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Alejandro GROSSO LAGUNA is a FCT (Foundation for Science and Technology, Portugal) POSTDOCTORAL fellow at the Institute of Ethnomusicology - Music and Dance Studies of the University of Aveiro and the Laboratory for the Study of Musical Experience of the Faculty of Arts of the National University of La Plata (FA-UNLP), Argentina. He holds a PhD in Theatre, Major in PERFORMANCE STUDIES on Dance and Music integration, from the University of Évora (2013). Graduated in MUSICAL EDUCATION and Classical Guitar from the Higher Conservatory of Music of Buenos Aires (1989). He attended the Music career at the FA-UNLP (1985-90) and graduated in Music Education in the University of Évora (2007). Training in Gyrotonic Expanded System for 10 years and fundamentals of Dance Classical Ballet Technique with Barbora Hruskova (Ex Principal Dancer of the National Ballet Company and current head reherser of the Company). Alejandro is a RESEARCHER in the field of Psychology of dance and music; a DANCER and PROFESSOR specialized in Traditional Argentine Tango and a MUSICIAN specialized in dance technique. His domain of specialization is (i) cross and multimodal communication issues between dancers and dancers-dance musicians, (ii) movement qualitative kinesthetic-kinetic dynamics and non-propositional body knowledge. In particular, based on an epistemic plurality that addresses embodied cognition, 'second person reciprocal interactions, [neuro] phenomenological methodologies and multimodal microanalysis. His research has been funded with 2 fellowships from the FCT. He was a RESEARCHER in two competitive projects of the National Agency for Scientific and Technological Promotion, Argentina. Teaching assistant position in the Higher School of Dance of Lisbon during 15 years. Since 2014, he has TAUGHT in postgraduate seminars (PhD-Masters) at the Faculty of Human Kinetics of the University of Lisbon (FHK-UL); Laboratory for the Study of Musical Experience of the FA-UNLP, Argentina; Dance Faculty of the University Autonomous of Chiapas, Mexico. He was guest lecturer of the 14th Dance Congress of Traditional Argentine Dances, La Plata and key note at 1st Interdisciplinary Symposium on Sciences Applied to Dance Faculty of Medicine, University of Buenos Aires. In 2022 he created in Lisbon a Laboratory for the study of the analysis of the visual and sound gesture of the Traditional Tango dance of Argentina. The project has the collaboration of the dance departament of the FHK-UL and the JAMOR high-performance sports department.
Identificação

Identificação pessoal

Nome completo
Alejandro César Grosso Laguna

Nomes de citação

  • LAGUNA GROSSO Alejandro

Identificadores de autor

Ciência ID
191E-174E-5492
ORCID iD
0000-0001-8560-4011
Researcher Id
M-6530-2013
Scopus Author Id
55497183800

Endereços de correio eletrónico

  • cultura@netcabo.pt (Profissional)

Websites

  • https://visual-spatial-indicators.tumblr.com (Profissional)
  • http://www.inetmd.pt/index.php/pessoas/integrados/13-alejandro-cesar-grosso-laguna (Académico)

Domínios de atuação

  • Humanidades - Artes - Artes
Formação
Grau Classificação
2011 - 2024
Em curso
Advanced Training in Gyrotonic Expansion System and Classic Ballet Technique. With Barbora Hruskova [Dance master of National Dance Company. Portugal] (Especialização pós-licenciatura)
Especialização em Dance Holistic approach to movement
Kinethic Space, Equilibrium , Portugal
2007/06/01 - 2013/01/15
Concluído
PhD in Theater (Doctor of Philosophy)
Especialização em Performance Studies. Dance and Movement
Universidade de Évora, Portugal
"Revision of communication problems in the context of technical dance classes from the perspective of the dance musician" (TESE/DISSERTAÇÃO)
17
2007/11/07
Concluído
Music Education (Licenciatura)
Especialização em Music Education
Universidade de Évora Escola de Artes, Portugal
16
1985 - 1990
Frequentou
Music Education and Classical Guitar (Licenciatura)
Universidad Nacional de la Plata, Argentina
16
1982 - 1989
Concluído
Music Education (Bachelor)
Especialização em Music Education and Classical Guitar
Conservatório Superior de música Manuel de Falla, Argentina
16
Percurso profissional

Ciência

Categoria Profissional
Instituição de acolhimento
Empregador
2022/01/01 - 2022/12/31 Pós-doutorado (Investigação) Fundação para a Ciência e a Tecnologia, Portugal
Universidade de Aveiro Departamento de Comunicação e Arte, Portugal
(...)
2015/10/01 - 2021/12/31 Pós-doutorado (Investigação) Fundação para a Ciência e a Tecnologia, Portugal
Universidade de Aveiro Departamento de Comunicação e Arte, Portugal
(...)

