Curriculum Vitae
Andy Bennett
Identificação
Identificação pessoal
- Nome completo
- Andy Bennett
Nomes de citação
- Bennett, Andy
Identificadores de autor
- Ciência ID
- 4A1D-A98A-D3B0
Endereços de correio eletrónico
- a.bennett@griffith.edu.au (Profissional)
Domínios de atuação
- Ciências Sociais - Sociologia
- Ciências Sociais - Sociologia - Sociologia
- Ciências Sociais - Sociologia
- Ciências Sociais - Sociologia
- Ciências Sociais - Sociologia
- Ciências Sociais - Sociologia
- Ciências Sociais - Sociologia
- Ciências Sociais - Sociologia
Idiomas
| Idioma | Conversação | Leitura | Escrita | Compreensão | Peer-review |
|---|---|---|---|---|---|
| Inglês (Idioma materno) | |||||
| Alemão | Utilizador proficiente (C2) | Utilizador proficiente (C2) | Utilizador independente (B2) | Utilizador proficiente (C2) |
Formação
| Grau | Classificação | |
|---|---|---|
|
1998/09 - 1999/12
Concluído
|
Higher Education (Postgraduate Certificate)
Especialização em Higher Education
University of Kent, Reino Unido
|
|
|
1993/10 - 1996/09
Concluído
|
Sociology (Doctor)
Especialização em Sociology
Durham University, Reino Unido
|
|
|
1989/10 - 1991/07
Concluído
|
Social Work (Master)
Especialização em Social Work
University of Hull, Reino Unido
|
Distinction |
|
1986/09 - 1989/06
Concluído
|
Social Science (Bachelor)
Especialização em Social Science
University of Lincoln, Reino Unido
|
Percurso profissional
Docência no Ensino Superior
| Categoria Profissional Instituição de acolhimento |
Empregador | |
|---|---|---|
| 2016/01 - Atual | Professor Associado (Docente Universitário) | Griffith University, Austrália |
| Griffith University, Austrália | ||
| 2017/10 - 2017/10 | Professor Visitante (Docente Universitário) | Leuphana Universität Lüneburg, Alemanha |
| 2017/09 - 2017/09 | Professor Visitante (Docente Universitário) | Finnish Youth Research Network, Finlândia |
| 2015/08 - 2015/08 | Professor Visitante (Docente Universitário) | Australian National University, Austrália |
| 2011 - 2015 | Professor Auxiliar (Docente Universitário) | Curtin University, Austrália |
| 2011/07 - 2011/07 | Professor Visitante (Docente Universitário) | Tampereen yliopisto, Finlândia |
| 2009/03 - 2009/03 | Professor Visitante (Docente Universitário) | University of Salford, Reino Unido |
| 2007/05 - 2007/12 | Professor Associado (Docente Universitário) | Griffith University, Austrália |
| Griffith University, Austrália | ||
| 2007/06 - 2007/06 | Professor Visitante (Docente Universitário) | Université de Lille, França |
| 2005/09 - 2007/05 | Professor Associado (Docente Universitário) | Brock University, Canadá |
| Brock University, Canadá | ||
| 2005/04 - 2005/08 | Professor Associado (Docente Universitário) | University of Surrey, Reino Unido |
| University of Surrey, Reino Unido | ||
| 2004/04 - 2005/05 | Professor Auxiliar (Docente Universitário) | University of Surrey, Reino Unido |
| University of Surrey, Reino Unido | ||
| 2005/01 - 2005/04 | Professor Visitante (Docente Universitário) | Flinders University, Austrália |
| 1999/09 - 2004/03 | Leitor (Docente Universitário) | University of Surrey, Reino Unido |
| University of Surrey, Reino Unido | ||
| 1998/09 - 1999/08 | Leitor (Docente Universitário) | University of Kent, Reino Unido |
| University of Kent, Reino Unido | ||
| 1997/09 - 1998/08 | Leitor (Docente Universitário) | University of Glasgow, Reino Unido |
| University of Glasgow, Reino Unido | ||
| 1996/10 - 1997/06 | Assistente Estagiário (Docente Universitário) | Durham University, Reino Unido |
| Durham University, Reino Unido |
Cargos e Funções
| Categoria Profissional Instituição de acolhimento |
Empregador | |
|---|---|---|
| 2008/01 - 2015/12 | Director de Unidade Orgânica | Griffith University, Austrália |
| Griffith University - Centre for Cultural Research, Austrália | ||
| 2008 - 2010 | Faculty Executive | Griffith University, Austrália |
| Griffith University - Faculty of Arts, Education and Law, Austrália |
