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Kristin Hoefener is a researcher at CESEM (University Nova) in Lisbon and associated with IReMus (Sorbonne University) in Paris. She holds a doctorate in musicology from the University of Würzburg (Germany) and a double master's degree in musicology (University of Amsterdam) and medieval history (EPHE, Paris). She has been a Marie Sklodowska-Curie Postdoctoral Fellow at University Nova (2021-23). Her research focuses on medieval sacred chant and its firm anchoring in historical, hagiographic, and liturgical contexts, as well as on gender and innovation processes (liturgical reforms, innovation in musical notation, composition of new chants, compilation of cycles with new and old elements). Recent publications include a monograph on liturgical offices and the cult of Saint Ursula (Schöningh, 2022) and articles in Textus&Musica (2021, 2022), Kurtrierisches Jahrbuch (2021), Kirchenhistorisches Jahrbuch (2020). She is the founder and artistic director of the ensemble Kantika, which specializes in medieval music.
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Identificação

Identificação pessoal

Nome completo
Hoefener Kristin

Nomes de citação

  • Kristin Hoefener

Identificadores de autor

Ciência ID
2A18-FE34-4933
ORCID iD
0000-0002-0889-4710

Endereços de correio eletrónico

  • khoefener@fcsh.unl.pt (Profissional)

Telefones

Telemóvel
  • (+33) 662299792 (Pessoal)

Websites

Domínios de atuação

  • Humanidades - Artes - Estudo das Artes da Representação (música, teatro e dramaturgia)

Idiomas

Idioma Conversação Leitura Escrita Compreensão Peer-review
Alemão (Idioma materno)
Francês Utilizador proficiente (C2) Utilizador proficiente (C2) Utilizador proficiente (C2) Utilizador proficiente (C2)
Inglês Utilizador proficiente (C2) Utilizador proficiente (C2) Utilizador proficiente (C2) Utilizador proficiente (C2)
Holandês Utilizador proficiente (C2) Utilizador proficiente (C2) Utilizador proficiente (C2) Utilizador proficiente (C2)
Italiano Utilizador elementar (A2) Utilizador independente (B1) Utilizador elementar (A2) Utilizador independente (B1)
Romeno Utilizador independente (B1) Utilizador independente (B1) Utilizador independente (B1) Utilizador independente (B1)
Russo Utilizador elementar (A2) Utilizador independente (B1) Utilizador elementar (A2) Utilizador elementar (A2)
Latim Utilizador independente (B2)
Occitano (depois 1500); Provençal Utilizador independente (B1)
Português Utilizador elementar (A1) Utilizador elementar (A1) Utilizador elementar (A1) Utilizador elementar (A1) Utilizador elementar (A1)
Formação
Grau Classificação
2014/10/01 - 2019/07/23
Concluído
 Musicology (Doktor (PhD))
Julius-Maximilians-Universität Würzburg, Alemanha
"Untersuchungen zu Ursprung, Entwicklung und Verbreitung von Offizienzyklen zu Ehren der heiligen Kölner Jungfrauen, Kultgeschichte als Musikgeschichte " (TESE/DISSERTAÇÃO)
1997/10/01 - 1998/09/30
Concluído
 Methods of History, Archeology and Art History (Master)
École Pratique des Hautes Études, França
"Hildegarde de Bingen et son environnement liturgique et musical. Ses compositions comme miroir d’une tradition liturgique dans la région du Moyen Rhin au XIIe siècle" (TESE/DISSERTAÇÃO)
1994/10/01 - 1996/09/30
Concluído
 Early Ensemble Music Performance Certificate (Bachelor)
Fontys School of Fine and Performing Arts, Países Baixos
1990/10/01 - 1996/09/30
Concluído
 Musicology (Master)
Universiteit van Amsterdam, Países Baixos
"Hildegard von Bingen, Laudes zu Ehren der hl. Ursula und der elftausend Jungfrauen" (TESE/DISSERTAÇÃO)
Percurso profissional

Ciência

Categoria Profissional
Instituição de acolhimento 		Empregador
2023/09/01 - Atual Investigador Contratado (Investigação) Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
2021/09/01 - 2023/08/31 Investigador Contratado (Investigação) Universidade Nova de Lisboa Faculdade de Ciências Sociais e Humanas, Portugal
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Outros

