Curriculum Vitae
Rita Cássia Silva
Identificação
Identificação pessoal
- Nome completo
- Rita Cássia Silva
- Género
- Feminino
Nomes de citação
- Silva, Cássia Rita
- Silva, Rita
- Cássia, Rita
Identificadores de autor
- Ciência ID
- BE16-7419-CC64
Domínios de atuação
- Ciências Sociais - Sociologia - Antropologia
- Ciências Sociais - Ciências da Comunicação
Formação
| Grau | Classificação | |
|---|---|---|
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2021 - 2025
Em curso
|
Sciences of Communication (Doutoramento)
Especialização em Communication and Arts
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
|
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2016 - 2019
Frequentou
|
Capoeira Berimbau de Ouro Master Nilson. (Outros)
Capoeira Berimbau de Ouro, Portugal
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2019
Concluído
|
Closing Seminar of the Roadmap for an Antiracist Education. (Outros)
Instituto Politécnico de Setúbal Escola Superior de Educação, Portugal
|
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2017 - 2018
Frequentou
|
Anthropology (Mestrado)
ISCTE-Instituto Universitário de Lisboa, Portugal
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2014 - 2017
Concluído
|
Anthropology. (Licenciatura)
ISCTE-Instituto Universitário de Lisboa, Portugal
"Professional Practices in Anthropology. Professor Francisco Oneto. Final graduation work: "Once upon a time my childhood
- Changes in the perception of childhood and education of the new generation". Grades: 17/20. " (TESE/DISSERTAÇÃO)
|
14 |
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2017
Concluído
|
Open Course World. An Anthropological Examination. (Outros)
ICS Instituto de Ciências Sociais - Universidade de Lisboa, Portugal
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2013
Concluído
|
Curriculum Development in Arts Methodologies and Practices, area of Theatre - PEEA (Outros)
Ministério da Educação, Portugal
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2009
Concluído
|
The Living Monologue Workshop. (Outros)
Language Craft, Línguas, Artes e Cultura, Portugal
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2005 - 2006
Frequentou
|
Theatre - Dramaturgy (Licenciatura)
Instituto Politécnico de Lisboa Escola Superior de Teatro e Cinema, Portugal
|
|
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2001 - 2005
Concluído
|
Dance classes: Jazz, Improvisational Jazz Dance, Classical Ballet, Bar on the floor, Oriental Dance, Duende Dance research,
Contemporary Dance, Afro Dance, Integral Yoga, Butoh, Capoeira. (Outros)
Estúdio de Dança 7ª Posição, Lisboa, Portugal
|
|
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2001
Concluído
|
Theatre Workshop: Suburban Scenes/Realism. Based on texts by the Brazilian playwright Nelson Rodrigues. (Outros)
Open Space Studio, Lisboa, Portugal
|
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2001
Frequentou
|
Open Courses: Flamenco Dance and Salsa. (Outros)
Xuventude de Galicia - Centro Galego de Lisboa, Portugal
|
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1997 - 2000
Concluído
|
Course on Acting for Television and Cinema. (Alapfokozat)
SATED - BAHIA, Brasil
|
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1996 - 2000
Frequentou
|
Afro-Brazilian Dance (Alapfokozat)
Bloco Afro Malê Debalê, Salvador, Bahia , Brasil
|
|
|
1998 - 1999
Frequentou
|
Professional Technical Course in Actor Training. (Alapfokozat)
Sitorne - Estúdio de Artes Cénicas, Salvador, Bahia, Brasil
|
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1997 - 1999
Frequentou
|
Classical Ballet (Alapfokozat)