Outros
| Categoria Profissional Instituição de acolhimento |
Empregador | |
|---|---|---|
| 2017 - Atual | Associate Researcher of the Institute of Sociology of University of Porto | Universidade do Porto, Portugal |
| 2014 - Atual | • International Research Fellow, Finnish Youth Research Network | Finnish Youth Research Network, Finlândia |
| 2004 - Atual | Faculty Associate | Yale University Department of Sociology, Estados Unidos |
| 2005 - 2011 | Associate, PopuLUs, the Centre for the Study of the World’s Popular Musics | University of Leeds, Reino Unido |
Projetos
Bolsa
| Designação | Financiadores | |
|---|---|---|
| 2020 - 2020 | Youth, Music-Making and Well-Being During a Public Health Crisis
0
Investigador responsável
Griffith University, Austrália
|
Concluído
|
| 2017 - 2017 | Contemporary Music Plan: Audience Research
0
Investigador responsável
Griffith University, Austrália
|
Concluído
|
| 2016 - 2016 | Under Connected. On and offline Luso-Brazilian music scenes’. Transnational cooperation /Contest of Bilateral Agreements (Portugal
and Brazil)
0
Investigador
Universidade do Porto, Portugal
|
Concluído
|
| 2015 - 2015 | Contemporary Music Plan: Accessing Live Music on the Gold Coast
0
Investigador responsável
Griffith University, Austrália
|
Concluído
|
| 2015 - 2015 | The Place and Space of Youth on the Gold Coast: An Examination of Youth Culture, Subculture and Deviance in a Leisure Economy’
0
Investigador responsável
Griffith University, Austrália
|
|
| 2013 - 2014 | Popular Music Heritage as a Resource in the New Economy
0
Investigador responsável
Griffith University, Austrália
|
Concluído
|
| 2012 - 2014 | Keep it simple, make it fast! Prolegomenons and punk scenes, a road to portuguese contemporaneity (1977-2012)
0
Investigador responsável
Universidade do Porto, Portugal
|
Concluído
|
| 2010 - 2012 | Popular music and cultural memory: Localised popular music histories and their significance for national music industries
0
Investigador responsável
Griffith University, Austrália
|
Concluído
|
| 2004 - 2005 | Patterns of informal learning among young people in community music-making projects
0
Investigador responsável
Griffith University, Austrália
|
Concluído
|
| 2003 - 2005 | Playing for Life: The Everyday Music Practices of Marginalised Youth as Strategic Pathways to Agency, Employment and Socio-Economic
Inclusion
0
Investigador responsável
Griffith University, Austrália
|
Concluído
|
| 2004 - 2004 | Informal learning and creativity in young people’s popular musical cultures: a comparative analysis’
0
Investigador responsável
Nuffield Foundation, Reino Unido
|
Concluído
|
| 1999 - 2000 | Cultural Diversity in Black and Asian Film
0
Investigador responsável
British Film Institute, Reino Unido
|
Concluído
|
Produções
Publicações
| Artigo em revista |
|
| Capítulo de livro |
|
| Edição de livro |
|
| Edição de número de revista |
|
| Livro |
|
Atividades
Apresentação oral de trabalho
| Título da apresentação | Nome do evento Anfitrião (Local do evento) |
|
|---|---|---|
| 2019 | Whose Heritage is it Anyway. From Youth Culture to Cultural Heritage | Popular Music in Museums and Archives
Rockheim: The National Museum of Popular Music in Norway
|
| 2018 | Youth Cultures and Well-Being | Annual Conference of the Finnish Youth Research Network
University of Finland
|
| 2017 | Urban Variations and Music Scenes |
Leuphana University (Alemanha)
|
| 2017 | Woodstock 2019? Reflections on a fifty-year legacy … and predictions for the music festival of a lifetime | CHIME Conference – Music, Festivals, Heritage, Sienna Jazz Archive |
| 2017 | The Canterbury Sound as Local, Trans-local and Virtual Scene | Canterbury Sound: Place, Music and Myth
Canterbury Christ Church University
|
| 2017 | The Canterbury Sound as Local, Trans-local and Virtual Scene |
Canterbury Christ Church University
|
| 2016 | Music (post)subcultures and scenes in the Asia Pacific: Towards a rethinking of concepts and theories | 5th Inter-Asia Popular Music Studies Conference |
