Identificação
Identificação pessoal
- Nome completo
- Patricia Sequeira Bras
- Género
- Feminino
Nomes de citação
- Sequeira Brás, Patrícia
Identificadores de autor
- Ciência ID
- 491E-978E-A9DC
- ORCID iD
- 0000-0002-4756-1150
Domínios de atuação
- Humanidades - Artes - Estudos de Cinema, Rádio e Televisão
Idiomas
Idioma | Conversação | Leitura | Escrita | Compreensão | Peer-review |
---|---|---|---|---|---|
Português (Idioma materno) | |||||
Inglês | Utilizador proficiente (C2) | Utilizador proficiente (C2) | Utilizador proficiente (C2) | Utilizador proficiente (C2) | Utilizador proficiente (C2) |
Espanhol; Castelhano | Utilizador independente (B2) | Utilizador proficiente (C1) | Utilizador independente (B1) | Utilizador independente (B2) | Utilizador independente (B2) |
Formação
Grau | Classificação | |
---|---|---|
2016/10/03 - 2017/11/21
Concluído
|
PGCE in Higher Education (Postgraduate Certificate)
Especialização em Education
Birkbeck University of London, Reino Unido
|
Merit |
2009 - 2015/06/30
Concluído
|
PhD (Doctor of Philosophy)
Especialização em Film Studies
Birkbeck University of London Department of Cultures and Languages, Reino Unido
"'The Political Gesture of Pedro Costa's Films'" (TESE/DISSERTAÇÃO)
|
|
2006/09/30 - 2008/11/01
Concluído
|
MA Film Studies (Master)
Especialização em Film Studies
Queen Mary University of London, Reino Unido
"'The Representation of Lisbon in Alain Tanner’s In The White City (1983) and Wim Wenders’ Lisbon Story (1994)'" (TESE/DISSERTAÇÃO)
|
Merit |
1998/10/08 - 2001/07/15
Concluído
|
BA (hons) Photography (Bachelor)
Especialização em Photography
University for the Creative Arts at Farnham, Reino Unido
"'Female Self-Portraiture: The work of Claude Cahun, Cindy Sherman, Francesca Woodman and Frida Kahlo'" (TESE/DISSERTAÇÃO)
|
2:1 |
Percurso profissional
Ciência
Categoria Profissional Instituição de acolhimento |
Empregador | |
---|---|---|
2023/02/01 - Atual | Investigador (Investigação) | Universidade de Coimbra Faculdade de Letras, Portugal |
Universidade de Coimbra Centro de Estudos Interdisciplinares do Século XX, Portugal | ||
2021/04/01 - 2022/10/18 | Assistente de Investigação (carreira) (Investigação) | Universidade Lusófona de Humanidades e Tecnologias Centro de Investigação em Comunicação Aplicada Cultura e Novas Tecnologias, Portugal |
Universidade Lusófona de Humanidades e Tecnologias Centro de Investigação em Comunicação Aplicada Cultura e Novas Tecnologias, Portugal |
Docência no Ensino Superior
Categoria Profissional Instituição de acolhimento |
Empregador | |
---|---|---|
2022/11/08 - Atual | Professor Auxiliar Convidado (Docente Universitário) | Universidade de Coimbra Faculdade de Letras, Portugal |
Universidade de Coimbra Faculdade de Letras, Portugal | ||
2021/02/22 - 2021/04/22 | Professor Auxiliar (Docente Universitário) | University of Exeter College of Humanities, Reino Unido |
2016/01/01 - 2020/06/30 | Professor Auxiliar (Docente Universitário) | Birkbeck University of London Department of Cultures and Languages, Reino Unido |
Birkbeck University of London Department of Cultures and Languages, Reino Unido | ||
2013/09/01 - 2016/05/31 | Leitor (Docente Universitário) | Queen Mary University of London - Mile End Campus, Reino Unido |
Queen Mary University of London - Mile End Campus, Reino Unido |
Projetos
Bolsa
Designação | Financiadores | |
---|---|---|
2020/03/02 - 2020/05/30 | Feminist Practices of Storytelling in Film and Social Media
N/A
Bolseiro de Investigação
Universidade Estadual de Campinas, Brasil
|
Birkbeck University of London
Desativado
|
2019/10/09 - 2019/10/11 | Collective work and mutual recognition in Helena Solberg’s earlier films
Research Committee Strategic Fund
Conference Fee and Travelling Grant
Birkbeck University of London School of Arts, Reino Unido
|
Birkbeck University of London School of Arts
Concluído
|
2019/07/09 - 2019/07/12 | Jarman Lab Four-day essay film workshop
Research Committee Strategic Fund
Desenvolvimento técnico
Birkbeck University of London School of Arts, Reino Unido
|
Birkbeck University of London School of Arts |