Escola Contemporânea de Ballet, Salvador, Bahia, Brasil
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1995 - 1999
Frequentou
|
Afro Contemporary Dance Silvestre Technique, among others. (Alapfokozat)
Balé Folclórico da Bahia, Salvador, Bahia, Brasil
|
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1997 - 1998
Frequentou
|
Professional Education Technical Medium Level in Dance. (Alapfokozat)
Escola de Dança da Fundação Cultural do Estado da Bahia, Brasil
|
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1992 - 1996
Concluído
|
Afro Modern Dance and Ballet. (Alapfokozat)
SESC - Sala de Dança Mestre King Bispo, Salvador, Bahia, Brasil
|
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1993 - 1995
Frequentou
|
Afro-Brazilian Dance. (Alapfokozat)
Bloco Afro Muzenza, Salvador, Bahia, Brasil
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|
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1994 - 1994
Concluído
|
Course in Acting for Television. (Alapfokozat)
C. I. D. A. Salvador, Bahia, Brasil
|
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1992 - 1994
Frequentou
|
Brazilian Dances. (Alapfokozat)
C. S. U. Liberdade, Salvador, Bahia, Brasil
|
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1992 - 1992
Concluído
|
Theatre Course - Initiation. (Alapfokozat)
C. S. U. Liberdade, Salvador, Bahia, Brasil
|
Percurso profissional
Outros
| Categoria Profissional Instituição de acolhimento |
Empregador | |
|---|---|---|
| 2021/09 - 2021/10 | Research and script writing, Talk-Show Indiscreet Dinner - RTP | Muxima Bio, Portugal |
| Television , Portugal | ||
| 2021/05/10 - 2021/07/31 | Epiphanies Arts Project: audioblog with and for people who dream of equality. Radio performances. Series of five episodes inspired by real stories of women/mothers and children. | Republica Portuguesa Direção-Geral das Artes - support, Portugal |
| APURO - Cultural and Philanthropic Association, Porto, Portugal | ||
| 2020 - 2020 | Epiphanies, Performance. Disciplinary intersections (arts and anthropology). Artistic creation. Presentations: Lisbon / Almada. | República Portuguesa - Ministério da Cultura - Fundo de Fomento Cultural - support, Portugal |
| Teatro Bocage, Lisboa, Portugal | ||
| 2019 - 2019 | Scientific Research Fellow FCT / CAPP / ISCSP. | Universidade de Lisboa Instituto Superior de Ciências Sociais e Políticas, Portugal |
| Universidade de Lisboa Centro de Administração e Políticas Públicas, Portugal | ||
| 2019 - 2019 | Blood Sweat and Tears, short film. Directed by Kristjan Knigge. Screenplay by Stephanie Ginger. Independent Production. Character: Adelina. Algarve. | ImpactFilm50 Project , Reino Unido |
| 2018 - 2018 | Performance Art in Transition, artistic creation in the Life in Syntropy Project, with inspiration in the philosophical reverberations of the farmer Ernst Götsch (Syntropic Farming). Mértola. Alentejo | Project Life in Syntropy - support, Portugal |
| Câmara Municipal de Mértola, Portugal | ||
| 2018 - 2018 | Theatre classes with children. Bocage Theatre Project, Lisboa | Junta de Freguesia de Arroios - support, Portugal |
| Teatro Bocage, Lisboa, Portugal | ||
| 2017 - 2018 | Transcriber. Lisboa. | VoiceInteraction, Portugal |
| 2016 - 2017 | Institutional Collaborator ISCTE-IUL Library. | ISCTE-Instituto Universitário de Lisboa, Portugal |
| 2016 - 2016 | Project Talking With Clarice. Artistic creation, experience "In the Heart", blind theatre version. | I International Lusophone Congress, All Arts All Names, Portugal |
| ISCTE-Instituto Universitário de Lisboa, Portugal | ||