| 2016 | DIY Music Scenes: Space, Place and Memory | . Keep it Simple, Make it Fast: DIY Cultures, Spaces and Places
University of Porto
|
| 2016 | Youth Culture and the Internet: A Subcultural or Post-Subcultural Phenomenon?’. Researching Social Media Use: Identity. Community and Political Dissent | Annual Conference of the Media Discourse Group |
| 2016 | Music scenes and ageing bodies | British Sociological Association Ageing Body and Society Study Group |
| 2015 | Popular music, ageing and identity | Milestone in Music – Public Lecture Series
Australian National University (Austrália)
|
| 2015 | Mediated Youth Culture: A subcultural or post-subcultural phenomenon |
University of Tampere (Finlândia)
|
| 2015 | Working at perfect: Sociology and the ever-changing landscape of DIY cultural practice | Keep it Simple, Make it Fast: Crossing Borders of Underground Music Scenes. |
| 2015 | From subculture to post-subculture … where to next? | PhD Summer School |
| 2015 | The Other Legacy of Woodstock: Popular Music, Protest and the Rock Festival’, Rethinking Protest Music: The Sounds of Dissent |
Princeton University
|
| 2015 | Speaking of Youth Culture. A Critical Analysis of (Post)Youth Culture in the New Century | Sociology Days: Finnish Sociological Association Annual Conference |
| 2015 | Subcultural Debates, Ageing and Adulthood. Theories and Concepts in Youth Studies |
School of Humanities and Social Sciences
|
| 2015 | From Subculture to Post-subculture. A Critical Overview of Contemporary Youth Cultural Studies |
Australian National University
|
| 2014 | Punk in Portugal, 1977 – 2012: A Sociocultural History | Keep It Simple Make it Fast: Underground Music Scenes and DIY Cultures
University of Porto
|
| 2014 | Stefano Barone, Andy Bennett and Elham Golpooshnezhad, ‘Popular Music Scenes, Youth and Everyday Life in the Global South – A case study of Iran and Tunisia |
University of Newcastle
|
| 2013 | Youth culture and the internet | 14th Nordic Youth Research Symposium |
| 2013 | Andy Bennett and Chris Driver, ‘Music Scenes, Space and the Body’, The Social Spaces of Music | Conference organised by the Centre for Research on Economic and Social Change |
| 2013 | Andy Bennett and Ian Rogers, ‘In Search of Subcultural Brisbane: Music, Memory and Cultural Heritage | This is My City. Popular Music and the Urban Experience |
| 2013 | Popular Music and Cultural Heritage |
Chung Cheng University
|
| 2013 | Growing Old Disgracefully. Ageing Popular Music Audiences |
Cheng University
|
| 2013 | Popular Music and Youth Culture |
Cheng University
|
| 2013 | Territories, Identities and Musical Scenes |
University of Porto
|
| 2013 | Urban Musical Cultures |
University of Coimbra
|
| 2013 | Youth Cultures and Music: A Research Pathway |
University of Porto
|
| 2013 | Music, Style, and Aging: Growing Old Disgracefully |
University of Helsinki
|
| 2013 | Music, Style, and Aging: Growing Old Disgracefully |
University of Tampere
|
| 2012 | Andy Bennett and Ian Rogers, ‘In the Scattered Fields of Memory: Unofficial Live Music Venues, Collective Memory and Local Live Music Scenes in three Australian Cities | Inter-Asia Popular Music Society |
| 2012 | Popular Music and the Problem of Heritage |
University of Melbourne
|
| 2012 | From subculture to post subculture: A critical overview of contemporary youth cultural studies | |
| 2011 | Popular music and the ‘problem’ of heritage | Sites of Popular Music Heritage Symposium |
| 2011 | Youth culture and ageing. Youth (Sub)cultures in Changing Societies |
Tallinn University
|
| 2011 | Popular Music, Ageing and Lifestyle |
Curtin University
|
| 2011 | Growing Old Disgracefully. Popular Music and Ageing |
Edith Cowan University
|
| 2010 | Subculture to post-subculture: Some reflections ten years on | Youth 2010: Identities, Transitions and Cultures conference |