2013/01 - 2013/02 | The Political Gesture in Pedro Costa's Films
Beca Instituto Ibero-Americano 2013
Bolseiro de Investigação
Ibero-Amerikanisches Institut Preussischer Kulturbesitz, Alemanha
|
Ibero-Amerikanisches Institut Preussischer Kulturbesitz
Concluído
|
2009 - 2012 | The Political Gesture in Pedro Costa's Films
Bolsa SFRH/BD/47761/2008
Bolseiro de Doutoramento
Birkbeck University of London Department of Cultures and Languages, Reino Unido
|
Fundação para a Ciência e a Tecnologia
Concluído
|
Projeto
Designação | Financiadores | |
---|---|---|
2023/08/01 - 2024/01/01 | Dive-In: Design in Projection
Co-Investigador Responsável (Co-IR)
Escola Superior de Artes e Design, Portugal
|
Escola Superior de Artes e Design
Em curso
|
Produções
Publicações
Artigo em conferência |
|
Artigo em revista |
|
Artigo em revista (magazine) |
|
Capítulo de livro |
|
Edição de número de revista |
|
Livro |
|
Revisão de livro |
|
Atividades
Apresentação oral de trabalho
Título da apresentação | Nome do evento Anfitrião (Local do evento) |
|
---|---|---|
2022/07/15 | Discussion with editors and contributors for paperback publication launch of Cinema of Crisis: Film and Contemporary Europe with editors Thomas Austin and Angelos Koutsourakis at the Film-Philosophy Conference, Middlesex University (online) | Film-Philosophy Conference |
2022/05/25 | Paper presentation ‘Reprodução social, temporalidade e pandemia em Os Diários de Otsoga (2021)’ [Social Reproduction, Temporality and the Pandemic in Tsuga Diaries (2021)] | AIM XI Annual Conference |
2021/10/15 | O testemunho na primeira pessoa no cinema e redes sociais [First-person testimony in Film and Social Media] | Seminário Internacional Ativismo em Rede e Plataformas Colaborativas
Universidade Lusófona do Porto (Porto, Portugal)
|
2021/09/01 | Care Work and Social Reproduction in the Aftermath of the Global Financial Crisis. | The 42nd Association for Iberian Studies Annual Conference, Cardiff, UK
University of Cardiff (Cardiff, Reino Unido)
|
2020/12/11 | O trabalho coletivo e reconhecimento mútuo nos filmes de Helena Solberg [Collective Work and Mutual Recognition in Helena Solberg's films] | Oficina de história e imagem
Instituto de História Contemporânea, FCSH- Universidade Nova de Lisboa (Lisbon, Portugal)
|
2019/10/11 | O trabalho coletivo e reconhecimento mútuo nos filmes de Helena Solberg [Collective work and mutual recognition in Helena Solberg's films] | XXIII SOCINE MEETING - Preservation and Memory Today, Thematic Seminar: Women in Cinema and Audio-Visual
Unisinos (Porto Alegre, Brasil)
|
2019/09/19 | ‘Contested Urban Space and Class Struggle in Kleber Mendonça Filho’s Neighbouring Sounds (2012) and Aquarius (2016)’ | Turbulent Topology: Violence, Space and Landscape in Visual Culture Symposium
UCL (London, Reino Unido)
|
2019/09/12 | Collective work and mutual recognition in Helena Solberg's earlier films | Ways of Making and Doing. Women and Cinemas of Latin America, II International Conference
Universidade Autónoma de Madrid (Madrid, Espanha)
|
2019/05/25 | ‘Staging feminist politics in Jogo de Cena (Eduardo Coutinho, 2007) and The Arbor (Clio Barnard, 2010)’ | Lasa Conference
Latin American Studies Association (Boston, Estados Unidos)
|
2018/07/03 | ‘Reciprocal Recognition in Que Bom te Ver Viva (1989)’ | Film-Philosophy Conference
University of Gothenburg (Gothenburg, Suécia)
|
2017/09/18 | ‘Voice and Storytelling in Que Bom te Ver Viva (1989)’ | Latin American Women’s Filmmakers Conference I
Senate House, University of London (London, Reino Unido)
|
2017/07/05 | ‘Empathy in No Man’s Land (2012)’ | Film-Philosophy Conference
Lancaster University (Lancaster, Reino Unido)
|
2017/01/26 | ‘Is Unmasking Possible?’ | International conference 'What is a Mask?' Curated by Prof Catherine Malabou
Kungliga Konsthögskolan (Royal Institute of Art) (Stockholm, Suécia)
|
2016/11/26 | ‘Ventura’s “Purloined Letter”’ and the 25 April Revolution’ | Symposium Pedro Costa – Film and Thought
Universidade de Évora (Évora, Portugal)
|
2016/05/17 | ‘Pastiche in the Age of Austerity’ | Portuguese Research Seminar