| 2015 - 2016 | Theatre classes and monitoring with children from the 1st cycle of basic education. | Junta de Freguesia da Ajuda - Lisboa., Portugal |
| 2012 - 2016 | The Princess Hors Skin, Actress. Adaptation of a traditional Portuguese tale. Staged by Amadeu Neves. Ler Devagar Bookshop, Lisbon. Malaposta Cultural Centre, Odivelas. | Grupo Lamiré, Lisboa, Portugal |
| 2012 - 2016 | History of Portugal, Actress. Adapted and directed by Amadeu Neves. Ler Devagar Bookstore, Lisbon. Malaposta Cultural Centre, Odivelas. | Grupo Lamiré, Lisboa, Portugal |
| 2012 - 2016 | Art Education Project Contos Mexidos (Stirring Tales): stories that open. Creation and implementation. Storytelling for children from 2 to 10/11 years old. Lisbon. | Projeto Contos Mexidos, Lisboa, Portugal |
| 2015 - 2015 | Performance Cordão - the samba that I learned. Dramaturgy and acting. Creation and acting: Renata Carvalho. | Livraria Ler Devagar, Lisboa, Portugal |
| Livraria Ler Devagar, Lisboa, Portugal | ||
| 2014 - 2014 | Performance Da Saudade - Woman, Citadine and Nature - Listen . Site specific. Project of artistic creation Talking With Clarice. | Tudanzas Festival, Barcelona, Espanha |
| Bacantoh Company, Barcelona, Espanha | ||
| 2013 - 2013 | Performance Da Saudade - Woman, Citadine and Nature - feeling the pulse of the earth. Project Talking With Clarice. | Festival Tudanzas, Barcelona, Espanha |
| Companhia Bacantoh. Casal Pou de La Figuera, Barcelona., Espanha | ||
| 2013 - 2013 | Performance West Wind. Inspired by the work Close to the Wild Heart by the author Clarice Lispector. Project of artistic creation Talking With Clarice. | Festival Restart, Lisboa, Portugal |
| Casa Independente, Lisboa, Portugal | ||
| 2010 - 2013 | Art Education Project Expression Life, creation and implementation. Body and theatre expression classes for children. | A Voz do Operário da Ajuda e Centro Educativo do Restelo, Lisboa., Portugal |
| 2008 - 2013 | Art Education Project - drama and body language classes. | FAPLX, Lisboa, Portugal |
| Agrupamento das Escolas Pedro de Santarém e Quinta de Marrocos, Lisboa., Portugal | ||
| 2012 - 2012 | People of Prophets, performance. Fictional composition in real time, based on Khalil Gibran. | Festival INNI, Eclipse Arte, Lisboa, Portugal |
| Auditório Orlando Ribeiro, Telheiras, Lisboa., Portugal | ||
| 2012 - 2012 | Pulsating Heart, Directed by António M. Rodrigues. Character: Aphrodite. | Festival INNI, Eclipse Arte, Lisboa, Portugal |
| Auditório Orlando Ribeiro, Telheiras, Lisboa., Portugal | ||
| 2012 - 2012 | The Siberian Avatar, adaptation of the play Anastasia, by Vladimir Megre. Directed by António M. Rodrigues. Character: Anastasia. | Eclipse Arte, Lisboa, Portugal |
| Auditório Orlando Ribeiro, Telheiras, Lisboa., Portugal | ||
| 2008 - 2010 | Art Education Project Expression Life, creation and implementation. Dramatic Expression classes for 5th, 6th and 7th grade students. Lisbon. | ATL Dados Mágicos. Escola Pedro de Santarém, Lisboa, Portugal |
| 2008 - 2010 | Art Education Project Expression Life, creation and implementation. Body Expression for Children. | Associação Quinta do Grilo, Loures., Portugal |
| 2008 - 2010 | Art Education Project Expression Life, creation and implementation. Creative Dance classes for children. | Centro Paroquial de Carnide, Creche e Jardim de Infância., Lisboa. , Portugal |
| 2008 - 2008 | Stereótipo, Anonymous Theatre. Directed by Marcos Pedrosa. Characters: Photographer Alípio Pio Passarinho, American Man. | CML - support, Portugal |
| Praça do Comércio/CML, Lisboa, Portugal | ||