Docência no Ensino Superior

Categoria Profissional
Instituição de acolhimento
Empregador
2020 - Atual Professor Visitante (Docente Universitário) Centro de Estudios para el arte y la Cultura. Universidad Autónoma de Chiapas, México
Centro de Estudios para el arte y la Cultura. Universidad Autónoma de Chiapas, México
2019/05/25 - Atual Professor Visitante (Docente Universitário) Faculty of Human Kinetics, Dance Departament, University of Lisbon, Portugal
Instituto de Etnomusicologia- Centro de Estudos em Música e Dança. FMH, Portugal
2019/06/12 - 2019/06/13 Professor Visitante (Docente Universitário) Faculty of Human Kinetics, Dance Departament, University of Lisbon, Portugal
Instituto de Etnomusicologia- Centro de Estudos em Música e Dança. FMH, Portugal
2017/02/24 - 2017/02/25 Professor Visitante (Docente Universitário) Faculty of Human Kinetics, Dance Departament, University of Lisbon, Portugal
Instituto de Etnomusicologia- Centro de Estudos em Música e Dança. FMH, Portugal
2014/06/17 - 2014/06/18 Professor Visitante (Docente Universitário) Faculty of Human Kinetics, Dance Departament, University of Lisbon, Portugal
Instituto de Etnomusicologia- Centro de Estudos em Música e Dança. FMH, Portugal
1999/09 - 2014/01/12 Assistente (Docente Ensino Superior Politécnico) Escola Superior de Dança de Lisboa, Portugal
Instituto Politécnico de Lisboa, Portugal
Projetos

Bolsa

Designação Financiadores
2022 - Atual Phenomenological aspects of communication in multimodal expressive performance: Crossing propositional and non-propositional contents [Extension of BPD/109712/2015]
COVID/BPD/151579
Bolseiro de Pós-Doutoramento
Instituto de Etnomusicologia Centro de estudos em Musica e Dança. Unidad de Gestión Universidade de Aveiro, Portugal

Laboratory for the Study of Musical Experience. National University of La Plata. Faculty of Fine arts. Musica Departament, Argentina
Fundação para a Ciência e a Tecnologia
Em curso
2015 - 2021/12/31 Communication aspects of multimodal expressive performance: Crossing issues between propositional and not propositional content
SFRH/BPD/109712/2015
Bolseiro de Pós-Doutoramento
Laboratory for the study of musical experience. National University of La Plata , Argentina

Instituto de Etnomusicologia Centro de estudos em Musica e Dança. Unidad de Gestión Universidade de Aveiro, Portugal
Fundação para a Ciência e a Tecnologia
Em curso
2009 - 2012/12 Revision of communication problems in the context of technical dance classes from the perspective of the dance musician
Bolseiro de Doutoramento
Laboratory for the Study of Musical Experience. Faculty of Arts. National University of La Plata., Argentina

Centro de História da Arte e Investigação Artística, Universidade de Évora, Portugal
Fundação para a Ciência e a Tecnologia
Concluído

Projeto

Designação Financiadores
2015 - 2017/12/31 Communicative musicality in temporary arts and temporary childhood
Investigador
Laboratory for the Study of Musical Experience. Faculty of Arts. National University of La Plata., Argentina
National Agency for Scientific and Technological Promotion. Ministry of Science, Technology and Innovation of Argentina.
Concluído
2009 - 2012/12/31 Intersections between musical experience and early childhood as part of embodied cognition
PICT-2008-0927
Investigador
Laboratory for the Study of Musical Experience. Faculty of Arts. National University of La Plata., Argentina
National Agency for Scientific and Technological Promotion. Ministry of Science, Technology and Innovation of Argentina.
Concluído
Produções