Categoria Profissional
Instituição de acolhimento 		Empregador
2023 - Atual Associated researcher Institut de Recherche en Musicologie, França
Sorbonne Université, França
2008/09/01 - Atual Conductor Coeur d'Auteuil, França
1998/01/01 - Atual Artistic Director ensemble KANTIKA, França
2014/10/01 - 2021/08/31 Associated Researcher Julius-Maximilians-Universität Würzburg, Alemanha
Julius-Maximilians-Universität Würzburg Institut für Musikforschung, Alemanha
1997/01/01 - 2005/12/31 Radio Producer VPRO, Países Baixos
VPRO, Países Baixos
Projetos

Bolsa

Designação Financiadores
2024/08 - 2024/08 From Scribe to Stage
E-COST-GRANT-CA21161-ae05faee
Investigador
European Commission
Em curso
2021/09/01 - 2023/08/31 The Revival of Salve Regina. Medieval Marian chants from Aveiro: musical sources, gender specific context and performance (RESALVE)
Grant Agreement n° 101038090
Investigador responsável
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
 European Commission
Concluído

Projeto

Designação Financiadores
2023/09/01 - 2029/08/31 Chant culture in female Dominican convents with a focus on Portugal: repertoire, sources and practical performance
2022.05825.CEECIND/CP1725/CT0041
10.54499/2022.05825.CEECIND/CP1725/CT0041
Universidade NOVA de Lisboa, Portugal
 Fundação para a Ciência e a Tecnologia
Em curso
2021/01/01 - 2023/12/31 Text and Voices Lost and Found. Recovering, Reconstituting and Recreating Musical Fragments (c. 1100-c. 1600)
PTDC-ART-PER-0902-2020
PTDC/ART-PER/0902/2020
10.54499/PTDC/ART-PER/0902/2020
Investigador
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Universidade NOVA de Lisboa, Portugal

Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Fundação para a Ciência e a Tecnologia
Concluído
2022/01/01 - 2023/06/30 The Musical Manuscripts from the Monastery of Belém: the Exploration of an Unknown Hieronymite Tradition
PTDC-ART-PER-1031-2021
EXPL/ART-PER/1031/2021
10.54499/EXPL/ART-PER/1031/2021
Investigador
Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal

Universidade NOVA de Lisboa, Portugal

Universidade Nova de Lisboa Centro de Estudos de Sociologia e Estética Musical, Portugal
Fundação para a Ciência e a Tecnologia
Em curso
Produções