Faculty of Medieval & Modern Languages, University of Oxford (Oxford, Reino Unido)
|
2015/06/19 | ‘The Political Gesture in Pedro Costa’s Films’ | Histórias do Cinema, Cinema and Moving Image Course
Ar.Co (Lisbon, Portugal)
|
2012/05/18 | ‘The Power of the False in Pedro Costa’s In Vanda’s Room (2000)’ | The Powers of the False Symposium
Institut Francais and Ciné Lumière (London, Reino Unido)
|
2011/11/18 | ‘The 25 April in Colossal Youth (2006)’ | Workshop Scenes of Class Struggle in Portugal
Birkbeck University of London (London, Reino Unido)
|
2011/07/26 | ‘Repetition as a Political Gesture: Colossal Youth (2006) as a Case Study’ | ourth International Deleuze Studies Conference: ‘Creation, Crisis, Critique’
Copenhagen Business School (Copenhagen, Dinamarca)
|
2011/06/24 | ‘Sound as Duration and Repetition’ | NECS: Sonic Futures: Soundscapes and the Languages of Screen Media
Senate House, University of London (London, Reino Unido)
|
2010/06 | ‘Of Time’ | Postgraduate Student Conference, Law Department
Birkbeck, University of London (London, Reino Unido)
|
2010/04 | ‘Transcendence or Immanence in Film – The Travelling Shot in Pedro Costa’s Bones (1997) as a Case Study’ | 12th Annual Conference on Hispanic and Luso-Brazilian Literatures, Cultures, and Linguistics: ‘Saints in the City’
University of California Santa Barbara, Department of Spanish and Portuguese (Santa Barbara, Estados Unidos)
|
2009/06 | ‘Bones (1997): a Case Study on Frame and Out-of-Field’ | Student Conference at the Iberian and Latin American Studies Department
Birkbeck, University of London (London, Reino Unido)
|
Orientação
Título / Tema Papel desempenhado |
Curso (Tipo) Instituição / Organização |
|
---|---|---|
2022/10/01 - 2025/08/31 | Planeta II: Perspectivas sócio-políticas do cinema Afrofuturista, modos de olhar o Futuro e outras formas de sobrevivência
[Planeta II: Socio-political perspectives of Afrofuturist cinema, ways of looking at the Future and other forms of survival]
Orientador
|
Doutoramento em Estudos Artísticos (Doutoramento)
Universidade de Coimbra, Portugal
|
2022/10/01 - 2025/08/31 | Cenografia entre o teatral e o exibitivo [Scenography between the theatrical and the exhibitionary]
Orientador
|
Doutoramento em Estudos Artísticos (Doutoramento)
Universidade de Coimbra Faculdade de Letras, Portugal
|
2024/01/25 - 2024/08/31 | Mimese negativa: a suspensão da realidade nas obras de Artavazd Peleshyan, Harun Farocki e Peter Tscherkassky (1966-2001)
[Negative mimesis: the suspension of reality in the works of Artavazd Peleshyan, Harun Farocki and Peter Tscherkassky (1966-2001)]
Orientador
|
Estudos Artísticos (Mestrado)
Universidade de Coimbra Faculdade de Letras, Portugal
|
2021/12/01 - 2024/08/02 | O espectador como personagem: conexão e dissociação no Mr. Robot [The spectator as character: connection and dissociation
in Mr. Robot]
Orientador
|
Mestrado de Estudos Cinematográficos (Mestrado)
Universidade Lusófona de Humanidades e Tecnologias Escola de Comunicação Arquitectura Artes e Tecnologias da Informação, Portugal
|
2022/01/01 - 2023/05/31 | A representação de pessoas vulneráveis e o uso da entrevista no cinema do Eduardo Coutinho [The Representation of Vulnerable
People and the Use of the Interview in the Cinema of Eduardo Coutinho]
Coorientador
|
Mestrado de Estudos Cinematográficos (Mestrado)
Universidade Lusófona de Humanidades e Tecnologias Escola de Comunicação Arquitectura Artes e Tecnologias da Informação, Portugal
|
2021/11/01 - 2022/04/30 | The exaltation of the hero's ego: the dominant discourse of the culture of violence in Dune
Coorientador
|
Kino Eyes (Mestrado)
Universidade Lusófona de Humanidades e Tecnologias Escola de Comunicação Arquitectura Artes e Tecnologias da Informação, Portugal
|
2021/11/01 - 2022/04/30 | Bandersnatch's audience: A choice or a future industry?
Coorientador
|
Kino Eyes (Mestrado)
Universidade Lusófona de Humanidades e Tecnologias Escola de Comunicação Arquitectura Artes e Tecnologias da Informação, Portugal
|
2020/01/01 - 2020/09/01 | Crisis Mapping: Representing Global Capitalism in Terratreme's Transnational Crisis Cinema.