Publicações

Artigo em conferência
  1. LAGUNA GROSSO Alejandro; Favio Shifres; Rui Pires; Diana Pinto. "Prosody and metrics: paradoxes of communication in dance. [Prosodia y métrica: paradojas de la comunicación en danza]". Trabalho apresentado em XIII Meeting of Cognitive Sciences of Music, La Plata, 2018.
    Publicado
  2. LAGUNA GROSSO Alejandro. "Fundamento biomecánico para el compás musical y el caminar en el tango.". Trabalho apresentado em XIII Meeting of Cognitive Sciences of Music, La Plata, 2017.
    Publicado
  3. LAGUNA GROSSO Alejandro; Rui Pires. "Rhythm, timing and motor perception of the swimming cycle in high competition. [Ritmo, timing e percepção motora do ciclo do nado em alta competição]". Trabalho apresentado em XII Meeting of Cognitive Sciences of Music, San Juan, 2015.
    Publicado
  4. LAGUNA GROSSO Alejandro. "Study of the performance of musical rhythm in dance movements". Trabalho apresentado em XII Meeting of Cognitive Sciences of Music, San Juan, 2015.
    Publicado
  5. LAGUNA GROSSO Alejandro. "Inference of musical pulse and spontaneous movement of the foot". Trabalho apresentado em Performa 15: International Conference on Music Performance, Aveiro, 2015.
    Publicado
  6. LAGUNA GROSSO Alejandro. "Conceptualization and embodiment of musical metrics in technical dance exercises". Trabalho apresentado em XI Meeting of Cognitive Sciences of Music, Buenos Aires, 2013.
    Publicado
  7. LAGUNA GROSSO Alejandro; Favio Shifres. "Visual and auditory cues in the synchronicity of pulse between dancers and musician". Trabalho apresentado em XI Congress of the Iberian Society of Ethnomusicology., Lisboa, 2012.
    Publicado
  8. LAGUNA GROSSO Alejandro; Favio Shifres. "Visuospatial indicators for locating the point of impact in the musical accompaniment of the dance. [Indicadores viso-espaciales para la localización del punto de impacto en el acompañamiento musical de la danza]". Trabalho apresentado em X Meeting of Cognitive Sciences of Music, Buenos Aires, 2011.
    Publicado
  9. LAGUNA GROSSO Alejandro. "Analysis of a Case of Divergent Information in a Dance Class". Trabalho apresentado em X Meeting for the Cognitive Sciences of Music, Buenos Aires, 2011.
    Publicado
  10. LAGUNA GROSSO Alejandro. "Timing divergence of multimodal instruction in dance technique classes". Trabalho apresentado em Performa '11, Aveiro, 2011.
    Publicado
  11. Favio Shifres; LAGUNA GROSSO Alejandro. "Influence of the previous interval and the mean interval on the synchronization based on underlying pulse with transmodal stimuli". Trabalho apresentado em IX Meeting of Cognitive Sciences of Music, Bahia Blanca, 2010.
    Publicado
  12. LAGUNA GROSSO Alejandro. "Movement Timing vs Musical Timing. Cross-modal display of a movement phrase". Trabalho apresentado em VIII Meeting of the Argentine Society for Cognitive Sciences of Music, Villa María, 2009.
    Publicado
  13. LAGUNA GROSSO Alejandro. "Attunement perspective of musical performance with the movement". Trabalho apresentado em VIII Meeting of the Argentine Society for Cognitive Sciences of Music, Villa María, 2009.
    Publicado
  14. LAGUNA GROSSO Alejandro. "The Dance Accompanist. How to identify the underlying beat of a movement phrase?". Trabalho apresentado em VII Meeting for the cognitive sciences of music, Rosario, 2008.
    Publicado
  15. LAGUNA GROSSO Alejandro. "The Musical Image of the Movement. Analysis categories". Trabalho apresentado em VII Meeting of the Argentine Society for Cognitive Sciences of Music, Rosario, 2008.
    Publicado
Artigo em revista
  1. Grosso Laguna, Alejandro; Shifres, Favio. "Visual and sound gesture in dance communication". Research in Dance Education (2022): 1-24. http://dx.doi.org/10.1080/14647893.2022.2078296.
    10.1080/14647893.2022.2078296
  2. LAGUNA GROSSO Alejandro. "Graciela González: Bodily experience and generational change in traditional tango". European Review Of Artistic Studies 12 1 (2021): 1-17. http://eras.mundis.pt/index.../eras/article/download/248.
    Acesso aberto • Publicado • https://doi.org/10.37334/eras.v10i3.210
  3. LAGUNA GROSSO Alejandro. "Biomechanical Analysis and Metric Interpretation Of Walking In Tango Dance". European Review Of Artistic Studies 11 4 (2021): 1-20. http://eras.mundis.pt/index.php/eras/article/download/249/205.
    Acesso aberto • Publicado • https://doi.org/10.37334/eras.v11i4.249
  4. LAGUNA GROSSO Alejandro; Pires Rui. "Neuro Phenomenological study in tango movement vs street walk (Preprints and early-stage research may not have been peer reviewed yet)". (2021):
  5. LAGUNA GROSSO Alejandro; Favio Shifres. "Understanding Movement from Dance and Music". European Review of Artistic Studies 11 2 (2020): 81-101.
    Acesso aberto • Publicado • doi:10.37334/eras.v11i2.233