Publicações

Artigo em conferência
  1. Kristin, Hoefener. "La création d'offices liturgiques de sainte Ursule: un agenda politique ou religieux?". Trabalho apresentado em Rencontres de Musicologie Médiévale, PARIS, 2024.
  2. Kristin Hoefener. "Le culte de Catherine de Sienne : La création et la transmission d’un office liturgique entre l’Italie et le Portugal au XVe siècle". Poitiers, 2023.
    Publicado
  3. Kristin Hoefener. "Navigating Research Challenges in Liturgical Offices: Insights from two new offices in Honor of Catherine of Siena in the 15th century". Prague, 2023.
    Publicado
  4. Kristin Hoefener. "The role of the hand in the performance of liturgical chant: Navigating between pitch indication, note-grouping and conducting". Trabalho apresentado em 51th MedRen Conference, Munich, 2023.
  5. Kristin Hoefener. "Processionaries and processions: cross-practices for Dominicans in the 15th century and today". Paris, 2023.
  6. Kristin Hoefener. "A new religious congregation seeks her liturgical identity: A case study from the convent of Jesus in Aveiro". Barcelona, 2023.
  7. Kristin Hoefener. "The book production in the new female scriptorium of Aveiro’s convent de Jesus". Lisbon, 2023.
  8. Kristin Hoefener. "Female Chant repertoire in Aveiro's Convent of Jesus in the 15th and 16th centuries". Aveiro, 2022.
  9. Kristin Hoefener. "The Feast of the Assumption in Late Medieval Liturgical Manuscripts from the Dominican Convent of Aveiro: a Contextual and Source Study". 2022.
  10. Kristin Hoefener; Océane Boudeau. "Non-Iberian liturgical fragments of Coimbra's libraries and archives". 2022.
  11. Kristin Hoefener. "Marian devotion in Aveiro: words, music and images (15th-16th c.)". 2022.
  12. Kristin Hoefener; Andrea-Bianka Znorovsky. "Chant as Sermon: The office of the Presentation of Mary at the Temple and the Feast’s Promotion (with Andrea-Bianka Znorovsky)". Prague, 2021.
  13. Kristin Hoefener. "The Sonic Performance of Hildegard of Bingen's audiovisions: liturgical or not?". Trabalho apresentado em Annual Conference of the Royal Music Society, Newcastle upon Tyne, 2021.
  14. Kristin Hoefener. "Guillaume Adam's Cycle O admiranda novitas (14th c.)". Trabalho apresentado em 49e conférence MedRen Lisboa (session "Constructing Musical Authorship between 13th-16th centuries"), Lisbon, 2021.
  15. Kristin Hoefener. "Dies Irae Dies Illa (Day of Wrath): In the Face of the Last Judgment". Trabalho apresentado em International Medieval Congress Leeds (session 1016 : Violence and the clergy), Leeds, 2021.
  16. Kristin Hoefener. "Liturgical chants for Mary in late medieval female Dominican communities (14th-15th c.) : Uniformity and local features". Kopenhagen, 2021.
  17. Kristin Hoefener. "Vers, rimes et cadences mélodiques dans le cycle d'offices Letis canamus (XIIe s.)". Trabalho apresentado em Internatioal Conference La Formule au Moyen Âge, Paris, 2021.
  18. Kristin Hoefener. "Women writing for the liturgy : manuscripts from the Jesus Convent in Aveiro (1476-1529)". Trabalho apresentado em 3e Congreso Internacional MEDyREN 2021 Miradas caleidoscopicas : Reflexiones y novedades en torno a las investigaciones musicológicas en la península ibérica hasta c. 1650, Madrid, 2021.
  19. Kristin, Hoefener. "Chanter et dire le Salve regina chez les soeurs dominicaines". Paris, 2021.
  20. Kristin, Hoefener. "Salve Regina in late medieval Dominican communities". Trabalho apresentado em International conference Salve Regina : New Approaches to Marian Devotion in the Middle Ages, Venice, 2020.
    10.4324/9781003179054
  21. Kristin, Hoefener. "In choro sanctorum : Der Kult der Kölner Jungfrauen im 10. Jahrhundert in Essen und die Genese eines spezifischen Offizienzyklus". Trabalho apresentado em Düsseldorf University Medieval Seminar, Düsseldorf, 2019.