| 2008 - 2008 | Authorship, design and scenic performance of the tale Land of Beautiful Trees. In celebration of the Day of the Indigenous Peoples. | Jardim Escola João de Deus. Alvalade, Lisboa., Portugal |
| 2007 - 2007 | Duende M., Mime Theatre / Performance. Street art festival. | Câmara Municipal de Póvoa de Varzim, Porto, Portugal |
| 2007 - 2007 | We Buy and Sell Feelings, short film. Director: Vítor Pedrosa and Francisco Sousa. Screenplay by Emmanuel C., Andreia N., Francisco S., Production: Andreia Nunes. | Universidade Lusófona, Lisboa., Portugal |
| 2007 - 2007 | RTP - Program Watch Your Tongue, by José Mário Costa, Maria Regina Rocha and João Lopes Marques. Episode: Telling snakes and lizards. Character: A Brazilian woman with the surname Silva. | Até o Fim do Mundo Produtora, Lisboa, Portugal |
| 2007 - 2007 | Environmental Education and Citizenship Project. Threatened Species of the Mediterranean scrubland. Workshop on Theatre, Body Expression / Dance for professionals and students of the environment,. | ADPM, Mértola, Portugal |
| 2007 - 2007 | Drama for primary school children, at Silva Porto School. | Projecto Petiz. Parceria entre a EIL e a Universidade de Aveiro, Lisboa, Portugal |
| Agrupamento de Escola Quinta de Marrocos, Benfica, Lisboa., Portugal | ||
| 2004 - 2007 | Art Education Project: Theatre and Movement for children and young people. | Arte Máxima/Ser Solidário (2004/05). Academia das Artes Actor Studio (2006). Teatro Bocage (2007), Lisboa., Portugal |
| 2006 - 2006 | Co-responsible for the Production of the EuroBahia Project, with Nuno P. Henriques. | Palco e Bancada, Algueirão., Portugal |
| 2005 - 2005 | Training course for kindergarten monitors and educators. Theme: Scenic Choreography. | Secretariado Diocesano de Lisboa, Lisboa, Portugal |
| 2003 - 2004 | Coordination and Secretarial Assistant (Gym), support to Dr. Liliane Viegas, Lisbon. | ISPA - Instituto Superior de Psicologia Aplicada, Lisboa., Portugal |
| 2003 - 2003 | Silvia's Gift, feature film. Directed by: Dionisio Perez Galindo. Screenplay: Dionisio Perez Galindo, Pilar Gutiérrez, Miguel A. Gómez. Character: Deisy. | Cinemate, Lisboa, Portugal |
| 2003 - 2003 | Preparation of a group of Portuguese revellers for Unidos da Tijuca Samba School - Rio de Janeiro Carnival. Theatrical, samba and Afro-Brazilian dance workshops. | Ginásio Mega Craque, Lisboa., Portugal |
| 2003 - 2003 | Live School Bus Project. National Children's Art Festival Riscos e Rabiscos. Actress and Field Coordinator. North, Central and South Tours. | ACADE, Lisboa., Portugal |
| 2003 - 2003 | Participation in the show Electrodoméstico, with Daniela Mercury. | O Canto da Cidade, Bahia, Brasil |
| Pavilhão Atlântico, Lisboa, Portugal | ||
| 2002 - 2002 | At Christmas 3 Charming Stories III. Staged by Fábio Azevedo. Characters: Ana Maria, Ludmila. Trindade Theatre, Rivoli Theatre and Law Faculty - Coimbra. | Cia. de Teatro Magia e Fantasia, Oeiras., Portugal |
| 2001 - 2002 | Art Education Project Theatrical Initiation Workshop 1 and 2 at Estúdio Dance Etc. by Margarida Calais. Lisbon. | Estúdio Dance Etc., Lisboa, Portugal |
| 2001 - 2001 | Suburban Scenes Exhibition, based on the playwright Nelson Rodrigues. Directed by António Terra. Character: Nurse. Lisbon. | Open Space, Bazar do Vídeo, Lisboa , Portugal |
| Open Space, Bazar do Vídeo, Lisboa , Portugal | ||
| 2000 - 2000 | Intervention performance, based on the French playwright Valére Novarina. Staged by Thierry Tremouroux. Historical Centre of Salvador, Bahia. | SATED - BAHIA, Brasil |
| Alliance Française, Salvador, Brasil | ||