| 2010 | Between the Old Grey Whistle Test and Top of the Pops: British Pop-rock in the Early 1970s | Crossroads: Association of Cultural Studies Annual Conference |
| 2009 | Never Too Old: Ageing and Popular Music. They Say I’m Different’: Popular Music Scenes and their Communities |
University of Creative and Performing Arts
|
| 2008 | Die-hard rockers and ageing punks. When youth culture meets middle age | German Society of Music Research conference 'Musik und Stadt |
| 2008 | Heritage rock. Music, culture and DIY preservationism | Classification in the Arts and Media: The Impact of Globalization and Commercialization. |
| 2007 | Growing old disgracefully. Popular music and the ageing fan | The Australian Sociological Association Public Lecture
Griffith University (Austrália)
|
| 2007 | Cultural Castaways. Thinking critically about ageing popular music audiences Islands | Conference of the Australian and New Zealand Musicological Societies |
| 2007 | Heritage rock. Music, Culture and DIY Preservationism New Frontiers in Arts Sociology Creativity, Support and Sustainability’ | interim conference of the European Sociological Association (ESA) Network for the Sociology of the Arts |
| 2006 | Popular music and the ageing fan | Biannual conference of the UK and Ireland Branch of the International Association for the Study of Popular Music |
| 2006 | Popular music, fandom and ageing |
Belmont University
|
| 2005 | Missing links: Seventies Rock and Pop and Popular Music Studies | Annual conference of the Australia / New Zealand branch of the International Association for the Study of Popular Music |
| 2005 | Punks Not Dead. The Continuing Significance of Punk Rock for an Older Generation of Fans | Culture in the World – Inaugural Conference of the Center for Cultural Sociology |
| 2005 | Popular Music, Fandom and Ageing. A Case Study of Punk Rock |
University of Newcastle
|
| 2005 | Punks Not Dead. The Continuing Significance of Punk Rock for an Older Generation of Fans |
University of Technology Sydney
|
| 2005 | Punks Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans | Department of Sociology seminar series
Flinders University
|
| 2005 | Punks Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans |
Centre for Public Culture and Ideas
|
| 2005 | Virtual Music Scenes |
Centre for Critical and Cultural Studies
|
| 2005 | Popular Music, Fandom and Ageing. A Case Study of Punk Rock |
University of South Australia
|
| 2005 | Music Scenes |
Skidmore College
|
| 2005 | Qualitative Methods and Sociological Research |
Flinders University
|
| 2005 | Ethnography in Social Science Research |
University of South Australia
|
| 2004 | Guitar Cultures: Research at the Global Crossroads | The Sounds of the Guitar |
| 2004 | Popular Music, Fandom and Aging. A Case Study of Punk Rock |
Roehamptom University
|
| 2004 | Popular Music, Fandom and Ageing. A case study of punk rock |
Institute for Scientific Analysis
|
| 2004 | Punks Not Dead.The Continuing Significance of Punk Rock for an Older Generation of Fans | . Society for the Study of Symbolic Interactionism Annual Conference |
| 2004 | Hip Hop am Main, Rappin’ on the Tyne: Local Hip Hop Cultures in two European Cities |
Zentrum für Kunst und Media
|
| 2004 | Popular Music, Fandom and Ageing: A Case Study of Punk Rock |
Sociology and Social Research
|
| 2003 | As Old as You Feel: Youth as Cultural Narrative | Third BSA Youth Study Group Annual Conference, Scenes, Subcultures and Tribes: Youth Culture in the 21 Century |
| 2003 | Consolidating the Music Scenes Perspective | American Sociological Association Annual Conference |
| 2003 | From Subculture to Virtual Subculture. Youth, Creativity and the Internet | Live video link-up from UK with Sonic Synergies, Creative Cultures conference |
| 2003 | Too Old to Rock and Roll. Popular Music Fandom, Ageing and Biography |
University of Brighton
|
| 2003 | Growing Old Disgracefully. Popular Music and Older Generations of Fans |
University of Liverpool
|