  22. Kristin, Hoefener. "Das kompilierte Jungfrauenoffizium Angelorum cum regina aus Köln (ca. 1300)". Trabalho apresentado em International conference Innovation und mittelalterliche Gemeinschaften in Nordwesteuropa (1200-1500), Munster, 2019.
  23. Kristin, Hoefener. "Le Culte des onze mille vierges de Cologne : Introduction par des reliques et stabilisation par un office liturgique au XIIe siècle". Trabalho apresentado em International Conference Materialities and Devotion, La Batalha, 2019.
  24. Kristin, Hoefener. "Der kompilierte Offizienzyklus Simile est regnum celorum aus St. Amand". Trabalho apresentado em 47e MedRen Conference, Basel, 2019.
  25. Kristin, Hoefener. "L’office O felix Germania en l’honneur des vierges de Cologne : quel rapport entre texte et musique". Trabalho apresentado em International conference Langues et musiques dans les corpus chantés du ˆMoyen Age et de la Renaissance, Morimondo, 2019.
  26. Kristin, Hoefener. "Überlieferung und Rezeption des Ursula-Kultes bei den Dominikanern zwischen dem 13. und 16. Jh.". Trabalho apresentado em Workshop Dominikanerstudien, Cologne, 2019.
  27. Kristin, Hoefener. "Comment la main enseigne et dirige la voix chantée au Moyen Âge". Trabalho apresentado em Entretiens sur la Musique ancienne en Sorbonne, Paris, 2018.
  28. Kristin, Hoefener. "Philippe Basiron's Mass for King Louis XI". Trabalho apresentado em Bibliothèque Nationale de France, International Medieval Society Paris, Paris, 2016.
  29. Kristin, Hoefener. "In choro sanctorum - Reconstitution d’un office de sainte Ursule et des vierges de Cologne dans les couvents impériaux d’Essen et de Quedlinburg". Trabalho apresentado em International conference The Transept and its Upper Levels in the High Medieval Church : Towards a New Functional Approach – Architecture, Decor, Liturgy and Sound, Lausanne, 2015.
  30. Kristin, Hoefener. "Musical Notation and liturgical Indications in Medieval Manuscripts". Trabalho apresentado em International Medieval Society Paris, Paris, 2014.
  31. Kristin, Hoefener. "From Pinnosa to Saint Ursula, the Cult and its Manifestation in the Liturgy". Trabalho apresentado em International conference St Ursula and the 11,000 Virgins, University of Wales Trinity Saint David, Camarthen, 2013.
  32. Kristin, Hoefener. "Ein mittelalterliches Euchariumsoffizium aus dem 17. Jh.". Trabalho apresentado em Internationale Digitale Rekonstruktionen mittelalterlicher Bibliotheken, University of Trier, Trier, 2013.
  33. Kristin, Hoefener. "De la canonisation populaire au disque d’or: Hildegarde de Bingen". Trabalho apresentado em International conference Reconnaissance et consécration artistique, University of Poitiers/GRESCO, Poitiers, 2012.
  34. Kristin, Hoefener. "An Ursuline Office in a Manuscript from Ottobeuren and Its Modus Signs in the Margin as a Better Orientation for the Medieval Reader". Trabalho apresentado em International Medieval Congress of Leeds, Session Outside the Ruling: Signs of Use in Medieval Manuscripts, I: Marginal Interventions and the Functionality of Texts, University of St Andrews, Leeds, 2012.
  35. Kristin, Hoefener. "A Twelfth-Century Ottobeuren Manuscript and its Ursuline Prose Office". Trabalho apresentado em 47th International Congress for Medieval Studies, University of Western Michigan, Kalamazoo, 2012.
  36. Kristin, Hoefener. "Saint Ursula’s cult and its manifestation in liturgy". Trabalho apresentado em International Conference Matter of Faith, British Museum, London, 2011.
  37. Kristin, Hoefener. "Un Office médiéval au XVIIe siècle". Trabalho apresentado em International conference Chant – Old and New, University of Dalhousie, Halifax, 2011.
  38. Kristin, Hoefener. "Liturgie oubliée – ordo reconstitué". Trabalho apresentado em 8th Annual Symposium Ordo, International Medieval Society Paris, Paris, 2011.