| 2000 - 2000 | Canticle, Performance from the poem Black Canticle by the Portuguese author José Régio. Extra presentation: Bloco afro Malê Debalê, Salvador. | Projecto Pelourinho Dia & Noite. Salvador, Bahia., Brasil |
| Casa do Tecelão, Salvador, Bahia, Brasil | ||
| 2000 - 2000 | Buscapé Project. Preparation of children and adolescents at risk and with disabilities. Carnival parade. | Oficina de Investigação Musical, Salvador, Bahia, Brasil |
| Escola Mestre Pastinha. Salvador, Bahia, Brasil | ||
| 2000 - 2000 | Choreographed scenic performance. Bahiatursa's Music and Dance Group. | Festival Internacional de Música e Cultura Latino Americana de Roma - FIESTA, Roma, Itália |
| Ippodromo Capannelle, Roma, Itália., Itália | ||
| 2000 - 2000 | Performance Yabá - Fire Dance. Dance Movement of the Orixás. Scenic conception in duo with the dancer Irênio Santos. | Projecto Pelourinho Dia & Noite. Salvador, Bahia., Brasil |
| Casa do Tecelão, Salvador, Bahia, Brasil | ||
| 2000 - 2000 | Hostess of the Portuguese delegation with President Jorge Sampaio - Commemorations of Brazil 500 Years. Dance body of the Cia. de Folguedos e Danças Populares Sue Ribeiro. Porto Seguro, Bahia. | Fundação Cultural do Estado da Bahia, Salvador, Brasil |
| Cia. de Folguedos e Danças Populares Sue Ribeiro, Salvador, Bahia, Brasil | ||
| 1998 - 2000 | Cultural producer for the Drugs I'm Out Theatrical Project and cast producer for the Poupa Ganha Bahia Advertising Campaign, TV Itapoan. Salvador, Bahia. | Produção Cultural, Salvador, Brasil |
| 1998 - 2000 | Choreography with children in theatre: Fables, The Little Witch Who Was Good, Playing for real, Puxa Vida, Espaço Xis, Salvador | Sitorne Estúdio de Artes Cénicas, Brasil |
| 1997 - 2000 | Performances with Cia. de Folguedos e Danças Populares Sue Ribeiro. Performances in various events and projects: Pelourinho Dia & Noite and Rock in Rio Café. Salvador, Bahia. | Cia. de Folguedos e Danças Populares Sue Ribeiro, Salvador, Bahia, Brasil |
| 1999 - 1999 | Percussionist Music II Choreographic Exhibition Semester 98 - 2 Sine qua non. Author and Direction: Luciana Souza. | Escola de Dança da UFBA. Teatro do Movimento, Salvador, Bahia., Brasil |
| 1999 - 1999 | Performer in the show Guarnicê. Author and Direction: Patrícia Medeiros. | Escola de Dança da UFBA. Teatro do Movimento, Salvador, Bahia., Brasil |
| Escola de Dança da UFBA. Teatro do Movimento, Salvador, Bahia., Brasil | ||
| 1998 - 1999 | Body preparation Basic Theatre Courses I and II. | Sitorne Estúdio de Artes Cénicas, Brasil |
| 1998 - 1998 | The Sítio do Picapau Amarelo - Sketches from the work of Monteiro Lobato. Staged by Teresa Oliveira. Character: Aunt Nastácia | Grupo Filó, Salvador, Bahia, Brasil |
| Biblioteca do Espaço Xis. Salvador, Bahia, Brasil | ||
| 1998 - 1998 | Dancer, 6th Internal Competition of Choreography. 1st Place. Choreography: Vacuum. Choreographer: Vera Passos. | Escola de Dança da Fundação Cultural do Estado da Bahia, Brasil |
| Teatro do Espaço Xis, Salvador, Bahia, Brasil | ||
| 1998 - 1998 | Choreographer, 6th Choreography Internal Competition. Choreography: Head Made. | Escola de Dança da Fundação Cultural do Estado da Bahia, Brasil |
| Teatro Espaço Xis. Salvador, Bahia., Brasil | ||
| 1998 - 1998 | Dancer, International Dance Festival. Juvenile Modern Dance. 3rd Place. Choreography: Discoveries. Choreographer: Fátima Suarez. | Escola Contemporânea de Ballet, Salvador, Bahia, Brasil |
| Teatro Yemanjá. Salvador, Bahia., Brasil | ||
| 1998 - 1998 | Dancer, Show Movimentos Modernos. Direction: Fátima Suarez. | Escola Contemporânea de Ballet, Salvador, Bahia, Brasil |
| Teatro da Casa do Comércio, Salvador, Bahia, Brasil | ||
