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Márcio Carvalho is an artist whose projects are primarily focused on collective technologies and practices of remembering, and how they influence individual and group memory of past events. Carvalho's interest in memory and remembrance was triggered by the complexity of his family story - a multiracial family made of Angolans and Portugueses. Carvalho shares the ancestors of two distinct world geographies with distinct epistemological and belief systems, and its based on them that he complicates the notions of autobiographical and collective remembrance. Love, shamanism, colonialism and exile stories of his family are some of the elements he departs from to understand what constitutes today's societies economy of remembrance, and how to create another memorial culture that uses alternative stories and forms of remembrance to fight against injustices and forms of violence that result from authoritarian forms of power, inequality and racism. His work examines public life and archives, autobiographical memory and collective memory, with a focus on acts of remembering and their biological, cultural and social influences. He uses performance art as a process-based practice and a tool to examine representational memories that are embedded in different urban and private settings, specially the ones that still commemorate colonialism and Imperialism at a cost of indigenous peoples exploitation and oppression. In an attempt to interrupt the ways official narratives create an idea and experience of the past, and with the objective of finding stories that can counterpoint the hegemony of history with a capital H, Carvalho collaborated with distinct peoples, communities and groups worldwide, where he uses art an collaboration to find "memory", to bring to surface non western perspectives and technologies of knowledge and to complicate what constitutes today's notions of collective remembrance. Carvalho holds a Master degree in performing arts from HZT/ UDK Berlin and a Master degree in Visual Arts from ESAD, Caldas da Rainha, Portugal. He showcase his work and collaborated with communities in 5 continents.
Identificação

Identificação pessoal

Nome completo
Marcio Emanuel Rodrigues Carvalho

Nomes de citação

  • Carvalho, Marcio

Identificadores de autor

Ciência ID
B11B-5BB4-B2E3

Websites

  • www.marcio-carvalho.com (Profissional)

Domínios de atuação

  • Humanidades - Artes - Artes

Idiomas

Idioma Conversação Leitura Escrita Compreensão Peer-review
Português (Idioma materno)
Inglês Utilizador proficiente (C2) Utilizador proficiente (C2) Utilizador proficiente (C1) Utilizador proficiente (C2) Utilizador proficiente (C1)
Espanhol; Castelhano Utilizador independente (B2) Utilizador independente (B2) Utilizador independente (B1) Utilizador independente (B2) Utilizador independente (B2)
Francês Utilizador independente (B1) Utilizador independente (B1) Utilizador elementar (A2) Utilizador independente (B1) Utilizador elementar (A2)
Alemão Utilizador elementar (A2) Utilizador elementar (A2) Utilizador elementar (A2) Utilizador independente (B2) Utilizador elementar (A1)
Formação
Grau Classificação
2011/03/31 - 2013/02/04
Concluído
MA Solo/Dance/Authorship (SODA) (Master)
Especialização em Artes Performativas
Universität der Künste Berlin Fakultät Gestaltung, Alemanha
"Impossible Chronologies - Neuroscience on Stage" (TESE/DISSERTAÇÃO)
17
2001/03/31 - 2006/07/06
Concluído
Artes Plásticas (Mestrado integrado)
Instituto Politécnico de Leiria Escola Superior de Artes e Design das Caldas da Rainha, Portugal
13
Percurso profissional

Outros

Categoria Profissional
Instituição de acolhimento
Empregador
2018/01/06 - 2018/12/31 Curador New Performance Turku, Finlândia
2016/01/06 - 2016/12/03 Curador LIVEART.DK, Dinamarca
2011/01/17 - 2014/12/05 Curador Savvy Contemporary, Alemanha
Projetos

Projeto

Designação Financiadores
2018/04/01 - 2018/10/16 Demythologize That History and Put it to Rest
Curador
Goethe Institut Portugal, Portugal
Concluído
2018/03/03 - 2018/07/04 History Will Be Kind To Me, For I Intend To Perform It
Curador
New Performance Turku, Finlândia