  39. Kristin, Hoefener. "Embellissement et mise en relief de textes et mélodies formulaires dans les chants liturgiques d’Hildegarde de Bingen (1098-1179)". Trabalho apresentado em International Conference La Formule dans la culture Médiévale, University of Nancy, Nancy, 2010.
  40. Kristin, Hoefener. "Überlieferung eines Ursula-Offiziums in einer Handschrift aus der Liebfrauenkirche in Tongeren (ca. 1300)". Trabalho apresentado em International Conference Music for the Office and Its Sources in the Low Countries (1050-1550), IMS Study Group ‘Cantus Planus with Laus Polyphoniae, Antwerpen, 2010.
  41. Kristin, Hoefener. "Liturgische Aspecten van de Symphonia". Trabalho apresentado em Conference Toen verscheen mij een wonderbaarlijke cirkel, Catholic University of Nijmegen, Nijmegen, 1998.
  42. Kristin, Hoefener. "Wort-Ton-Verhältnis in den Gesängen Hildegards". Trabalho apresentado em Conference Theo-Logos im Gregorianischen Choral , University of Bonn, Bonn, 1998.
Artigo em revista
  1. Kristin Hoefener. "Entretien sur le chant dominicain féminin avec Brigitte Lesne (Ensemble Discantus)". Textus & Musica 6 (2022): online-online. https://novaresearch.unl.pt/en/publications/428539c7-eec6-4411-8af6-508e9c654c8d.
    Publicado
  2. Kristin, Hoefener; Kristin Hoefener. "O felix Germania : un cycle cistercien en l'honneur des vierges martyres de Cologne. Étude des interrelations entre textes et mélodies". Textus & Musica 2021 1 (2021): https://hal.archives-ouvertes.fr/hal-03455035.
    Acesso aberto • Aceite para publicação
  3. Kristin Hoefener. "Kultgeschichte als Musikgeschichte: Offizienzyklen zu Ehren der heiligen Ursula und der elftausend Kölner Jungfrauen unter besonderer Berücksichtigung des Laudeszyklus In choro sanctorum". Kirchenmusikalisches Jahrbuch 103-104 (2021): 85-104.
    Publicado • 10.30965/9783657760633_006
  4. Kristin Hoefener. "Hildegard von Bingens Antiphonenzyklus Studium divinitatis. Welche Anhaltspunkte gibt es für eine liturgische Performanz?". Kurtrierisches Jahrbuch 61 (2021): 89-119. https://hal.archives-ouvertes.fr/hal-03877865.
    Publicado
  5. Kristin, Hoefener. "La main pour diriger la voix et enseigner la Musique au Moyen Âge". Le Jardin de Musique 9/1 2018 (2019): 97-127.
    Publicado
  6. Kristin, Hoefener. "Les Manuscrits d'Apt". Archipal Archéologie et Histoire 61 (2007):
    Publicado
  7. Kristin, Hoefener. "L’Enseignement de la Musique". Histoire et Images Médiévales 2006 (2006): 65-71.
    Publicado
  8. Kristin, Hoefener. "Interprétation de la Musique médiévale". Canor (2006):
    Publicado
  9. Kristin, Hoefener. "Hildegard of Bingen". Canor (2002):
    Publicado
Capítulo de livro
  1. Kristin Hoefener. "Female Chant Repertoire in Aveiro’s Dominican Convent of Jesus during the Observant Reform (15th Century)". In Observant Reforms and Cultural Production in Europe, editado por Bert Roest; Pietro Delcorno. Nijmegen, Países Baixos: Radboud University Press, 2023.
    Publicado • 10.54195/xfrb6134_ch08
  2. Kristin Hoefener. "Women writing for the liturgy: manuscripts from the Jesus Convent in Aveiro (1476-1529)". In Culture and music in the Iberian Peninsula (c. 1100-c.1650)/Cultura y musica en la peninsula iberica (c.1100-c.1650) (Iberian Early Music Studies 6), editado por Eva Esteve; John Griffiths; Francisco Rodilla, 82-96. Kassel, Alemanha: Reichenberger, 2023.
    Publicado
  3. Kristin, Hoefener; Kristin Hoefener. "Salve Regina in Late Medieval Dominican Communities". In Marian Devotion in the Late Middle Ages, editado por Andrea-Bianka Znorovszky; Gerhard Jaritz, 106-125. London, Reino Unido: Routledge, 2022.
    Publicado • 10.4324/9781003179054-7
  4. Kristin, Hoefener. "In choro sanctorum: Reconstitution d'un office de sainte Ursule et ses Compagnes à Essen et Quedlinburg". In Le transept et ses espaces élevés dans l'église du Moyen Âge (XIe –XVIe siècle). Pour une nouvelle approche fonctionnelle (architecture, décor, liturgie et son, editado por Franzé, Barbara; Le Luel, Nathalie, 69-81. Turnhout, Bélgica: Brepols, 2018.