Orientador
|
MA/MRes Comparative Literary and Cultural Studies (Mestrado)
Birkbeck University of London Department of Cultures and Languages, Reino Unido
|
Organização de evento
Nome do evento Tipo de evento (Tipo de participação) |
Instituição / Organização | |
---|---|---|
2024/02/05 - 2024/07/03 | Member of the Scientific and Organizing Committees for the 15th edition of the Film-Philosophy Conference, which will be held
concurrently with the FEST Film Festival in Espinho. As a member of the Scientific Committee, I am engaged in the meticulous
process of paper selection and panel moderation. I have also been assigned the responsibility of moderating the presentation
of one of our distinguished keynote speakers, Catherine Constable from the University of Warwick. (2024/07/01 - 2024/07/03)
Conferência (Membro da Comissão Científica)
|
The University of British Columbia Faculty of Arts, Canadá Universidade de Coimbra Faculdade de Letras, Portugal Universidade Nova de Lisboa Instituto de Filosofia, Portugal |
2022/03/16 - 2022/04/03 | Workshop on Cinema and Feminism at Ar.co - School of Arts in Lisbon (2022/03/16 - 2022/04/03)
Oficina (workshop) (Coorganizador)
|
Ar.co - School of Arts, Portugal |
2021/02/06 - 2021/03/06 | Workshop on Cinema and Feminism at Ar.co - School of Arts in Lisbon (2021/02/06 - 2021/03/06)
Oficina (workshop) (Coorganizador)
|
Ar.co - School of Arts, Portugal |
2019/03 - 2019/03 | Co-hosting a film screening and discussion of The Nothing Factory (Pedro Pinho, 2017) with Dr. Luis Trindade. The event was
organised in collaboration with BIMI and CILAVS. (2019/03/06 - 2019/03/06)
Outro (Coorganizador)
|
Birkbeck University of London Birkbeck Institute for the Moving Image, Reino Unido Birkbeck University of London Centre for Iberian and Latin American Visual Studies, Reino Unido |
2019/02/08 - 2019/02/08 | Hosting a film screening and discussion on The Short Films of Helena Solberg with Prof. Catherine Grant. This event was organised
in collaboration with BIMI and CILAVS. (2019/02/08 - 2019/02/08)
Outro (Coorganizador)
|
Birkbeck University of London Birkbeck Institute for the Moving Image, Reino Unido Birkbeck University of London Centre for Iberian and Latin American Visual Studies, Reino Unido |
2017/11/24 - 2017/11/25 | International Conference Border Subjects/Global Hispanisms (2017/11/24 - 2017/11/25)
Conferência (Membro da Comissão Organizadora)
|
Birkbeck University of London Department of Cultures and Languages, Reino Unido Birkbeck University of London Birkbeck Institute for the Humanities, Reino Unido Birkbeck University of London Centre for Iberian and Latin American Visual Studies, Reino Unido |
2017/09/18 - 2017/09/19 | Conference Latin American Women's Filmmaking (2017/09/18 - 2017/09/19)
Conferência (Membro da Comissão Científica)
|
University of London Institute of Latin American Studies, Reino Unido University of London School of Advanced Study Institute of Modern Languages Research, Reino Unido |
2017/06/01 - 2017/06/03 | Symposium Culture and Crisis in Portugal. I have co-convened the symposium Culture and Crisis in Portugal, with fellow colleague
Dr Luis Trindade in June 2017. The event brought together artists, activists, films, videos and other cultural forms that
somehow tried to respond to austerity in Portugal and other southern European countries in the last decade. Through a series
of debates and screenings, we analysed both the ways in which cultural forms were able to come up with reliable accounts of
contemporary events. (2017/06/01 - 2017/06/03)
Simpósio (Coorganizador)
|
Birkbeck University of London Birkbeck Institute for the Moving Image, Reino Unido Birkbeck University of London School of Arts, Reino Unido Birkbeck University of London Centre for Iberian and Latin American Visual Studies, Reino Unido Camões Instituto da Cooperação e da Língua, Portugal |
2015/03/30 - 2015/03/30 | Hosting and moderating the screening of the film Trading Cities (2014) with the presence of the director Luísa Homem. (2015/03/30 - 2015/03/30)
Outro (Coorganizador)
|
Queen Mary University of London School of Language Linguistics and Film, Reino Unido Camões Instituto da Cooperação e da Língua, Portugal |
2014/03/14 - 2014/03/14 | Hosting and moderating the screening of the film Disquiet (2010) with the presence of the director João Botelho. (2014/03/14 - 2014/03/14)
Outro (Coorganizador)
|
Queen Mary University of London School of Language Linguistics and Film, Reino Unido Camões Instituto da Cooperação e da Língua, Portugal |
Participação em evento
Descrição da atividade Tipo de evento |
Nome do evento Instituição / Organização |
|
---|---|---|
2023/11/10 - 2023/11/18 | Member of the Juri Committee for the section "Outros Olhares" (Other Viewpoints) in the 29th edition of the Caminhos do Cinema
Português Festival in Coimbra.
