Production in Higher Artistic Education and Performance Art Collectives. Department of Arts and Cultural Studies, Copenhagen University.
Arguente principal
 Cecilie Ullerup Schmidt (Doutoramento)
Department of Arts and Cultural Studies, Copenhagen University, Dinamarca
2016/09 Anne Juren (30% PhD artistic research seminar: Choreography inscribed in the body). Supervision: Sandra Noeth and André Lepecki. Uniarts / Stockholm University of the Arts.
Arguente
 Anne Juren (Doutoramento)
Stockholms konstnärliga högskola, Suécia
2016/03 Carlos Manuel Carvalho Santos Oliveira. PhD: Choreographic Objects: Abstractions, Transductions, Expressions (Digital Media / Audiovisual Creation and Interactive Contents). Faculty of Social and Human Sciences, New University of Lisbon.
Arguente principal
 Carlos Manuel Carvalho Santos Oliveira (Doutoramento)
Universidade Nova de Lisboa, Portugal
2014 Larraitz Torres Zumelaga. MD: Forms that enable Transformation. Supervisor: Alena Alexandrova. Theoretical, Conceptual and Production Aspects of Contemporary Artistic Practice, The Dutch Art Institute / DAI / MFA ArtEZ.
Arguente
 Larraitz Torres Zumelaga (Mestrado)
The Dutch Art Institute / DAI, Países Baixos
2013/08 Fraser Stewart. MD: How is Failure Used to Resist and How it Often Fails to Resist. Supervisor: Alena Alexandrova. Theoretical, Conceptual and Production Aspects of Contemporary Artistic Practice, The Dutch Art Institute / DAI / MFA ArtEZ.
Arguente
 Fraser Stewart (Mestrado)

Arbitragem científica em conferência

Nome da conferência Local da conferência
2023/12/11 - 2023/12/12 Archiving Theatre Teatro Nacional S. João.

Comissão de avaliação

Descrição da atividade
Tipo de assessoria 		Instituição / Organização Entidade financiadora
2022/06/01 - 2033/01/01 Expert Member / Evaluation committee Direção Geral das Artes, Programa de Apoio Sustentado | Bienal e Quadrienal | 2023-2026, in the field of Dance.
Avaliador
 Republica Portuguesa Direção-Geral das Artes, Portugal Republica Portuguesa Direção-Geral das Artes
2022/04/01 - 2022/06/07 Expert Member / Fellowships for Training in the Arts Abroad 2022, Calouste Gulbenkian Foundation, in the field of Theatre.
Avaliador
 Fundação Calouste Gulbenkian
2022/04/01 - 2022/04/30 Expert Member, Admission Committee / PhD at the Centre for Theatre Studies, FLUL. With Maria João Brilhante and Rui Pina Coelho. Universidade de Lisboa Faculdade de Letras