Performance Art Bergen, Noruega

PALS - Performance Art Links, Suécia
Concluído
Produções

Publicações

Artigo em revista
  1. Carvalho, Marcio. "Mirrors of Wood". Performance Art Bergen (2017):
    Publicado
  2. Carvalho, Marcio. "Memory with Capita H". Cacau Europa (2015):
    Publicado
Artigo em revista (magazine)
  1. Carvalho, Marcio. "The Trouble How's and Why's of Memory", INTER – special edition on contemporary art in Africa, 2020
Capítulo de livro
  1. Carvalho, Marcio. "Not all memory metaphors are archival". In 10 years of LIVEART.DK. Copenhaga, Dinamarca, 2021.
  2. Carvalho, Marcio. "Whose Stories Are Cast in Bronze". In FREEZE – Challenge the Hierarchy: Researcher, Artist, User!. Copenhaga, Dinamarca: Simbas, 2018.
  3. Carvalho, Marcio. "Navigating the un-navigated". In John Court Life and Work. Helsinkia, Finlândia, 2017.
    Publicado
Livro
  1. Carvalho, Marcio. COLAB EDITIONS - THE PUBLICATION. 2014.
    Publicado

Artística / Interpretação

Exposição artística
  1. To Escape Tradition. To Persist Unmarked. 2023.
  2. Europa Oxalá - Exposição coletiva, Museu de Africa, Bruxelas. 2022.
  3. O Estado do Mundo: Museu do Atlantico Sul. 2022.
  4. Symposium Decolonial Iconoclasm. 2022.
  5. Heritage at Risk. 2022.
  6. Residencia de artistas - Air351, Cascais, Portugal. 2022.
  7. Residencia de artistas, D6 Culture in Transit, Newcastle, Reino Unido. 2022.
  8. Simposio - ERINNERUNG FÜR ALLE, Zeitraumexit, Mannheim, Alemanha. 2022.
  9. Europa Oxalà, Fundação Calouste Gulbenkian, Lisboa, Portugal. 2022.
  10. Simposio - Rêver dun Monde de Soleil, Montreal, Canada. 2022.
  11. Europa Oxalá, MUCEM, Marselha, França. 2021.
  12. Who do we come to H(a)unt. 2020.
  13. Hacking Monuments. 2020.
  14. Involuntary Monuments. 2020.
  15. Palimpsests. 2020.
  16. Hipermnesia. 2019.
  17. On Notions of Hostipitality. 2018.
  18. Geographies of Imagination. 2018.
  19. Bitter Past. Bitter Kola. 2017.
  20. Muscle Memory. 2017.
  21. A Meeting in Turku in 2016. 2017.
  22. If My Grandmothers Were Historians. 2016.
  23. Power Over Memory - A case study. 2015.
  24. De: Para:. 2015.
  25. Peninsula. 2015.
  26. Floating Platforms. 2015.
  27. Impossible Chronologies - Giving Contours to Shadows. 2014.
  28. Never / Again. 2013.
Obra teatral
  1. 2020. Performing The Heritage Tourist.
  2. 2019. How to Monument.
  3. 2019. 3 generations.
  4. 2019. Chronicle and Epopeias - The Side Dish Menu.
  5. 2019. Playing with capity P.
  6. 2017. The Party.
  7. 2017. Blind Spot.
  8. 2015. If My Grandmother was a Historian.
  9. 2015. Debret Revised.
  10. 2014. Power Over Memory - A case study.
  11. 2014. Accumulation Project.
  12. 2014. You can wait forever.
  13. 2013. Untitled.
  14. 2013. Power Over Memory - A case study.
  15. 2012. Now - An Impossible Presence.
  16. 2012. If My Grandmother was a Historian.
  17. 2012. The golden age.

Outros

Conjunto de dados
  1. Europa Oxalá. Fundação Calouste Gulbenkian.
Atividades

Entrevista / Programa (rádio / tv)

Programa Tema
2023/03/02 - 2023/03/29 RTP Africa Exposição To Escape Tradition. To Persist Unmarked
Distinções

Prémio

2019 Berlin Senat Recherchestipendien Bildende Kunst
Berlin Senate Department for Culture and Europe, Alemanha
2017 Berlin Senat Recherchestipendien Bildende Kunst
Berlin Senate Department for Culture and Europe, Alemanha