| 2003 | Trans-Atlantic Pop Culture Connections in 1950s and 1960s |
Cooperative Center for Study Abroad
|
| 2002 | Virtual Music Scenes | Digital World Research Centre Seminar Series |
| 2002 | Youth, music and creativity. Music as a creative resource in the lives of young people |
Medical Research Centre - Social and Public Health Sciences Unit
|
| 2001 | The significance of locality in post-subcultural studies of youth, style and popular music | Post-Subcultural Formations Workshop |
| 2001 | Hip hop culture and local identity in Frankfurt am Main, Germany |
Goethe Institut
|
| 2001 | Rethinking Subcultural Theory. A critical examination of youth, style and identity |
. Federal University of Bahia
|
| 2000 | Local hip hop cultures in Germany and the UK |
State Universities of Kazan and Ul’ianovsk
|
| 2000 | The cultural reterritorialisation of hip hop in Frankfurt, Germany |
University of Birmingham
|
| 2000 | Local hip hop cultures in Germany and the UK |
Memorial University of New Foundland
|
| 2000 | Youth, Music and Gender/Rap Music and Hip Hop Culture |
State Universities of Kazan and Ul’ianovsk
|
| 2000 | The Development of the Modern Youth Market |
State Universities of Kazan and Ul’ianovsk
|
| 1999 | Music, Popular Culture and Identity |
University of Brighton
|
| 1999 | Researching Youth Culture, Popular Music and Local Identity |
Wentworth Institute of Technology
|
| 1999 | The Canterbury Sound: Music, media and urban mythscapes |
Skidmore College
|
| 1998 | Rethinking Patterns of Urban Resistance: Dance music, collective identity and the appropriation of urban space in Newcastle upon Tyne |
Wissentschaftszentrum Berlin für Sozialforschung
|
| 1998 | Popular styles, local interpretations: Hip hop, youth and identity in two European cities | Twentieth Century Narratives - Sixth Conference of the International Society for the Study of European Ideas |
| 1998 | Culture and Counter Culture. Music of the 60s |
University of Glasgow
|
| 1997 | Hip hop am Main, rappin’ on the Tyne. Hip hop culture as a local construct |
University of Glasgow
|
| 1997 | Popular music and national identity |
Vestfold College
|
| 1997 | Britpop and British Cultural Identity |
The Open University
|
| 1996 | The localisation of rap music and hip hop culture in Frankfurt am Main, Germany |
European Leisure Studies Group 7th Winter University
|
| 1995 | Going down the pub: The pub rock scene as a resource for the consumption of popular music |
Institute for the Study of Popular Music
|
Orientação
| Título / Tema Papel desempenhado |
Curso (Tipo) Instituição / Organização |
|
|---|---|---|
| 2021 - Atual | Negotiating Identity, Musicality, and Translocality of Filipino Musicians in
Australia and New Zealand
Orientador
|
Griffith University, Austrália
|
| 2021 - Atual | Songs of Migration: What is Music’s Role in Realising the Benefits and Reducing the Barriers of Migration
Orientador
|
Griffith University, Austrália
|
| 2021 - Atual | Exploring the Indian Electronic Dance Music Culture (EDMC) Through Liminality and the Carnivalesque
Orientador
|
Griffith University, Austrália
|
| 2021 - Atual | Cassettes. Encountering an Analog Format in the Digital Presence’
Orientador
|
Griffith University - Centre for Cultural Research, Austrália
|
| 2021 - Atual | Networked Digital Culture: Co-Creation and its Effects on the Creator and Creative Process within the Music Industry
Orientador
|
Griffith University, Austrália
|
| 2021 - Atual | Emotional-Geo-Politics of Tourism in the South China Sea’
Orientador
|
|
| 2021 - Atual | Pop Culture Shock: An Ethnographic Study of Eastern Screen Narratives
Orientador
|
|
| 2021 - Atual | Inviting Stories from Young People About Popular Music, Subculturalism and Identity from a Place on the Margin
Orientador
|
|
| 2021 - Atual | Reconsidering Punk Potential: Comparing Gendered and Punk Identity in Three Post-Colonial Southeast Contexts
Orientador
|
|
| 2021 - Atual | New Europe and Youth Cultures in Serbia’s Period of Transition