  6. LAGUNA GROSSO Alejandro. "Cuando el cuerpo es música al bailar (When the body is music when dancing)". Epistemus. Revista de Estudios en Música, Cognición y Cultura 7 2 (2019): 012-012. https://doi.org/10.24215/18530494e012.
    Acesso aberto • Publicado • 10.24215/18530494e012
  7. LAGUNA GROSSO Alejandro. "Graciela González: Experiencia corporal y cambio generacional en el tango tradicional". Revista Europeia de Estudos Artisticos 10 3 (2019): 1-15. https://eras.mundis.pt/index.php/eras/article/view/31.
    Publicado
  8. LAGUNA GROSSO Alejandro. "Milena Plebs. Tango y pensamiento critico". Epistemus. Revista de Estudios en Música, Cognición y Cultura 6 1 (2018): 97-108. http://dx.doi.org/10.21932/epistemus.6.4192.1.
    https://doi.org/10.21932/epistemus.6.4192.1
  9. LAGUNA GROSSO Alejandro. "Embodiment of the experience of regularity in artistic production. [Incorporação da experiência da regularidade na produção artística]". IMPAR - ONLINE JOURNAL ON ARTISTIC RESEARCH 1 2 (2017): 31-44. https://proa.ua.pt/index.php/impar/article/view/781.
    Acesso aberto • Publicado
  10. LAGUNA GROSO Alejandro; Favio Shifres. "Entender el movimiento desde la danza y desde la música". EUROPEAN REVIEW OF ARTISTIC STUDIES 8 4 (2017): 1-21. http://www.eras.utad.pt/docs/DEZ%20MUSICA%202017.pdf.
    Acesso aberto • Publicado
  11. LAGUNA GROSSO Alejandro. "Reseña del workshop Movimiento del Cuerpo y Musicalidad. Aplicación de recursos tecnológicos en el análisis de las artes temporales en contextos ecológicos e interactivos". Boletín de la Sociedad Argentina para las Ciencias Cognitivas de la Música 6 2 (2014): 30-36. http://www.saccom.org.ar/saccom/boletin/v6n2/laguna_movimiento_del_cuerpo_y_musicalidad.pdf.
    Acesso aberto • Publicado
  12. Shifres, Favio; LAGUNA GROSSO Alejandro. "The co-construction of the metric frame in the dance technique class". Revista Europeia de Estudos Artisticos 4 1 (2013): 76-94. http://dx.doi.org/10.37334/eras.v4i1.69.
    Acesso aberto • Publicado • 10.37334/eras.v4i1.69
  13. LAGUNA GROSSO Alejandro. "Transmodality and informational divergence in dance teaching | Transmodalidad y divergencia informacional en la enseñanza de danza". Cuadernos de Musica, Artes Visuales y Artes Escenicas 7 2 (2012): 43-63. http://www.scopus.com/inward/record.url?eid=2-s2.0-84869790638&partnerID=MN8TOARS.
    Publicado
Poster em conferência
  1. LAGUNA GROSSO Alejandro; Favio Shifres. "Restricted visual spatiality and semantic evaluations in recognition of the articulation fluency in dance movement.". Trabalho apresentado em Research Day - University of Aveiro, 2016.
  2. Favio Shifres; LAGUNA GROSSO Alejandro (191E-174E-5492). "Indicadores visoespaciales de la articulación fluidez del movimiento en danza". Trabalho apresentado em 11º Meeting of Cognitive Sciences of Music. "Our body in our music", 2013.
Resumo em conferência
  1. LAGUNA GROSSO Alejandro. "From automatisms and biomechanics towards the expressive intention of walking Tango". Trabalho apresentado em I Symposium LAT CAR Study Group. International Council for Traditional. Music, sound, dance and movement in Latin America and the Caribbean. "Time, Identity and Memory", Tuxtla Gutiérrez, 2020.
    Publicado
  2. LAGUNA GROSSO Alejandro. "Participatory Embodiment of the Musical Metric in Argentinian Tango". Trabalho apresentado em 15th International Conference on Music Perception and Cognition, Graz, 2018.
    Publicado
  3. LAGUNA GROSSO Alejandro; Favio Shifres. "The trace of ancient timing. A study on the old style of Villa Urquiza". Trabalho apresentado em Symposium Music, sound, dance and movement in Latin America and the Caribbean. International Council Traditional Music, Salto, 2018.
    Publicado
  4. Shifres, Favio; LAGUNA GROSSO Alejandro. "An Exploration of the Subjective Experience of the Dancer in Synchronizing with Music". Trabalho apresentado em XII Meeting of Cognitive Sciences of Music, San Juan, 2015.
    Publicado
  5. LAGUNA GROSSO Alejandro. "Towards a new paradigm of musical learning in dance". Trabalho apresentado em International Seminar Discovering Dance, Cruz Quebrada, 2011.
    Publicado
  6. LAGUNA GROSSO Alejandro. "O lado menos espontâneo na interacção da música com o movimento". Trabalho apresentado em Segundo Seminário de Investigação Inter-disciplinar, Porto, 2010.
    Publicado
Tese / Dissertação
  1. Alejandro Grosso LAGUNA. "Revision of communication problems in the context of technical dance classes from the perspective of the dance musician". Doutoramento, Universidade de Évora, 2013. http://dspace.uevora.pt/rdpc/handle/10174/16039?mode=full&submit_simple=Show+full+item+record.
Website
  1. LAGUNA GROSSO Alejandro. Visual Spatial Zero Velocity Indicators. 2015. http://visual-spatial-indicators.tumblr.com/.