Festival
|
The 29th edition of the Caminhos do Cinema Português Festival
Festival Caminhos do Cinema Português, Portugal
|
2022/02/25 - 2022/02/25 | Moderador - Seminar Oficina História e Imagem
Seminário
|
- Como escrever para um livro de divulgação sobre as imagens da guerra colonial/de libertação na televisão portuguesa tendo
em conta a posição como espectador das famílias dos soldados? by Rita Luís
Universidade Nova de Lisboa Instituto de História Contemporânea, Portugal
|
2021/01/29 - 2021/01/29 | Moderador - Seminar Oficina História e Imagem
Seminário
|
As imagens produzidas nas várias exposições/visualizações do projecto - Para uma Timeline a Haver - genealogias da dança enquanto
prática artística em Portugal by Ana Bigotte Vieira, Carlos Oliveira and João dos Santos Martins
Universidade Nova de Lisboa Instituto de História Contemporânea, Portugal
|
2020/10/22 - 2020/10/22 | Moderator and Live Translator at the presentation of Bombozila (Latin American platform of independent and autonomous video
content) for Media Burn Archive based in Chicago.
Mesa-redonda
|
Presentation of Bombozila Audiovisual Platform
Media Burn Archive, Estados Unidos
|
2018/06/26 - 2018/07/06 | I attended the London Critical Theory Summer School in 2018. Run by the Birkbeck Institute for the Humanities, the internationally
renowned London Critical Theory Summer School enables graduate students and academics to engage in a two-week course of day-time
study with acclaimed critical thinkers.
Outro
|
London Critical Theory Summer School
Birkbeck University of London Birkbeck Institute for the Humanities, Reino Unido
|
2018/03/25 - 2018/03/25 | Q&A Moderator for the screening of the film Luz Obscura (2017) with the presence of the director Susana Sousa Dias, at the
Essay Film Festival in ICA, London.
Festival
|
Essay Film Festival
Birkbeck University of London Birkbeck Institute for the Moving Image, Reino Unido
|
2017/11/24 - 2017/11/25 | Chaired Panel: 'Spaces of Flow, Travel and Friction' at the International Conference
Border Subjects/Global Hispanisms
Conferência
|
International Conference Border Subjects/Global Hispanisms
Birkbeck University of London Department of Cultures and Languages, Reino Unido
Birkbeck University of London Centre for Iberian and Latin American Visual Studies, Reino Unido Birkbeck University of London Birkbeck Institute for the Humanities, Reino Unido |
2017/09/18 - 2017/09/19 | Chaired Panel ‘Testimonio and Women's Filmmaking’ at the Latin American Women’s Filmmaking Conference
Conferência
|
Latin American Women’s Filmmakers Conference
University of London School of Advanced Study Institute of Modern Languages Research, Reino Unido
Birkbeck University of London Centre for Iberian and Latin American Visual Studies, Reino Unido University of London Senate House Library, Reino Unido |
2017/06/03 - 2017/06/03 | Chaired Panel: ‘Final Debate – The crisis isn’t over yet’ with Dean Kenning (artist, critic, Kingston University & Central
Saint Martins, London).
Simpósio
|
Symposium Culture and Crisis in Portugal
Birkbeck University of London School of Arts, Reino Unido
Birkbeck University of London Centre for Iberian and Latin American Visual Studies, Reino Unido |
2016/10/27 - 2017/01/30 | I attended the 'Philosophy in the Context of Art Workshop' with Professor Catherine Malabou.