    Publicado
  5. Kristin Hoefener; Kristin, Hoefener. "From St Pinnosa to St Ursula - The Development of the Cult of Cologne's Virgins in Medieval Liturgical Offices". In The Cult of St Ursula, editado por Cartwright, Jane, 61-91. Cardiff, Reino Unido: University of Wales Press, 2016.
    Publicado
  6. Kristin, Hoefener; Kristin Hoefener. "St. Ursula’s cult and its manifestation in liturgy". In Matter of Faith : An Interdisciplinary Study of Relics and Relic Veneration in the Medieval Period, editado por Robinson, James; de Beer, Lloyd; Harnden, Anna, 40-46. London, Reino Unido: British Museum Research Publication, 2014.
    Publicado
  7. Kristin, Hoefener; Kristin Hoefener. "Beatissimus Eucharius : Ein Euchariusoffizium des 17. Jahrhunderts aus St. Matthias in Trier". In Digitale Rekonstruktionen mittelalterlicher Bibliotheken, editado por Philippi, Sabine; Vanscheidt, Philipp, 99-117. Wiesbaden, Alemanha: Reichert Verlag, 2014.
    Publicado
  8. Kristin, Hoefener; Kristin Hoefener. "Un Office médiéval au XVIIe siècle – Saint Eucher : Perpétuation du culte de saints locaux dans le répertoire du plain-chant après le Moyen Âge". In Chant - Old and New, editado por Renwick, William, 115-136. Lions Bay, Canadá: Institute of Mediaeval Music, 2012.
    Publicado
  9. Kristin, Hoefener. "Manuscripts' descriptions". In Catalogue des manuscrits médiévaux de la Bibliothèque de France, editado por Long, Sarah Ann; Behrendt, Inga, 76-97. Turnhout, França: Brepols, 2004.
    Publicado
  10. Kristin, Hoefener. "Liturgische Aspecten van de Symphonia". In Toen verscheen mij een wonderbaarlijke cirkel, editado por Mulder, Etty. Nijmegen, Países Baixos: Nijmegen University Press, 1999.
    Publicado
Livro
  1. Kristin Hoefener. Kultgeschichte als Musikgeschichte Untersuchungen zu Ursprung, Entwicklung und Verbreitung von Offizienzyklen zu Ehren der heiligen Kölner Jungfrauen. Paderborn, Alemanha: Ferdinand Schöningh/Brill. 2022.
    Publicado
Revisão de livro
  1. Hoefener, Kristin. "Yossi Maurey, Liturgy and Sequences of the Sainte-Chapelle. Music, Relics, and Sacral Kingship in Thirteenth-Century France, Turnhout (Brepols) 2021". http://hdl.handle.net/10362/161106.
    https://doi.org/10.11588/frrec.2022.4.92121
  2. Kristin Hoefener. "Gregorio Bevilacqua, Thomas B. Payne (éd.), Ars Antiqua. Music and culture in Europe c. 1150¿1330, Turnhout (Brepols) 2020". Revisão de Gregorio Bevilacqua, Thomas B. Payne (éd.), Ars Antiqua. Music and culture in Europe c. 1150¿1330 2022-1 (2022): http://hdl.handle.net/10362/161107.
    Publicado • 10.11588/frrec.2022.1.87446
  3. Kristin Hoefener. "Luc Rombouts, De oorsprong van de beiaard. Voorlopers, ontstaan en ontwikkeling tot 1530, Gent (Skribis) 2021". Revisão de Luc Rombouts, De oorsprong van de beiaard. Voorlopers, ontstaan en ontwikkeling tot 1530 2021-1 (2022): https://hal.archives-ouvertes.fr/hal-03873045.
    Publicado • 10.11588/frrec.2021.1.79683
  4. Kristin Hoefener. "James Grier (ed.), The Office of the Holy Trinity at Saint Martial de Limoges in the Eleventh Century, Turnhout (Brepols) 2020". Revisão de James Grier (ed.), The Office of the Holy Trinity at Saint Martial de Limoges in the Eleventh Century 2021-3 (2021): https://hal.archives-ouvertes.fr/hal-03873051.
    Publicado • 10.11588/frrec.2021.3.83610
Tese / Dissertação
  1. Kristin, Hoefener. "Untersuchungen zu Ursprung, Entwicklung und Verbreitung von Offizienzyklen zu Ehren der heiligen Kölner Jungfrauen, Kultgeschichte als Musikgeschichte". Doutoramento, Julius-Maximilians-Universität Würzburg, 2019.
Tradução
  1. Kristin, Hoefener. Traditions écrites et orales des chants sacrés de la Corse. Wiesbaden, Alemanha. 1999.
    Publicado