Curso / Disciplina lecionado

Disciplina Curso (Tipo) Instituição / Organização
2019 - 2019 S2: “Practice As Research” (30-hour PhD Seminar). Centre for Theatre Studies, Lisbon University
2019 - 2019 S2: “Archive and Memory of Performance” (45-hour M.A. Seminar), Centre for Theatre Studies, Lisbon University
2019 - 2019 'Expanded Choreography’. Lecture in the M.A. Seminar 'Dança em Contexto’. Org. Sílvia Pinto Coelho / FCSH-UNL
2018 - 2018 Keynote: Danish Dance (Hi)stories in Small Parts (9-hour workshop). Danish Dance Histories Residency, Copenhagen University / Ringkobing West-Jutlands Folk High School, Danemark
2018 - 2018 “Topics in Theatre Studies: Practice as Research” (10-hour PhD Seminar). Centre for Theatre Studies, Lisbon University
2017 - 2017 “Collaboration Practices” (20-hour seminar). Program of Advanced Study, Research and Choreographic Creation. Forum Dança, Lisbon
2017 - 2017 “Atelier d’écriture / Laboratoire de la Pensée” (40-hour workshop). Far° Performing Arts Festival, in partnership with Geneva University of Art and Design / HEAD + Swiss Literary Institute, Bienne / University of the Arts, Bern / HKB), Switzerland
2017 - 2017 “Aesthetic and Socio-political Issues within the Performing Arts” (6-hour class within a Spring semester PhD seminar). Centre for Theatre Studies, Lisbon University
2017 - 2017 “Performer la Recherche” (8-hour intervention within Fall semester Seminar). MA and PhD in Dance: “Etudes Chorégraphiques: Recherche et Représentation” de l’Institut Chorégraphique International, University Paul Valéry, Départment Danse Université Paris8. Laboratoires d’Aubervilliers, Paris
2016 - 2016 “Artistic Research & Reflection Practices” (10-hour seminar). Program of Advanced Study, Research and Choreographic Creation. Forum Dança, Lisbon
2016 - 2016 “Feedback Practices” (8-hour seminar). Program of Advanced Study, Research and Choreographic Creation. Forum Dança, Lisbon
2016 - 2016 “Problems in Performance Studies” (36-hour seminar) and “The Archive as Gesture – Digital Crossings” (24-hour seminar). Taught in the frame of “Taking Position | The Political and Place – Experimental Course in Performance Studies”, curated by the collective ‘baldio | Performance Studies’, Polo das Gaivotas, Lisbon
2016 - 2016 “Dance-Discourse: common places and new formats (1998-2005)”. Guest lecturer (8-hour classes) in the BA Seminar “Contemporary Dance Streams”, by Gustavo Vicente / Centre for Theatre Studies, Lisbon University
2015 - 2015 “Choreographic Investigations I” (10-hour workshop). Program of Advanced Study, Research and Choreographic Creation. Forum Dança, Lisbon
2015 - 2015 “Choreographic Investigations II” (12-hour workshop). NEC / Choreographic Experimentation Nucleon / FITEI Theatre Festival, Porto
2015 - 2015 “Theoretical Practice(s)” (9-hour workshop). Ninhou Arts Summer Camp: Summer school in the Performing Arts. Festival Materiais Diversos
2015 - 2015 “Performativity in historical making” (10-hour seminar). Program of Advanced Study, Research and Choreographic Creation. Forum Dança, Lisbon
2015 - 2015 “Documentation Practices” (10-hour seminar). Program of Advanced Study, Research and Choreographic Creation. Forum Dança, Lisbon
2015 - 2015 “Individual-Collective Reflection Practices and their Ecologies” (10-hour class). Danish National School of Performing Arts, Copenhagen
2014 - 2014 “Critical Perspectives on Notions of Expanded Choreography” (15-hour workshop). Atelier REAL, Lisbon
2014 - 2014 “Theoretical Choreographies” (12-hour seminar). Program of Advanced Study, Research and Choreographic Creation. Forum Dança, Lisbon
2014 - 2014 “Choreography, Text, Movement” (10-hour workshop). Danish Actors Association / DSF Studio, Copenhagen
2014 - 2014 “Choreographic Practices in dialogue with Edition Procedures” (20-hour seminar). Danish National School of Performing Arts, Copenhagen
2014 - 2014 “L’écriture comme sensation” (one week Seminar / 40 hours). MA in Dance: “Etudes Chorégraphiques: Recherche et Représentation”. Institut Chorégraphique International + University Paul Valéry, Montpellier, France
2013 - 2013 “Performative Intermediations / Critical Practices Around Performance I” (18-hour workshop). Atelier REAL, Lisbon
2013 - 2013 “Text Practices / Performative Writing III” (20-hour workshop, co-directed with Isabel de Naveran, Miren Jaio, Ixiar Rozas). AZALA, Vitoria, Spain
2013 - 2013 “Teach Back”, Collective Research on the intermediate space between dance creation and dance education/training (36-hour workshop, facilitated with Alice Chauchat, Jennifer Lacey, Keith Hennessy, Denise Ferreira da Silva, Angela Schubot, Alix Eynaudi, Rasmus Olme). Arsenal Studios, ImpulsTanz / Vienna, Austria
2013 - 2013 “Performative Intermediations / Critical Practices Around Performance II” (18-hour workshop). Atelier REAL, Lisbon
2013 - 2013 “Documenting Live Arts / Performing Documents” (40-hour seminar). Danish National School of Performing Arts, Copenhagen
2013 - 2013 “Documenting Performance and Reflection Methods” (30-hour seminar). Danish National School of Performing Arts, Copenhagen
2012 - 2012 "Workshop de práticas textuais / escrita performativa" - Edição II (20h). AZALA, Espaço de Criação, Lasierra/Vitoria, Espanha Aperfeiçoamento (Curso médio)
2012 - 2012 “Dance Dramaturgy” (40-hour workshop). Critical Path, Choreographic Research Centre, Sydney, Australia Especialização (Curso médio)
2012 - 2012 “Non-Representational Performance” (40-hour workshop). Artistic Research Laboratory, Series of seminars at the University of Stockholm (Humanistvillan), by the collective Arena Baubo, Sweden Extensão e divulgação científica (Curso médio)
2012 - 2012 “Text Practices / Performative Writing III” (20-hour workshop, co-directed with Isabel de Naveran, Miren Jaio, Ixiar Rozas). AZALA, Vitoria, Spain
2012 - 2012 “Dance Dramaturgy Dis-courses” (15-hour seminar). Danish National School of Performing Arts, Copenhagen
2011 - 2011 “Text Practices / Performative Writing I” (20-hour workshop, co-directed with Myriam Van Imschoot, Isabel de Naveran, Miren Jaio, Ixiar Rozas). AZALA, Vitoria, Spain Aperfeiçoamento (Curso médio)
2010 - 2010 Coaching one student (Manne Granqvist) / APT, Advanced Performance Training at A.PASS/Advanced Performance and Scenography Studies, Brussels Especialização
2009 - 2009 “How does Speech Act?” (workshop, co-directed with Valentina Desideri). Möte09 (Meeting09), curated by Hybris Konstproduktion, Malmö, Sweden Aperfeiçoamento (Curso médio)
2008 - 2008 Series of Lectures & Debates around the creation of “Este Corpo Que Me Ocupa” (co-facilitated with João Fiadeiro). Mousonturm, Frankfurt, Germany; Théâtre de la Bastille, Paris; MAPS – ECAV/Ecole Cantonale d’Art du Valais, Lausanne, Switzerland Aperfeiçoamento (Curso médio)