| 1998 - 1998 | Dancer, Olodum Dance Company. Choreographer: Jailson Purificação. Presentations at the Yemanjá Theater. Convention Center. Salvador, Bahia. | Bloco Afro Olodum, Salvador, Bahia, Brasil |
| Cia. de Dança do Olodum, Brasil | ||
| 1997 - 1997 | Nordestinados, an Armorial Performance. Staged by Ricardo Biriba. | Teatro Vila Velha. Salvador, Bahia, Brasil |
| 1997 - 1997 | D. S. T. Better Not Have. Directed by Clóvis Oliveira. Characters: Wife, Young man. Presentations in companies and schools in Bahia. Salvador, Bahia. | Grupo de Teatro Lorotas e Carambolas., Salvador, Bahia, Brasil |
| 1997 - 1997 | Dancer, Choreographic Panel of the UFBA. Choreography: To look with naked eyes at the dance of each one. Choreographer: Luciana Pitteéngil. Salvador, Bahia. | Escola de Dança da UFBA. Teatro do Movimento, Salvador, Bahia., Brasil |
| 1997 - 1997 | Performance in homage to the choreographer Clayde Morgan and the solo Baron Samedi. Performers and Direction: Suzana Martins and Sílvia Rita. Salvador, Bahia | Teatro Vila Velha. Salvador, Bahia, Brasil |
| 1997 - 1997 | Dancer, National Dance Workshop 1997. Choreography: Entropy. Choreographer: Simone Requião. Stage: Terreiro de Jesus. Salvador, Bahia. | Escola de Dança da Fundação Cultural do Estado da Bahia, Brasil |
| 1997 - 1997 | Dancer, 10 Years of Shopping Center Barra. Choreographer: Sandra Santana. Salvador, Bahia. | Shopping Barra, Salvador, Bahia, Brasil |
| Teatro Castro Alves , Salvador, Bahia, Brasil | ||
| 1996 - 1996 | Theatre play Glauber, The Conquest of Eldorado. Staged by Fábio Viana. Characters: Dandara, Suplicant, Choir. Salvador, Bahia. | Teatro ACBEU, Salvador, Bahia, Brasil |
| 1996 - 1996 | Dancer, UFBA Choreographic Panel. Choreography: Green Lament. Choreographer: Meiriane Carvalho. Salvador, Bahia. | Escola de Dança da UFBA. Teatro do Movimento, Salvador, Bahia., Brasil |
| 1995 - 1996 | Co-responsible for the scenic choreography with Dancer/Teacher Roquidélia Santos. Malêzinho Group. Itapuã, Salvador, Bahia. | Bloco Afro Malê Debalê, Brasil |
| 1993 - 1996 | Bahian Charms Show. SESC Dance Group. Direction: Profa. Raimunda Sena. Teatro da Casa do Comércio and Teatro de Arena COPEL. Salvador, Bahia. | SESC, Salvador, Bahia, Brasil |
| SESC - Sala de Dança Mestre King Bispo, Salvador, Bahia, Brasil | ||
| 1995 - 1995 | Brazil, Monologue from Cazuza's lyrics. Staged by Lázaro Passos. Salvador, Bahia | Colégio Delta, Salvador, Bahia, Brasil |
| Teatro Vila Velha. Salvador, Bahia, Brasil | ||
| 1993 - 1995 | Omi-Dùdú Nucleus. Performative experiences in conferences about the Brazilian negritude and in events of afro fashion shows. Afro aesthetic photographic sessions. Salvador, Bahia. | Núcleo Omi-Dùdú, Movimento Negro, Salvador, Bahia, Brasil, Brasil |
| Núcleo Omi-Dùdú, Movimento Negro, Salvador, Bahia, Brasil, Brasil | ||
| 1994 - 1994 | Performance The Ballet of the Dead God, by Flávio de Carvalho. Staged by Carlos Pronzato. Contemporary Theatre Company La Fragua. Gallery XIII and Cultural Space Cabincla. Salvador, Bahia. | Gallery XIII, Salvador, Bahia, Brasil |
| 1994 - 1994 | Theatre - Epopéia de Canudos, by Marielson Carvalho. Staged by Carlos Pronzato. Characters: Speaker, Choir. 1st Ilheus Theatre Festival and Feira de Santana Theatre Festival, Bahia | Festivais de Teatro, Salvador, Bahia, Brasil |
| 1993 - 1993 | Elements Performance, Stúdio 13 Theatre Group. Staged by George Brasil. Salvador, Bahia. | C. S. U. Liberdade, Salvador, Bahia, Brasil |
Projetos
Bolsa
| Designação | Financiadores | |
|---|---|---|
| 2019 - 2019/09/30 | Cricity: As Crianças e o seu Direito à Cidade.