Oficina (workshop)
|
'Philosophy in the Context of Art Workshop' with Prof Catherine Malabou
Kungliga Konsthögskolan, Suécia
|
Júri de grau académico
Tema Tipo de participação |
Nome do candidato (Tipo de grau) Instituição / Organização |
|
---|---|---|
2024/05/16 | Autoria e intimidade na criação artística documental | Authorship and Intimacy in Documentary Artistic Creation
Arguente
|
Luísa Neves Soares (Doutoramento)
Universidade de Coimbra Faculdade de Letras, Portugal
|
2023/12/11 | Processo criativo e experiências amazónicas na narrativa cinematográfica contemporânea | Creative process and Amazonian experiences
in contemporary cinematic narrative
Presidente do júri
|
Jorane Ramos de Castro (Doutoramento)
Universidade de Coimbra Colégio das Artes, Portugal
|
2023/06/21 | O Papel dos Figurinos na Construção das Personagens e da Narrativa no Cinema de João Pedro Rodrigues | The Role of Costumes
in the Construction of Characters and Narrative in João Pedro Rodrigues' Cinema
Arguente principal
|
Inês Silva Moreira (Mestrado)
Universidade Nova de Lisboa, Portugal
|
2022/03/17 | Fotografia e Construção da Experiência Cinematográfica [Photography and Construction of the Cinematic Experience]
Vogal
|
António Afonso Costa (Doutoramento)
Universidade Lusófona de Humanidades e Tecnologias Escola de Comunicação Arquitectura Artes e Tecnologias da Informação, Portugal
|
Arbitragem científica em conferência
Nome da conferência | Local da conferência | |
---|---|---|
2021/06/24 - 2021/06/25 | CIIA - VIII Congresso Internacional de Investigadores de Audiovisual | Universidade Lusófona de Humanidades e Tecnologia, CICANT |
2017/09/18 - 2017/09/19 | Conference Latin American Women’s Filmmaking | Senate House, University of London |
Arbitragem científica em revista
Nome da revista (ISSN) | Editora | |
---|---|---|
2022/08/01 - 2024/06/01 | Aniki Portuguese Journal of Moving Image | |
2022/02/01 - 2022/02/28 | Journal of Philosophy and the Moving Image (1647-8991) | |
2022/01/01 - 2022/01/30 | Manuscrítica: Revista de Crítica Genética (2596-2477) | |
2020/10 - 2020/10 | Journal of Philosophy and the Moving Image (1647-8991) | |
2020/02 - 2020/02 | Cadernos Pagu (0104-8333) |
Curso / Disciplina lecionado
Disciplina | Curso (Tipo) | Instituição / Organização | |
---|---|---|---|
2024/02/05 - 2024/05/24 | Seminário de Estudos Artísticos (Cinema) [Seminar on Artistic Studies (film)] | Estudos Artísticos (Licenciatura) | Universidade de Coimbra Faculdade de Letras, Portugal |
2023/11/27 - 2024/01/08 | Hibrismo e Transdisciplinaridade [Hybridism and Transdisciplinarity] | Estudos Artísticos (Doutoramento) | Universidade de Coimbra Faculdade de Letras, Portugal |
2023/09/09 - 2024/01/08 | Metodologias de Investigação em Estudos Artísticos [Research Methodologies in Artistic Studies] | Estudos Artísticos (Doutoramento) | Universidade de Coimbra Faculdade de Letras, Portugal |
2023/09/19 - 2023/12/15 | Cinema Português [Portuguese Cinema] | (Licenciatura) | Universidade de Coimbra Faculdade de Letras, Portugal |
2023/02/06 - 2023/05/25 | Seminário de Estudos Artísticos (Cinema) [Seminar on Artistic Studies (Cinema)] | Estudos Artísticos (Licenciatura) | Universidade de Coimbra Faculdade de Letras, Portugal |
2023/02/06 - 2023/05/25 | Programação Cultural [Cultural Programming] | Programação Cultural (Licenciatura) | Universidade de Coimbra Faculdade de Letras, Portugal |
2022/11/28 - 2023/01/09 | Hibrismo e Transdisciplinaridade [Hybridism and Transdisciplinarity] | Estudos Artísticos (Doutoramento) | Universidade de Coimbra Faculdade de Letras, Portugal |
2022/10/01 - 2023/01/09 | Metodologias de Investigação em Estudos Artísticos [Research Methodologies in Artistic Studies] | Estudos Artísticos (Doutoramento) | Universidade de Coimbra Faculdade de Letras, Portugal |
2022/10/01 - 2022/12/16 | Cinema e Outras Artes [Cinema and Other Arts] | Cinema e Outras Artes (Mestrado) | Universidade de Coimbra Faculdade de Letras, Portugal |
2022/10/01 - 2022/12/16 | Cinema Português [Portuguese Cinema] | (Licenciatura) | Universidade de Coimbra Faculdade de Letras, Portugal |
2022/10/01 - 2022/12/16 | Práticas artísticas e investigação em artes [Artistic practices and research in arts] | (Mestrado) | Universidade de Coimbra Faculdade de Letras, Portugal |
2022/05/04 - 2022/05/04 | Cinematic Apparatus | Metodologias de Investigação em Comunicação e Artes dos Media (Doutoramento) | Universidade Lusófona de Humanidades e Tecnologias Centro de Investigação em Comunicação Aplicada Cultura e Novas Tecnologias, Portugal |
2022/03/09 - 2022/03/09 | Disciplines Epistomologies & Metodologies | Metodologias de Investigação em Comunicação e Artes dos Media (Doutoramento) | Universidade Lusófona de Humanidades e Tecnologias Centro de Investigação em Comunicação Aplicada Cultura e Novas Tecnologias, Portugal |
2022/02/23 - 2022/02/23 | Introduction | Metodologias de Investigação em Comunicação e Artes dos Media (Doutoramento) | Universidade Lusófona de Humanidades e Tecnologias Centro de Investigação em Comunicação Aplicada Cultura e Novas Tecnologias, Portugal |