Artística / Interpretação

Composição musical
  1. Alejandro Grosso Laguna. Danza Café. RTP 1, 2003.
  2. Alejandro Grosso Laguna. Ay María. Warner Chapell SONY Music, 2002.
Interpretação artística
  1. 2014. Organic Movement Exploration. Lisbon, Companhia Olga Roriz | Choreografphie: Tom Collin | Music Performance: Alejandro Laguna.

Outros

Outra produção
  1. Micro Analytical analysis in dance movements. Laboratorial work. Faculty of Human Kinetics. Dance Department. University of Lisbon, 2021. Kinetic and biomechanical comparisons between the human gait cycle and the aesthetic elaborations in walking dance movements. The analysis focuses on the temporal effect that the metric periodicity of the music has on the danced walk, and the negotiations of corporal timing that take place in this context.. 2021. LAGUNA GROSSO Alejandro; Rui Pires; Maria João Alves. https://visual-spatial-indicators.tumblr.com.
  2. Cycle ‘Meetings for the reflection on dance phenomenology’’. Coordination. The objective of the meetings was to carry out readings around the Qualitative dynamics kinaesthetic bodies experiences and looking for their implications in the pedagogy of dance. The cycle was done, during 2017-2018 at the FHK, Dance Department with researchers from INET-md.. 2017.
  3. Microgenesis study of technical dance classrooms. The audiovisual DVD exposes the microgenetic analysis of the internal structure of two 90-minute dance technique classes — Graham technique and Contemporary — performed with live music, according to the system of categories and subcategories developed by the author in his doctoral research... 2012. Alejandro Grosso LAGUNA.
  4. Research Group for Musical Mechanics of Movement (GiMMM). Between 2007 and 2009 the author carried out field work with dancers from the Higher School of Dance on a fortnightly basis, resulting in this DVD. Dancers:Rita Aveiro, Rita Omar, Guest Dancers:Kelly Nakamura, Sofia Carneiro, Rita Cardoso. Video Realization: David La Rua; Sound Edition:Filipe Chagas; Photography Director:Nuno Madeira. Photography: CatarinaLobo; Lourdes Eiras, Mariana Fernándes.. 2009. Laguna Grosso Alejandro.
Técnica de investigação
  1. Zero Velocity Model. Laboratory technique developed by the author in collaboration with Dr. Shifres that allows to divide dance movements (i.e. ballet steps) into discrete units. This promising technique opens the way for a quantitative understanding of rhythm and body dynamics in dance movements. Laguna (2014, 2015, 2017, 2018); Laguna e Shifres (2021, 2011). Investigador. Alejandro Grosso LAGUNA; Favio Shifres.
    Investigador
  2. Technical-methodological-laboratory development on the reflexive and informed practice of movement. Based on the phenomenology of dance and the Background Theory, this technique develops strategies to study the non-propositional knowledge that inhabits the corporal and musical gestures of traditional tango. Weekly activity since April 2020. Until November 2022, 120 sessions have been developed.. Investigador. Alejandro Grosso LAGUNA.
    Investigador
Atividades