Bolseiro de Investigação
Universidade de Lisboa Centro de Investigação em Sociologia Económica e das Organizações, Portugal
|
Fundação para a Ciência e a Tecnologia
Em curso
|
Outro
| Designação | Financiadores | |
|---|---|---|
| 2021 - 2021/05/18 | Photo Impulse
Investigador
Universidade Nova de Lisboa Instituto de Comunicação, Portugal
|
Em curso
|
Produções
Publicações
| Artigo em jornal |
|
| Resumo em conferência |
|
Propriedade Intelectual
| Registo de direitos de autor |
|
Atividades
Apresentação oral de trabalho
| Título da apresentação | Nome do evento Anfitrião (Local do evento) |
|
|---|---|---|
| 2019 | Who Are the Children Talking? Children in Danger? | We Colloquium, ISEG
Muxima Bio, Femafro, Ella Found (Lisboa, Portugal)
|
| 2006/03/31 | Body Expression as a way of transmitting content. | Workshop Ler... Livros, Pautas de Música, Receitas e Etc. Dia Internacional do Livro Infantil.
Direcção Municipal de Cultura da Câmara Municipal de Lisboa (Lisboa, Portugal)
|
Participação em evento
| Descrição da atividade Tipo de evento |
Nome do evento Instituição / Organização |
|
|---|---|---|
| 2022/07/13 - 2022/07/15 | Moderator of Panel 13 of Photo Impulse Project - Visual culture of colonial "sciences" 2: Portuguese colonialism.
Conferência
|
Counter-Image International Conference 2022 - Photo Impulse Final Conference: Decolonizing visuality
Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
|
| 2019 - 2019 | 2nd (Inter) National Meeting of Women in Roda de Samba. Collaboration in the dissemination, production and presentation of
the event. Brazilian project which pays tribute to the female participation in Samba. It takes place in several Brazilian
states, as well as abroad, in places where women of Brazilian nationality live (Diaspora).
Concerto
|
2º Encontro (Inter) Nacional de Mulheres na Roda de Samba
Mulheres Brasileiras em Diáspora, Fábrica Braço de Prata, Portugal
|
| 2017 - 2017 | Finalist of the Scientific Initiation Competition ISCTE-IUL. Oral and auditory presentation through audio transmission, of
a proposal for research initiation: Vidas Suspensas - Afrodescendants / Luso-Africans born in Portugal: an ethnographic study
and anthropological reflection on the colonial past, the uncertain future, and the present that is contrary to truth
Concurso
|
ISCTE-Instituto Universitário de Lisboa, Portugal
|
| 2016 - 2016 | Finalist of the Scientific Initiation Competition ISCTE-IUL. Oral presentation of a proposal for research initiation: IGNORE
OR DIALOGUE? A deepening on (im) possible transnational and conflictive affective unions, constituted by Brazilian immigrant
women and Portuguese men, residing between the years 2000/2016, in Lisbon, Portugal
Concurso
|
Semana da Investigação
ISCTE-Instituto Universitário de Lisboa, Portugal
|
| 2015 - 2015 | Finalist of the Scientific Initiation Competition ISCTE-IUL. Oral presentation of a proposal for research initiation: Ressignifications.
Concurso
|
Semana da Investigação
ISCTE-Instituto Universitário de Lisboa, Portugal
|
Entrevista (jornal / revista)
| Descrição da atividade | Jornal / Forum | |
|---|---|---|
| 2018/06/01 | Violations of fundamental rights of children and women/mothers in Portuguese territory | Público |
Entrevista / Programa (rádio / tv)
| Programa | Tema | |
|---|---|---|
| 2021 - 2021 | Welcome | Epiphanies Artes: audioblog with and for people who dream of equality, series with 5 radio performances |
| 2020 - 2020 | Welcome | Epiphanies, Performance |
| 2018 - 2018 | Interrupted Mothers - Television Debate | Violations of fundamental rights, society, culture, racism, xenophobia against children, women/mothers |