Artística / Interpretação

Gravação áudio
  1. Kristin, Hoefener; Ministery of Culture and Education Navarra (Produtor). 2012. "La Música del Reino". In La Música del Reino, Kantika.
  2. Kristin, Hoefener; Christophorus (Produtor). 2009. "Estel del Mar". In Estel del Mar, Kantika, Christophorus.
  3. Kristin, Hoefener; Integral Classic (Produtor). 2007. "O Maria virgo". In O Maria virgo, Kantika, Integral Classic.
  4. Kristin, Hoefener; Freiburger Musik Forum (Produtor). 2006. "Elisabeth - Rose with thorns". In Elisabeth - Rose with thorns, Kantika, Freiburger Musik Forum.
  5. Kristin, Hoefener; Integral Classic (Produtor). 2005. "Lux". In Lux, Kantika, Integral Classic.
  6. Kristin, Hoefener; Selena (Produtor). 2004. "A summo celo". In A summo celo, Kantika, Selena.
  7. Kristin, Hoefener; Harmonia Mundi (Produtor). 1999. "Lauds of St Ursula". In Lauds of St Ursula, Kantika, Harmonia Mundi.
Interpretação artística
  1. Pedro Sousa e silva; Kristin Hoefener. 2024. Alternatim: Missa Mater Dolorosa. Igreja La Misericordia.
  2. Pedro Sousa e silva; Kristin Hoefener. 2023. Alternatim: Monodia Jeronimita e polifonia Beneditina em dialogo. Igreja se Sao José das Taipas.
  3. Kristin Hoefener. 2022. Canto Dominicano. Monasterio de Batalha.
  4. Kristin Hoefener. 2022. Canto Dominicano. Escola Superior de Musica de Lisboa.
Programa de rádio / tv
  1. Kristin, Hoefener. 2005. « Urubicha », VPRO Radio /Netherlands.
  2. Kristin, Hoefener. 2004. « Urubicha », VPRO Radio /Netherlands..
  3. Kristin, Hoefener. 2003. « Urubicha », VPRO Radio /Netherlands..
  4. Kristin, Hoefener. 2002. « Urubicha », VPRO Radio /Netherlands..
  5. Kristin, Hoefener. 2001. « Urubicha », VPRO Radio /Netherlands..
  6. Kristin, Hoefener. 2000. « Urubicha », VPRO Radio /Netherlands..
  7. Kristin, Hoefener. 1999. « Urubicha », VPRO Radio /Netherlands..
  8. Kristin, Hoefener. 1998. « Urubicha », VPRO Radio /Netherlands..
  9. Kristin, Hoefener. 1997. « Middagconcert », VPRO Radio /Netherlands.
Atividades

Organização de evento

Nome do evento
Tipo de evento (Tipo de participação) 		Instituição / Organização
2019/06/18 - 2019/06/18 Nuit des Chorales, Rencontre de chœurs parisiens (2019/06/18 - 2019/06/18)
Festival (Presidente da Comissão Organizadora)
 Municipality of Paris , França
2018/06/15 - 2018/06/15 Nuit des Chorales, Rencontre de chœurs parisiens (2018/06/15 - 2018/06/15)
Festival (Presidente da Comissão Organizadora)
 Municipality of Paris , França
2007/07/07 - 2007/08/14 Musique au Cœur (2007/07/07 - 2007/08/14)
Festival (Presidente da Comissão Organizadora)
 Abbaye Blanche, França

Arbitragem científica em conferência

Nome da conferência Local da conferência
2023/07/24 - 2023/07/28 Session: Gestures of Sacred Chant: Exploring the Performance of Latin and Byzantine Chant, of the Qur’an and Jewish Sacred Texts from the Middle Ages Onwards MedRen Conference Munich
2023/01/26 - 2023/01/27 Performance of Medieval Monophony Nova University Lisbon
2022/01/01 - 2022/07/08 IMC 2022 Leeds: Session "Portuguese Convent Culture in the 15th-16th c." University of Leeds
2022 - 2022 Session: Portuguese Convent Culture in the 15th-16th c.: New Perspectives International Medieval Congress of Leeds
2021/01/01 - 2021/07/09 49th MedRen Conference Lisboa: Session "Constructing Musical Authorship between 13th-16th centuries" University Nova Lisbon
2016/06/30 - 2016/07/03 Les Mots-Words, 13th anual Symposium, Société médiévale de Paris Société médiévale de Paris
2016/05/26 - 2016/05/26 Le chant liturgique - La transition entre la réception passive et active du chant de Rome et le phénomène des tropes pendant le haut Moyen Age American University of Paris (LAMOP, IMS, Campus Condorcet)
2015/06/25 - 2015/06/27 Villes-Cities, 12e Symposium annuel de la Société médiévale de Paris Société médiévale de Paris
2014/06/26 - 2014/06/28 Charlemagne after Charlemagne, 11e Symposium annuel de la Société médiévale de Paris Société médiévale de Paris