Orientador
|
|
| 2021 - Atual | The Opus of Machines: Redefining Music through Artificial Intelligence
Orientador
|
|
| 2021 - Atual | Cultural Protests in Russia and Serbia in the 21st Century: A Study of the Potential of Independent Culture as a Voice for
Socio-political Change
Orientador
|
|
| 2020 - Atual | Anchors Away: The Gold Coast Cruise Ship Terminal as a Catalyst for the Gold Coast Identity Crisis
Orientador
|
|
| 2020 - Atual | Rock Vanguards: Exploring Artistic Progressiveness in Popular Music and Progressive Rock
Orientador
|
|
| 2019 - Atual | Hold Fast: A Sensory Ethnography of Hardcore and Everyday Life on Australia’s Gold Coast
Orientador
|
|
| 2018 - Atual | 'Essays in Humanities: Exploring Critical Theory Through Creative Public Writing
Orientador
|
|
| 2018 - Atual | How Spanish Language Newspapers Supports the Maintenance of the Spanish Language and Cultural Identity among Hispanic Diasporas
in Australia
Orientador
|
|
| 2017 - Atual | Peak music experiences: A new perspective on popular music, identity and scenes
Orientador
|
|
| 2017 - Atual | Staging Risk Society: A Cultural Sociological Reading of In-Yer-Face Thearre
Orientador
|
|
| 2017 - Atual | Capoeira and Transnational Culture: Investigating the Social Role of a Globally Mobile Traditional Cultural Practice
Orientador
|
|
| 2017 - Atual | Rapping Islam - An ethnographic Study of Rap Culture in Morocco, Tunisia and the United States
Orientador
|
|
| 2016 - Atual | Three Youth Cultures in Post-revolutionary Tunisia: Metal, Hip Hop and Electro
Orientador
|
|
| 2015 - Atual | Making Things Musical: Material Culture and the Making of Musical Objects
Orientador
|
|
| 2014 - Atual | Musically Motivated Autobiographical Memories and the Lifetime Soundtrack
Orientador
|
|
| 2014 - Atual | It’s My Mobile. Adoption, Consumption and Meanings of the Mobile Phone Among Urban Youth in Botswana - An Ethnographic Study’
Orientador
|
|
| 2014 - Atual | Law Up Load: Jurisprudence and Rock Music
Orientador
|
|
| 2012 - Atual | The Digital Age of the Sound Environment: An Investigation of Everyday Interactions Between Listeners and Music
Orientador
|
|
| 2012 - Atual | Systems of Belonging: Identity, Integrity, and Affinity on Social Network Sites for Young People in Australia
Orientador
|
|
| 2012 - Atual | Independent to What. An Analyis of the Live Music Scene in Milan
Orientador
|
|
| 2003 - Atual | Stepping Out: Dancing, Identity and Symbolic Conflict in London’s Salsa Scene
Orientador
|
|
| 2002 - Atual | Negotiating the Music Industry in Bristol
Orientador
|
Júri de grau académico
| Tema Tipo de participação |
Nome do candidato (Tipo de grau) Instituição / Organização |
|
|---|---|---|
| 2020 | Like a Sustainable Version: Practising Independence in the Central Sydney Independent Music Scene
Arguente
|
Shams Bin Lader (Doutoramento) |
| 2020 | Moral Panics and Intergenerational Conflict: The Past is a Foreign Country, They Do Things Differently There
Arguente
|
Peter Langford (Doutoramento)
Newcastle University, Reino Unido
|
| 2020 | Festival Worlds: A Sociology of Culture, Collective Experience and Temporary Tribes
Arguente
|
Gemma Mackman (Doutoramento)
University of Essex, Reino Unido
|
| 2019 | Come Together Right Now Over Me: The Bush Doof – An Aesthetic Experiment in Human Being and Being Together
Arguente
|
Matthew Phillips (Doutoramento) |
| 2018 | The Brisbane Sound
Arguente
|
Scott Regan (Doutoramento) |
| 2018 | The F… is Goth Anyway. Classification, Dynamic Practice and Goth in Adelaide
Arguente
|
Briony Morrison (Doutoramento) |
| 2018 | Indie-Folk TM. Vintage Sensibilities in the 21st Century
Arguente
|
Matthew Hsu (Doutoramento) |
| 2017 | Urbane Musikräume im Wandel. DIY geprägte Musikclubs auf St. Pauli zwischen Szene, Stadt und Music Industries
Arguente
|
Robin Kuchar (Doutoramento) |
| 2017 | The Musical Subfield in Paris and Berlin: Orchestrating Musical, Urban and Professional Territories
Arguente
|