2022/01/14 - 2022/02/11 | Kino Eyes - Research Metodologies | (Mestrado) | Universidade Lusófona de Humanidades e Tecnologias Escola de Comunicação Arquitectura Artes e Tecnologias da Informação, Portugal |
2021/11/17 - 2022/01/06 | Metodologia de Investigação Científica [Estudos Cinematográficos] | (Mestrado) | Universidade Lusófona de Humanidades e Tecnologias Escola de Comunicação Arquitectura Artes e Tecnologias da Informação, Portugal |
2021/09/17 - 2021/12/15 | Metodologia de Análise de Imagem [Cinema, Vídeo e Comunicação Multimédia] | (Licenciatura) | Universidade Lusófona de Humanidades e Tecnologias Escola de Comunicação Arquitectura Artes e Tecnologias da Informação, Portugal |
2019/10 - 2020/07 | Co-taught: Core Module - Comparative Literature. The course allows students to develop understanding of key critical concepts associated with the comparative study of literature and cultures and to consider historical developments affecting the way we think about literature in comparative terms. In my sessions, I introduced students to the work of Silvia Federeci; Audre Lorde; Judith Butler; among others. | MA/MRes Comparative Literary and Cultural Studies (Master) | Birkbeck University of London Department of Cultures and Languages, Reino Unido |
2017/10 - 2020/07 | Co-taught: Post-War Themes in Comparative History since 1945. In the sessions taught I introduced students to the social movements and political discourses that emerged in the period of the long 1960s, predominantly in Southern Europe, giving particular attention to the workers movements against the backdrop of the social and cultural changes of the period through a selection of films that embody the workers’ political discourse. | Ba in Modern Languages (Bachelor (1.º ciclo de estudos)) | Birkbeck University of London Department of Cultures and Languages, Reino Unido |
2019/10 - 2020/06 | Co-taught: Scenes of Portuguese History: Cultural Approaches to Modern Politics. The course narrates the dramatic history of Portuguese modern politics through different objects, from political discourse and literature to music and film. Its aim is twofold: to familiarize students with two key historical processes in twentieth-century Portuguese society (salazarism and postcolonial period) and to analyse these as scenes and performances with specific actors and plots. | BA in Modern Languages; BA in Iberian and Latin American Studies (Bachelor (1.º ciclo de estudos)) | Birkbeck University of London Department of Cultures and Languages, Reino Unido |
2016/01 - 2020/06 | Co-taught: Luso-Brazilian Cultures. This course provides students with a broad introduction to the modern cultural histories of the Lusophone world, including Portugal, Brazil, and Lusophone Africa. The main aims of the course are to provide students with a basic historical and critical framework that will allow them to situate specific themes and problems of the Luso-Brazilian and African Diaspora Cultures in the course of their studies. | BA in Modern Languages; BA in Iberian and Latin American Studies | Birkbeck University of London Department of Cultures and Languages, Reino Unido |
2019/10/21 - 2019/10/21 | Visiting Professor: Accattone (Pier Paolo Pasolini, 1961). After viewing the film, the discussion is framed by Pasolini’s own writings about the film, and about how, according to the director, young sub-proletarian’s bodies and desires were captured by consumer capitalism, resulting in the adoption of bourgeois gestures and styles and the eradication of the sub-proletarian culture in the 1970s in Italy. | Fashion Studies Master's Degree (Master) | Università degli Studi di Roma La Sapienza Dipartimento di Storia Culture Religioni, Itália |
2018/10 - 2019/06 | Co-taught: Culture and Critique in the Latin American and Iberian Worlds. The course provides students with critical appreciation of key issues central to the cultural histories of Spain, Portugal and Latin America as well as critical insight into some of the key ways – including visual – in which societies and cultures of Iberia and Latin America have been conceptualized, classified and narrated. During my sessions, students were introduced to Latin American Modern Cinema as well as to notions of Third and Imperfect Cinema. | MA/MRes Comparative Literary and Cultural Studies (Master) | Birkbeck University of London Department of Cultures and Languages, Reino Unido |
2017/10 - 2018/07 | Course Convenor and Professor: Rethinking Portuguese History through Film. This course narrates the dramatic history of Portuguese modern politics through film. Its aim is twofold: to familiarize students with key historical processes in twentieth-century Portuguese society and to analyse how the cinematic medium has been revisiting and/or problematizing Portuguese colonial history and its postcolonial present. | BA in Modern Languages; BA in Iberian and Latin American Studies; BA in Film Studies (Bachelor (1.º ciclo de estudos)) | Birkbeck University of London Department of Cultures and Languages, Reino Unido |