Curso / Disciplina lecionado

Disciplina Curso (Tipo) Instituição / Organização
2008 - Atual Stage annuel d’Interprétation de la musique du Moyen-Âge central Association Aisling, França
2018/06/11 - 2018/06/11 « Les choristes », stage de musique médiévale pour enfants « Les choristes », stage de musique médiévale pour enfants Festival d’Art sacré d’Evron, França
2018/06/05 - 2018/06/06 « Métamorphoses », stage de chants médiévaux « Métamorphoses », stage de chants médiévaux Festival d’Art sacré d’Evron, França
2016 - 2016 Chansons de trouvères et de troubadours, polyphonies, accompagnement instrumental de monodies, stage de musiques médiévales avec la classe des flûtes à bec Chansons de trouvères et de troubadours, polyphonies, accompagnement instrumental de monodies, stage de musiques médiévales avec la classe des flûtes à bec CRD de Fresnes, França
2009 - 2009 Un projet artistique et son montage Un projet artistique et son montage (Master) CNSM de Paris, França
2008 - 2008 Répertoire médiéval, modalité, théorie musicale médiévale, improvisation, Formation continue pour professeurs de musique Répertoire médiéval, modalité, théorie musicale médiévale, improvisation, Formation continue pour professeurs de musique CRD de Fresnes, França
2008 - 2008 Stage d’Interprétation du Plain-chant: Laudes de sainte Ursule Stage d’Interprétation du Plain-chant: Laudes de sainte Ursule Abbaye Blanche, França
2007 - 2007 Les manuscrits d’Apt Les manuscrits d’Apt (Master)
2007 - 2007 Répertoire du Plain-chant, Modalité, Improvisation, stage d’Interprétation du Plain-chant Répertoire du Plain-chant, Modalité, Improvisation, stage d’Interprétation du Plain-chant Abbaye Blanche, França
2006 - 2006 « Sainte Walburge – Livres de chœurs du XVIIe siècle de l’Abbaye de Walbourg », stage avec des jeunes chanteurs, Séminaire de Walbourg « Sainte Walburge – Livres de chœurs du XVIIe siècle de l’Abbaye de Walbourg », Projet avec des jeunes chanteurs
2006 - 2006 « Llibre Vermell de Montserrat », stage « Llibre Vermell de Montserrat », stage CRD de Fresnes, França
2005 - 2005 Répertoire médiéval, modalité, théorie musicale médiévale, accompagnement instrumental de monodies, Formation continue pour professeurs de musique Répertoire médiéval, modalité, théorie musicale médiévale, accompagnement instrumental de monodies, Formation continue pour professeurs de musique ADIAM , França
2005 - 2005 Voci Unite, Ensemble de jeunes filles, masterclass, Lomza/ Pologne Voci Unite, Ensemble de jeunes filles, masterclass, Lomza/ Pologne
2004 - 2004 Stage de modalité médiévale, Conservatoire municipale de Chevilly-Larue Stage de modalité médiévale, Conservatoire municipale de Chevilly-Larue
2001 - 2001 Master class au Festival de Musique Ancienne de Jaroslaw/ Pologne Master class au Festival de Musique Ancienne de Jaroslaw/ Pologne
1998 - 1998 Master class Hildegarde de Bingen, Fondation Royaumont Master class Hildegarde de Bingen, Fondation Royaumont

Membro de associação

Nome da associação Tipo de participação
2013 - Atual International Musicological Society
2011 - Atual International Medieval Society Paris
2007 - Atual FEVIS (Fédération Française des Ensembles vocaux et instrumentaux spécialisés)

Membro de comissão

Descrição da atividade
Tipo de participação 		Instituição / Organização
2020/01 - Atual Editor/Redacteur Textus & Musica, França
2013 - 2016 Co-Director: International Medieval Society Paris
Diretor
 International Medieval Society Paris, França

Outro júri / avaliação

Descrição da atividade Instituição / Organização
2020/01/01 - 2021/12/31 CPES - Jury member Examination "Cycle préparatoire à l'enseignement supérieur" Conservatoire de Fresnes, França
2014/01/01 - 2021/12/31 DEM (Diplôme d'études musicales) Conservatoire de Fresnes, França
2006/01/01 - 2014/12/31 Jury Member Musical Training (Formation Musicale) Conservatoire de Fresnes, França
Distinções

Outra distinção

2022 Label France - Portugal 2022/Temporada Cruzada Portugal-França 2022
Institut Français, Portugal