Myrtelle Picaud (Doutoramento) |
| 2017 | The Political Limits of the Conscious MC Brand. Ladi6
Arguente
|
Annalise Friend (Doutoramento) |
| 2016 | Ways of Feeling: The Transformation of Emotional Experience in Music Listening in the Context of Digitisation
Arguente
|
Laura Glitsos (Doutoramento) |
| 2016 | What's Be Happen? A Bakhtinian Analysis of Aotearoa New Zealand's first Pacific Reggae Album
Arguente
|
Elizabeth Turner (Doutoramento) |
| 2016 | It's Not The Heat, It's The Humidity: A Contextual Historical Analysis of the Lives of Brisbane Musicians
Arguente
|
John Willsteed (Doutoramento) |
| 2016 | Young Indonesian Musicians: Making the Transition to Adulthood through Entrepreneurial Activities and Mobility
Arguente
|
Oki Rahadianto Sutopo (Doutoramento) |
| 2016 | From Independent Record Shops to the Internet: Recorded Music Communities in the Digital Age
Arguente
|
Lewis Tennant (Doutoramento) |
| 2015 | Feels Like We Only Go Backwards": Nostalgia and Contemporary Retro Rock Music
Arguente
|
Nicholas Russo (Doutoramento) |
| 2014 | Popular Music Memories: Places and Practices of Popular Music Heritage, Memory and Cultural Identity
Arguente
|
Arno van der Hoeven (Doutoramento) |
| 2014 | Melbourne’s Wildscapes. A Critical Ethnography
Arguente
|
Susan Bird (Doutoramento) |
| 2013 | Bury Me Deep In Isolation. A Cultural Examination of Peripheral Music Industry and Scene
Arguente
|
Christina Ballico (Doutoramento) |
| 2012 | A Sociology of Christian Punk
Arguente
|
Ibrahim Bahige Abraham (Doutoramento) |
| 2012 | Popular Music, Reality Television and the Cultural Identity of the Urban Poor in Dhaka
Arguente
|
Din Mohammad (Doutoramento) |
| 2011 | Living Hip Hop: An Ethnographic Study of Hip Hop Culture in Adelaide and Melbourne
Arguente
|
Dianne Rodger (Doutoramento) |
| 2011 | Turkish Rap in the Netherlands: Globalization, Diasporic Identity and Cultural Conservatism
Arguente
|
Tunca Arican (Doutoramento) |
| 2008 | A Nihilistic Dreamboat to Negation. The Cultural Study of Death Metal and the Limits of Political Criticism’
Arguente
|
Michelle Philipov (Doutoramento) |
| 2008 | Contemporary Music and Its Audiences
Arguente
|
Dean Biron (Doutoramento) |
| 2007 | Sold Out! An Ethnographic Study of Australian Indie Music Festivals
Arguente
|
Joanne Cummings (Doutoramento) |
| 2005 | Enabling Agency and Cultural Production: The Dependent Agency of the Independent Music Community
Arguente
|
Joseph Borlagdan (Doutoramento) |
| 2004 | Stalking the Fan: Locating Fandom in Modern Life
Arguente
|
Roy Mitchell Gill (Doutoramento) |
| 2004 | Musicians, Music Industry and Music Policy in Northern Ireland
Arguente
|
Miriam Crozier (Doutoramento) |
| 2004 | The Underground Music Scene in Belgrade, Serbia. A Multidisciplinary Study
Arguente
|
Milan Todorovik (Doutoramento) |
| 2003 | Neo-Tribe: Multiplicity, Fluidity and Flexibility in the Electronica Scene
Arguente
|
Barbara Louise Hunter (Doutoramento) |
| 2003 | Black Music in Manchester. Diversity and Exclusion in a City’s Club Culture Industry
Arguente
|
Martina Böse (Doutoramento) |
| 2003 | Private Space and Teenage Culture: Age, ‘Zones’ and Identity
Arguente
|
Sian Lincoln (Doutoramento) |
Arbitragem científica em revista
| Nome da revista (ISSN) | Editora | |
|---|---|---|
| 2019 - Atual | Popular Music & Society | |
| 2018 - 2018 | Cultural Sociology | |
| 2018 - 2018 | ERA Peer Reviewer |
Comissão de avaliação
| Descrição da atividade Tipo de assessoria |
Instituição / Organização | Entidade financiadora | |
|---|---|---|---|
| 2018 - Atual | Reviewer for granting bodies | Netherlands Institute for Advanced Study in the Humanities and Social Sciences | |
| 2017 - Atual | Reviewer for granting bodies | ||
| 2016 - Atual | Reviewer for granting bodies | Grantová agentura Ceské republiky | |
| 2015 - Atual | Reviewer for granting bodies for the Austrian Academy of Sciences | ||
| 2015 - 2021 | Reviewer from granting bodies for the Australian Research Council