Apresentação oral de trabalho

Título da apresentação Nome do evento
Anfitrião (Local do evento)
2022/08/30 Analysis and transmission of non-propositional knowledge. Tango, classical ballet, gyrotonic and high-performance sports II Coloquio Iberoamericano “Imaginación Transdisciplinaria, Neurociencias y Artes Escénicas "
Centro de Estudios para el Arte y la Cultura, Universidad Autónoma de Chiapas (Tuxtla Gutierrez, México)
2021/10/22 Mito milonguero y ensayo metodológico sobre las raíces y fundamentos del baile del tango tradicional [Milonguero myth and methodological essay on the roots and foundations of traditional tango dance] 14º Congreso de Danzas
Escuela de Danzas Tradicionales Argentinas “José Hernández” (La Plata, Argentina)
2020/03/11 From automatisms and biomechanics towards the expressive intention of walking Tango. [De automatismos y biomecánica hacia la intencionalidad expresiva del caminar del tango] I Symposium LAT CAR Study Group. International Council for Traditional Music. Music and Dance in Latin America and the Caribbean. Time, Identity and Memory
Faculty of Music, Chiapas University of Sciences and Arts (Tuxtla Gutiérrez, México)
2018/07/24 Participatory Embodiment of the Musical Metric in Argentinian Tango. https://youtu.be/ax8wlAOSQgw 15th International Conference on Music Perception and Cognition.
European Society for the Cognitive Sciences of Music (Graz)
2018/05/17 The trace of ancient timing. A study on the old style of Villa Urquiza. [La huella del timing antiguo. Un estudio sobre el viejo estilo de Villa Urquiza] Simposio "Música, sonido, danza y movimiento en América Latina y el Caribe"
International Council for Traditional Music. Universidad de la República de Uruguay (Salto, Uruguai)
2017/09/30 Prosody and metrics: paradoxes of communication in dance XIII Meeting of Cognitive Sciences of Music. The Musical experience. "Approaches from research, interpretation, and educational practices".
Conservatorio Gilardo Gilardi (La Plata , Argentina)
2017/09/29 Fundamento biomecánico para el compás musical y el caminar en el tango XIII Meeting of Cognitive Sciences of Music. The Musical experience. "Approaches from research, interpretation, and educational practices".
Conservatorio Gilardo Gilardi (La Plata , Argentina)
2017/09/28 Rhythm, timing and motor perception of the swimming cycle in high competition XIII Meeting of Cognitive Sciences of Music. The Musical experience. "Approaches from research, interpretation, and educational practices".
Conservatorio Gilardo Gilardi (La Plata , Argentina)
2016/06/15 Restricted visual spatiality and semantic evaluations in recognition of the articulation fluency in dance movement Research Day, Universidade de Aveiro.
(Aveiro, Portugal)
2015/09/04 Human communicative musicality. The rhythm and timing in the movements of the dancer and the musician. 1st Interdisciplinary Symposium on Sciences Applied to Dance
Aula Magna of the Faculty of Medicine, University of Buenos Aires. (Buenos Aires, Argentina)
2015/08/28 Musicalidad comunicativa en los ensambles performativos entre bailarines y músicos. Estudio cuantitativo de los componentes de la percepción y la cognición del ritmo métrico en la perspectiva del movimiento. 1ªs Jornadas Internacionales sobre el ritmo en las artes.
Instituto Universitario del Arte. Departamento de Artes de Movimiento
2015/08/14 An exploration of the subjective experience of the dancer syncronizing with the music. XII Meetings for the cognitive sciences of music (ECCoM).
Facultad de Filosofia, Humanidades y Artes Universidad Nacional de San Juan. SACCoM (San Juan, Argentina)
2015/07/11 Inference of musical pulse and spontaneous movement of the foot. [Movimento espontâneo do pé na inferência da pulsação sonora] Performa' 15
Universidade de Aveiro. Departamento de Comunicação e Aartes (Aveiro, Portugal)
2014/08/14 Study of the performance of musical rhythm in dance movements. XII Meetings for the cognitive sciences of music (ECCoM).
Facultad de Filosofia, Humanidades y Artes. Universidad Nacional de San Juan (San Juan, Argentina)
2013/09/12 Conceptualization and embodiment of musical meter in dance technique exercises. [Conceptualización y corporeización de la métrica musical en los ejercicios de técnica de danza] XI Meeting of Cognitive Sciences of Music. "Our body in our music"
Espacio Memoria y derechos humanos. Sociedad argentina para las ciencias cognitivas de la música (Buenos Aires)
2012/10/28 Indicios visuales y auditivos en el ajuste sincrónico del pulso subyacente entre bailarines y acompañantes musicales Músicas e Saberes em trânsito. XI Conference of SIBE
INET-MD. SIBE (Lisboa, Portugal)
2011/11/13 Towards a new paradigm of musical learning in dance. Siddanca 2011. Discovering through Dance
Faculdade de Motricidade Humana. Universidade de Lisboa (Lisboa)
2011/07/22 Indicios viso-espaciales para la localización del punto de impacto en el acompañamiento musical de la danza Xth Meeting for the Cognitive Sciences of Music. Human Musicality: Current Debates on Evolution, Development, and Cognition and Socio-Cultural Implications
Universidad Abierta Interamericana (Buenos Aires, Argentina)
2011/07/21 Analysis of a Divergent Information Case in a Dance Class. [Análisis de un Caso de Información Divergente en una Clase de Danza] Xth Meeting for the Cognitive Sciences of Music. Human Musicality: Current Debates on Evolution, Development and Cognition and Socio-Cultural Implications
Universidad Abierta Latinoamericana (Buenos Aires, Argentina)
2011/05/29 Música, movimento e interconexões Método Dalcroze. Formação Rítmica
Centro de História da Arte e Investigação Artística da Universidade de Évora (Evora, Portugal)
2011/05/19 Timing divergence of multimodal instruction in dance technique classes Performance. Conference on Performance Studies
University of Aveiro. Department of Communication and Art (Aveiro, Portugal)
2010/01/30 O lado menos espontâneo na interacção da música com o movimento II Seminário de Investigação Interdisciplinar. O Corpo como Processo de Trabalho
INET–MD. Faculdade de Motricidade Humana. Universidade Católica Porto. (Porto)
2009/06/26 The attunement perspective of musical performance with movement VIII Meeting of the Argentine Society for Cognitive Sciences of Music. "The Artistic Experience and Musical Cognition”. Universidad Nacional de Villa Maria
Argentine Society for Cognitive Sciences of Music (Villa Maria, Cordoba , Argentina)
2009/06/26 MOVEMENT TIMING VS MUSICAL TIMING. Cross-modal display of a movement phrase VIII Meeting of the Argentine Society for Cognitive Sciences of Music. "The Artistic Experience and Musical Cognition".
Argentine Society for Cognitive Sciences of Music (Villa Maria, Cordoba, Argentina)
2008/07/04 The Musical Image of the Movement. Analysis categories. VIII Meeting of the Argentine Society for Cognitive Sciences of Music. "The Artistic Experience and Musical Cognition”. Facultad de Humanidades y Artes. Universidad Nacional de Rosario
Argentine Society for Cognitive Sciences of Music (Rosario, Argentina)
2008/07/03 The Dance Accompanist. How to identify the underlying beat of a movement phrase. VII Meeting of the Argentine Society for Cognitive Sciences of Music. Objectivity - Subjectivity and Music
Facultad de Humanidades y Artes. Universidad. Nacional de Rosario (Rosario, Santa Fe, Argentina)