Membro de associação

Nome da associação Tipo de participação
2011/06 - Atual Annuaire international des chercheurs en danse et performance du MUSEE DE LA DANSE. Centre Chorégraphique de Rennes en coopération avec les ARCHIVES DES LA CRITIQUE D'ART (Jean-Marc Poinsot)

Membro de comissão

Descrição da atividade
Tipo de participação 		Instituição / Organização
2014 - 2014 Co-curator. “INSTITUT” / Mobile Platform of critical practices around performance, with Bojana Bauer, Ivana Mu¨ller and Joachim Hamou. Paris

Tutoria

Tópico Nome do aluno
2018/10 - 2018/10 “Paper Pieces / Paper Rhythms / Puzzle Poems”. Lecture series. Master exerce / Études Chorégraphiques 2018/2019, Institut Chorégraphique International / Université Paul Valéry, Montpellier, France Master Exerce
2017 - 2018 M.A. student Ida Larsen, MA Ecology and Contemporary Performance, University of the Arts, Helsinki Ida Larsen
2015 - 2017 Mentoring students of the Program of Advanced Study, Research and Choreographic Creation. Forum Dança, Lisbon Mariana Vieira; Daniel Pizamiglio; Bruno Cadinha
2013 - 2013 Mentoring Residency / BA Final Project, Danish National School of Performing Arts, Copenhagen + At PAF / Performing Arts Forum, St. Erme, France Taryn McGovern, Julie Rasmussen, Hilde Sandvold, Sara Kaustinen, Tina Ostergaard, Gemma Borjas
Distinções

Prémio

2005 Literary Prize M. Amália V. Carvalho / CM de Loures e IPLB, Instituto Português do Livro e das Bibliotecas, Lisbon. Narrative fiction: Anfi-Biografias de contágio
IPLB - Instituto português do Livro e das Bibliotecas / Câmara Municipal de Loures, Portugal

Título

2012 Maître de Conférences en Arts du spectacle [French Certificate: University Lecturer in Performing Arts]. Conseil National des Université -CNU [French National University Council].

Outra distinção

2011 PhD Dissertation Nomination for the Award Prix de la Chancellerie des Universités de Paris.
Chancellerie des Universités de Paris La Sorbonne, França