Especialista
|
Australian Research Council | |
| 2018 - 2018 | Reviewer from granting bodie for the Independent Research Fund Denmark
Especialista
|
||
| 2012 - 2012 | ERA Peer Reviewer
Avaliador
|
||
| 2010 - 2010 | Review Panel, Youth Research Centre, University of Melbourne
Outro
|
The University of Melbourne, Austrália |
Membro de associação
| Nome da associação | Tipo de participação | |
|---|---|---|
| 2008 - Atual | The Australian Sociological Association | |
| 1995 - Atual | International Association for the Study of Popular Music | |
| 1995 - 2006 | British Sociological Association |
Membro de comissão
| Descrição da atividade Tipo de participação |
Instituição / Organização | |
|---|---|---|
| 2010 - Atual | AEL ERA Advisor for 1608 (Sociology)
Membro
|
Griffith University, Austrália |
| 2018 - 2018 | BA Review Committee (2018)
Membro
|
Griffith University, Austrália |
| 2018 - 2018 | AEL ERA Advisor for 1608 (Sociology)
Membro
|
Griffith University, Austrália |
| 2015 - 2015 | AEL ERA Advisor for 1608 (Sociology)
Membro
|
Griffith University, Austrália |
| 2011 - 2015 | Griffith Social and Behavioural Research College Advisory Committee
Membro
|
Griffith University, Austrália |
| 2008 - 2015 | Arts Education and Law Group Research Committee
Membro
|
Griffith University, Austrália |
| 2012 - 2012 | AEL ERA Advisor for 1608 (Sociology)
Membro
|
Griffith University, Austrália |
| 2009 - 2012 | University Research Committee
Membro
|
Griffith University, Austrália |
Outro júri / avaliação
| Descrição da atividade | Instituição / Organização | |
|---|---|---|
| 2020 - Atual | Board Member of the Cultural Sociology journal | |
| 2020 - Atual | Board member of the Journal of Youth Studies | |
| 2020 - Atual | Board member of the Continuum Journal | |
| 2020 - Atual | Board Member of the Canadian Journal of Popular Culture | |
| 2020 - Atual | Board member of the Popular Music and Society Journal | |
| 2020 - Atual | Board member of the Rock Music Studies Journal | |
| 2020 - Atual | International Advisory Board of the Sociology Journal | |
| 2020 - Atual | International Advisory Board of the Pop-Kultur und Kritik journal | |
| 2020 - Atual | International Advisory Board of the Volume journal | |
| 2015 - 2018 | Advisory Board Member for the Institute for the Study of Social Change, University of Tasmania | University of Tasmania, Austrália |
| 2013 - 2016 | Editor in Chief of the Journal of Sociology | |
| 2012 - 2016 | Editor in chief of the Dancecult journal | |
| 2012 - 2015 | Advisory Board of the European Research Network for Emerging Technologies | |
| 2005 - 2015 | Editor in Chief of the Perfect Beat journal | |
| 2009 - 2013 | International Advisory Board of the Youth Studies Australia | |
| 2009 - 2012 | Editor in Chief: Journal of Sociology (journal of The Australian Sociological Association) | |
| 2010 - 2011 | Advisory Board Member, Social Aesthetics Research Unit, Monash University | Monash University, Austrália |
| 2007 - 2011 | Adjunct Member, Queensland Conservatorium Research Centre, Griffith University | Griffith University, Austrália |
| 2007 - 2011 | Editor in Chief of the Music and Arts in Action Journal | |
| 2002 - 2010 | Editor in Chief of the Leisure Studies journal | |
| 2006 - 2007 | International Advisory Board of theJournal of Sociology | |
| 2005 - 2007 | Board of the European Sociological Association Research Network for the Sociology of the Arts | |
| 2002 - 2005 | Editor in Chief: of the Sociology journal (UK) | |
| 2001 - 2005 | External Examiner, Ruskin College, Oxford, UK | |
| 2004 - 2004 | External Validation Panel for proposed BA Sonic Media and BA Games Cultures degree pathways, London South Bank University | |
| 2000 - 2004 | Chair of the UK and Ireland branch of the International Association for the Study of Popular Music | |
| 2002 - 2002 | External Validation Panel for proposed Combined Studies Degree in Cultural Studies, St. Mary’s University College |