Organização de evento

Nome do evento
Tipo de evento (Tipo de participação)
Instituição / Organização
2017/09/28 - 2017/09/30 XIII Meeting of Cognitive Sciences of Music. The Musical experience. Approaches from research, interpretation and educational practices. (2017/09/28 - 2017/09/30)
Encontro (Membro da Comissão Organizadora)
Argentine Society for the Cognitive Sciences of Music, Argentina
2016/02/01 - 2016/06/30 Journeys of performative practices around the body-archive. (2016/06/30)
Encontro (Coorganizador)
Universidade de Lisboa Faculdade de Motricidade Humana, Portugal

Instituto de Etnomusicologia Centro de Estudos em Música e Dança, Portugal
2015/01/01 - 2015 XII Meeting of Cognitive Sciences of Music. The Musical Experience: Body Time and Sound on the Stage of Our Mind. (2015/08/14 - 2015/08/16)
Encontro (Membro da Comissão Organizadora)
Argentine Society for the Cognitive Sciences of Music, Argentina
2011/07/21 - 2011/07/23 X Meeting of Cognitive Sciences of Music. Human Musicality: current debates in Evolution, Development and Cognition and Socio-cultural Implications (2011/07/21 - 2011/07/23)
Encontro (Membro da Comissão Organizadora)
Argentine Society for the Cognitive Sciences of Music, Argentina

Participação em evento

Descrição da atividade
Tipo de evento
Nome do evento
Instituição / Organização
2017/09/28 - 2017/09/30 Conference Moderator
Encontro
La experiencia Musical. Abordajes desde la investigación, la interpretación, y las prácticas educativas
Argentine Society for the Cognitive Sciences of Music, Argentina
2015/08/14 - 2015/08/16 Conference Moderator
Encontro
XII Meeting of Cognitive Sciences of Music. The Musical Experience: Body Time and Sound on the Stage of Our Mind.
Argentine Society for the Cognitive Sciences of Music, Argentina

Júri de grau académico

Tema
Tipo de participação
Nome do candidato (Tipo de grau)
Instituição / Organização
2016 Estudio perceptivo experimental de la expresión coreográfica: espacio, movimiento e influencia de la música
Arguente principal
Fabrizio Meschini (Doutoramento)
Universitat Politècnica de València, Espanha
2015/01/06 Characteristics of non-effector body movement and its relationship with melodic configuration in musical improvisation. [Características del movimiento corporal no efector y su relación con la configuración melódica en la improvisación musical
Arguente principal
Maria Victoria Assinnato (Mestrado)
Universidad Nacional de la Plata, Argentina

Arbitragem científica em conferência

Nome da conferência Local da conferência
2017/09/28 - 2017/09/30 XIII Meeting of Cognitive Sciences of Music. The Musical experience. "Approaches from research, interpretation, and educational practices". [La experiencia Musical: Abordajes desde la investigación, la interpretación, y las prácticas educativas]. La Plata, Argentina
2015/08/13 - 2015/08/15 XII Meeting of Cognitive Sciences of Music. "Body Time and Sound on the Stage of Our Mind”. [Cuerpo Tiempo y Sonido en el Escenario de Nuestra Mente] Universidad Nacional de San Juan Argentina

Arbitragem científica em revista

Nome da revista (ISSN) Editora
2021/12/17 - Atual Revista Estud(i)os de Dança (2184-9951) Centro de Estudos em Artes Performativas (CEAP) e pelo Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-md).