2017/10 - 2018/07 | Course Convenor and Professor: Gender and Feminism in Brazilian and Portuguese Visual Culture. The course introduces key concepts of feminist theory through the analysis of female visual representations in Brazilian and Portuguese contemporary culture. The module’s scope is interdisciplinary, offering a feminist approach, intersecting gender, class, race and ethnicity. | BA in Modern Languages; BA in Iberian and Latin American Studies | Birkbeck University of London Department of Cultures and Languages, Reino Unido |
2016/10 - 2017/07 | Co-taught: Creative Destruction: Cultural responses to contemporary Portugal. By questioning given assumptions about the world, periods of crisis are particularly rich and challenging to culture. This course was focused on the economic crisis experienced in Portugal in the last decade (as well as its social and political manifestations) and analysed how artists and intellectuals from different areas (video, cinema, music, literature, etc) creatively responded to what they perceived as a moment of destruction. | BA in Modern Languages; BA in Iberian and Latin American Studies (Bachelor (1.º ciclo de estudos)) | Birkbeck University of London Department of Cultures and Languages, Reino Unido |
2016/01 - 2017/06 | Co-taught: Theory 1 - Cultural History/Visual Cultural. The course provides students with critical appreciation of key issues central to the cultural histories of Spain, Portugal and Latin America as well as critical insight into some of the key ways – including visual – in which societies and cultures of Iberia and Latin America have been conceptualized, classified and narrated. During my sessions, students were introduced to Latin American Modern Cinema as well as to notions of Third and Imperfect Cinema. | MA in Spanish, Portuguese, and Latin American Studies (Master) | Birkbeck University of London Department of Cultures and Languages, Reino Unido |
2013/09 - 2016/05 | Course Convenor and Lecturer: From Dictatorship to Revolution in Portugal’s Cinema. This module uses the dictatorship and the post-revolutionary period as historical frames to identify aesthetic shifts within Portuguese cinema. It departs from the films produced during the dictatorial regime - Comédias à Portuguesa, introduces Cinema Novo as an aesthetic new paradigm non-aligned with the totalitarian regime and the films produced after 1974 as ways of addressing the collective trauma of the colonial wars. | BA in Spanish and Portuguese | Queen Mary University of London - Mile End Campus, Reino Unido |
2013/09 - 2016/05 | Course Convenor and Lecturer: From Page to Screen. This module analyses text-to-screen adaptations, offering a panorama of film and Portuguese literature. Students examine authorship and narrative in Camoes’s epic ‘The Lusiads’; in the work of modernist Fernando Pessoa; and in the cinema of Manoel de Oliveira, also considering the implications of spatial and temporal relocations in these films. | BA in Spanish and Portuguese (Bachelor (1.º ciclo de estudos)) | Queen Mary University of London - Mile End Campus, Reino Unido |
Entrevista / Programa (rádio / tv)
Programa | Tema | |
---|---|---|
2021/03/04 - 2021/03/04 | Fita-isoladora | Contadoras de histórias: a resistência feminina no pequeno e grande ecrã [Storytellers: female resistance on the small and big screen] |
Membro de associação
Nome da associação | Tipo de participação | |
---|---|---|
2017/11/21 - Atual | The Higher Education Academy | Fellow |
Membro de comissão
Descrição da atividade Tipo de participação |
Instituição / Organização | |
---|---|---|
2022/02/24 - 2022/10/17 | Member of the Scientific Committee at Universidade Lusófona - Escola de Comunicação, Arquitetura, Artes e Tecnologias
Membro
|
Universidade Lusófona de Humanidades e Tecnologias Escola de Comunicação Arquitectura Artes e Tecnologias da Informação, Portugal |
2022/02/24 - 2022/10/17 | Member of the Pedagogical Committee at Universidade Lusófona - Escola de Comunicação, Arquitetura, Artes e Tecnologias
Membro
|
Universidade Lusófona de Humanidades e Tecnologias Escola de Comunicação Arquitectura Artes e Tecnologias da Informação, Portugal |
2016/02/01 - 2020/06/30 | Member of the steering committee for the Birkbeck Centre of Iberian and Latin American Visual Studies (CILAVS).
Membro
|
Birkbeck University of London Centre for Iberian and Latin American Visual Studies, Reino Unido |
Outro júri / avaliação
Descrição da atividade | Instituição / Organização | |
---|---|---|
2022/10/04 - 2023/10/26 | External advisor in the supervision panel for PhD candidate Veronika Romhàny's practice-based research "Only one discipline: define yourself! Mind Maps - collaborative digital art practices as self- and system critical tools" | LUCA School of Arts - Campus Gent/Sint-Lucas, Bélgica |