Curso / Disciplina lecionado

Disciplina Curso (Tipo) Instituição / Organização
2021/09/29 - 2021/10/29 Corporalidad, experiencia musical y naturaleza dual del tiempo Degree in Dance (Licence) Centro de Estudios para el arte y la Cultura. Universidad Autónoma de Chiapas, México
2021/05/25 - 2021/05/31 How to think of art from the body. Phenomenological investigation on the construction and transmission of non-propositional kinds of knowledge.¿ PhD in dance (Doutoramento) Faculty of Human Kinetics, Dance Departament, University of Lisbon, Portugal
2020/03/11 - 2020/03/18 The dance of tango from the perspective of movement technique, musicality and participatory creation of meaning. Degree in dance (Licence) Universidad Autónoma de Chiapas, México
2019/03/19 - 2019/03/26 Learning to transmit our movements through musical counts PhD in dance. Laboratory methods (Doutoramento) Faculty of Human Kinetics, Dance Departament, University of Lisbon, Portugal
2017/02/24 - 2017/02/27 Do we consider choreographic counts synonymous with the base-tactus metric level of music? Dance (Pós-Graduação) Faculty of Human Kinetics, Dance Departament, University of Lisbon, Portugal
2016/12/01 - 2016/12/02 Movement of the Body and Musicality. Application of technological resources in the analysis of temporal arts in ecological and interactive contexts. http://leem.fba.unlp.edu.ar/2016/12/21/nueva-sede-de-realizacion-del-workshop-movimiento-del-cuerpo-y-musicalidad/ Embodied Cognition and Movement analysis (Postgraduate Certificate) Laboratory for the Study of Musical Experience. Faculty of Arts. National University of La Plata., Argentina
2016/10/10 - 2016/11/20 Communicative Musicality in Tango movements. Activity of extension and dissemination of knowledge in the context of promoting culture and scientific practices. (Outros) Casa del tango de Rosário, Argentina
2014/06/17 - 2014/06/18 Musicality and Sound Gestures. Towards aquantitative analysis of the performance. Conferences in Human Movement Sciences Doctoral in Human Kinetics (Doutoramento) Faculty of Human Kinetics, Dance Departament, University of Lisbon, Portugal
2014/01/09 - 2014/01/11 Application of Technological Resources in the Analysis of Musical Communication between Dancers and Dance Musicians in Ecological Contexts. Musicality: A kinetic root communication of non-verbal nature Performing Arts Master's Program (Mestrado) Faculty of Human Kinetics, Dance Departament, University of Lisbon, Portugal
2011/05/27 - 2011/05/31 Multimodal Instructions in Dance Technique Classes. The Dalcroze Method course, rhythmic training, Music and Movement (Licenciatura) Universidade de Évora Centro de História de Arte e Investigação Artística, Portugal
2005/09 - 2007/11 Collaborative work between Antonio Carallo (Dancer of the Tanztheater Wuppertal Pina Bausch) and Alejandro Laguna (Dance Musician) Técnica de Dança Contemporânea (Licenciatura) Escola Superior de Dança de Lisboa, Portugal

Membro de associação

Nome da associação Tipo de participação
2017/10 - Atual Institute of Ethnomusicology - Music and Dance Studies. (INET-MD) "Creation, performance and artistic research group". University of Aveiro Integrated PhD member | Post-Doctoral Researcher
2013 - Atual Laboratory for the Study of Musical Experience. Music Department. National University of La Plata. [Laboratorio para el estudio de la Experiencia Musical] Associate Post Doctoral researcher in interinstitutional project
2008/01/01 - 2019/01/01 Argentine Society for Cognitive Sciences of Music. [Sociedad Argentina para las Ciencias Cognitivas de la Música] (SACCoM) Board of Directors
2015/10 - 2017/10 Institute of Ethnomusicology - Music and Dance Studies. (INET-MD). “Dance Studies Group”. Faculdade de Motricidade Humana - Universidade de Lisboa PhD Integrated Research
2008/01 - 2014/03 Centro de Historia da Arte e Investigação Artística - CHAIA - Universidade de Évora Doctorate FCT Fellowship

Revisão ad hoc de artigos em revista

Nome da revista (ISSN) Editora
2021/10/21 - Atual Psychology of Music (0305-7536) Society for Education, Music and PsychologyResearch
2014/06/17 - Atual Transcultural Music Review (1697-0101)

Tutoria

Tópico Nome do aluno
2017 - 2022 Practice-based research focused on phenomenological interpretations of kinetic data and the comparative kinesthetic study between dance and sport Rui Pires